Today's popular champions of atheism are often called New Atheists, because they don't just deny God's existence, they consider it their duty to scorn and ridicule religious belief. In Answering Atheism, Trent Horn responds with a fresh and useful resource, combining a thorough refutation of atheist claims with a skillfully constructed case for theism based on reason and common sense. Uniquely, he advocates a charitable approach that respects atheists' sincerity and good will--making this book suitable not just for believers but for skeptics and seekers too. Meticulously researched, and street-tested in Horn's work as a pro-God apologist, he tackles all the major issues, including: Reconciling human evil and suffering with the existence of a loving, all-powerful God- Does the empirical sciences eliminate the need for God- How atheists deny moral laws in theory but seldom in practice- Why the atheist symbol of the "Flying Spaghetti Monster" is flawed- History's best arguments for the existence of God and more! The secularistic modern world is turning increasingly more hostile to religious believers. Be ready to defend the basic reasonableness of theism.

A demagogue is a tyrant who owes his initial rise to the democratic support of the masses. Huey Long, Hugo Chavez, and Moqtada al-Sadr are all clear examples of this dangerous byproduct of democracy. Demagogue takes a long view of the fight to defend democracy from within, from the brutal general Cleon in ancient Athens, the demagogues who plagued the bloody French Revolution, George W. Bush's naïve democratic experiment in Iraq, and beyond. This compelling narrative weaves stories about some of history's most fascinating figures, including Adolf Hitler, Senator Joe McCarthy, and General Douglas Macarthur, and explains how humanity's urge for liberty can give rise to dark forces that threaten that very freedom. To find the solution to democracy's demagogue problem, the book delves into the stories of four great thinkers who all personally struggled with democracy--Plato, Alexis de Tocqueville, Leo Strauss, and Hannah Arendt.

From a #1 New York Times -bestselling author: The story of Judas Iscariot--and the stunning betrayal that changed the course of history. One of the great dramas of the biblical era is brought to thrilling new life in this epic novel told from the unique perspective of Judas Iscariot himself. This is the story of Judas the myth, condemned by Dante to the most terrifying circle of Hell; Judas the man, the son of wealth and power who fought to suppress the lusts of the flesh and the sin of pride to become one of the twelve original disciples of Jesus Christ; and Judas the apostle, victim of a diabolical lie, history's arch traitor, who sold his Lord for thirty pieces of silver, and sealed his fate with a kiss. From Judas's years as the young rebel of an affluent family undone by his own idealism to his victimization by Pontius Pilate to the crucifixion and Christ's resurrection, I, Judas "read s] like a modern novel of intrigue and thrills" ( Chattanooga Times ). The final entry, following Dear and Glorious Physician and Great Lion of God , in a trilogy celebrating key historical figures of the Bible, it is one of the most powerful and revelatory works of religious fiction ever published.

Alejandro Jodorowsky and Milo Manara's four-part sweeping saga of sex, blood, and religion is collected in a single edition for the first time ever, a perfect companion volume to Dark Horse's award-winning Manara Library series. With breathtakingly beautiful painted artwork by Manara, this account of Italy's first Mafia family is among comics' - and history's - sexiest, most violent and most engaging epics!

Reviewing the major events, trends, and personalities of world history from 8000 BC to the present, the authors offer forecasts about what lies ahead in the next millennium

Japan's Holocaust is a comprehensive exploration of Japan's mass murder and sexual crimes during the Pacific and Asian Wars from 1927 to 1945. Japan's Holocaust combines research conducted in over eighteen research facilities in five nations to explore Imperial Japan's atrocities from 1927 to 1945 during its military expansions and reckless campaigns throughout Asia and the Pacific. This book brings together the most recent scholarship and new primary research to ascertain that Japan claimed a minimum of thirty million lives, slaughtering far more than Hitler's Nazi Germany. Japan's Holocaust shows that Emperor Hirohito not only knew about the atrocities his legions committed, but actually ordered them. He did nothing to stop them when they exceeded even the most depraved person's imagination, as illustrated during the Rape of Nanking as well as many other events. Japan's Holocaust will document in painful detail that the Rape of Nanking was not an isolated event during the Asian War but rather representative of how Japan behaved for all its campaigns throughout Asia and the Pacific from 1927 to 1945. Mass murder, rape, and economic exploitation was Japan's modus operandi during this time period, and whereas Hitler's SS Death's Head outfits attempted to hide their atrocities, Hirohito's legions committed their atrocities out in the open with fanfare and enthusiasm. Moreover, whereas Germany has done much since World War II to atone for its crimes and to document them, Japan has been not with its reparations for its crimes and in its efforts to educate its population about its wartime past. Japan continues, in general, to glorify is criminals and its wartime past. --

Simon Schama brings Britain to life through its portraits, as seen in the five-part BBC series The Face of Britain and the major National Portrait Gallery exhibition Churchill and his painter locked in a struggle of stares and glares; Gainsborough watching his daughters run after a butterfly; a black Othello in the nineteenth century; the poet-artist Rossetti trying to capture on canvas what he couldn't possess in life; a surgeon-artist making studies of wounded faces brought in from the Battle of the Somme; a naked John Lennon five hours before his death. In the age of the hasty glance and the selfie, Simon Schama has written a tour de force about the long exchange of looks from which British portraits have been made over the centuries: images of the modest and the mighty; of friends and lovers; heroes and working people. Each of them - the image-maker, the subject, and the rest of us who get to look at them - are brought unforgettably to life. Together they build into a collective picture of Britain, our past and our present, a look into the mirror of our identity at a moment when we are wondering just who we are. Combining his two great passions, British history and art history, for the first time, Schama's extraordinary storytelling reveals the truth behind the nation's most famous portrayals of power, love, fame, the self, and the people. Mesmerising in its breadth and its panache, and beautifully illustrated, with more than 150 images from the National Portrait Gallery, The Face of Britain will change the way we see our past - and ourselves.

The Stones of Florence is a non-fiction book written by Mary McCarthy, first published in 1959. The book is a travelogue and a cultural exploration of the city of Florence, Italy. The author delves into the history and art of the city, highlighting its rich cultural heritage and the impact of the Renaissance on its architecture, literature, and art. McCarthy takes the reader on a tour of the city, exploring its iconic landmarks such as the Duomo, the Uffizi Gallery, and the Ponte Vecchio. She also examines the city's political and social history, including the role of the Medici family in shaping the city's cultural identity. Through her vivid descriptions and insightful analysis, the author provides a comprehensive portrait of Florence, its people, and its art. The book is a must-read for anyone interested in Italian culture and history, and for those who want to gain a deeper understanding of the city that has inspired countless artists and writers throughout the centuries.Picture And Text Book On Italy. Includes All Aspects Of Florentine Life, From Art And Architecture To Religion And Politics.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

"How do social movements arise, wield power, and decline? Renowned scholar Linda Gordon investigates these questions in a groundbreaking work, narrating the stories of many of America's most influential twentieth-century social movements. Beginning with the turn-of-the-century settlement house movement, Gordon then scrutinizes the 1920s Ku Klux Klan and its successors, the violent American fascist groups of the 1930s. Profiles of two Depression-era movements follow--the Townsend campaign that brought us Social Security and the creation of unemployment aid. Proceeding then to the 1955 Montgomery bus boycott, which inspired the civil rights movement and launched Martin Luther King Jr.'s career, the narrative barrels into the 1960s-70s with Cesar Chavez's farmworkers' union. The concluding chapter illumines the 1970s women's liberation movement through the dramatic story of the Boston-area organizations Bread and Roses and the Combahee River Collective. Separately and together, these seven chapters animate American history, reminding us of the power of collective activism."-- Publisher description

In this rich examination of how we inherit and transform myths, Hans Blumenberg continues his study of the philosophical roots of the modern world. Work on Myth is in five parts. The first two analyze the characteristics of myth and the stages in the West's work on myth, including long discussions of such authors as Freud, Joyce, Cassirer, and Val+1⁄4ry. The latter three parts present a comprehensive account of the history of the Prometheus myth, from Hesiod and Aeschylus to Gide and Kafka. This section includes a detailed analysis of Goethe's lifelong confrontation with the Prometheus myth, which is a unique synthesis of "psychobiography" and history of ideas. Hans Blumenberg is Professor of Philosophy at the University of M++nster. Work on Myth is included in the series Studies in Contemporary German Social Thought, edited by Thomas McCarthy.

June 1, 1967, is a landmark moment not just for the Beatles but also for the world of rock and roll as it marks the release date for one of the most famous albums in the history of modern music. The Beatles and Sgt. Pepper: A Fans' Perspective is about Sgt. Pepper; written by fans for fans. In addition to essays written by Spizer, Al Sussman, Frank Daniels, Piers Hemmingsen, and Bill King. Included are dozens of fan recollections that add a personal touch demonstrating the true impact of the Beatles. This book is a celebration of the most famous band in modern music history and their album, Sgt. Pepper's Lonely Hearts Club Band is considered by many to be the most famous record of rock and roll.

"Hailed as a remarkable literary discovery, a lost novel of heart-stopping intensity and harrowing absurdity about flight and persecution in 1930s Germany"--

While today the Nazi genocide of Jews is seen as a massacre unique in its savagery and a central feature of World War II, in 1933-45 it was accepted in the USA, and in the Western world in general, as one of the many wartime brutalities, almost understandable and predictable. Political leaders, public opinion, and later the Allied military greeted the first news concerning the Nazi persecution and murder of Jews with disbelief; later, when the facts of the Nazi mass murder of Jews became apparent, they tended to conflate the Nazi victimization of Jews with that of other ethnic groups. There was a tendency to diminish the scope of the genocide and even to see it as, at least partly, deserved by the victims. These views found expression in a commonly shared reluctance to receive Jewish refugees from Nazism. Opinion polls of the late 1930s-early 1940s show that the American public was consistently against any relaxation of immigration restrictions. In Western Europe and the rest of the Americas, sentiments were similar: some countries were ready to admit Poles, Czechs, and other refugees, but not Jews. These sentiments can only partly be ascribed to the economic hardships of the 1930s; their main cause was antisemitism, ethnic opposition to the Jewish alien. In the postwar years, the tendency to silence and trivialize the Holocaust persevered; it was only in the 1960s that public opinion recognized the Holocaust as unique. Argues against Peter Novick's view, according to which Holocaust memory initially fell victim to the Cold War. Contends that, in the 1960s, most people thought that the "Jewish question" was finally solved - by emancipation, assimilation and, last but not least, by the Nazi mass murder.

In Nicholas Meyer's The Return of the Pharaoh , Sherlock Holmes returns in an adventure that takes him to Egypt in search of a missing nobleman, a previously undiscovered pharaoh's tomb, and a conspiracy that threatens his very life. With his international bestseller, The Seven Per Cent Solution , Nicholas Meyer brought to light a previously unpublished case of Sherlock Holmes that reinvigorated the world's interest in the first consulting detective. Now, many years later, Meyer is given exclusive access to Dr. Watson's unpublished journal, wherein he details a previously unknown case. In 1910, Dr. John Watson travels to Egypt with his wife Juliet. Her tuberculosis has returned and her doctor recommends a stay at a sanitarium in a dry climate. But while his wife undergoes treatment, Dr. Watson bumps into an old friend--Sherlock Holmes, in disguise and on a case. An English Duke with a penchant for egyptology has disappeared, leading to enquiries from his wife and the Home Office. Holmes has discovered that the missing duke has indeed vanished from his lavish rooms in Cairo and that he was on the trail of a previous undiscovered and unopened tomb. And that he's only the latest Egyptologist to die or disappear under odd circumstances. With the help of Howard Carter, Holmes and Watson are on the trail of something much bigger, more important, and more sinister than an errant lord.

When Juliet Montague's husband disappears, so does she. As far as the conservative Jewish community in which she lives is concerned, she is invisible. She does her best to conform to their rules, but then on her thirtieth birthday she does something unexpected. Instead of the fridge she has scrimped for, she impulsively spends her savings on a portrait of herself. It is the first in a series of portraits that punctuate Juliet's adult life as she joins London's lively post-war art scene and proves to be an astute spotter of talent. Yet she remains an outsider in both her worlds: a mother of two, drawn to a reclusive artist who never leaves Dorset, and unable to feel free until she has found her husband - a quest that leads her to California and a surprising discovery. Absorbing, intriguing and richly evocative, this is the tale of one woman's life and an unusual emotional journey, each stage hinged on a painting. It is a bravura performance by a highly talented young author.

“As far as the education of children is concerned,” states Natalia Ginzburg in this collection of her finest and best-known short essays, “I think they should be taught not the little virtues but the great ones. Not thrift but generosity and an indifference to money; not caution but courage and a contempt for danger; not shrewdness but frankness and a love of truth; not tact but a love of one’s neighbor and self-denial; not a desire for success but a desire to be and to know.” Whether she writes of the loss of a friend, Cesare Pavese; or what is inexpugnable of World War II; or the Abruzzi, where she and her first husband lived in forced residence under Fascist rule; or the importance of silence in our society; or her vocation as a writer; or even a pair of worn-out shoes, Ginzburg brings to her reflections the wisdom of a survivor and the spare, wry, and poetically resonant style her readers have come to recognize. “A glowing light of modern Italian literature . . . Ginzburg’s magic is the utter simplicity of her prose, suddenly illuminated by one word that makes a lightning streak of a plain phrase. . . . As direct and clean as if it were carved in stone, it yet speaks thoughts of the heart.” — The New York Times Book Review

Betafo, a rural community in central Madagascar, is divided between the descendants of nobles and descendants of slaves. Anthropologist David Graeber arrived for fieldwork at the height of tensions attributed to a disastrous communal ordeal two years earlier. As Graeber uncovers the layers of historical, social, and cultural knowledge required to understand this event, he elaborates a new view of power, inequality, and the political role of narrative. Combining theoretical subtlety, a compelling narrative line, and vividly drawn characters, Lost People is a singular contribution to the anthropology of politics and the literature on ethnographic writing.

In January 1961, following eighteen months of litigation that culminated in a federal court order, Hamilton Holmes and Charlayne Hunter became the first black students to enter the University of Georgia. Calvin Trillin, then a reporter for Time Magazine , attended the court fight that led to the admission of Holmes and Hunter and covered their first week at the university--a week that began in relative calm, moved on to a riot and the suspension of the two students "for their own safety," and ended with both returning to the campus under a new court order. Shortly before their graduation in 1963, Trillin came back to Georgia to determine what their college lives had been like. He interviewed not only Holmes and Hunter but also their families, friends, and fellow students, professors, and university administrators. The result was this book--a sharply detailed portrait of how these two young people faced coldness, hostility, and occasional understanding on a southern campus in the midst of a great social change.

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