This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This book is a comprehensive and coherent introduction to the role of cosmic strings and other topological defects in the universe. After an introduction to standard cosmological theory and the theory of phase transitions in the early universe, the book then describes, in turn, the properties, formation, and cosmological implications of cosmic strings, monopoles, domain walls and textures. It concludes with a chapter considering the role of topological defects in inflationary universe models. Ample introductory material is included to make the book readily accessible. It will be of interest to graduate students and researchers in particle physics, astrophysics and cosmology.

In a run-down community hall on the edge of town, a woman has been cooking lunch for those in need. A choir is starting up, run by a volunteer who's looking for a new beginning. A mother is seeking help in her fight to keep her young daughter from being taken into care. An older man sits silently in the corner, the first to arrive, the last to leave. Outside the rain is falling. Alexander Zeldin's new play is the culmination of a trilogy that began with Beyond Caring - 'Unforgettable' (The Times) - and followed by LOVE - 'the National's play of the year, and then some' (Evening Standard). Described as an uncompromising theatrical experience that goes to the heart of our uncertain times it offers a dose of social realism that taps into the humans behind the headlines. This edition was published to coincide with the world premiere at the National Theatre in September 2019.

A group of rich and powerful New Yorkers suddenly discovers that not even they are recession-proof when their perfect Upper East Side lives get turned upside down by the economic collapse.

The world knows well the tale of Tevye, the beloved Jewish dairyman from the shtetl Anatevka of Tsarist Russia. In stories originally written by Sholem Aleichem and then made world-famous in the celebrated musical Fiddler on the Roof, Tevye, his wife Golde, and their five daughters dealt with the outside influences that were encroaching upon their humble lives. But what happened to those remarkable characters after the curtain fell? In After Anatevka, Alexandra Silber picks up where Fiddler left off. Second-eldest daughter Hodel takes center stage as she attempts to join her Socialist-leaning fiancé Perchik to the outer reaches of a Siberian work camp. But before Hodel and Perchik can finally be together, they both face extraordinary hurdles and adversaries-both personal and political-attempting to keep them apart at all costs. After Anatevka is a stunning conclusion to a tale that has gripped audiences around the globe for decades.

'Enlightening ... Funny, smart, original and provocative ... It is hard to imagine the stalwarts of Mock the Week recognising the Druze militia leader Walid Jumblatt in a London cinema' NEW STATESMAN 'Few standups have come close to capturing a fraction of this creative energy in a book ... Alexei Sayle is an exception' GUARDIAN "What I brought to comedy was an authentic working-class voice plus a threat of genuine violence - nobody in Monty Python looked like a hard case who'd kick your head in." In 1971, comedians on the working men's club circuit imagined that they would be free to continue telling their tired, racist, misogynistic gags forever. But their nemesis, a nineteen-year-old Marxist art student, was slowly coming to meet them... Thatcher Stole My Trousers chronicles a time when comedy and politics united in electrifying ways. Recounting the founding of the Comedy Store, the Comic Strip and the Young Ones, and Alexei's friendships with the comedians who - like him - would soon become household names, this is a unique and beguiling blend of social history and memoir. Fascinating, funny, angry and entertaining, it is a story of class and comedy, politics and love, fast cars and why it's difficult to foul a dwarf in a game of football.

Limited to 1000 copies. Volume One contains Knopf's reminiscences and reflections and volume Two discusses the Borzoi imprint. Designed by Warren Chappell. Presentation on front free endpaper "To Harold Kittleson with the best wishes of in another hand Alfred A. Knopf, Blanch Knopf." Slipcase is cracked along top edge. xvi,298; xvi,304 pages. cloth, dust jacket, slipcase.. 8vo..

Pan, 1969. British mass market paperback. Alfred Bester was one of the best SF authors to emerge post- WWII, and this collection of some of his shorter works will delight the reader. Includes: Time Is the Traitor (1953); The Men Who Murdered Mohammed (1958); Out of This World (1964); The Pi Man (1959); The Flowered Thundermug (1964); Will You Wait? (1959); They Don't Make Life Like They Used To (1963).

Lyric and tender one moment, cruel and dizzying the next, this cult classic neither celebrates perversity nor laments it; rather it projects it as part of man's never-ending search for a true self and for transcendent communion with others. In 49 brief, highly cinematic chapters, we meet a series of twisted but sincere searchers--Tomtom Jim and his naked, hungry family; Mary Poorpoor and her utterly "otherly" baby; angry John Doe and his sex slave, James Madison--each in flight from despair. As one surreal episode morphs into the next, these searchers change shape and their journeys change direction; names and identities come and go, storylines collide, and desires intertwine, all with the lightning-quick illogic of a dream. The result is a tragicomic tour de force, an upside-down roadmap to everyone's inner Sodom, a perversely moral (and morally perverse) masterpiece by a modern-day Marquis de Sade.--From publisher description.

The 27th century: beleaguered elites decide to melt the Greenland icecap. Why? - to open up a new continent, for colonisation by the unruly masses. How? - by harvesting the primordial heat of the Earth from Iceland's volcanoes. Nature fights back, and it all goes horribly wrong... In the early 1920s confirmed city-dweller Alfred Doblin - he was 15 before he saw his first cherry tree - became puzzled by a nagging sense of Nature: "I experienced Nature as a secret. Physics as the surface, begging for explanations. Textbooks... knew nothing of the secret. Every day I experienced Nature as the World Being, meaning: weight, colour, light, dark, its countless materials, as a cornucopia of processes that quietly mingle and criss-cross." Readers accustomed to following a story via Plot and Character may at first be disoriented by this epic of the future. Its structure is more symphonic than novelistic, driven by themes and motifs that emerge, fade back, emerge again in new orchestral voicings and new tempi. The prose - supple, rhythmic, harsh, elegiac, tender, unsparing - propels the reader on through scene after vivid scene. Mountains Oceans Giants is a literary counterpart to the painted dreams and nightmares of Hieronymus Bosch, in The Garden of Earthly Delights and The Last Judgement. Alfred Doblin, born in Szczecin in 1878, initially worked as a medical assistant and opened his own practice in Berlin in 1911. Doblin's first novel appeared in 1915/16. His greatest success was the novel Berlin Alexanderplatz published in 1929. In 1933 Doblin emigrated to France and finally to the USA. After the end of the 2nd World War he moved back to Germany, but then moved in 1953 with his family to Paris. He died on June 26, 1957. Berlin Alexanderplatz (translated by Michael Hofman) is published by Penguin in the UK and New York Review Books in the USA.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

For two millennia Christianity has stated that Jesus of Nazareth is the Messiah prophesized about in Jewish scripture. But how have Christians justified these claims? And from what sources do they draw their evidence that Jesus was in fact the Messiah? Biblical scholar, Alfred Edersheim, in an extremely thorough study of Jewish scripture examines how Jesus Christ fulfilled the Messianic hopes of many Old Testament prophecies. Through the course of twelve lectures Edersheim provides brilliant insight into the Old Testament and how the texts within it provide clear evidence of prophecy for the coming of Jesus Christ. Yet, Edersheim does not stop at studying the Old Testament alone but also uses the Pentateuch, the Apocrypha and Pseudepigrapha to provide further examples that Jesus was indeed prophesized about by Jewish texts many centuries before he was born. This book is essential reading for anyone who wishes to understand more fully how Jesus' life was intertwined with old Jewish texts and for those who are looking for a scholarly, yet accessible, account of this fascinating topic. Alfred Edersheim (1825-89) was a Vienna-born biblical scholar who converted from Judaism to Christianity. A veteran minister and missionary to the Jews of Romania, Edersheim left an enduring and priceless legacy to followers of Christ. Among his most widely read works are The Life and Times of Jesus the Messiah, The Temple: Its Ministry and Services, and Bible History Old Testament.

The meaning of the American Revolution has always been a much contested question, and asking it is particularly important today: the standard, easily digested narrative puts the Founding Fathers at the head of a unified movement, failing to acknowledge the deep divisions in Revolutionary-era society and the many different historical interpretations that have followed. Whose American Revolution Was It? speaks both to the ways diverse groups of Americans who lived through the Revolution might have answered that question and to the different ways historians through the decades have interpreted the Revolution for our own time. As the only volume to offer an accessible and sweeping discussion of the period's historiography and its historians, Whose American Revolution Was It? is an essential reference for anyone studying early American history. The first section, by Alfred F. Young, begins in 1925 with historian J. Franklin Jameson and takes the reader through the successive schools of interpretation up to the 1990s. The second section, by Gregory H. Nobles, focuses primarily on the ways present-day historians have expanded our understanding of the broader social history of the Revolution, bringing onto the stage farmers and artisans, who made up the majority of white men, as well as African Americans, Native Americans, and women of all social classes

Tragedy Alfred Hayes, adapted from his best seller Characters: 7 male, 4 female Complete interior set Here is a merciless picture of hardened American conquerors abroad and their impact on pitifully defenseless people. A young American soldier takes on a pretty, fearful Italian girl to while away the tedious occupation. She consents with deep bitterness and restraint; the only jobs and bread are in the American kitchens. The country's pride is fiercely moral and the

While leading an active life, Kazin has faithfully kept diaries from the late 1930s up to the present. A Lifetime Burning in Every Moment offers readers the best of thousands of pages of his journals, comprising an extraordinary picture of intellectual, social, political, and even celebrity life - including such figures as Bernard Berenson, Josephine Herbst, Saul Bellow, Bernard Malamud, Hannah Arendt - during the past five and a half decades. Kazin candidly reflects on his four marriages, his feelings about the Holocaust, his criticism of American society, the pleasure and stimulation of reading good writers (Simone Weil, Ignazio Silone, Joseph Conrad, and Saul Bellow, among others), his need to pray, his travels abroad and within the United States, and more.

Fortunately it's their New York, not ours. Writer Kazin and photographer Finn reveal the most interesting and varied city in America, but be forewarned--it's not a pretty picture. Is this the new Third World? 91/4x121/4". No index. (RC) Annotation copyrighted by Book News, Inc., Portland, OR