An enterprising kid from the Bronx, Howard had one simple - but smart - idea that revolutionized telecommunications. He pioneered what is now an over-a-billion-dollar-a-year-industry, successfully fought off AT&T's aggressive attempts to pull the plug on his operation - then took his own start-up company public, to net over $100 million for himself. And it all began with a hot dog stand, as Jonas relates in this effervescent account of how he became the milionaire nextdoor. "Mr. Jonas enjoys playing David to any Goliath in sight." - The Economist "An Edisonian visionary" - New York Mag. "Score one for the little guy." - Forbes "The advice should prove illuminating and the adventure inspirational to anyone following, or contemplating, a similar self-made journey." - Howard Rothman "Readers won't fail to admire the author's drive, and some will enjoy his humorous approach..." - Publisher's Weekly This book is an entertaining, enlightening, occasionally intense first-person glimpse at Howard's take on life. Look at the world through his eyes and you're guaranteed to see things differently. For readers who enjoyed: Trump: The Art of the Deal (9780345479174) The Warren Buffett Way (9780471743675) Over the Top (9780785271192) Rich Dad, Poor Dad (9780446567404)

This is a new release of the original 1924 edition.

Ghosts trail after us. They are our fears and the shape of our hates. We bring them into our lives and into our homes. Poltergeists and the spirits of drowned girls; malicious presences and portents; cat vampires and roaming bushrangers. These ghosts haunt Canberra - these ghosts can kill. Lil is elegant and troubled. Ann has just retired and is about to divorce: she sees vistas of nothingness in her future. Mabel is wedded to her garden. Kat is fifteen and has tried hard to drop out of life. It takes these four women, one cup of tea at a time, to face the ghosts and other supernatural beings in Canberra. But can they face down the darkness and keep Canberra's streets clear of danger?

In 1915, when the girls of Madame Pennington's finishing school, near London, return from their annual Easter egg hunt, they discover that their beautiful, seventeen-year-old prefect, Madeleine, has disappeared.

A series of violent, life-threatening events disturbs the equilibrium of at least five lives in the port town of Providence

Eli Silver is a pediatrician in Upstate New York who has accidentally let his only child die. The Sorensons are a childless couple who move from house to house, rebuilding old structures in an effort to rebuild their lives. Elizabeth Bean is a working woman-- unmarried, pregnant, and determined to bear her child. The lives of these people intersect, and eventually interlock, through circumstances that involve both the vagaries of bodily functions and emotional extremes, and the love of parents for children and of men and women for each other.

Humor in Early Islam, first published in 1956, is a pioneering study by the versatile and prolific scholar Franz Rosenthal (1914–2003), who (having published an article on mediaeval Arabic blurbs), should have written this text himself. It contains an annotated translation of an Arabic text on a figure who became the subject of many jokes and anecdotes, the greedy and obtuse Ash?ab, a singer who lived in the eighth century but whose literary and fictional life long survived him. The translation is preceded by chapters on the textual sources and on the historical and legendary personalities of Ash?ab; the book ends with a short essay on laughter. Whether or not the jokes will make a modern reader laugh, the book is a valuable source for those seriously interested in a religion or a culture that all too often but unjustly is associated, by outsiders, with an aversion to laughter.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing many of these classic works in affordable, high quality, modern editions, using the original text and artwork.

Thanks to these generous donors for making the publication of the books in this series possible: Lloyd E. Cotsen; The Maurice Amado Foundation; National Endowment for the Humanities; and the National Foundation for Jewish Culture Tales from Arab Lands presents tales from North Africa, Yemen, Lebanon, Syria, and Iraq in the latest volume of the most important collection of Jewish folktales ever published. This is the third book in the multi-volume series in the tradition of Louis Ginzberg?s timeless classic, Legends of the Jews . The tales here and the others in this series have been selected from the Israel Folktale Archives (IFA), named in Honor of Dov Noy, at The University of Haifa, a treasure house of Jewish lore that has remained largely unavailable to the entire world until now. Since the creation of the State of Israel, the IFA has collected more than 20,000 tales from newly arrived immigrants, long-lost stories shared by their families from around the world. The tales come from the major ethno-linguistic communities of the Jewish world and are representative of a wide variety of subjects and motifs, especially rich in Jewish content and context. Each of the tales is accompanied by in-depth commentary that explains the tale's cultural, historical, and literary background and its similarity to other tales in the IFA collection, and extensive scholarly notes. There is also an introduction that describes the culture and its folk narrative tradition, a world map of the areas covered, illustrations, biographies of the collectors and narrators, tale type and motif indexes, a subject index, and a comprehensive bibliography. Until the establishment of the IFA, we had had only limited access to the wide range of Jewish folk narratives. Even in Israel, the gathering place of the most wide-ranging cross-section of world Jewry, these folktales have remained largely unknown. Many of the communities no longer exist as cohesive societies in their representative lands; the Holocaust, migration, and changes in living styles have made the continuation of these tales impossible. This series is a monument to a rich but vanishing oral tradition. This series is a monument to a rich but vanishing oral tradition.

Discusses Jewish identity in America as reflected in the culture of immigrants and descendants of immigrants. Self-hatred or, at least, ambivalence about oneself in the face of native American values is one theme. Ch. 5 (pp. 98-125), "To Make 'a Jew': Projecting Antisemitism in Post-War America", analyzes two novels - Arthur Miller's "Focus" and Saul Bellow's "The Victim" - that explore the psychosocial dimensions of postwar antisemitism. They raise the question whether possibilities of Jewish-Gentile relations might lead to personal and social renovation. In "Focus", a crypto-fascist antisemite who has internalized racist stereotypes finally identifies symbolically as a Jew. In "The Victim", both Jew and Gentile partially overcome their mutual stereotyping. The main Jewish protagonist also overcomes some negative aspects of his self-image.

How is it possible, after the Shoah, to declare one's faith in the God of Israel? Breaking the Tablets is David Weiss Halivni's eloquent and insightful response to this question. Halivni, Auschwitz survivor and one of the greatest Talmudic scholars of the past century, declares that at this time of God's near absence, Jews can still observe the words of the Torah and pray for God to come near again.--Product description

Praised in recent years as a “calculating, improvisatory, essential poet” by Daisy Fried in the New York Times , and as “the foremost poet-critic of our time” by Craig Dworkin, Charles Bernstein is a leading voice in American poetry. Near/Miss , Bernstein’s first poetry collection in five years, is the apotheosis of his late style, thick with off-center rhythms, hilarious riffs, and verbal extravagance. This collection’s title highlights poetry’s ability to graze reality without killing it, and at the same time implies that the poems themselves are wounded by the grief of loss. The book opens with a rollicking satire of difficult poetry—proudly declaring itself “a totally inaccessible poem”—and moves on to the stuff of contrarian pop culture and political cynicism—full of malaprops, mondegreens, nonsequiturs, translations of translations, sardonically vandalized signs, and a hilarious yet sinister feed of blog comments. At the same time, political protest also rubs up against epic collage, through poems exploring the unexpected intimacies and continuities of “our united fates.” These poems engage with works by contemporary painters—including Amy Sillman, Rackstraw Downes, and Etel Adnan—and echo translations of poets ranging from Catullus and Virgil to Goethe, Cruz e Souza, and Kandinsky. Grounded in a politics of multiplicity and dissent, and replete with both sharp edges and subtle intimacies, Near/Miss is full of close encounters of every kind.