No political parties of present-day Germany are separated by a wider gulf than the two parties of labor, one democratic and reformist, the other totalitarian and socialist-revolutionary. Social Democrats and Communists today face each other as bitter political enemies across the front lines of the Cold War; yet they share a common origin in the Social Democratic Party of Imperial Germany. How did they come to go separate ways? By what process did the old party break apart? How did the prewar party prepare the ground for the dissolution of the labor movement in World War I, and for the subsequent extension of Leninism into Germany? To answer these questions is the purpose of Carl Schorske's study.

During the golden years of the; 50's 60's and 70's, Carl Davis, was one of Chicago's hottest music producers and record executives to ever blaze the trails of Chicago's renowned Record Row. This action packed memoir chronicles his rise to prominence and power in a dazzling yet cut-throat music business where only the strongest survived. Mastering the art of cutting a deal to the artistry of cutting wax, Davis' visionary leadership helped forge the legendary Chicago-Sound. From the stage of Chicago's famed Regal Theatre to the bright lights of concert venues throughout the world, his artists were some of the brightest stars of our time. No longer an unsung hero, this autobiography punctuates the tireless efforts and the timeless contributions of one of America's greatest music producers and record company executives. To many he was a friend, to others a businessman, but to his artists and fans throughout the world - he is and will always be - the man behind the music.

This is an Occasional Paper originating from a discussion that took place at a meeting of the Committee on International Security Studies of the American Academy of Arts & Sciences. Chapter 1. U.S. National Security In Search of Balance. Chapter 2. Gambling on Force, Order, and the Implications of Attacking Iraq. Chapter 3. The Economic Consequences of a War with Iraq.

Carl Rakosi was an Objectivist poet who earned comparisons to William Carlos Williams and Wallace Stevens for his humor and lyricism. After a thirty-year career as a social worker, he returned to poetry in 1967 with his collection Amulet and continued to write steadily until his death in 2004.

Poetry. Carl Rakosi remains a key figure in the group of poets formerly known as the Objectivists, that began to publish in the early 1930's. Louis Zukofsky, Charles Reznikoff, and George Oppen have been associated with the group. Today Carl Rakosi continues to write poetry and essays and to give public readings. THE OLD POET'S TALE includes 56 previously uncollected poems, and a new essay, Reflections on my Medium. With the publication of THE EARTH SUITE in 1997 Etruscan Books began to publish Rakosi's COLLECTED WORKS, continued in THE OLD POET'S TALE and two forthcoming volumes.

Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: H. Protection of Deposited Molecules and Present Location of Lunar Deposits of Organic Matter During the time of deposition, the lunar atmosphere would have inhibited thermo- and photo-dissociation of the deposited molecules. As the secondary lunar atmosphere gradually escaped to space, and outgassing declined, the rate of atmospheric organic synthesis decreased and the penetration of short wavelength radiation to the surface increased. In addition, the surface temperature gradually rose, due both to the loss of the insulating atmosphere, and to radioactive heating. The effect of heat and ultraviolet light on the molecules described above is most remarkable. Although the second law of thermodynamics is obeyed, a large fraction of the molecules, with activation energies supplied, partake in organic syntheses of a higher order of complexity. Polypeptides arise from amino acids, hydrocarbon dimers and trimers form long- chain polymers, and in general very complex organic molecules are constructed (v., e.g., Oparin, 1957; Fox, 1956). Finally, because complex molecules are more resistant to heat and radiation than are simpler molecules (at least in part due to the Franck- Rabinowitch cage effect), the syntheses are biased towards the net production of the most complex organic molecules (Gordy, Ard, and Shields, 1955; Sagan, 1957). Although continued radiation and high temperatures would lead to the eventual destruction of all these molecules, we must remember that meteoritic matter was falling into the lunar atmosphere throughout the period of organic synthesis. Whipple (1959) estimates that about 50 gm cm2 of meteoritic matter falls on the Moon each 108 years at present rates of infall. In addition, it is almost certain that the rate of meteoritic infall on the Moon in primi...

57p paperback, a nice copy with 4 or 5 poems with red ink underlining, first edition, all the words are there

Based on research in the Inquisitorial archives, the book recounts the story of a peasant fertility cult centered on the benandanti. These men and women regarded themselves as professional anti-witches, who (in dream-like states) apparently fought ritual battles against witches and wizards, to protect their villages and harvests. If they won, the harvest would be good, if they lost, there would be famine. The inquisitors tried to fit them into their pre-existing images of the witches' sabbat. The result of this cultural clash which lasted over a century, was the slow metamorphosis of the benandanti into their enemies - the witches. The author shows clearly how this transformation of the popular notion of witchcraft was manipulated by the Inquisitors, and disseminated all over Europe and even to the New World. The peasants' fragmented and confused testimony reaches us with immediacy, enabling the reader to identify a level of popular belief which constitutes a valuable witness for the reconstruction of the peasant way of thinking of this age.

First published in 1930, amidst the collapse of socialist ideals and the onset of fascism throughout parts of Europe, Liberal Socialism is a powerful and timely document on the ethics of political action. During his confinement for his anti-fascist beliefs, the Italian political philosopher Carlo Rosselli (1899-1937) wrote this work not only as a critique of fascism, but also as an investigation into the history of Marxism and the need for a liberal reformulation of socialism. In this first English- language edition, Nadia Urbinati highlights both the historical and theoretical importance of Liberal Socialism, which continued to inspire the anti-fascist movement Giustizia e Liberta . long after Rosselli's assassination by Mussolini's agents, and which outlines a possible rebirth of the socialist and democratic movements. Rosselli's analysis provides an illuminating interpretation of the ideological crisis of Marxism, in its positivistic version, during the late nineteenth century and exposes the intellectual weakness of revisionist efforts to delineate new versions of Marx's doctrine. He encourages readers to view socialism as an ethical ideal and to consider whether Marxist or liberal methods combine better with socialism to achieve that ideal. Rosselli opts for a liberal socialism that avoids the shortcomings of uncontrolled laissez-faire but favors state intervention to secure public services and social rights. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. -- "The New Republic"

Prélude Fatidique for Pedal Harp. Fatidique in the French dictionary Larousse is defined as follows: Qui dévoile ce que les destins ont ordonné; or in English: Unveling what Destiny has decreed. A characteristic of the Eight Dances is that they re[resent various locales of the world as well as different eras or periods of time. The Gavotte recalls Versailles and the days of Queen Marie-Antoinette. The Menuet is very powder-puff as the French would say. It also brings back memories of the elegant 18th century. The Polka, or Pulka, originated in Bohemia and Poland. At the age of five, Carlos Salzedo wrote a Polka- his first printed composition- and the memory of that little piece came to him while he was composing this Suite of Dances. He recalled the youthful theme and transformed it, with an added touch of the grotesque. This Siciliana is a modernized conception of a classic Italian dance. The Bolero, like the Spanish Fandango, is of Moroccan origin. We have been made aware of the impact of this dance form by Maurice Ravel s famous Bolero for Orchestra. Carlos Salzedo has revealed within the confines of a shorter Bolero for Harp the tonal resources of that instrument. He has made subtle use of the dynamic range of the harp and had intensified the sonorous effect of the climax by a sudden drop to unexpected softness and a final pianissimo. The Seguidilla is a quick, happy Spanish dance. The Tango, a national dance form of Argentina, is a languorous melody set to the background of a rigid accompaniment. It is similar to the Spanish Habanera, which was imported into Cuba from Africa. The Rumba is a family of music rhythms and dance styles that originated in Africa and were introduced to Cuba and the New World by African slaves. Classic Harp Music For Pedal Harp Intermediate / Advanced / 28 Pages - Prelude Fatidique - Gavotte - Menuet - Polka - Siciliana - Bolero - Seguidilla - Tango - Rumba

After graduating from the University of Texas in 1965, Carol Schwartz, born in Mississippi and raised in Midland, Texas, visited Washington, D.C. She was due to be married in Austin in January and had a job teaching special education there. After a very tough childhood, a happier, less stressful life stood before her. But things changed--with Carol doing the changing. As she puts it, "A magnetic pull drew me to D.C." Carol began a journey that took her away from the familiar to D.C. and the dynamic world of local politics. Then a Republican in a city where Democrats made up nearly 80% of voters, she ran for Mayor and nearly beat Marion Barry in 1994 in the closest Mayoral election in the city's history. In Quite A Life: From Defeat to Defeat ... and Back, Carol talks about growing up on the poor side of the tracks in that small West Texas town, where she was made to work starting from age eight in the family store. There were only a few Jewish families and some prejudice. Carol was often responsible, beginning at age six, for caring for her beloved older brother and only sibling Johnny, who was intellectually disabled. And sadly, she was also the target of a brilliant but full-of-rage father. Carol describes life with her own family--her three kids and husband David, who suffered from severe depression. But despite that, he went from being a child of a limited-means family with student loans to becoming one of the more successful attorneys in a city made up of them. Depression, though, and Jack Daniels ultimately caused David's tragic death when the children were teenagers. Although wounded from her childhood, she leapt over ongoing insecurity and fear to run for the D.C. Board of Education in 1974, where she became an outspoken member and leader. Carol fought against the tide to help create Banneker Academic High School and usher in educational reforms 40 years ago when it was unfashionable and took lots of courage to do it--and which led to test scores increasing. On the D.C. Council starting in 1985, she was a lone voice against bloated budgets that eventually led the city to the financial brink. Carol became an ethical watchdog in a government that too often battled corruption. Spotting government sweetheart deals, she helped root them out as a guardian of taxpayer dollars. And she spearheaded the unanimous passage of sick and safe leave for private sector workers, making D.C. the second jurisdiction in the country to have it. In doing so, she went from being a best friend of business to being viciously targeted by that community. Her passion for the city and its residents inspired her to run for Mayor several times in spite of the odds. But she picked herself up after defeat--as her tough childhood had trained her to do--and kept on ... All the while she championed wins on behalf of the city and its residents in her continuing Council career. Community responsibility has been a lifelong clarion call for Carol. She has volunteered to battle for people with HIV/AIDS and other marginalized groups, and served for nearly two decades on the Board of the Whitman-Walker Clinic, which was at the forefront of that crisis. She became the first woman president of the Metropolitan Police Boys and Girls Clubs in its 61-year history. Her volunteer work of 50 years has touched many people, animals and organizations, and continues. Now an Independent and always a straight-shooter, Carol talks about her life with characteristic candor and her opinions with unbridled honesty--and usually with humor. As Carol says, "If you want someone to give you a sugar-coated synopsis of a life, go elsewhere. But if you want an outspoken personal autobiography--with pictures galore--that also talks about the history of D.C. since Home Rule, gives you behind-the-scenes accounts of chaotic campaigns, as well as the inner-workings of government--all rolled together--come on this ride with me." It's a journey of wins and defeats, and coming back with hope.

An overview of research on differences between the sexes, The Longest War is clear, lively, comprehensive, and provocative without being biased. -- goodreads

Arthur's Theme (Best That You Can Do) * Heartbreaker * Don't Cry Out Loud * Just Friends * Love Always * Maybe * Midnight Blue * Overnight Success * Sometimes Late at Night * You're Moving Out Today * You and Me for Always * Love Power and many, many more.

A visual and written record of the work of pioneer painter-performance artist Carolee Scheemann. Carolee Schneemann is one of the pioneers of performance, installation, and video art. Although other visual artists, such as Salvador Dali and Yves Klein, had used live self-portraiture and performance as a vehicle for public provocation, Schneemann was among the first to use her body to animate the relationship between the world of lived experience and the imagination, as well as issues of the erotic, the sacred, and the taboo. In the 1960s, her work prefigured the feminist movement's sexual self-assertion for women, and by the mid-1970s, her work anticipated the field of women's studies and its critique of patriarchal institutions. In the 1980s, she was one of the first to experiment with virtual environments. Imaging Her Erotics integrates images from Schneemann's works in painting, collage, drawing, and video sculptures with written material drawn from the artist's journals, dream diaries, essays, and lectures. Encompassing four decades of her work, it demonstrates her profound influence on artists in all media. An opening essay by Kristine Stiles presents Schneemann's major themes and places her work in a historical context. Among other topics, the book covers Schneemann's response to the widespread use by artists of the ideas of theoreticians such as Georges Bataille, Jacques Derrida, and Jacques Lacan; her relationship to male artists such as Joseph Cornell, Robert Morris, and Claes Oldenburg; and reminiscences about her friends Ana Mendieta, Charlotte Moorman, and Hannah Wilke. The book also contains essays by Jay Murphy and David Levi-Strauss and interviews with the artist by Kate Haug, Linda Montano, and Aviva Rahmani.

FRAGILE EARTH v1.2 CONTAINS 12 NEW SETS OF BEFORE-AND-AFTER IMAGES, including flooding on the Arabian Peninsular, a dust storm at Sydney Harbour, the expansion of Tehran’s city limits, and ice melting on Hudson Bay. Fragile Earth is a stunning photography app giving a birdseye view of climate change, urbanization and nature’s raw power. It shows what happens to our planet when rivers flood or dry up, mountains erupt, glaciers melt and cities sprawl outward. STUNNING PHOTOGRAPHY APPSee years pass under your fingertips by swiping across before-and-after images. Explore how Dubai has grown from a small city to a thriving metropolis over the last 10 years, or how the notorious Warming Island got its name since 1985.The top photography app contains some of the world’s best environmental images, giving you detailed ecological snapshots from around the globe. Beautiful, shocking and thought-provoking, Fragile Earth provides thought provoking portraits of our world – its beauty, vastness and vulnerability. SEE THE WORLD CHANGE IN FRONT OF YOUR EYES The images can viewed by country/region, category and date. Each can also be shared via facebook, twitter or email. NEW to Fragile Earth v1.2:Flooding, Arabian Peninsula, Oman, Saudi Arabia and United Arab EmiratesCollapsing sea stack, The Twelve Apostles, Victoria, AustraliaDust storm, Sydney Harbour Bridge, New South Wales, AustraliaCity expansion, Tehran, IranRhone Glacier retreat, SwitzerlandWildfire Smog, St Basil’s Cathedral, Moscow, RussiaShrinking lake, Lake Urmia, IranShrinking sea and salt projects, The Dead SeaSea Ice in Bristol Bay, Alaska, United States of AmericaTohoku Tsunami one year on, Ishinomaki, JapanMelting ice, Hudson Bay, CanadaLandscape change, Gulf of Fonseca, Honduras and Nicaragua Developed by Aimer Media, the team behind The Tate Guide to Modern Art Terms and The Worlds Heritage apps.

An elderly black grandmother passes on the story of the family’s Jewish origins to her young granddaughter, Carol Olivia. As family members flee the Spanish Inquisition, are kidnapped by pirates and eventually sail to America, one daughter in each generation is given the name Olivia, from the Hebrew Shulamit meaning “peace,” to honor the Jewish part of their ancestry. Critically-acclaimed author Carolivia Herron (Nappy Hair) shares this engaging, multicultural tale is based on her own family's heritage.

"Once upon a time there were three men who exemplified, without knowing it, my ideal in life. All of them became famous as writers, influential thinkers, and public figures. Their names are Clifton Fadiman, Lionel Trilling, and Jacques Barzun. They met in college, they remained aware of one another as friends or, if less than friends, companions and fellow crusaders on behalf of similar ideals. Although one of them never knew of my existence, the second ignored it, and the third treated me with formal kindness, without them I would have had no concrete model in my youth of what I wanted to become. Theirs was the universe in which I wished to have my being." With these words, Carolyn Heilbrun begins a personal, pointed, and surprisingly moving account of how a woman, destined to become one of the leading feminist critics of her day as well as one of our most popular mystery novelists, found the models for the life she aspired to in men who neither imagined nor countenanced women as their equals or colleagues. Remembering these three figures as they were when she hung upon their printed words and professorial presences, reappraising them now half a century later, Heilbrun vividly evokes what these remarkable individuals had to offer to an admiring young woman who could not acknowledge—and later would not accept—the impossibility of following in their paths. In the admired anthologies, magazine articles, and introductions through which Fadiman transmitted the world of high culture to an educated general public, he indicated no devotion to questions of female destiny; yet long before Heilbrun could imagine the life in the academy that was denied to Fadiman but would eventually be hers, his was the career to which she privately aspired. Later, in her days as a graduate student at Columbia, it was Trilling who would have the most powerful intellectual effect upon her, formulating as he did the tensions inherent in the desire to salvage what was of worth from a sad, almost moribund culture, even if he frankly admitted to no interest in teaching women or in considering their destinies beyond the domestic sphere. Only the courtly Barzun, also a mentor at Columbia, seemed capable of respecting female accomplishment and eschewing stereotyped views of women. Yet together, all three men unconsciously made Heilbrun's life as a feminist possible, by representing both what she wished to join and what she needed to struggle against. When Men Were the Only Models We Had is a loving, admiring, but stringent account of youthful enthusiasms, of the romance of ideas, of the intellectual brilliance of three unwitting mentors, and of the hopelessness of female ambition in the years before the feminist movement of the last three decades of the last century. And it is, in the end, a book that offers splendid proof that the models we once had are no longer the only ones before us.