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Just Say Yes, perhaps the first marijuana memoir ever published, is a positive account of long-term cannabis use. With ruthless honesty and deadpan humor, the author observes the effect of weed upon every aspect of her life: marriage, motherhood, friendship, work, sport, sex. As John Updike wrote about Hiller's short story collection, Skin, this is "good, brave and joyful writing." Ten years after its first publication, the updated edition of Just Say Yes addresses the changing status of cannabis in America and includes a foreword by Steve DeAngelo. "This funny, wry and very candid memoir purports to be a Confession of an American Pot-Smoker but is really a cultural/personal history of the past fifty years. The narrative progresses backward, and not only the past but innocence itself is recaptured." -Phillip Lopate, Nonfiction Director, MFA Writing Program, Columbia University "Likely to loosen up fellow smokers, while adding a personal take to the public discussion of cannabis." -Kirkus Reviews "Brilliant, important, and beautifully written." -Betsy Prioleau, author of Seductress and Swoon

Dedicants of the Crystal Silence League send thoughts and prayers of joy, health, strength, love, success, and protection to all, and, in turn, receive the fruits of mutually supported prayer.If you are able, join our world wide band when your view of the Sun is morning-fresh and again as night-time falls. As the Earth speeds and spins around the Sun, so do the hours succeed one another around this busy globe. As one mind finishes the prayer, another takes it up, always moving Westward, steadily West- ward, a torch of Mind passed in a relay-race of Love and Purpose and Will. Catch the thoughts arising from your East each morning, send your thoughts to those abiding West each night.Now Is the Hour: Let us work for results NOW

The author, who emigrated to the United States with her family in 1980, describes her impressions and memories of the Soviet Union The author, who emigrated to the United States with her family in 1980, describes her impressions and memories of the Soviet Union

Freedom fighter, army general, Israeli ambassador to the United Nations during the turbulent '70s, president of Israel from 1983 to 1993--Chaim Herzog's life has paralleled the life of Israel itself. Now he gives readers a candid and acutely observant account of that life in all its historic and personal richness. Uniquely qualified to put a human face on history, Herzog provides insights into the people with whom he has played a part in the creation of that history. b&w photos.

Despite antisemitic statements uttered by Franco, and despite Nazi-influenced antisemitism in Spain, thousands of Jews were saved during the Holocaust period by fleeing from France into Spain. Franco is also credited with a direct role in saving about 250,000 Sephardic Jews in the Balkans. Studies the historical events and Franco's attitudes and ambivalence, concluding that there is no clear explanation for Franco's actions.

Content's Essays, 1975-1984 is the celebrated introduction to language poetry by one of its leading practitioners, Charles Bernstein. First published in 1986, and now a classic study of the poetry and poetics of late-twentieth-century America, this collection of essays conducts us with wit, intelligence, and consummate style through the elaborate relations between language and culture. Bernstein considers verbal, pictorial, and filmic language to understand why writing is never the unmediated expression of personal feeling but always charged with latent meaning.Addressing a wide range of arts, Bernstein's essays move gracefully from discussions of Mad Max, Stan Brakhage, and Arakawa, to William Carlos Williams, Louis Zukovsky and Jackson Mac Low. Rather than propose grand theories, Bernstein synthesizes the many sets of ideas that are necessary for a practical understanding of contemporary culture. Reading a variety of texts and expanding on his own thinking and method, Bernstein provides a brilliant introduction not only to language writing but to all avant-garde literary ambitions of the last two decades of the century.At once irreverent and deeply serious, as indebted to Groucho Marx as it is to Stanley Cavell, Content's Dream stakes out a clear cultural and aesthetic position for one extraordinary poet, for language poetry, and for our time.

After 9/11, postmodernism and irony were declared dead. Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song. Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking. Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole. Indeed, representation—and related claims to truth and moral certainty—is an active concern throughout the book. The poems of Girly Man may be oblique, satiric, or elusive, but their sense is emphatic. Indeed, Bernstein’s poetry performsits ideas so that they can be experienced as well as understood. A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.

This book is about film, music in films and how this relates to life in general. The author is a Hollywood film composer.