Traces the author's involvement with the Seagram Company, and his experiences and reflections as he learned the running of the business from the ground up.

When Albert of Saxe-Coburg-Gotha married his cousin, the young Queen Victoria, in 1840, it was not only a match whose fertility and personal devotion provided a model for the queen's subjects, it was also a triumph of dynastic politics. It drew the couple deeply into European politics, where their personal and family relationships with many of the rulers often had repercussions at home. Despite the death of Albert in 1861, the marriage of Victoria's children into Europe's royal houses continued the dynastic theme. It was a tragedy for Germany and Europe that Vicky, Victoria's eldest daughter, and her husband, the heir to the German throne were unable to master Bismarck. Albert and Victoria is a portrait of a marriage. It also traces Albert to his unhappy family roots in Coburg and shows how important his attitudes, most of them shared by Victoria, were in their joint dynastic enterprise. >

A firsthand account of how the Bush administration mismanaged its Afghan campaign, A Vulcan's Tale shines new and important light on the events and people behind the headlines in the immediate years following the September 11 attacks. The "Vulcans," so named by Condoleezza Rice, were eight foreign policy experts who advised George W. Bush during his 2000 presidential campaign. After Bush assumed the presidency, the Vulcans helped shape the administration’s foreign policy following 9/11, including the military operations in Afghanistan and Iraq. All were veterans of past administrations, having served under either Ronald Reagan or George H. W. Bush, and they included among their ranks Dov Zakheim. Made comptroller and chief financial officer for the Department of Defense in 2001, Zakheim was also named the DoD’s coordinator for Afghan civilian reconstruction in 2002. In A Vulcan's Tale , Zakheim draws on his own participation and intimate knowledge to analyze how the United States missed critical opportunities while it struggled to manage two wars, particularly the seemingly endless endeavor in Afghanistan. In his view, the Bush administration's disappointing results in Afghanistan were partly attributable to the enormity of the challenges, certainly. But flawed leadership and deficiencies of management, understanding, and forethought all played their parts as well. The power of the purse proved to be especially damaging. The Office of Management and Budget was slow to fund Defense's efforts at the outset of the Afghan conflict and then inadequately funded the State Department and the U.S. Agency for International Development, casting the die for several additional years of conflict. The invasion of Iraq siphoned off critical resources for Afghanistan, thereby further complicating that country's reconstruction. Even with public policy of the highest order, the devil still lurked in the details, as the DoD's "money man" was soon to discover while he struggled to fund and manage the reconstruction of civilian Afghanistan. A Vulcan's Tale is an authoritative, candid but fair account of how a wise and admirable goal can be waylaid by insufficient funding and ineffective coordination, with the result of faulty—or, at best, incomplete—implementation.

"Who Are the Jews ...? tackles perhaps the most urgent question facing the Jewish people today: Given unprecedented denominational tribalism, how can we Jews speak of ourselves in collective terms?"--

A secular regime is toppled by Western intervention, but an Islamic backlash turns the liberators into occupiers. Caught between interventionists at home and fundamentalists abroad, a prime minister flounders as his ministers betray him, alliances fall apart, and a runaway general makes policy in the field. As the media accuse Western soldiers of barbarity and a region slides into chaos, the armies of God clash on an ancient river and an accidental empire arises. This is not the Middle East of the early twenty-first century. It is Africa in the late nineteenth century, when the river Nile became the setting for an extraordinary collision between Europeans, Arabs, and Africans. A human and religious drama, the conflict defined the modern relationship between the West and the Islamic world. The story is not only essential for understanding the modern clash of civilizations but is also a gripping, epic, tragic adventure. "Three Empires on the Nile" tells of the rise of the first modern Islamic state and its fateful encounter with the British Empire of Queen Victoria. Ever since the self-proclaimed Islamic messiah known as the Mahdi gathered an army in the Sudan and besieged and captured Khartoum under its British overlord Charles Gordon, the dream of a new caliphate has haunted modern Islamists. Today, Shiite insurgents call themselves the Mahdi Army, and Sudan remains one of the great fault lines of battle between Muslims and Christians, blacks and Arabs. The nineteenth-century origins of it all were even more dramatic and strange than today's headlines. In the hands of Dominic Green, the story of the Nile's three empires is an epic in the tradition of Kipling, the bard of empire, and Winston Churchill, who fought in the final destruction of the Mahdi's army. It is a sweeping and very modern tale of God and globalization, slavers and strategists, missionaries and messianists. A pro-Western regime collapses from its own corruption, a jihad threatens the global economy, a liberation movement degenerates into a tyrannical cult, military intervention goes wrong, and a temporary occupation lasts for decades. In the rise and fall of empires, we see a parable for our own times and a reminder that, while American military involvement in the Islamic world is the beginning of a new era for America, it is only the latest chapter in an older story for the people of the region.

Shipped from UK, please allow 10 to 21 business days for arrival. Good, A very good, clean, copy.

"In April 1911, Prague artists, writers, and intellectuals often gathered nightly at the Café Louvre, an intellectual center where music was played and high-level discussions were held. Many of the attendees were German-speaking Jews, such as Franz Kafka and his faithful friend Max Brod, Hugo Bergmann, Oskar Kraus, Franz Werfel, the mathematician Georg Pick, and a new arrival to the city, thirty-two-year-old Albert Einstein. Is it possible that Kafka and Einstein met and exchanged ideas? Did they influence each other from a philosophical or deep-thinking perspective? In neither Kafka's nor Einstein's correspondence there is not even the slightest mention of each other. But Einstein and Kafka, two icons of our modern era, serve as the starting point for this book on the enormous contributions in the fields of the empirical sciences, humanities, letters, and arts by individuals of Jewish origin in modernity. In this book, the reader will encounter numerous names in the pages that all spring from the fountainhead of these two antecedents, the Einsteinian and the Kafkian"--

Murder at Wrotham Hill takes the killing in October 1946 of Dagmar Petrzywalski as the catalyst for a compelling and unique meditation on murder and fate. Dagmar, a gentle, eccentric spinster, was the embodiment of Austerity Britain's prudence and thrift. Her murderer Harold Hagger's litany of petty crimes, abandoned wives, sloughed-off identities and desertion was its opposite. The texture of their lives and the impression their experiences made on their characters fated their meeting on that bleak autumn morning - and determined the manner in which both would meet their death. Featuring England's first celebrity policeman, Fabian of the Yard, the celebrated forensic scientist, Keith Simpson, and history's most famous and dedicated hangman, Albert Pierrepoint, this is a gripping and deeply moving book.

A personal narrative celebrating fifty years of David Yurman--as told by David and Sybil Yurman, the founders of America's leading luxury jewelry brand. From their early days in the Bronx, to their success as a leading luxury jewelry company today, Sybil and David have lived and personified the American dream. Their artisan perspective and years spent in the Beat generation, along with their background as key figures in the American Craft movement of the '70s, and fearless approach, propelled them to champion a new category of designer jewelry. Through their artisan's point of view and craftsmanship, they sparked a relaxed and uniquely American category of versatile luxury jewelry that transcends from day to night. In 1970, David sculpted a bronze necklace for his partner and fellow artist as a romantic gesture. They didn't yet know that this gift of wearable-art for Sybil would lead to a business and lifelong collaboration. The Yurmans share here the stories behind their namesake company, elaborating on the transition from craftsmen to entrepreneurs, the birth of their signature cable bracelet, and the expansion into fine jewelry. Through in-depth interviews with Pamela Golbin, Sybil and David trace the brand's evolution, share lessons learned, and highlight experiences spanning five decades. This book features a visual mosaic of striking imagery, showcasing iconic Yurman pieces, cutting-edge materials, and groundbreaking advertising campaigns that have influenced the world of fine jewelry. Jewelry, design, art, and fashion enthusiasts will appreciate this inspirational anniversary book.

Treason of the Heart is an account of British people who took up foreign causes. Not mercenaries, then, but ideologues. Almost all were what today we would call radicals or activists, who thought they knew better than whichever bunch of backward or oppressed people it was that they had come to save. Usually they were applying to others what they saw as the benefits of their culture, and so obviously meritorious was their culture that they were prepared to be violent in imposing it. Some genuinely hated their own country, however, and saw themselves promoting abroad the values their own retrograde government was blocking. The book deals with those like Thomas Paine who saw American independence as the surest means to hurt England; the many who hoped to spread the French revolution and then have Napoleon conquer England; historic characters like Lord Byron and Lawrence of Arabia who fought for the causes that brought them glory; finally those who took up Communism or Nazism. Treason of the Heart is nothing less than the tale of intellectuals deluded about the effect of what they are doing and therefore with immediate reference to today's world.

The battle for the Labour party is dramatic and intense. This is its definitive history. Labour has shifted from the New Left, to New Labour, to Corbynista Labour. Now, it may see power again with a most unlikely group of activists from the 1970s becoming the fourth generation to win power since 1945. Only Clement Attlee, Harold Wilson and Tony Blair have won power from a sitting Conservative government. Of the ten general elections since 1979, Labour has won three, all under Blair. This record of failure, if applied to any other walk of life, would raise the fundamental question of why continue to fight a losing battle? For Labour, it asks whether it is a party of protest – designed only to be a voice from opposition, commenting on the flaws and falsities of Conservative police – or a party of power? Including exclusive interviews with key party members from the 1970s to today including Neil Kinnock, Tony Blair, Ed Miliband and Jon Lansman; and the party's recent struggles with antisemitism and Brexit, this book chronicles the conflicts within the Labour party, the schisms between ideologues and pragmatists, and how these fissures seem destined to keep Labour in opposition.

Oxford University Press paperback. Includes bibliographical references and index. pt. 1: Technology as social production. The wedding of science to the useful arts--1: The rise of science-based industry. The wedding of science to the useful arts--2: The development of technical education. The wedding of science to the useful arts--3: The emergence of the professional engineer. Preservation through change: Corporate engineers and social reform -- pt. 2: Corporate reform as conscious social production. Laying the foundation: Scientific and industrial standardization. The corporation as inventor: Patent-law reform and patent monoply. Science for industry: The organization of industrial and university research. Technology as people: The industrial process of higher education --1. Technology as people: The industrial process of higher education--2. A technology of social production: Modern management and the expansion of engineering. * dss 20081210.

Examinations of Mary's life from Catholic, Protestant, and Jewish viewpoints are accompanied by paintings of her

Contradictory stereotypes about Jewish sexuality pervade modern culture, from Lenny Bruce's hip eroticism to Woody Allen's little man with the big libido (and even bigger sexual neurosis). Does Judaism in fact liberate or repress sexual desire? David Biale does much more than answer that question as he traces Judaism's evolving position on sexuality, from the Bible and Talmud to Zionism up through American attitudes today. What he finds is a persistent conflict between asceticism and gratification, between procreation and pleasure. From the period of the Talmud onward, Biale says, Jewish culture continually struggled with sexual abstinence, attempting to incorporate the virtues of celibacy, as it absorbed them from Greco-Roman and Christian cultures, within a theology of procreation. He explores both the canonical writings of male authorities and the alternative voices of women, drawing from a fascinating range of sources that includes the Book of Ruth, Yiddish literature, the memoirs of the founders of Zionism, and the films of Woody Allen. Biale's historical reconstruction of Jewish sexuality sees the present through the past and the past through the present. He discovers an erotic tradition that is not dogmatic, but a record of real people struggling with questions that have challenged every human culture, and that have relevance for the dilemmas of both Jews and non-Jews today.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In David Adjmi’s contemporary take on the young queen of France, Marie is a confection created by a society that values extravagance and artifice. But France’s love affair with the royals sours as revolution brews, and for Marie, the political suddenly becomes very personal. From the light and breezy banter at the palace to the surging chants of “Liberté, Egalité, Fraternité!” in the streets, Marie Antoinette holds a mirror up to our contemporary society that might just be entertaining itself to death. -- Publisher's website.