This book is the first to evaluate the development of feminist scholarship in various fields within Jewish studies. Eminent scholars in biblical studies, rabbinics, theology, history, literature, sociology, anthropology, philosophy, and film studies assess the state of knowledge about women in each field, analyze how this knowledge has affected the mainstream of the discipline, and propose new questions and concepts to pursue. The authors - Joyce Antler, Lynn Davidman, Tikva Frymer-Kensky, Judith Hauptman, Paula E. Hyman, Sonya Michel, Judith Plaskow, Susan Starr Sered, Naomi Sokoloff, Shelly Tenenbaum, and Hava Tirosh-Rothschild - consider a range of fascinating issues.Among them are: whether Jewish culture is as patriarchal as is typically assumed; how gender arrangements in Jewish life are shaped by the structures and culture of the larger societies in which Jews live; the different ways in which changes in Jewish families over time and place are experienced by women and by men; whether women or men have been more reluctant to assimilate; and how segregation of the sexes has affected women's autonomy in different periods and locations in Jewish history. Together, the articles present a strong argument for the inclusion of gender as a category of analysis in all fields of Jewish studies.

This book consists of ten essays that examine the ways in which language has been used to evoke what Lawrence L. Langer calls the ‘deathscape’ and the ‘hopescape’ of the Holocaust. The chapters in this collection probe the diverse impacts that site visits, memoirs, survivor testimonies, psychological studies, literature and art have on our response to the atrocities committed by the Germans during World War II. Langer also considers the misunderstandings caused by erroneous, embellished and sentimental accounts of the catastrophe, and explores some reasons why they continue to enter public and printed discourse with such ease.

"Suppose there is something going on in the universe which is to ordinary, everyday reality as our unconcious is to our daily lives? Softly, but unmistakably guiding it. Most of the time, we are unaware of it. Yet, every now and then, on account of some 'fluke, ' we are startled by the results of its presence. We realize we have been part of something with neither consciousness nor consent. It is so sweet--and then it is gone. You say, 'But I don't believe in God.' And I ask, 'What makes you think it matters to God?"' --from Lawrence Kushner, whose previous books have opened up new spiritual possibilities, now tells us stories in a new literary form. Through his everyday encounters with family, friends, colleagues and strangers, Kushner takes us deeply into our lives, finding flashes of spiritual insight in the process. Such otherwise ordinary moments as fighting with his children, shopping for bargain basement clothes, or just watching a movie are revealed to be touchstones for the sacred. This is a book where literature meets spirituality, where the sacred meets the ordinary, and, above all, where people of all faiths, all backgrounds can meet one another and themselves. Kushner ties together the stories of our lives into a roadmap showing how everything "ordinary" is supercharged with meaning--if we can just see it.

Kenneth Goldsmith's Theory offers an unprecedented reading of the contemporary world: 500 texts – from poems and musings to short stories – printed on 500 pages assembled in the form of a ream of paper. Curated by the author-poet, this unique collection maps out the various issues and trends in contemporary literature in a world currently being shaken up by everything online and digital,and calls for the reinvention of creative forms.

This is a definitive, informed book about adolescence based on the advice of experts, interviews with parents and their children and coming of age literature.

The dawning of the nineteenth century found the Jews of Eastern Europe torn between the forces of progress and reaction as they took their first tentative steps toward the modern world. In a war of words and of books, Haskaia-the Jewish Enlightenment-did battle with the religious revival movement known as Hasidism. Perl, an ardent advocate of Enlightenment, unleashed the opening salvo with the publication in 1819 of Revealer of Secrets . The novel tried to pass itself off as a hasidic holy book when it was, in fact, a broadside against Hasidism-a parody of its teachings and of the language of its holy books. The outraged hasidim responded by buying up and burning as many copies as they could. Dov Taylor's careful translation and commentary make this classic of Hebrew literature available and accessible to the contemporary English-speaking reader while preserving the integrity and bite of Perl's original. With Hasidism presently enjoying a remarkable rebirth, the issues in Revealer of Secrets are all the more relevant to those seeking to balance reason and faith. As the first Hebrew novel, the work will also be of great interest to students of modern Hebrew literature and modern Jewish history.

Born in Munich in 1896, Josef Breitenbach began taking photographs while working in the family wine merchant business. Proving less than successful at the latter, he opened his first photographic studio in 1932. Munich at that time was a stronghold of libertarians and bons vivants, and Breitenbach's clients included actors, cabaret stars, writers and political figures. It was a short-lived venture; when Hitler became Chancellor in 1933, the photographer escaped to Paris, where he stayed for the next six years. There, Breitenbach's close friendship with Max Ernst, and his experimentation with printing techniques and color manipulation, brought him into contact with the thriving Surrealist movement, although he never became a member of that group. His work was included in a number of exhibitions, alongside that of Man Ray, Brassai and Cartier-Bresson. After the outbreak of war, and a period of internment, he fled to New York and established himself as a teacher and commercial photographer. However, his early work remained unseen until its surprise discovery, after his death, in 1984. Published in association with The Josef Breitenbach Trust, Manifesto is an important addition to the literature available on this extraordinary artist.

Chall, Sue S. Conard, and Susan Harris-Sharples explore the issue of textbook difficulty through a review of the literature; surveys of educational publishers, textbook adoption committees, teachers, and students; and analyses of textbooks, their accompanying teachers' manuals, and methods textbooks. Annotation copyrighted by Book News, Inc., Portland, OR

"Jean Wahl (1888-1974), once considered by the likes of Georges Bataille, Gilles Deleuze, Emmanuel Levinas, and Gabriel Marcel to be among the greatest French philosophers, has today nearly been forgotten outside France. Yet his influence on French philosophical thought can hardly be overestimated. Levinas wrote that "during over a half century of teaching and research, [Wahl] was the life force of the academic, extra-academic, and even, to a degree, anti-academic philosophy necessary to a great culture." And Deleuze, for his part, commented that "Apart from Sartre, who remained caught none the less in the trap of the verb to be, the most important philosopher in France was Jean Wahl." Besides engaging with the likes of Bataille, Bergson, Deleuze, Derrida, Levinas, Maritain, and Sartre, Wahl also played a significant role, in some cases almost singlehandedly, in introducing French philosophy to movements like existentialism, and American pragmatism and literature, and thinkers like Hegel, Kierkegaard, Nietzsche, Jaspers, and Heidegger. Yet Wahl was also an original philosopher and poet in his own right. This volume of selections from Wahl's philosophical writings makes a selection of his most important work available to the English-speaking philosophical community for the first time."--

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

From the critically acclaimed author ofThe Memory Cathedralcomes perhaps the most powerful, haunting, and unforgettable novel of the Civil War--or any war--ever written. Provocative, poetic, and disturbing, it introduces us to a young narrator, Mundy McDowell, whose voice rivals any in literature, bringing poignantly to life the surreal horrors of battle and its spiritual cost to human survival. I was scarce twelve the day the damn Yankees invaded the valley. I seen a lot that day I ain't never gonna forget. Men blown apart, screamin' and dyin' all around me. I was wandering in the woods like I wasn't supposed to and wound up right in the middle of the battle. And that's what I suppose saved me. When I got back home the main house was burning to the ground. I saw two men wearin' bits and pieces of 'Federate and Yank uniforms. They killed Poppa right off, and Mother they dragged into the front yard before they killed her too. I reckon that was the day I first got the knack of being invisible. The spirit dog seen me right off, though. He was big and black and smelled like burning. His eyes were like red coals and everywhere he went, it seemed death followed. Him and me, we mostly traveled together after that. I passed through midnight fields of dead and dying soldiers, reeking makeshift field hospitals worse than hell itself; climbed into the mountains where the runaway slaves hid; and walked through towns shattered by the passage of the war. I met a lot of people, some of them living and some of them just memories. There was Jimmadasin, the slave who died on my account, and Mammy Jack, who taught me to see visions; the gallant Colonel Ashby, who let me ride by his side, and, of course, the mulatto whore Lucy, who saved my life twice. Last but not least, there was mad but brilliant General Jackson, who was probably responsible for putting more men in their graves than any other during the Shenandoah campaign. Whether he was a hero or a demon I never did determine, but I wish I had never met him at all. And through it all I remained silent. The power of speech left me the day my parents were killed and I first saw the spirit dog. You see, the whole time I was wandering through that valley of death I was deciding on whether to go back to being human or to become a spirit myself, and that's what this book is all about. From the Hardcover edition.

The Ten Commandments In A Changing World by Isaac Klein is a book that explores the relevance of the Ten Commandments in contemporary society. The author argues that the Ten Commandments are not just a set of outdated laws but are still relevant and necessary in today's changing world. The book provides a detailed analysis of each commandment and its significance in modern times. It also examines the historical and cultural context in which the commandments were given, and how they have been interpreted over time. The author draws on a wide range of sources, including biblical texts, Jewish and Christian traditions, and contemporary ethical and moral theories. The book is written in a clear and accessible style, making it suitable for both scholars and general readers. It is an insightful and thought-provoking work that challenges readers to reconsider the importance of the Ten Commandments in their own lives and in society as a whole.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

The Advances in Chemical Physics series provides the chemical physics and physical chemistry fields with a forum for critical, authoritative evaluations of advances in every area of the discipline. Filled with cutting-edge research reported in a cohesive manner not found elsewhere in the literature, each volume of the Advances in Chemical Physics series serves as the perfect supplement to any advanced graduate class devoted to the study of chemical physics.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

This lofty volume analyzes a circular cultural relationship: not only how trauma is reflected in cultural processes and products, but also how trauma itself acts as a critical shaper of literature, the visual and performing arts, architecture, and religion and mythmaking. The political power of trauma is seen through US, Israeli, and Japanese art forms as they reflect varied roles of perpetrator, victim, and witness. Traumatic complexities are traced from spirituality to movement, philosophy to trauma theory. And essays on authors such as Kafka, Plath, and Cormac McCarthy examine how narrative can blur the boundaries of personal and collective experience. Among the topics covered: Television: a traumatic culture. From Hiroshima to Fukushima: comics and animation as subversive agents of memory in Japan. The death of the witness in the era of testimony: Primo Levi and Georges Perec. Sigmund Freud’s Moses and Monotheism and the possibility of writing a traumatic history of religion. Placing collective trauma within its social context: the case of the 9/11 attacks. Killing the killer: rampage and gun rights as a syndrome. This volume appeals to multiple readerships including researchers and clinicians, sociologists, anthropologists, historians, and media researchers.

The German Opposition to Hitler: An Appraisal by Hans Rothfels is a comprehensive analysis of the various groups and individuals who opposed Adolf Hitler and the Nazi regime during the Third Reich. The book explores the motivations, strategies, and actions of these opposition forces, including the conservative and liberal elites, the socialist and communist parties, and the military resistance. Rothfels also examines the challenges and limitations faced by these groups, such as the lack of unity, the fear of repression, and the difficulty of coordinating their efforts. The book provides a nuanced and critical assessment of the German resistance, highlighting both their achievements and their failures in the face of Nazi tyranny. It is a valuable resource for anyone interested in the history of World War II, the Holocaust, and the struggle against fascism.The Humanist Library.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This collective memoir of the Bloomington, Indiana High School Class of 1968 chronicles the transformation of clean-cut midwestern teens grappling with issues that would touch the rest of their lives. Chuck Walls, a young English teacher turned them on to edgy literature, music---and marijuana. His life was short but remains consequential to more than a hundred people who spoke candidly to the authors. Hiding his sexuality was mandatory and we see how it led to the demise of a gifted yet troubled teacher. His arrest and tragic death, still wreathed in mystery, continue to haunt the minds of the Class of 1968.

Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing's books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing's titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work.We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates.

The Chess Mind lucidly presents a modern and original approach to an old game. This is the first authoritative attempt to make the Chess player conscious of his intellectual processes, and so to help him in the use and control of his mental powers whenever he plays. The book contains some hundreds of Chess 'gems,' including a large number of annotated games. These are presented and analyzed, both as instructive Chess and in order to show the nature of the thinking that operates in Master-play. Many aspects and degrees of mental activity are illustrated on the chess Vision or Intuition, reasoning, Calculation, Imagination, Memory, and will Power. Individual style and psychological causes of error are also investigated. In studying the examples that reveal these factors in action, the reader is learning some of the underlying principles of Strategy, and some Chess technique. He is at once improving his game, and finding an importance for Chess in his general educational equipment. In days when mental processes are being questioned - the days of Technocracy and Chess machines - this book is a corrective to conventional approaches. It is independently valuable as a contribution to Chess literature and to Psychology.

“We have no more beginnings,” George Steiner begins in this, his most radical book to date. A far-reaching exploration of the idea of creation in Western thought, literature, religion, and history, this volume can fairly be called a magnum opus. He reflects on the different ways we have of talking about beginnings, on the “core-tiredness” that pervades our end-of-the-millennium spirit, and on the changing grammar of our discussions about the end of Western art and culture. With his well-known elegance of style and intellectual range, Steiner probes deeply into the driving forces of the human spirit and our perception of Western civilization’s lengthening afternoon shadows. Roaming across topics as diverse as the Hebrew Bible, the history of science and mathematics, the ontology of Heidegger, and the poetry of Paul Celan, Steiner examines how the twentieth century has placed in doubt the rationale and credibility of a future tense—the existence of hope. Acknowledging that technology and science may have replaced art and literature as the driving forces in our culture, Steiner warns that this has not happened without a significant loss. The forces of technology and science alone fail to illuminate inevitable human questions regarding value, faith, and meaning. And yet it is difficult to believe that the story out of Genesis has ended, Steiner observes, and he concludes this masterful volume of reflections with an eloquent evocation of the endlessness of beginnings.