At the age of fourteen, Sappho is seduced by the beautiful poet Alcaeus and plots with him to overthrow the dictator of their island. When they are caught, she is married off to a repellent older man in hopes that matrimony will keep her out of trouble. Instead, it starts her off on a series of amorous adventures with both men and women, taking her from Delphi to Egypt, and even to the Land of the Amazons and the shadowy realm of Hades. Complemented by Erica Jong's new translations of Sappho's fragments, as well as nine of the author's own poems about the epic poet who shaped all our understandings of poetic verse, Sappho's Leap is not to be missed. Jong's Sappho is one of her most unforgettable and exuberant heroines.

A story of Venice today and Venice in its illustrious past, this novel gives the reader a portrait of the modern-day film world and a clue to the passions behind Shakespeare's most enigmatic work. Jessica Pruitt, a Hollywood actress in her forties has come to Venice to judge the film festival.

When the beautiful Jessica Pruitt arrives in Venice to star in a film based on The Merchant of Venice, she is preoccupied: she has recently lost custody of her daughter, and as an older actress she is increasingly aware of the difficulty of landing leading roles. One day, as she wanders through an old Jewish ghetto, Jessica is magically transported to sixteenth-century Venice where she finds herself the heroine of "Will" Shakespeare's play. Immediately attracted to the younger playwright, Jessica enters into an intensely passionate love affair that defies time and place. Reading group guide included.

Erica Jong, the author of Fear of Flying, was a correspondent and friend of Henry Miller for the last decade of his life. In this blend of biography, autobiography, scholarship and polemic, she sets out to re-evaluate Miller's work and to rescue him from charges of misogyny and titillation. The book contains Jong's own correspondence with Miller, and also examines the background to the diaries of Anais Nin.

Erich Auerbach (1892-1957), best known for his classic literary study Mimesis, is celebrated today as a founder of comparative literature, a forerunner of secular criticism, and a prophet of global literary studies. This book presents a selection of Auerbach's essays, many of which are little known outside the German-speaking world

s/t: An Inquiry into the Facts and Fictions of Foreign Policy

s/ A Sociopsychoanalytic Study

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1982, Paperback, 263 pages

Foreword Introduction The Upanishads -- Gautama -- Shin Ichi Hisamatsu -- The Bible -- Heraclitus -- Empedocles -- Sophocles -- Socrates and Plato -- Aristotle -- Lucretius -- Epictetus -- Plotinus -- Sextus Empiricus -- Saint Gregory of Nyssa -- Saint Augustine -- Saint Thomas Aquinas -- Meister Eckhart -- Nicolaus Cusanus -- Marsillo Ficino -- Pietro Popponazzi -- Giovanni Pico della Mirandola -- Erasmus of Rotterdam -- Martin Luther -- Thomas More -- Juan Luis Vives -- Paracelsus -- Saint Teresa of Avila -- Saint John of the Cross -- Michel de Montaine -- Rene Descartes -- Baruch Spinoza -- Blaise Pascal -- Gottfried Wilhelm Leibniz -- Francis Bacon -- Thomas Hobbes -- John Locke -- David Hume -- Giambattista Vico -- Jean-Jacques Rousseau -- Immanuel Kant -- Georg Wilhelm Friedrich Hegel -- Johann Gottfrid Herder -- Jeremy Bentham -- Arthur Schopenhauer -- Auguste Comte -- Ralph Waldo Emerson -- Ludwig Feuerbach -- Karl Marx -- Soren Kierkegaard -- Friedrch Nietzsche -- William James -- John Dewey -- Sigmund Freud -- Carl Gustav Jung -- Henri Bergson -- Edmund Husserl -- Alfred North Whitehead -- Miguel de Unamuno -- Antonio Machado -- Max Scheler -- Nicolas Berdyaev -- Pierre Teilhard de Chardin -- Jose Ortega y Gasset -- Martin Heidegger -- Francisco Romero -- Lewis Mumford -- Erich Fromm -- Jean Paul Sartre -- Simone Weil -- Edith Stein -- Adam Schaff -- David Riesman Bibliography

Erich Heller is probably the finest critic of German literature now writing. As evidence one need only mention The Disinherited Mind and Thomas Mann: The Ironic German. These are works which illuminate the literary consciousness at many levels, combining scholarly precision with highly adventurous forays into the psychology and artistic development of their subjects, and which manage, as so many learned studies do not, to capture a particular sensibility and its relevance to culture in general. Alive, original, acute, Heller's judgments have moreover a wide philosophical range, a talent eminently displayed in the seven superb essays under discussion here. Two of them tackle the thorny area of Romanticism and Realism and show the interlocking paradoxical nature of each. Three of them consider the meaning of Hegel, Nietzsche and Wittgenstein especially as reflected through the dilemma of human inwardness, whether in Hamlet, Rilke's Elegies, or in religious, historical, philological questions of salvation and ethics. The first essay elaborates on the various versions of the Faust legend as encountered in Marlowe, Goethe and Mann, and the second achieves the extraordinary feat of making Schiller's poetic dramas and ""Beautiful Soul"" ideal a fascinating and moving experience. The whole collection is one of imposing dimensions, profound, gracefully written, thorough. https://www.kirkusreviews.com/book-re... Contents: Faust's damnation: the morality of knowledge.-- In two minds about Schiller.-- The romantic expectation.-- The realistic fallacy.-- The artist's journey into the interior: a Hegelian prophecy and its fulfillment.-- The importance of Nietzsche.-- Wittgenstein and Nietzsche.

Book by Francis A. Schaeffer

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"An excellent piece of writing, exhibiting splendid communicative sensitivity and command of language, and fully representative of the remarkable mind of the author. . . . A book any musician, or any serious student or concertgoer, will find stimulating, provocative and instructive." -Robert C. Marsh, Chicago Sun-Times "Wise, detailed and valuable book. . . . Should become a set text for all performing artists."-Andrew Porter, The New Yorker "Throughout the book, Leinsdorf displays his knowledge and wisdom with a near total lack of pretense or vanity. This work would be considered one of the most significant books on conducting ever written, ranking in importance with those of Wagner and Weingartner. Its scope, however, suggests that it should be read not only by conductors but by ever practicing musician."-Robert Johnson, Music Library Association Notes

Well-illustrated with photographs.

Erich Mühsam (187S-1934), poet, bohemian, revolutionary, remains one of Germany's most renowned and influential anarchists. Born into a middle-class Jewish family, he challenged the conventions of bourgeois society at the turn of the century, engaged in heated debates on the rights of women and homosexuals, and traveled Europe in search of radical communes and artist colonies. He was a primary instigator of the ill-fated Bavarian Council Republic in 1919, and held the libertarian banner high during a Weimar Republic that came under increasing threat by right-wing forces. In 1933, four weeks after HitlerÆs ascension to power, Mühsam was arrested in his Berlin home. He spent the last sixteen months of his life in detention and died in the Oranienburg Concentration Camp in July 1934. Mühsam wrote poetry, plays, essays, articles, and diaries. His work unites a burning desire for individual liberation with anarcho-communist convictions, and bohemian strains with syndicalist tendencies. The body of his writings is immense, yet hardly any English translations have existed. This collection presents not only Liberating Society from the State: What is Communist Anarchism? MühsamÆs main political pamphlet and one of the key texts in the history of German anarchism, but also letters, unbending defenses of political prisoners, passionate calls for solidarity with the lumpenproletariat, recollections of the utopian community of Monte Verita, debates on the rights of homosexuals and women, excerpts from his journals, and essays contemplating German politics and anarchist theory as well as Jewish identity and the role of intellectuals in the class struggle. An appendix documents the fate of Zenzl Mühsam, who, after her husband's death, escaped to the Soviet Union where she spent twenty years in Gulag camps. Book jacket.