In the mid-seventies, a new area of research has emerged in subsurface hydrology, namely sto chastic modeling of flow and transport. This development has been motivated by the recognition of the ubiquitous presence of heterogeneities in natural formations and of their effect upon transport and flow, on the one hand, and by the vast expansion of computational capability provided by elec tronic machines, on the other. Apart from this, one of the areas in which spatial variability of for mation properties plays a cardinal role is of contaminant transport, a subject of growing interest and concern. I have been quite fortunate to be engaged in research in this area from its inception and to wit ness the rapid growth of the community and of the literature on spatial variability and its impact upon subsurface hydrology. In view of this increasing interest, I decided a few years ago that it would be useful to present the subject in a systematic and comprehensive manner in order to help those who wish to engage themselves in research or application of this new field. I viewed as my primary task to analyze the large scale heterogeneity of aquifers and its effect, presuming that the reader already possesses a background in traditional hydrology. This is achieved in Parts 3, 4 and 5 of the text which incorporate the pertinent material."

"Pale Blue Ink in a Lady's Hand is, in many ways, a prequel to what is known as Holocaust literature. It involves a long-suppressed love triangle between Leonidas Tachezy, a high-level Austrian career bureaucrat, his younger, trophy wife Amelie, and a Jewish woman from his past, Vera Wormser, with whom he'd fallen in love when she was fourteen."--Page 4 of cover.

"Comprising years of black humor stories about a living voodoo doll, a serial killer sitcom, truly real live sex, a disco skinhead, an urbane devil puppet, classic works of literature acted out by Fisher-Price toys, and more absurdity--this is a must have for Dorkin fans! "--

In this important study Ernst Cassirer analyzes the non-rational thought processes that go to make up culture. He demonstrates that beneath both language and myth there lies an unconscious "grammar" of experience, whose categories and canons are not those of logical thought. He shows that this prelogical "logic" is not merely an undeveloped state of rationality, but something basically different, and that this archaic mode of thought still has enormous power over even our most rigorous thought, in language, poetry and myth. The author analyzes brilliantly such seemingly diverse (yet related) phenomena as the metaphysics of the Bhagavat Gita, the Melanesian concept of Mana, the Naturphilosophie of Schelling, modern poetry, Ancient Egyptian religion, and symbolic logic. He covers a vast range of material that is all too often neglected in studies of human thought. These six essays are of great interest to the student of philosophy or the philosophy of science, the historian, or the anthropologist. They are also remarkably timely for students of literature, what with the enormous emphasis placed upon "myth" in modern literary speculation. This book is not superficial speculation by a dabbler, but a penetrating study by one of the most profound and sensitive philosophic minds of our time.

Few encounters in antiquity have had more profound consequences than the encounter between Greek culture and that of Republican Rome during the third and second centuries B.C. Focusing on the response of the ruling elites, for whom Hellenic literature, religion, and visual arts were at once intimidating and irresistibly appealing, Erich S. Gruen offers a compelling account of the assimilation and adaptation of Greek culture by the Romans. Gruen examines such key cultural developments in the history of Republican Rome as the adaptation of the legend of Troy to create a special place for Rome within Hellenic traditions, and Cato's campaign to distinguish Roman cultural achievements by comparing them to those of the Greeks. He describes the diverse purposes - civic, religious, and political - for which the Romans used Greek art, as well as the development of distinctively Roman artistic expression in portraiture, historical reliefs, and comic drama within a Hellenic context. In addition, he accounts for the perseverance of two competing strains within Republican Roman culture: on the one hand, philhellenism, and on the other, the subordination of the Greek legacy within the living Roman tradition. Gruen shows that this complex process of cultural transformation served to sharpen the Romans' sense of their own values, their national character, and their international responsibilities. Demonstrating that the Roman response to Hellenism was far more subtle and dynamic than has generally been acknowledged, Culture and National Identity in Republican Rome will be welcomed as an outstanding contribution by readers interested in ancient history, classical literature, and the history of art.

Between the Middle East and the Americas: The Cultural Politics of Diaspora traces the production and circulation of discourses about "the Middle East" across various cultural sites, against the historical backdrop of cross-Atlantic Mahjar flows. The book highlights the fraught and ambivalent situation of Arabs/Muslims in the Americas, where they are at once celebrated and demonized, integrated and marginalized, simultaneously invisible and spectacularly visible. The essays cover such themes as Arab hip-hop's transnational imaginary; gender/sexuality and the Muslim digital diaspora; patriotic drama and the media's War on Terror; the global negotiation of the Prophet Mohammad cartoons controversy; the Latin American paradoxes of Turcophobia/Turcophilia; the ambiguities of the bellydancing fad; French and American commodification of Rumi spirituality; the reception of Iranian memoirs as cultural domestication; and the politics of translation of Turkish novels into English. Taken together, the essays analyze the hegemonic discourses that position "the Middle East" as a consumable exoticized object, while also developing complex understandings of self-representation in literature, cinema/TV, music, performance, visual culture, and digital spaces. Charting the shifting significations of differing and overlapping forms of Orientalism, the volume addresses Middle Eastern diasporic practices from a transnational perspective that brings postcolonial cultural studies methods to bear on Arab American studies, Middle Eastern studies, and Latin American studies. Between the Middle East and the Americas disentangles the conventional separation of regions, moving beyond the binarist notion of "here" and "there" to imaginatively reveal the thorough interconnectedness of cultural geographies.

The Oxford Handbook of Jewish Studies is part of a major new series of Oxford Handbooks. The volume on Jewish Studies reflects the aim of the series to produce distinctive and original surveys of today's interests and directions in the Humanities and Social Sciences. The Handbook covers all the main areas currently taught and researched as part of Jewish Studies in universities in Europe, the United States, and Israel. The span of the volume chronologically and geographically is thus enormous, but all contributors have in common their expertise in the study of the history, literature, religion, and culture of the Jews. Jewish Studies is a comparatively young discipline which has grown over the past fifty years in a somewhat undisciplined way. In a period of great upheaval for Jews following the Holocaust, the creation of the State of Israel, the emergence of new forms of dialogue between Jews and Christians, deepening divisions between secular and religious Jews, and unprecedented assimilation by diaspora Jews to the wider culture, the study of Jewish traditions and history has rarely been dispassionate. This is a good time to examine where we are and where the subject is going. There have been some attempts in recent years to encapsulate current conclusions about particular aspects of Jewish Studies, but these other works aim to provide compendia of agreed facts rather than a survey of interests and directions such as is found in the Oxford Handbook. The Handbook begins with an examination of Jewish Studies as an academic discipline in its own right. The first half of the volume is organized chronologically, followed by sections on languages and literature, general aspects of religion, and other branches of Jewish Studies which have each accumulated a considerable corpus of scholarship over the past half-century. This substantial volume of c.400,000 words reflects the current state of scholarship as analysed by an international team of experts in the different and varied fields represented within contemporary Jewish Studies.

'Zone of the Interior' is a classic of zonked-out high-as-kite sixties literature. It tells the story of Sid Bell an American political refugee in London, who falls under the spell of Dr. Willie Last.

Perhaps more than any other aspect of rabbinic literature, the laws about and discussions of menstruation have polarized current discussions of gender relations in Jewish culture. Is the designated impurity of menstruation sexist? Or does ritual absence from sex during menstruation encourage a rhythmic reaffirmation of conjugal intimacy?This book offers a new perspective on the extensive rabbinic discussions of menstrual impurity, female physiology, and anatomy, and on the social and religious institutions those discussions engendered. It analyzes the functions of these discussions within the larger textual world of rabbinic literature and in the context of Jewish and Christian culture in late antiquity. How did gender work—how was it made to work—in rabbinic literature? How did that literature dictate the place of women in Jewish culture? In search of answers to these questions, the author analyzes the architectural metaphors deployed to describe female anatomy, arguing that this discursive construction operated culturally to associate women with the home and exclude them from rabbinic study halls. The author shows that rabbinic discourse is not completely controlled by rabbinic ideology, however. She analyzes talmudic discussions that allow alternative gender perspectives to emerge, indicating that women and their bodies were not completely objectified. This suggests that the Babylonian Talmud does not present a completely homogeneous gender structure, but contains a number of different, sometimes contradictory, possibilities. The book concludes with a study of early Christian texts that relate to the same biblical laws on menstrual impurity as rabbinic texts, focusing in particular on a Jewish-Christian text in which the anonymous author polemicizes against Jewish women converts who remain attached to the biblical laws. This text allows us to reconstruct women’s perspectives on the inscription of religious meaning onto their bodies and physiological processes.

Outstanding political satires are rare in literature, especially if they are eminently readable, but this artfully camouflaged lampoon on war may prove to be the Candide of our era. Indeed, both Arthur Koestler and James Jones have compared it with Voltaire's famous work. Yet THE TOOTH MERCHANT has qualities of its own, combining the picaresque and the improbably to produce a work praised by Lawrence Durrell and termed 'a marvelous experience' by Irwin Shaw.The hero of Sulzberger's novel is an Armenian petty crook of limitless talent and few discernible morals who is blackmailed into Turkish espionage work but escapes to adventure on his own account. In the course of his travels he discovers a secret as astonishing as the creation of Mary Shelley's Frankenstein and attempts to sell it to world leaders as far apart in doctrine and geography as Stalin and Eisenhower or Ben Gurion and Nasser. This career as a traveling merchant of death is embellished by the company of a series of lubricious women -- Armenian, Druse, Georgian, Turkish, Coptic and, above all, a golden-haired Soviet Greek girl married to an Abkhazian fish farmer.Initially the reader may be under the impression that he is engrossed only in a beautifully written thriller. However, it will dawn upon him slowly that there is deep significance to the irony that accompanies Kevork Sasounian, the eminently corruptible linguist-poet, as he strides with gusto across these pages from a whorehouse in Istanbul to the White House in Washington, leaving behind a litter of broken hearts and broken heads. Only at the very end does it become apparent how profound is the philosophy that lies beneath the gaudy Levantine carousals which cloak but do not obscure THE TOOTH MERCHANT's purpose.

This book presents a new and comprehensive biography of one of the most prominent artists of the twentieth century in dialogue with the events and ideologies of his time. It encompasses the 98 years of Chagall's life (1887-1985) in Russia, France, the US, as well as Germany and Israel, his deep roots in folk culture, his personal relationships and loves, his involvement with the art of the Russian Revolution, with Surrealism, Communism, Zionism, Yiddish literature and the state of Israel. The book exposes the complex relationships between Chagall's three cultural identities: Jewish-Russian-French. Indeed, it is a biography of the turbulent times of the twentieth century and the transformations of a Jew in it, his meteoric rise from the "ghetto" of the Russian Pale of Settlement to the centers of modern culture. -- Back cover.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

Beginning with Nietzsche's discovery of the experimental disposition, Ronell explores testing's ascension to truth in modern practice. To know something, and to know that it is true, has never been a simple matter of recognition and assent. Instead, increasing numbers of tests of ever increasing complexity have been established to determine and constitute what is true, probable, or verifiable. Tests are pervasive, and inflect the master-narratives of our historical existence. The Bible dramatically presents tests of Abraham and Job, great works of literature track the tested subject, the vast apparatus of modern science and technology is built upon extraordinarily exacting tests, and the need for truth in times of trial and crisis links state-run testing apparatuses to events of arrest, torture, and death. On the evening of 9-11 the President of the United States said, We are being being tested. What propels this drive to test? What can satisfy it? What is the subterranean history of its effects? In The Test Drive, internationally acclaimed scholar Avital Ronell explores vast areas of testing in the works of Husserl, Popper, Freud, Lyotard, Derrida, and others, including Zen ph

"Moods by Yoel Hoffmann--"Isreal's celebrated avant-garde genius" (The Forward)--supplies the magic missing link between the infinitesimal and the infinite. Part novel and part memoir, Yoel Hoffmann's Moods is flooded with feelings--about his family, losses, loves, the soul's hidden powers, old phone books, and life in the Galilee, with its every scent, breeze, notable dog, and odd neighbor. Carrying these shards is a general tenderness accentuated by a new dimension brought along with "that great big pill of Prozac." Literature's so pathetic. We peddle fabric with a sun painted on it and no one even looks up... Beautifully translated by Peter Cole, Moods is fiction for lovers of poetry and poetry for lovers of fiction--a small marvel of a book and, with its pockets of joy, a curiously cheerful book by an author who once called himself "a praying mantis inclined to melancholy" --

Medical Progress and Social Reality is an anthology of nineteenth-century literature on medicine and medical practice. Situated at the interdisciplinary juncture of medicine, history, and literature, it includes mostly fictional but also some nonfictional works by British, French, American, and Russian writers that describe the day-to-day social realities of medicine during a period of momentous change. Issues addressed in these works include the hierarchy in the profession, the use of new instruments such as the stethoscope, the advent of women doctors, the function of the hospital, and the shifting balance of power between physicians and patients. The volume provides an introductory overview of the most important aspects of medical progress in the nineteenth century, and it includes an annotated bibliography of further readings in medical history and literature. Selections from Anthony Trollope, George Eliot, Gustave Flaubert, Sarah Orne Jewett, Sinclair Lewis, Mikhail Bulgakov, and others are included, as well as the American Medical Association's 1847 Code of Ethics.

What is a city? Do people make cities or do cities make people? And can cities have second lives? We all inhabit cities, but what do they mean to us? What do we mean to them? Is the city a real thing in the 21st century? How do we integrate their pasts to their futures? What are the threats facing cities in the western world? These are just some of the questions posed by the fascinating studies in this book. Through essays, poems, psychogeography, short stories, and more, an array of today’s leading writers and thinkers join together to look at cities in the western world. Focusing on the two former industrial heartlands of Glasgow and Pittsburgh, this international and diverse collection is asking the big questions and getting the most creative answers. From Will Self’s psychogeography of Glasgow, to National Book Award winner Terrance Hayes’ stunning poetry, this collection will make you think, feel, fear, and fight for what part cities play in our daily lives. Bold, diverse, and daring, these pieces are a must for anyone who cares about where we live and what it means to live in the urban sprawl of now. Featuring: Will Self, Jane Mccaffery, Edwin Morgan, Ewan Morrison, Terrance Hayes, Allan Wilson, Louise Welsh, Kapka Kassabova, Gerald Stern, Doug Johnstone, Lori Jagielka, Hilary Masters, David Kinloch, Yona Harvey, Sharon Dilworth, Lee Gutkind, Richard Wilson, and many more.

A narrative version of the Old Testament passages describing how the Jewish Sabbath came to be.

From Chaucer's The Canterbury Tales to Helen Fielding's Bridget Jones's Diary, this is a comprehensive guide to comedy in the English literary canon. Beginning with a critical exploration of historical and philosophical theories of humour, the book then supplies close-readings of a wide range of major texts, authors and genres from the Medieval period to the present. The Comic Mode in English Literature examines such texts as: Shakespeare's A Midsummer Night's Dream, Pope's The Rape of the Lock, Austen's Emma Dickens, The Pickwick Papers, Wilde's The Importance of Being Earnest, Amis's Lucky Jim. Covering poetry, prose and drama, this comprehensive guide will be essential reading for students of comic writing, literary history and genre.

"Essays on the literary structure, word play, and other literary facets of biblical and ancient near eastern literature, including Babylonian, Assyrian, and Ugaritic literature"--ECIP Summary.