The Law of Causality and its Limits was the principal philosophical work of the physicist turned philosopher, Philipp Frank. Born in Vienna on March 20, 1884, Frank died in Cambridge, Massachusetts on July 21, 1966. He received his doctorate in 1907 at the University of Vienna in theoretical physics, having studied under Ludwig Boltzmann; his sub sequent research in physics and mathematics was represented by more than 60 scientific papers. Moreover his great success as teacher and expositor was recognized throughout the scientific world with publication of his collaborative Die Differentialgleichungen der Mechanik und Physik, with Richard von Mises, in 1925-27. Frank was responsible for the second volume, on physics, and especially noted for his authoritative article on classical Hamiltonian mechanics and optics. Among his earliest papers were those, beginning in 1908, devoted to special relativity, which together with general relativity and physical cosmology occupied him throughout his life. Already in 1907, Frank published his seminal paper 'Kausalgesetz und Erfahrung' ('Experience and the Law of Causality'), much later collected with a splendid selection of his essays on philosophy of science, in English (1941c and 1949g, in our Bibliography). Joining the first 'Vienna Circle' in the first decade of the 20th century, with Hans Hahn, mathematician, and Otto Neurath, sociologist and economist, and deeply influenced by studies of Ernst Mach's critical conceptual histories of science and by the striking challenge of Poincare and Duhem, Frank continued his epistemological investigations.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In this comprehensive study Paul Wexler demonstrates that Yiddish is a Slavic language largely relexified to genuine and artificial German and Hebrew, as a cryptic language of trade in the Khazar Empire in the 9-10th centuries for the use of multilingual Jewish merchants, who enjoyed special privileges on the Afro-Eurasian Silk Roads until the 13th century. Other Judaized trade languages (Turkic, Chinese, Arabic) were also coined at this time in the Khazar and Iranian Empires. In both empires, Yiddish absorbed over 5,000 overt influ-ences mainly from Judaized Persian, and secondarily from Judaized Turkic and Chinese. Yiddish mainly has Hebraisms wherever Persian employs Arabisms (but has almost no overt Arabisms) and preserves Asianisms with greater accuracy and volume than most Iranianized non-Jewish target languages. Until c. 1000, almost all Jews in the world resided in the Iranian Empire and were mainly of Iranian and only partly of Palestinian Judaean descent. Conversion to Judaism was common among Iranians, Turks, Slavs and Berbers (because of a desire to participate in the lucrative Silk Road trade dominated by Jews, and to escape the status of slavery often imposed on them); conversion led to the rise of new diverse Jewish "ethnicities" and forms of Judaism. The book also examines the Iranianization of other cryptic Jewish trade languages, of Slavic and German, and the common Hebrew-like lexicon used by all Jewish merchants to overcome varied language backgrounds. Yiddish can help to reconstruct the Iranian speech of mixed Irano-Slavic confederations (such as the Galician White Croats).

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is the story of the decline and fall of an empire, a region devastated by war, and a world stage fundamentally transformed by the Russian Revolution. Bauer's magisterial work -- available in English for the first time in full -- charts the evolution of three simultaneous, overlapping revolutionary waves: a national revolution for self-determination, which brought down imperial Austro-Hungary; a bourgeois revolution for parliamentary republics and universal suffrage; and a social revolution for workers' control, factory councils, and industrial democracy. The brief but crowning achievement of Red Vienna, alongside Bauer's unique theorization of an "integral socialism" -- an attempted synthesis of revolutionary communism and social democracy -- is a vital part of the left's intellectual and historical heritage. Today, as movements once again struggle with questions of reform or revolution, political strategy, and state power, this is a crucial resource. Bauer tells the story of the Austrian Revolution with all the immediacy of a central participant, and all the insight of a brilliant and original theorist.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book "" The Janitor's Boy, and Other Poems "", has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

Spanish American fiction became a world phenomenon in the twentieth century through multilanguage translations of such novels as Gabriel Garcia Marquez's One Hundred Years of Solitude, Manuel Puig's Kiss of the Spider Woman, Octavio Paz's Labyrinth of Solitude, and Isabel Allende's House of the Spirits. Yet these "blockbusters" are only a tiny fraction of the total, rich outpouring of Spanish-language literature from Latin America. In this book, Naomi Lindstrom offers English-language readers a comprehensive survey of the century's literary production in Latin America (excluding Brazil). Discussing movements and trends, she places the famous masterworks in historical perspective and highlights authors and works that deserve a wider readership. Her study begins with Rodó's famous essay Ariel and ends with Rigoberta Menchú's 1992 achievement of the Nobel Prize. Her selection of works is designed to draw attention, whenever possible, to works that are available in good English translations. A special feature of the book is its treatment of the "postboom" period. In this important concluding section, Lindstrom discusses documentary narratives, the new interrelations between popular culture and literary writing, and underrepresented groups such as youth cultures, slum dwellers, gays and lesbians, and ethnic enclaves. Written in accessible, nonspecialized language, Twentieth-Century Spanish American Fiction will be equally useful for general readers as a broad overview of this vibrant literature and for scholars as a reliable reference work.

Poetry. Latino/Latina Studies. Jewish Studies. Translated from the Spanish by Antena. The narrator of TELA DE SEVOYA / ONIONCLOTH travels to Bulgaria, searching for traces of her Sephardic heritage. Her journey becomes an autobiographical and imagined exploration of childhood, diaspora, and the possibilities of her family language: Ladino or Judeo- Spanish, the living tongue spoken by descendants of the Jews expelled from Spain in 1492. Memoir, poetry, storytelling, songs, and dreams are interwoven in this visionary text--this tela or cloth that brings the past to life, if only for a moment, and that looks at the present though the lens of history. In 2012, TELA DE SEVOYA / ONIONCLOTH was awarded one of Mexico's most prestigious literary prizes, the Premio Xavier Villaurrutia, whose previous winners include Octavio Paz, Carlos Fuentes, and Mario Bellatin. "TELA DE SEVOYA / ONIONCLOTH is an absolutely extraordinary text... it successfully joins past and present, life and death, memory and imagination."--Juan Gelman "Readers will find, through this tale of the relationship between a girl and her embittered grandmother, an entirely singular world narrated from the point of view of an 'I' whose range exceeds the territory of any private life."--Mario Bellatin

Israel's Mission to Oliver Cromwell is a historical account of the Jewish emissary Menasseh ben Israel's efforts to secure the readmission of Jews to England in the 17th century. The book recounts Menasseh's journey from Amsterdam to London in 1655, where he met with Cromwell and other prominent figures to argue for the rights of Jews to live and worship in England. The book provides insight into the political and religious climate of the time, as well as the challenges faced by Jewish communities throughout Europe. It also explores Menasseh's personal journey as a prominent Jewish leader and scholar, and his efforts to promote Jewish learning and culture. This book is a valuable resource for anyone interested in Jewish history, the history of England, or the intersection of religion and politics in the 17th century.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Throughout her career, Pulitzer Prize–winning poet Maxine Kumin has been at the vanguard of discussions about feminism and sexism, the state of poetry, and our place in the natural world. The Roots of Things gathers into one volume her best essays on the issues that have been closest to her throughout her storied career. Divided into sections on "Taking Root," "Poets and Poetry," and "Country Living," these pieces reveal Kumin honing her views within a variety of forms, including speeches, critical essays, and introductions of other writers’ work. Whether she is recollecting scenes from her childhood, ruminating on the ups and downs of what she calls "pobiz" (for "poetry business"), describing the battles she’s fought on behalf of women, or illuminating the lives of animals, Kumin offers insight that can only be born of long and closely observed experience.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The People Of The Book: From The Creation To The Death Of Moses offers a detailed exploration of the formative years of the Jewish people, as recounted in the Hebrew Bible. Maurice Henry Harris presents a narrative spanning from the creation of the world to the death of Moses, examining key events and figures that shaped Jewish identity and faith. This volume delves into the stories of the patriarchs, the exodus from Egypt, the giving of the Law at Sinai, and the challenges faced by the Israelites in their journey to the Promised Land. Harris provides historical context and theological insights, making the ancient texts accessible to contemporary readers. Explore the origins of 'The People Of The Book' and their enduring legacy. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This collection includes thirty scholarly essays on Homer and Greek epic poetry published by Margalit Finkelberg over the past three decades. The topics discussed reflect the author?s research interests and represent the main directions of her contribution to Homeric studies: Homer's language and diction, archaic Greek epic tradition, Homer's world and values, transmission and reception of the Homeric poems. The book gives special emphasis to some of the central issues in contemporary Homeric scholarship, such as oral-formulaic theory and the role of the individual poet; Neoanalysis and the character of the relationship between Homer and the tradition about the Trojan War; the multi-layered texture of the Homeric poems; the Homeric Question; the canonic status of the Iliad and the Odyssey in antiquity and modernity. All the articles are revised and updated. The book addresses both scholars and advanced students of Classics, as well as non-specialists interested in the Homeric poems and their journey through centuries

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Few figures of interwar Germany were as influential as Leopold Schwarzschild, the brilliant editor of the liberal magazine 'Das Tage-Buch'. In the uncertain years of the Weimar Republic, Schwarzschild became famous for his perceptive political analyses and critique of the economic policies of successive governments in the twilight of Germany's first experiment with democracy. When he was forced to emigrate in 1933, following Hitler's rise to power, he pursued his analysis of developments in Germany from Paris, where he resumed publication of his journal under the new name 'Das Neue Tage-Buch', while also mounting a furious attack on the European powers taken by surprise by the Nazi ascendancy. 'One thing is already beyond question today...', he wrote in the spring of 1933, '...part of the new era is an unremitting descent into some kind of military conflagration'. Winston Churchill, a great admirer of Schwarzschild, made one of his later books required reading for the War Cabinet, yet his campaigning journalism has never before appeared in English. In bringing his writings to an English-speaking readership, Chronicle of a Downfall will restore Leopold Schwarzschild to his rightful place as one of the most poignant chroniclers of the fall of German democracy and the descent of Europe into World War II.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.