(Vocal Score). A critical edition of the restored 1927 production. This magnificent authorized edition was prepared and edited by Steven D. Bowen under the auspices of the Library of Congress. This handsome edition contains 26 pages of critical notes.

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288 pages - The story of In Fact and other Revelations.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

"Four impressive lectures about the culture of recent times (from the French Revolution) and the conceivable culture of times to come." - New Yorker "An all too convincing diagnosis of what is happening to the 'culture' as America leads the world in rejecting wisdom and knowledge for more comfort, which is turning out to be comfortless."--Louis Finkelstein "George Steiner comes to the conclusion . . . that classical humanism is at an end. But he consoles us with the prospect that the intellectual characteristic of the European tradition is irrepressible. It will go on even if it means finding more truths that kill. The seventh door in Bluebeard's castle offers us, in the bankruptcy of hope, the dignity of daring."-- New York Times Book Review " In Bluebeard's Castle is a brief and brilliant book. . . . One of the most important books I have read for a very long time."-- New Society

An education in a portmanteau: George Steiner at The New Yorker collects his best work from his more than 150 pieces for the magazine. Between 1967 and 1997, George Steiner wrote more than 130 pieces on a great range of topics for The New Yorker, making new books, difficult ideas, and unfamiliar subjects seem compelling not only to intellectuals but to “the common reader.” He possesses a famously dazzling mind: paganism, the Dutch Renaissance, children’s games, war-time Britain, Hitler’s bunker, and chivalry attract his interest as much as Levi-Strauss, Cellini, Bernhard, Chardin, Mandelstam, Kafka, Cardinal Newman, Verdi, Gogol, Borges, Brecht, Wittgenstein, Chomsky, and art historian/spy Anthony Blunt. Steiner makes an ideal guide from the Risorgimento in Italy to the literature of the Gulag, from the history of chess to the enduring importance of George Orwell. Again and again everything Steiner looks at in his New Yorker essays is made to bristle with some genuine prospect of turning out to be freshly thrilling or surprising.

A psychotherapist's explication of the key principle underlying personality formation and transformation brings to light the origins of feelings, attitudes, and beliefs and ways of freeing oneself from depression, anxiety, shyness, fear, and other destructive tendencies

Used book in good condition, due to its age it could contain normal signs of use

Fiction by the French author Georges Perec which takes the form of pastiches of academic and scientific papers.

"In the beginning was the pun," Samuel Beckett once wrote. And so it was that Georges Perec brought the good word to his friends and acquaintances on a yearly basis, as an expression of his best wishes for the New Year. Wishes gathers together these ten pamphlets of homophonic wordplay that Perec sent out from 1970 until his death in 1982, printed at his own expense in limited quantities. This paean to the pun consists of a series of short prose pieces, each concluding with a list of the everyday bits of language lying at their root. English proverbs, Latin phrases, the names of musicians, filmmakers, novelists and book titles are all fodder for Perec's homophonic translations: John Coltrane turns into an anecdote about a wanderer with a severe ring around the collar; Antonioni's first movie transforms into a prophecy of a murderous holiday; the phrase "All's well that ends well" becomes a pregnant cow named Alice hailed by a drunk Satan; and Maurice Ravel proves to be a warning against corpses with a predilection for root vegetables. These texts and their marriage of sound to meaning present a challenge to any translation, and bring into stark relief the choices translators are often forced to make. This English edition sidesteps such choices, offering two alternate translations: a traditional one focused on the literal content of Perec's texts, and another focused on their formal phonological play."--Page 4 of cover.

Tommi, Kate, and Zara, teen equestrians on horseback riding's elite A circuit, should be preparing for the biggest show of the season, but boyfriend problems, a road trip, and a gossip blog interfere with their training.

"The work is primarily the story of a company. It traces the Deutsche Bank's evolution into a big bank, its positioning as a foreign trade and 'industrial' bank, and also its big international financing projects in East Asia, the Ottoman Empire and America, with all their foreign policy implications during the German Empire. It describes the bank's situation and business policy from the period of high inflation after the First World War to the world economic and banking crisis at the end of the Weimar Republic. The company's activities under the National Socialist dictatorship and the treatment of Jewish staff and customers are looked at in the same detail as banking business during the Second World War. The book documents the splitting-up of the bank and its reamalgamation after 1945 under Allied occupation policy and its emergence as today's international financial conglomerate. Furthermore, it portrays the leading bank managers, the changes in staff as well as the new directions in organizational structure, and shows the company's position in the banking landscape at different points in time."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The Staplehurst rail crash of June 9th, 1865 which claimed ten lives, might have passed relatively unnoticed but for the presence of a celebrity passenger among the survivors. Charles Dickens, returning from France on the ill-fated boat train from Folkestone to London, was to be profoundly affected by the experience. In a fascinating exploration of the circumstances surrounding the disaster and probing insight into Dickens' personal life, the writer's great-great-grandson, Gerald Dickens, examines his secret relationship with the actress Ellen Ternan and professional motivation in the years either side of the accident. Questions concerning the conduct of the inquest into the crash and apportioning of blame are raised that remain unresolved even today. Striking parallels are drawn with more recent disasters and the signs of wrestling with Post-Traumatic Stress Disorder are evident in the account of Dickens' final years, powerfully reflected in the stirring ghost story The Signalman.

In a unique effort, this book brings together, for the first time, scholarly analyses by eminent researchers of the historical, social, legal, and cultural influences on the young newcomers' lives as well as reports by practitioners in major aid organizations about the concrete work that their organizations have been carrying out.

"How easy Mr. Kersh makes it all seem! How admirably he sets the scene, the atmosphere . . . very neatly done." - The Observer "Three short, rough novels, hard-hitting, battering the emotions without compunction . . . Kersh tells a story, as such, rather better than anybody else." - Pamela Hansford Johnson, Daily Telegraph Best known for his gritty novels of London life and his weird and often horrific short fiction, in Clock Without Hands (1949) Gerald Kersh delivers three novellas, each very different but all showcasing the virtuosity of his storytelling. Clock Without Hands relates the unexpected and macabre impact of a sordid murder on the mild-mannered neighbour who witnesses the crime. In Flight to the World's End , a desperate boy flees his cruel life at an orphanage, only to discover a harsh truth about the world outside. And in Fairy Gold , a clerk plays a malicious practical joke on his impoverished co-worker, with unpredictable and startling consequences. Gerald Kersh (1911-1968) published more than thirty books, including the noir classic Night and the City (1938) and Fowlers End (1957), which Anthony Burgess called "one of the great comic novels of the century," as well as hundreds of short stories which were once ubiquitous in British and American magazines. But though he has been championed by Angela Carter, Harlan Ellison, Ian Fleming, Michael Moorcock and others, Kersh has undeservedly fallen into neglect since his death. This edition of one of his lesser-known books is the first-ever reprint and includes a new introduction by Thomas Pluck.

"An extravaganza . . . fertile invention and forceful style . . . Mr. Kersh's many admirers will undoubtedly devour this highly flavoured hotch-potch with avidity." - Julian Maclaren-Ross, Sunday Times "[F]irst-rate Kersh, richly peopled with the odd bit roles he sketches so well and written with style and individuality." - Anthony Boucher, New York Herald Tribune "Sometimes funny, sometimes nightmarish, always first-class entertainment." - Basil Davenport, New York Times Journalist George Oaks and his friend Albert Kemp, a mystery novelist, are on their way to meet their friend, the celebrated philosopher Dr. Monacelli. But when a clerical mix-up leads to their meeting the American gangster Monty Cello instead, Oaks and Kemp quickly find themselves caught up in a bizarre and dangerous plot involving a murdered reporter, a missing scientist, and a group of powerful madmen with a plan to destroy the world as we know it. It's a race against time as Oaks and Kemp must infiltrate the villains' stronghold and save humanity before it's too late! Equal parts hard-boiled crime novel and apocalyptic science fiction tale, The Great Wash (1953) is one of the most exciting novels by Gerald Kersh (1911-1968), who is best known for his classics Night and the City (1938) and Fowlers End (1957). Fowlers End and four volumes of Kersh's strange and brilliant short fiction are also available from Valancourt.