Brillian Suspense Novel--About a few Men who Wanted the World for Themselves! Kersh's classic about unlikely investigators into the diabolical schemes of men beyond the law. First published 1953.

Howard Fast's life, from a rough-and-tumble Jewish New York street kid to the rich and famous author of close to 100 books, rivals the Horatio Alger myth. Author of bestsellers such as Citizen Tom Paine, Freedom Road, My Glorious Brothers, and Spartacus, Fast joined the American Communist Party in 1943 and remained a loyal member until 1957, despite being imprisoned for contempt of Congress. Gerald Sorin illuminates the connections among Fast's Jewishness, his writings, and his left-wing politics and explains Fast?s attraction to the Party and the reasons he stayed in it as long as he did. Recounting the story of his private and public life with its adventure and risk, love and pain, struggle, failure, and success, Sorin also addresses questions such as the relationship between modern Jewish identity and radical movements, the consequences of political myopia, and the complex interaction of art, popular culture, and politics in 20th-century America.

"The poems in this substantial volume, the majority of which are no longer available in other editions, have been selected from seven previous collections (1971-95)." "Among favorite poems redeemed, readers will rejoice to find "Lucky Life." Stern also offers a generous array of new poems under such titles as "Self-Portrait in His Sixties," "The Sounds of Wagner," and "Both of Them Were Sixty-Five," a poem about a meeting between the author's mother and Aaron Copland. There are moving tributes to Larry Levis, "Eggshell," and Allen Ginsberg, "Lilacs for Ginsberg." Throughout, Stern circles and addresses the themes that have always engaged him: love, hope, memory, and faith." --Book Jacket.

"America's most interesting and important essayist." --Eric Kandel, Nobel Prize-winning author of The Age of Insight "[Gerald Weissmann] bridges the space between science and the humanities, and particularly between medicine and the muses, with wit, erudition, and, most important, wisdom." --Adam Gopnik Admired by Nobel prize-winning scientists and literary tastemakers alike, Gerald Weissmann amazes and beguiles as both a masterful commentator on contemporary culture and a transcendent intellectual historian. By turns satirical and insightful, Mortal and Immortal DNA takes us on a nuanced exploration of the western canon, from Greek mythology through Dante to W.H. Auden and offers hilarious insights into popular culture along the way, from Paris Hilton to the true life story of Kathryn Lee Bates, the lesbian poet who penned "America the Beautiful." Gerald Weissmann (August 7, 1930 - July 10, 2019) was a physician, scientist, editor, and essayist whose collections include The Fevers of Reason: New and Selected Essays ; Epigenetics in the Age of Twitter: Pop Culture and Modern Science ; Mortal and Immortal DNA: Science and the Lure of Myth ; and Galileo's Gout: Science in an Age of Endarkenment .

This volume draws upon the author's own experience to highlight the complexities behind the global violations of children's rights. Analysis and description are interwoven to provide a coherent study of the international status of children and the rights which attach to this status, both for those familiar and unfamiliar with international law. The author demonstrates the potential of international law in protecting the rights of children, even in states which are restructuring their economies. To be effective, international law cannot be used in isolation and the text seeks to place the rights of the child in their cultural and historical contexts. All royalties from "The International Law on the Rights of the Child are being donated to the International Save the Children Alliance to assist them in their work with children. 'Ms van Bueren combines skilfully an enormous amount of factual material with careful legal analysis and comment. [...] this book will rapidly become indispensable to children's rights lawyers...' C.M. Chinkin, University of Southampton 'Among numerous publications dealing with the subject of promotion and protection of the rights of the child issued up to date, G. Van Bueren's The International Law on the Rights of the Child is the most serious monograph in the field of international law.'

When two American girls, Alysa and Julie, visit London's Windsor Castle, the day turns into a much bigger adventure than expected - they find themselves locked in for the night. Taking refuge in the royal bedchamber, the girls meet some famous (and not-so-famous) figures from English history and get a crash course in heraldry. Then things turn nasty as they come face-to-face with a pair of thieves . . . This delightful, gentle and magical story by Gerda Weissmann Klein brings alive the fascinating pageantry of English history.

Paris, France is a memoir written by Gertrude Stein and published in 1940 on the day that Paris fell to Germany during World War II. The book blends Stein's childhood memories with a commentary on French people and culture; is a memoir written in a "stream of consciousness" style. It is interpreted as Gertrude Stein's personal view of France as a country, and the French people. She observes the French eating, drinking, crossing the street, and carrying out their day in no other way that deviates from their "Frenchness." The word "French" quickly becomes a state of being or state of existence.

"To me, hard times are like hide-and-seek: where is the solution, where is the hope? We can never give up looking for these things because they are just waiting to be found." Gidon Lev, an 89-year-old Holocaust survivor, has lived an extraordinary life. At the age of six, he was imprisoned in the concentration camp of Theresienstadt. Liberated when he was ten, he lost at least 26 members of his family, including his father and grandfather. But Gidon's life is extraordinary not only because he is one of the few living survivors remaining but because of his lessons learned over nearly a century. His enduring message is of hope and opportunity - to make things better. By sharing his timeless simple belief and truths, Gidon reminds us that we have the power to incrementally improve what is in front of us and leave something better behind us. His life is a lesson of how to do it, even in the face of astonishing adversity, and Let's Make Things Better is the calling card of an indomitable spirit. 'By sharing his inspiring life story, Holocaust survivor Gidon Lev reminds us that the human spirit is larger than even the most severe and unjust trauma. Through one of history's darkest nights, he preserved his brightness and warmth ' - David Von Drehle, author of the New York Times bestseller The Book of Charlie

"Blackthorne reprints the 1970s sci-fi comic strip from comics legends Ron Goulart and Gil Kane. A police drama in space, featuring the futuristic adventures of Interplanetary Law officers (or star hawks) Rex Jaxan, Chavez, and Alice K. Jaxan and Chavez have to find a missing girl before a killer finds her first; they uncover a plot to assassinate Emperor Rian; they pursue a robot who holds secrets of a dangerous new weapon and get caught up in a rebellion against a corrupt general." -- MyComicShop.com

In Visual Occupations Gil Z. Hochberg shows how the Israeli Occupation of Palestine is driven by the unequal access to visual rights, or the right to control what can be seen, how, and from which position. Israel maintains this unequal balance by erasing the history and denying the existence of Palestinians, and by carefully concealing its own militarization. Israeli surveillance of Palestinians, combined with the militarized gaze of Israeli soldiers at places like roadside checkpoints, also serve as tools of dominance. Hochberg analyzes various works by Palestinian and Israeli artists, among them Elia Suleiman, Rula Halawani, Sharif Waked, Ari Folman, and Larry Abramson, whose films, art, and photography challenge the inequity of visual rights by altering, queering, and manipulating dominant modes of representing the conflict. These artists' creation of new ways of seeing—such as the refusal of Palestinian filmmakers and photographers to show Palestinian suffering or the Israeli artists' exposure of state manipulated Israeli blindness —offers a crucial gateway, Hochberg suggests, for overcoming and undoing Israel's militarized dominance and political oppression of Palestinians.

Simon, a young Jewish widower with a small son emigrated from Warsaw to London's East End, staying with his sister and her family until he takes up the position of cantor at a smart Reform synagogue off Lower Regent Street. His liaison with Phoebe Fenelle, a leading actress of the day, leads to dire consequences for her husband.

'Brilliant study of neo-Nazi anti-Semitism ... Gillian Freeman is among the finest contemporary novelists.' - Brigid Brophy, New Statesman 'Undoubtedly the best of her novels ... an exact and finely observed account of the lunatic right-wing fringe in Britain. I recommend this very strongly.' - Oxford Mail 'Gillian Freeman's perception of psychological and sociological drives is combined with an ability to communicate them in suspenseful entertainments.... The implications grip the imagination.' - Kirkus Reviews 'Horrifying reconstruction of how a new Hitler might arise.' - Times Literary Supplement Vincent Wright is a failure. Now in his mid-thirties, he's stuck in a dead-end job as a bank clerk and still lives with his mother. But he knows who is to blame for the shortcomings in his life: blacks, Jews, and immigrants, who are responsible for most of what's wrong with Britain today. After meeting a retired army officer who shares his passion for collecting Nazi paraphernalia, Vincent has a brilliant idea: the nation needs a new leader to rescue it from its decline - why not him? As he travels the country, giving speeches and using his charisma and oratorical gifts to recruit like-minded followers to his new Britain First party, we watch in horror while Vincent begins his terrifying and seemingly inexorable rise to power.... With the recent surge in popularity of far-right political parties across Europe, Gillian Freeman's sixth novel, The Leader (1965), remains as chillingly relevant today as when first published. This edition, the first in more than 40 years, includes a new introduction by Alwyn W. Turner. Freeman's classics The Liberty Man (1955) and The Leather Boys (1961) are also available from Valancourt Books.