"Legendary artists Harvey Kurtzman, Wally Wood, Jack Davis, John Severin, and Will Elder illustrate these powerful stories written by Kurtzman and Jerry DeFuccio. Long considered to be among the best war stories ever written, Frontline Combat tells poignant tales of "War and Fighting Men," reprinted here in spectacular full color"--amazon.com.

"For years Heather Roberson, a passionate peace activist, has argued that war can always be avoided. But she has repeatedly faced counter-arguments that fighting is an inescapable consequence of world conflicts. Indeed, Heather finds proving her point to be a little tricky without examples to bolster her case. So she does something a little crazy: She sets out for far-off Macedonia, a landlocked country north of Greece and west of Bulgaria, to explore a region that has edged--repeatedly--dangerously close to the brink of violence, only to refrain. In the process--and as vividly portrayed by the talented duo of Harvey Pekar and Ed Piskor--Heather is tangled in red tape, ripped off by cabdrivers and hotel clerks, hit on by creepy guys, secretly photographed, and mistaken for a spy. She also creates unlikely friendships, learns that getting lost means something new, and makes some startling discoveries. War is hell and peace is difficult--but conflict is always necessary." -- Publisher's description

Book by Wasserman, Harvey, Fitrakis, Bob

"The essay that forms the core of this book is an attempt to understand the developments that have occurred in Orthodox Jewry in America in the last seventy years, and to analyse their implications. The prime change is what is often described as 'the swing to the right', a marked increase in ritual stringency, a rupture in patterns of behaviour that has had major consequences not only for Jewish society but also for the nature of Jewish spirituality. For Haym Soloveitchik, the key feature at the root of this change is that, as a result of migration to the 'New Worlds' of England, the US, and Israel and acculturation to its new surroundings, American Jewry--indeed, much of the Jewish world-- had to reconstruct religious practice from normative texts: observance could no longer be transmitted mimetically, on the basis of practices observed in home and street. In consequence, behaviour once governed by habit is now governed by rule. This new edition allows the author to deal with criticisms raised since the essay, long established as a classic in the field, was originally published, and enables readers to gain a fuller perspective on a topic central to today's Jewish world and its development."

This book consists of poems from Heinrich Heine's Lyrisches Intermezzo, which was set to music by Robert Schumann as his Op. 48 Song Cycle. The poems discuss love and heartbreak in a haunting and beautiful way. This edition includes the original German text as well as an English translation. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book illustrates the rise of modern Judaism through the social and intellectual history of the Jews in Germany. It covers three centuries, up until the violent suppression of the last spark of visible Jewish spiritual-intellectual life in Germany during the Second World War. As a background understanding of this intellectual development, the political, economic, and social events of this three-century-long development are repeatedly drawn upon. This book shows the significance of German Jewry in Jewish history.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Millie was at one time quite well known for various TV and radio appearances. However, she now has no money, a best friend with a better sex life than her, a daughter in Papua New Guinea and too much weight in places she really doesn't want it. When she's asked to be the front woman for a new diet pill, she naively believes that all her troubles will be solved. She will have money, the weight will be gone, and maybe she'll get more sex. If only life was really that easy. It doesn't take her long to realize it's going to take more than a diet pill to solve her never-ending woes . . .

A former member of the South African Parliament describes her friendship with Nelson Mandela, and how she withstood the badgering of racist ruling Nationalists to challenge apartheid

An everyday average looking middle aged women searches for her lover in Toronto, trying to find him through a 'secret code' left in the National Geographic, while she also revists her past and consols herself with distractions.

The turbulent marriage of a young couple, entrapped by their dreams and illusions about themselves and each other, ends in the husband's murder when the wife is driven beyond her endurance

Not Without a Fight is the long-awaited autobiography of Helen Zille, one of South Africa's most important political figures. Zille takes the reader back to her humble family origins, her early career as a journalist at the Rand Daily Mail, where she wrote the story exposing Steve Biko's murder, and her involvement with the End Conscription Campaign and the Black Sash. She documents her journey through the ranks of the Democratic Party and the Democratic Alliance, and recalls her experiences as leader of the DA, mayor of Cape Town and premier of the Western Cape. In the process she speaks frankly about colleagues and opponents, and reveals fascinating insights about what happened behind the political scenes. Readers will also meet a Helen Zille they did not know: a warm person, a devoted mother, and someone with an earthy sense of humour. This book is as frank, honest and uncompromising as Helen Zille herself, and will appeal to anyone interested in the story of South Africa politics over the part fifty years.

Experience the wit and charm of 18th-century Italian comedy with "The Comedies of Carlo Goldoni," a collection of plays from one of Europe's most celebrated playwrights. This carefully prepared edition, edited with an insightful introduction by Helen Zimmern, showcases Goldoni's enduring contribution to theater. Carlo Goldoni revitalized Italian drama, moving away from the improvisational style of commedia dell'arte to create fully realized characters and engaging plots. This anthology offers a glimpse into his mastery, demonstrating why his works continue to be studied and enjoyed today. Explore universal themes of love, family, and social class through Goldoni's distinctly Italian lens. Whether you're a student of literature, a theater enthusiast, or simply appreciate classic comedies, this collection provides a rich and rewarding reading experience. "The Comedies of Carlo Goldoni" is a testament to the power of theater to entertain, enlighten, and endure. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Book by Deutsch, Helene

Identity Papers argues that contemporary Jewish American literature revises our understanding of Jewishness and Jewish difference. Moving beyond the reductive labeling of texts and authors as “too Jewish” or “not Jewish enough,” and focusing instead on narratives that portray Jewish regeneration through feminist Orthodoxy, queerness, off-whiteness, and intermarriage, Helene Meyers resists a lachrymose view of contemporary Jewish American life. She argues that such gendered, sexed, and raced debates about Jewish identity become opportunities rather than crises, signs of creative potential rather than symptoms of assimilation and deracination. Thus, feminist debates within Orthodoxy are allied to Jewish continuity by Rebecca Goldstein, Allegra Goodman, and Tova Mirvis; the geography of Jewish identity is racialized by Alfred Uhry, Tony Kushner, and Philip Roth; and the works of Jyl Lynn Felman, Judith Katz, Lev Raphael, and Michael Lowenthal queer the Jewish family as they reveal homophobia to be an abomination. Even as Identity Papers expands Jewish literary horizons and offers much-needed alternatives to the culture wars between liberal and traditional Jews, it argues that Jewish difference productively troubles dominant narratives of feminist, queer, and whiteness studies. Meyers demonstrates that the evolving Jewish American literary renaissance is anything but provincial; rather, it is engaged with categories of difference central to contemporary academic discourses and our national life.