New York Times chief television critic James Poniewozik offers a “darkly entertaining” (Carlos Lozada, Washington Post ) history of mass media from the early 1980s to today, demonstrating how a volcanic, camera-hogging antihero merged with America’s most powerful medium to become our forty-fifth president. In charting the seismic evolution of television from a monolithic mass medium into today’s fractious confederation of spite-and-insult media subcultures, Poniewozik reveals how Donald Trump took advantage of these historic changes by constantly reinventing himself: from a boastful cartoon zillionaire; to 1990s self-parodic sitcom fixture; to The Apprentice reality-TV star; and finally to Twitter-mad, culture-warring demagogue. Already lauded as a “brilliant and daring” (Annalisa Quinn, NPR) work that defines a generation, Audience of One emerges as a classic in cultural criticism.

Redefining our traditional understanding of the New Deal, this book finally examines this pivotal American era through a sweeping international lens that juxtaposes a struggling democracy with enticing ideologies like Fascism and Communism. Historian Ira Katznelson asserts that, during the 1930s and 1940s, American democracy was rescued yet distorted by a unified band of southern lawmakers who safeguarded racial segregation as they built a new national state to manage capitalism and assert global power. --From publisher description

"In the culmination of a series that began with "The Anxiety of Influence" and "A Map of Misreading," Harold Bloom expands upon his controversial theory of revisionism, which he views as a contest of opposing artistic and moral drives. From this theoretical perspective, Bloom re-examines Freud, religious sources of literature, literary modes such as fantasy, and the sequence of American writers that includes Emerson, Whitman, Wallace Stevens, Hart Crane, and John Ashbery. A 1982 National Book Critics Circle nominee."--Back cover

Since 2000, America s most ambitious young evangelicals have been making their way to Patrick Henry College, a small Christian school just outside the nation s capital. Most of them are homeschoolers whose idealism and discipline put the average American teenager to shame. At "God s Harvard" they are groomed to become tomorrow s elite. Diplomas in hand, they are dispatched to the front lines of politics, entertainment, and science, where they will lead the battle to take back a godless nation. Hanna Rosin spent a year and a half embedded at the college, following students from the campus to the White House, Congress, conservative think tanks, Hollywood, and other centers of influence. Her account captures this nerve center of the evangelical movement at a moment of maximum influence and also of crisis, as it struggles to avoid the temptations of modern life and still remake the world in its own image. "

Based on the most up-to-date sources, as well as extensive research and direct observation, Japan as Number One analyzes the island nation's development into one of the world's most effective industrial powers, in terms of not only economic productivity but also its ability to govern efficiently, to eduate its citizens, to control crime, to alleviate energy shortages, and to lessen pollution. Ezra Vogel employs criteria that America has traditionally used to measure success in his thoughtful demonstration of how and why Japanese institutions have coped far more effectively than their American counterparts.

A comprehensive look at the decline of the United States offers non-ideological remedies on how to overcome national self-doubt, reclaim optimism, and secure a prosperous future for American citizens.

Gatorade is an enthralling story, brought to life in bright color and sharp detail in this book as journalist and author Darren Rovell chronicles every astonishing milestone of the company's history. With unprecedented access to the inventors, the marketers, the analysts and observers, and key company figures past and present, Rovell recounts the sweat-drenched University of Florida football practices, the first (unpalatable) prototypes, and the commercial and financial interest that quickly took hold following the drink's first on-field successes. Then came the advertising, sponsorships, product placements (many of them fortuitous), and finally the two milestones that cemented Gatorade's iconic status once and for all -- the ubiquitous Gatorade bath and the Michael Jordan "Be Like Mike" endorsement deal. With refreshing candor, First in Thirst also offers an inside look at all the aspects that went into building the brand, such as: negotiations, battles, lawsuits, mergers and acquisitions, product strategies, lucky breaks, and even the mishaps that have attended Gatorade's reign as the 800-pound gorilla of the sports-drink scene. First in Thirst identifies the nine Gatorade Rules, business principles that have helped Gatorade become one of the most dominant brands ever. By adhering to these principles, businesses in other industries may achieve greater brand recognition and market share. Long before America knew what "deep-down body thirst" was, a team of university scientists had already invented something to quench it. This book is the story of the product and the company, and of America's fascination with the one and only Gatorade.

"Bad News is a response to Thomas Frank's 2004 book "What's the Matter with Kansas." I ask the same question he asked about the right, but about the left: Why is the media obsessed with racism, even though it's getting objectively better by every measure we have? I argue that the liberal media is mainstreaming a woke culture war based on ideas that were relegated to the academic fringe as recently as a decade ago because it's in their economic interests to do so. It explores how digital media and social media supplied journalists, now part of the American elite, with an alternative way to feel like heroes while further consolidating power and wealth in the hands of the few rather than the many. The book then explores the larger context of the great American class divide, and how journalism has been both a product and accelerator of inequality"--

From the moment it was first published in The New Yorker, this brilliant work of literary criticism aroused great attention. Janet Malcolm brings her shrewd intelligence to bear on the legend of Sylvia Plath and the wildly productive industry of Plath biographies. Features a new Afterword by Malcolm. From the Trade Paperback edition.

"From the bestselling author of Apollo 13 comes the thrilling untold story of the pioneering Gemini program that was instrumental in getting Americans on the moon. Without Gemini, there would be no Apollo. After we first launched Americans into space but before we touched down on the moon's surface, there was the Gemini program. It was no easy jump from manned missions in low-Earth orbit to a successful moon landing, and the ten-flight, twenty-month celestial story of the Gemini program is an extraordinary one. There was unavoidable darkness in the program-the deaths and near-deaths that defined it, and the blood feud with the Soviet Union that animated it. But there were undeniable and previously inconceivable successes. With a war raging in Vietnam and lawmakers calling for cuts on NASA's budget, the success of the Gemini program-or the space program in general-was never guaranteed. Yet against all odds, the remarkable scientists and astronauts behind the project persevered, and their efforts paid off. Later, with the knowledge gained from the Gemini flights, NASA would launch the legendary Apollo program. Told with Jeffrey Kluger's signature cinematic storytelling and in-depth research and interviews, Gemini is an edge-of-your-seat narrative chronicling the history of the least appreciated-and most groundbreaking-space program in American history. Finally, Gemini's story will be told, and finally, we'll learn the truth of how we landed on the moon"-- Provided by publisher.

In the summer of 1940, fewer than three thousand young fighter pilots of the Royal Air Force stood between Hitler and the victory that seemed almost within his grasp. In this superb history of three epic months that saved the world, Michael Korda brilliantly re-creates the intensity of combat in "the long, delirious, burning blue" of the sky above southern England—while tracing, perhaps for the first time, the entire complex web of political, diplomatic, scientific, industrial, and human decisions during the 1930s that inexorably led to the world's first, greatest, and most decisive air battle. With Wings Like Eagles brings to vivid life the extraordinary men and women on both sides of the conflict—from Winston Churchill, Neville Chamberlain, and Reichsmarschall Hermann GÖring to the ground crews, the German pilots, the American volunteers, and the courageous airmen and airwomen of the RAF.

A witty and penetrating look at the celluloid culture of the 1960s by the Village Voice 's celebrated film critic. In The Dream Life , Village Voice film critic J. Hoberman turns his attention to the 1960s, the era when politics and culture became one. With wildly entertaining reinterpretations of key Hollywood movies (such as Dr. Strangelove, Bonnie and Clyde, The Wild Bunch , and Shampoo ), Hoberman reconstructs the hidden political history of 1960s cinema. Meanwhile, against the pageantry of four national elections1960 to 1972he describes the formation of America's spectacular, image-laden political culture. In the era when the missile gap, the sexual revolution, and the Vietnam War became inseparable from the triumph of television, the development of political image-making, and the advent of Pop Art, American politics, mass media, and publicity became the new social spectacle. Through meditations on the personas of Che Guevara, John Wayne, Patty Hearst, Jane Fonda, Ronald Reagan, and Dirty Harry, Hoberman moves deftly between the political backgrounds of movies and the fantastic dimensions of politics, producing a brilliant and comic cultural history of the rise of our mass-mediated politics.

The second novel in the epic new young adult series that Michael Grant is calling his best yet! It's WWII but not as you know it from school. This time the girls are on the Front Lines and not on the Home Front. Summer 1943. The enemy has been bloodied, but Nazi Germany is very far from beaten. Now the American army is moving on to their next target: the Italian island of Sicily. With heavy memories of combat, the three young soldier girls - Rio, Frangie and Rainy - now know what they are willing to do to save themselves, and understand the consequences of those actions. On the front lines, they will again come face to face with the brutality of war until they win or die, while simultaneously fighting their own personal battles. No one will emerge unscathed. In the tradition of The Book Thief, Code Name Verity and Between Shades of Gray, Front Lines gives the experience of WWII a new immediacy while playing with the 'what ifs?' of history. Exclusive Front Lines story, Dead of Night to be 2017 World Book Day book. Praise for Front Lines: "What if American women had fought alongside men in World War II? Michael Grant gives us a magnificent alternate history that feels so real and right and true it seems impossible that it wasn't. Every one of these fictional soldiers has wrapped herself around my heart.... (Elizabeth Wein, award-winning and New York Times bestselling author of Code Name Verity) "Michael Grant is a master of twists that not only tear at his readers' consciences, they hold a mirror up to our here and now and insist we consider what might otherwise be. Front Lines is a masterpiece of speculative story crafting.... (Andrew Smith, Printz Honor winning author of Grasshopper Jungle) Front Lines was shortlisted for Feminist Book of the Year in the Maximum Pop Bookish Awards. Michael Grant has lived an exciting, fast-paced life. He moved in with his wife Katherine after only 24 hours. He has co-authored over 160 books including the bestselling GONE series but promises that everything he writes is like nothing you've ever read before!

Foreign affairs journalist Kaplan lets readers experience up close the American military worldwide in the air, at sea, and on the ground: flying in a B-2 bomber, living on a nuclear submarine, and traveling with a Stryker brigade on missions around the world. Provided unprecedented access, Kaplan moves from destroyers off the coast of Indonesia to submarines in the central Pacific, from simulated Iraqi training grounds in Alaska to technology bases in Las Vegas. He goes deep into their highly technical and exotic worlds, and tells this story through the words and perspectives of the enlisted personnel and junior officers themselves--men and women who, as he writes, have "had their national identities as Americans engraved in sharp bas-relief." He not only conveys the vast scope of America's military commitments, but also shows us astonishing and vital operations as they unfold--from the point of view of the troops themselves.--From publisher description

Previously published as Invisible Republic and already considered a classic of modern American cultural criticism , The Old, Weird America is Greil Marcus's widely acclaimed book on the secret music (the so-called "Basement Tapes") made by Bob Dylan and the Band while in seclusion in Woodstock, New York, in 1967--a folksy yet funky, furious yet hilarious music that remains as seductive and baffling today as it was more than thirty years ago. As Mark Sinker observed in The Wire : "Marcus's contention is that there can be found in American folk a community as deep, as electric, as perverse, and as conflicted as all America, and that the songs Dylan recorded out of the public eye, in a basement in Woodstock, are where that community as a whole gets to speak." But the country mapped out in this book, as Bruce Shapiro wrote in The Nation , "is not Woody Guthrie's land for made for you and me . . . It's what Marcus calls 'the old, weird America.'" This odd terrain, this strange yet familiar backdrop to our common cultural history--which Luc Sante (in New York magazine) termed the "playground of God, Satan, tricksters, Puritans, confidence men, illuminati, braggarts, preachers, anonymous poets of all stripes"--is the territory that Marcus has discovered in Dylan's most mysterious music. And his analysis of that territory "reads like a thriller" (Ken Tucker, Entertainment Weekly ) and exhibits "a mad, sparkling brilliance" (David Remnick, The New Yorker ) throughout. This new edition of The Old, Weird America includes an updated discography.

The hilarious and controversial host of HBO’s Real Time with Bill Maher has written his funniest, most opinionated, and most necessary book ever—a brilliantly astute and acerbically funny vivisection of American life, politics, and culture. Some of the smartest commentary about what’s happening in America is coming from a comedian—this comedian being Bill Maher. If you want to understand what’s wrong with this country, it turns out that one of the best informed and most thought-provoking analysts is this very funny pothead. The book was inspired by the “editorial” Bill delivers at the end of each episode of Real Time. These editorials are direct-to-camera sermons about culture, politics, and what’s happening in the world. To put this book together, Maher reviewed more than a decade of his editorials, rewriting, reimagining, and updating them, and adding new material to speak exactly to the moment we’re in. Free speech, cops, drugs, race, religion, the generations, cancel culture, the parties, the media, show biz, romance, health—Maher covers it all. The result is a hugely entertaining work of commentary about American culture in the tradition of Mark Twain, Will Rogers, and H. L. Mencken.

A ground-breaking work of nation building, this unique biographical book by many of English and French Canada's best-known writers and thinkers -- Margaret Atwood, Lucien Bouchard, Dr. Samantha Nutt, Ken Dryden, etc. -- tells the story of the extraordinary legacy of the French contribution to our very way of life. In 1913, schoolgirls found a heavy metal plaque peeking out of the soil in St-Pierre, South Dakota. On it they saw engraved characters and signs they could not decipher. They took the plaque back home, and somehow, it found its way into the hands of a local historian who immediately realized the importance of the artifact. One hundred and seventy years earlier, French-Canadian explorer Pierre Gaultier de la Vérendrye had written about his travels to the west in search of the elusive "Western Sea." In his journal, he remembered: "I placed upon a hillock near the fort a lead plaque with the arms and inscription of the King." That was the plaque found by the children, the proof that de la Vérendrye was the first white man to set eyes on the Rockies, 60 years before Lewis and Clark's famous expedition. Traces of the French-Canadians' contribution to North American history can be found in all regions of the continent. More often than not, we are unaware of or indifferent towards these signs. Yet the descendants of the French travelled farther than one would expect, exploring the land and a wide variety of fields of human activity (science, arts, economy, etc.). Through their audacity, their courage and their determination, they shaped Canada -- and, to a smaller but still significant extent -- the United States. In a unique partnership with Les Éditions La Presse, Legacy is the story of a dozen French-Canadian pioneers, from the era of Nouvelle-France up to the 20th century. This ambitious book project will take the form of a series of biographical essays written by Canadian personalities and leading authors. Through the lives of these extraordinary persons, the authors will reflect on the French-Canadian legacy. They are all convinced that Canada would not be what it is today were it not for these French-speaking Canadians who explored the land, hung on to their culture while respecting that of others, longed for peace, fought with courage, and stood up for a brand of humanism that helped shape the country we live in today.

A brilliantly written and groundbreaking book about Dylan's music - now the recipient of the Nobel Prize for Literature 2016 - and its musical, political and cultural roots in early 20th-century America Growing up in Greenwich Village in the 1960s Sean Wilentz discovered the music of Bob Dylan as a young teenager. Almost half a century later, now a distinguished professor of American history, he revisits Dylan's work with the critical skills of a scholar and the passion of a fan. Drawing partly on his work as the current historian-in-residence on Dylan's official website, Sean Wilentz provides a unique blend of biography, memoir and analysis in a book which, much like its subject, shifts gears and changes shape as the occasion demands.

One of the most misunderstood periods in American history, Reconstruction remains relevant today because its central issue -- the role of the federal government in protecting citizens' rights and promoting economic and racial justice in a heterogeneous society -- is still unresolved. America's Reconstruction examines the origins of this crucial time, explores how Black and white southerners responded to the abolition of slavery, traces the political disputes between Congress and President Andrew Johnson, and analyzes the policies of the Reconstruction governments and the reasons for their demise. America's Reconstruction was published in conjunction with a major exhibition on the era produced by the Valentine Museum in Richmond, Virginia, and the Virginia Historical Society. The exhibit included a remarkable collection of engravings from Harper's Weekly, lithographs, and political cartoons, as well as objects such as sculptures, rifles, flags, quilts, and other artifacts. An important tool for deepening the experience of those who visited the exhibit, America's Reconstruction also makes this rich assemblage of information and period art available to the wider audience of people unable to see the exhibit in its host cities. A work that stands along as well as in proud accompaniment to the temporary collection, it will appeal to general readers and assist instructors of both new and seasoned students of the Civil War and its tumultuous aftermath.

NATIONAL BESTSELLER “Lichtman has written what may be the most important book of the year.” —The Hill "It is still striking to see the full argument unfold and realize that you don’t have to be a zealot to imagine some version of it happening…Lies. Abuse of power. Treason. Crimes against humanity. Martial law. Lichtman throws everything Trump’s way.." —Washington Post Professor Allan J. Lichtman, who has correctly forecasted thirty years of presidential outcomes, makes the case for impeaching the 45th president of the United States, Donald J. Trump In the fall of 2016, Distinguished Professor of History at American University Allan J. Lichtman made headlines when he predicted that Donald J. Trump would defeat the heavily favored Democrat, Hillary Clinton, to win the presidential election. Now, in clear, nonpartisan terms, Lichtman lays out the reasons Congress could remove Trump from the Oval Office: his ties to Russia before and after the election, the complicated financial conflicts of interest at home and abroad, and his abuse of executive authority. The Case for Impeachment also offers a fascinating look at presidential impeachments throughout American history, including the often-overlooked story of Andrew Johnson’s impeachment, details about Richard Nixon’s resignation, and Bill Clinton’s hearings. Lichtman shows how Trump exhibits many of the flaws (and more) that have doomed past presidents. As the Nixon Administration dismissed the reporting of Bob Woodward and Carl Bernstein as “character assassination” and “a vicious abuse of the journalistic process,” Trump has attacked the “dishonest media,” claiming, “the press should be ashamed of themselves.” Historians, legal scholars, and politicians alike agree: we are in politically uncharted waters—the durability of our institutions is being undermined and the public’s confidence in them is eroding, threatening American democracy itself. Most citizens—politics aside—want to know where the country is headed. Lichtman argues, with clarity and power, that for Donald Trump’s presidency, smoke has become fire.