How did the West get Middle East Oil? The tense chronicle of the international deceit and strong-arm tactics of men, oil companies and government is laid out in a revealing minute-to-minute drama. Massive research supports this unforgettable revelation by a master of corporate investigation--author Edwin Black.

Book by Pryce-Jones, David

"An autobiographical narrative of the career of British author, bookseller, and book collector Colin Franklin, discussing his life and experiences in the book world. Includes essays on figures in the book trade who have influenced and fascinated Franklin. Illustrated in color and black and white"--

The private letters of a statesman are always inviting material for historians and when he has claim to literary fame as well the correspondence assumes a double significance. Benjamin Disraeli (1804-1881) belonged to an age that gave pride of place to the written word as an instrument of both business and pleasure. This volume includes 363 letters (many previously unpublished) from his school boy days to his establishment in the Tory camp under the patronage of Lord Lyndhurst. Most prominent are Disraeli's letters to his sister, Sarah, with whom he corresponded frequently over several decades. To her he confided his hopes, interspersed with his observations and descriptions of social, literary and political events. The letters to Sarah supply a skeleton around which Disraeli's young manhood can be reconstructed and shed valuable light on the remaining documents in the volume. The correspondence also includes accounts of his tour of the Low Countries and the Rhine in 1824, his adventurous trip to Spain, Greece, the Near East and Egypt in 1830, his tense negotiations with publishers and his campaign to shine as a member of aristocratic society and win political patronage. The letters demonstrate the fine eye for detail and the capacity for self-dramatization and literary conceits which mark his novels. With their annotations they also provide a remarkably detailed account of life in the upper reaches of English society as viewed from below, and of Disraeli's ambitions to enter that life.

''A fascinating account of the trials and tribulations behind what turned into a triumphant South African production of Shakespeare's bloodiest tragedy, Titus Andronicus' (Independent). Shakespeare in Tarantino mode is how actor Antony Sher and director Gregory Doran describe Titus Andronicus, one of the most violent plays ever written. They decided to mount a production at the celebrated Market Theatre in Johannesburg with a top South African multi-racial cast. This is an account of their extraordinary journey- from the historic first visit of the Royal National Theatre Studio to South Africa in 1994, to the rehearsals and controversial opening of Titus at the Market, and the acclaim that greeted its subsequent performances in London, Leeds and Spain. This is not only a fascinating insight into how a director and actor approach a classic play, it is also a portrait of theatre in South Africa, emerging from the dark ages of apartheid, and a moving and often funny account of Antony Sher's professional debut in his homeland.''

Leading expert Brian Winston's new book is one of the first to take the ethical issue seriously. Looking at the recent crises of confidence in public service broadcasting and the controversy surrounding docusoaps, his major new study provides a foundational study of ethics and the documentary. This accessible but comprehensive treatment will be an important contribution to academic debates over the role of the media and to the ongoing debates in the documentary community.

Book by

Product Description The latest edition of this accessible economic history presents a comprehensive survey of Britain's economic history in the twentieth centry. Extended to provide an overview of the Thatcher years and an examination of the government's radical departures in economic policy during the years 1979-1990, the text has also been revised to incorporate the latest findings from a wide range of literature and comment. Review 'Pollard's book should continue to serve its audience well.' Business History; 'The extraordinary breadth of Professor Pollard's reading and research will make the book indispensable for those interested in the economic history of the period.' English Historical Review About the Author Sidney Pollard is at Bielefeld University.

This is the first major monograph on the work of one of Britain's most dynamic artists, Wolfe von Lenkiewicz. His striking paintings and drawings mine the hallowed halls of art history and popular culture in search of visual languages, imagery, themes and motifs that he can appropriate, adapt, use and abuse, bringing together different movements, genres, periods and styles in dialogues that are surprising, innovative and sometimes provocative. Lenkiewicz's imagination and energy seem to be inexhaustible, concocting endless amazing hybrids such as iconic Renaissance paintings invaded by characters from nineteenth-century Japanese woodblocks, French Revolutionary masterpieces spliced with German Romanticism, or Cubism infiltrated by Victorian children's illustration.

Stuart Hall’s retirement from the Open University in 1997 provided a unique opportunity to reflect on an academic career which has had the most profound impact on scholarship and teaching in many parts of the world. From his early work on the media, through his influential re-working of Gramsci for the analysis of Britain in the late 1970s, through his considered debates on Thatcherism and more recently on “race” and new ethnicities, Hall has been an inspirational figure for generations of academics. He has helped to make universities places where ideas and social commitment can exist alongside each other. This collection invites a wide range of academics who have been influenced by Stuart Hall’s writing to contribute not a memoir or a eulogy but an engaged piece of social, cultural or historical analysis which continues and develops the field of thinking opened up by Hall. The topics covered include identity and hybridity, history and post-colonialism, pedagogy and cultural politics, space and place, globalization and economy, modernity and difference.

"Over the years of the developing judicial review of ministerial and governmental decisions, Louis Blom-Cooper was a leading advocate who grew up with the advent of a distinctive brand of public law. His range of public activities, both inside and out of the courtroom, saw him dubbed by his colleagues as a polymath practitioner. They included chairmanship of plural public inquiries in child abuse and mental health, media contributions and innovation in penal reform. This book is a collection of his essays, prefaced by a self-examination of his unorthodox philosophy towards the law in action. It covers a variety of socio-legal topics that express his ambition to inform the public on the workings of the legal system. This involves a discussion of the history of Britain's unwritten and, in the author's view, insufficiently interpreted constitution. It reflects a commitment to the European Convention on Human Rights and portrays its international origins. It also opines on crime and punishment in the functioning of the courts and elsewhere, and the political shift from the penal optimism of the 1970s to the reactionary punitiveness of the post-1990s. The essays conclude with a miscellany of affairs, reflecting on professional practices and the author's judicial heroes Lord Reid and Lord Bingham."--Bloomsbury Publishing.

Kings and Queens by Eleanor and Herbert Farjeon is a highly entertaining collection of poems about all forty-one English Kings and Queens since William I. Reissued in Puffin Poetry Kings and Queens is an authentic classic that has delighted young readers and adults alike. With wonderfully witty illustrations by Robin Jacques, history has never been so much fun! Eleanor and Herbert Farjeon were born in the 1880s into a highly literary family. Eleanor published nearly 70 books, mostly for children. Together with Herbert, her younger brother, she also wrote a children's panto, two operettas and a musical fairy story.

In 1956, everything changed. Britain and France occupied Suez, and the Soviet Union invaded Hungary. Nikita Khrushchev's 'secret speech' exposed the crimes of Stalin. Suddenly the left found itself homeless, as the Communist Party became uninhabitable. The Royal Court Theatre unveiled John Osborne's Look Back in Anger , exploding the upper-middle-class complacency in which British theatre had cloaked itself. Tommy Steele and Lonnie Donegan leapt to fame, rock 'n' roll music replacing the gentle pop songs Mum and Dad also liked. Jim Laker made history by taking nineteen Australian wickets at Old Trafford, and Britain deported Archbishop Makarios from Cyprus and suppressed the Mau Mau in Kenya. It was the first full year of independent television, and the year the Treaty of Rome was negotiated. All the comfortable post-war assumptions were shattered. In the immediate post-war years, many people thought that, having conquered the Nazis, there was little else left to conquer. In 1956, they learned that they were wrong. 1956 was the end of the Second World War and the start of the '60s. It was the year Attlee's Britain started to crumble and Thatcher's Britain stirred in the womb. This extraordinary book takes us through this most momentous of years, week by week and sometimes hour by hour.

Elie Halevy's groundbreaking work on the early years of the British labor movement remains a classic of political history. With insight, wit, and a deep understanding of the forces that shape society, Halevy provides a comprehensive analysis of the movement that laid the groundwork for the modern labor movement. This book is an essential resource for anyone seeking to understand the history of social justice in Britain. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Mary Queen Of Scots And Who Wrote The Casket Letters? / By Samuel Cowan; Volume 1 Of Mary Queen Of Scots And Who Wrote The Casket Letters?; Samuel Cowan Samuel Cowan James Pott, 1901 History; Europe; Great Britain; Biography & Autobiography / Royalty; History / Europe / Great Britain; Literary Collections / Letters; Scotland