"Krasny delves deeply into the themes, topics and forms of Jewish humor: chauvinism undercut by irony and self-mockery; the fear of losing cultural identity through assimilation; the importance of vocal inflection in joke-telling; and calls to communal memory, including the use of Yiddish."--Book jacket.

"You can't let people be treated in an inhuman way around you....Otherwise you start to become inhuman." So declares rescuer Hetty Voûte in this updated edition of THE HEART HAS REASONS, an acclaimed historical account that offers an in-depth look into the hearts and minds of the Holocaust rescuers and explores the meaning that their lives and deeds have for us today. Individually or in small "humanitarian cells," the ten Dutch people Klempner profiles saved the lives of thousands of Jewish children during the Nazi occupation of Holland. How did they do what they did--and why did they risk everything to do it? Although their tales of rescue vary greatly, the integrity of the rescuers does not. Thus these narratives provide a glimpse into their personalities and character while shedding light on their extraordinary acts of courage and kindness. Framed by Klempner's quest for meaning, the rescuers' words resonate across generations, providing timeless insight into how people of conscience can navigate morally and resist tyranny in a world where the old specters of prejudice and fascism are again ascendant.

Is Judaism a religion, a culture, a nationality--or a mixture of all of these? In How Judaism Became a Religion, Leora Batnitzky boldly argues that this question more than any other has driven modern Jewish thought since the eighteenth century. This wide-ranging and lucid introduction tells the story of how Judaism came to be defined as a religion in the modern period--and why Jewish thinkers have fought as well as championed this idea. Ever since the Enlightenment, Jewish thinkers have debated whether and how Judaism--largely a religion of practice and public adherence to law--can fit into a modern, Protestant conception of religion as an individual and private matter of belief or faith. Batnitzky makes the novel argument that it is this clash between the modern category of religion and Judaism that is responsible for much of the creative tension in modern Jewish thought. Tracing how the idea of Jewish religion has been defended and resisted from the eighteenth century to today, the book discusses many of the major Jewish thinkers of the past three centuries, including Moses Mendelssohn, Abraham Geiger, Hermann Cohen, Martin Buber, Zvi Yehuda Kook, Theodor Herzl, and Mordecai Kaplan. At the same time, it tells the story of modern orthodoxy, the German-Jewish renaissance, Jewish religion after the Holocaust, the emergence of the Jewish individual, the birth of Jewish nationalism, and Jewish religion in America.

A journalist's account of the London trial of David Irving vs. Penguin Books and Deborah Lipstadt, held in January-April 2000, interspersed with reflections on Holocaust memory and denial. The case became a Holocaust trial, albeit without perpetrators and victims. It did not generate a new narrative of the Holocaust, a revisionist one, as Irving had hoped. Without endorsing Irving's views, defends his right to historical dissent and regrets that his reputation as an outstanding historian was undermined. Contends that the critics of Irving's views, including Lipstadt, misinterpreted his writing as an outgrowth of postmodern deconstruction; what Irving assaulted was not rationalism and history as a science, but the Jews. His main motive was antisemitism. Contends that the depoliticized myth of the "Nazi war against the Jews", characteristic of some historiographic works, made the deniers' task easier. Believes that the Jews are not immune to critical analysis of their history; however, Irving crossed the divide between legitimate criticism and prejudiced vilification of the Jews as a people.

While the special relationship of all ethnic and religious minorities in the USA with their old countries and the existence of their pressure groups is regarded as normal, the support given by U.S. Jews to Israel and the pro-Israeli lobby causes some Americans to view the Jews as disloyal to the USA. Examines the "paper" by John J. Mearsheimer and Stephen M. Walt, "The Israeli Lobby and U.S. Foreign Policy" (first published in 2006 on the Internet and then in the "London Review of Books"; an expanded book appeared later, in 2007). The authors contend that U.S. support of Israel is harmful to American interests, and is due to pressure exerted by a mighty Israel Lobby which acts to the detriment of the state. They argue that the Israel Lobby had a crucial part in the decision to attack Iraq in 2003. Notes that despite the academic style of their paper, Mearsheimer and Walt have revived the myths of a Jewish conspiracy, of Jewish control of the mass media, and of a Jewish secret power. Dwells, also, on the Tony Judt affair. In 2006 Judt, who supported Mearsheimer and Walt, was to deliver a lecture on a binational alternative for Israel. His lecture was cancelled, which he ascribed to pressure by the Anti-Defamation League. Supporters of Mearsheimer and Walt used it as a demonstration of the Israel Lobby's intervention. Criticizes Jimmy Carter's book "Palestine: Peace Not Apartheid" (2006) for its clear anti-Israel bias.

"In his new book, New York Times bestselling author Jay Sekulow presents a political and historical rationale for the existence of Israel as a sovereign nation. The State of Israel and its very right to exist is a lynchpin issue not only in the Middle-East, but is a critical issue to the world at large. Whether it is the blatant and stated desire of ISIS, Hamas, Hezbollah, or Iran to wipe Israel from the face of the earth, or the more subtle but equally insidious aim to delegitimize Israel's existence through efforts at UNESCO, the goal is the same-to get rid of Israel. Here is the book that defends, Israel's right to exist as a sovereign nation. As Chief Counsel for the American Center for Law and Justice, Jay Sekulow has fought with Israel hand-in-hand in some of Israel's most strategic, international battles. Now, he has pulled together the definitive and comprehensive look at Israel-one of the world's most controversial nations- and its importance to us as Americans and as a key focal point to the future of the world. He looks at the legal case for its prominence, as well as the historical and political rationale for its existence as a sovereign nation and homeland for Jews today, and encourages readers to stand with him against the hatred, lies, and efforts to delegitimize one of the world's oldest nations."--Amazon.

""'A painstakingly researched, meticulously documented, cogently reasoned and eminently readable book. It represents an important step forward in New Testament study which henceforward scholars, even if they do not agree with it will not be able to ignore.' Times Literary Supplement 'For those who are concerned to penetrate to the historical realities within the gospel records this is an extremely important book.' Expository Times 'Can only be described as epoch-making.' Jewish Chronicle"" In this, Geza Vermes' best known book, there emerges perhaps the closest portrayal that we have of a genuinely historical Jesus. Freed from the weight and onus of Christian doctrine or Jewish animus, Jesus here appears as a vividly human, yet profoundly misunderstood, figure, thoroughly grounded and contextualised within the extraordinary intellectual and cultural cross currents of his day. Jesus the Jew is a remarkable portrait by a brilliant scholar writing at the height of his powers, informed by insights from the New Testament, Jewish literature, and the Dead Sea Scrolls alike.

Contents: Women and Genocide: Notes on an Unwritten History; The Price of Heroism: Veterans of the Dutch Resistance to the Nazi Occupation and the Holocaust in World War II; The Herut Movement and the Kasztner Trial; Syndrome and Shoah: Waslker Percy's Parable of the Holocaust; Armin T. Wegner's Letter to German Chancellor Adolf Hitler, Berlin, Easter Monday, April 11, 1933; Comments on Robert Melson's "Revolution and Genocide".

Can the Holocaust be compellingly described or represented? Or is there some core aspect of the extermination of the Jews of Europe which resists our powers of depiction, of theory, of narrative? In this volume, twenty scholars probe the moral, epistemological, and aesthetic limits of an account or portrayal of the Nazi horror. Christopher Browning, Hayden White, Carlo Ginzburg, Martin Jay, Dominick LaCapra, and others focus first on the general question: can the record of his historical event be established objectively through documents and witnesses, or is every historical interpretation informed by the perspective of its narrator? The suggestion that all historical accounts are determined by a preestablished narrative choice raises the ethical and intellectual issues of various forms of relativization. In more specific terms, what are the possibilities of historicizing National Socialism without minimizing the historical place of the Holocaust? Also at issue are the problems related to an artistic representation, particularly the dilemmas posed by aestheticization. John Felstiner, Yael S. Feldman, Sidra Ezrahi, Eric Santner, and Anton Kaes grapple with these questions and confront the inadequacy of words in the face of the Holocaust. Others address the problem of fitting Nazi policies and atrocities into the history of Western thought and science. The book concludes with Geoffrey Hartman's evocative meditation on memory. These essays expose to scrutiny questions that have a pressing claim on our attention, our conscience, and our cultural memory. First presented at a conference organized by Saul Friedlander, they are now made available for the wide consideration and discussion they merit.

Ruth Kluger is one of the child-survivors of the Holocaust. In 1942, at the age of eleven, she was deported to the Nazi "family camp" Theresienstadt with her mother. They would move to two other camps (including Auschwitz-Birkenau) before the war ended. 'Landscapes of memory' is the story of Ruth's life. Of a childhood spent in the Nazi camps and her refusal to forget the past as an adult in America. 'It is not in our power to forgive: memory does that for us,' says Kluger. Not erasing a single detail, not even the inconvenient ones, she writes frankly about the troubled relationship with her mother even through their years of internment, and of her determination not to forgive and absolve the past. It is this memory, pure and harsh, this anger, savage and profound, that makes Kluger's memoir so unforgettable. A gripping narrative and a superb meditation on the relationship between private memory and history, on forgiveness and redemption, 'Landscapes of memory' will become a classic of our times.

Europe was in the long slumber of the Dark Ages, the Roman Empire was in tatters, and the Greek language was all but forgotten, until a group of Arab, Jewish, and Christian scholars rediscovered and translated the works of Aristotle. His ideas spread across Europe like wildfire, offering the scientific point of view that the natural world, including the soul of man, was a proper subject of study. The Catholic Church convulsed, and riots took place at the universities of Paris and Oxford.

As the world moved towards WWII, King Boris III of Bulgaria strove to stay neutral. But by 1939, Bulgaria was an unwitting ally of Germany forced to follow Nazi dictates, including the deportation and execution of all 50,000 of it Jewish population. Beyond Hitler's grasp is the dramatic true account of the Bulgarians conspiracy to outwit the Germans - and keep every one of Bulgaria's Jews from ever being deported. This monumental work actually reads like a thriller, involving beautiful spies, the Church, a secret mole, and a compassionate king committed to his countrymen.

Winner of the National Jewish Book Award from the Jewish Book Council How should we understand the stories of the Babylonian Talmud? Where do they come from? Why are they in the Talmud? How do they relate to Talmudic law? In Talmudic Stories , Jeffrey Rubenstein deepens our appreciation for the complexity of these texts by drawing attention to the literary aspects and cultural contexts that are essential to understanding their narrative art, meanings, and importance. Focusing on six famous stories of the Babylonian Talmud and discussing many others in relation to these, Rubenstein's analysis illuminates the ways in which the rabbis used narratives to grapple with fundamental tensions of their culture. The book also features an appendix including the original Hebrew/Aramaic texts for the reader's reference.

On August 2, 1940, as on every other morning for weeks before, a long line of Jewish refugees waited outside the Japanese consulate in Kaunas, Lithuania. Many had already witnessed Nazi atrocities in Poland and other Axis-occupied lands, and they were desperate to escape. To leave Europe they needed foreign transit visas. And at the window, the smiling Japanese consul was issuing them. Before his government closed down the consulate and reassigned him to Berlin, he would issue thousands of such visas.This is the story of Chiune Sugihara, a diplomat and spy who saved as many as 10,000 Jews from deportation to concentration camps and almost certain death, Because of his extreme modesty, Sugihara's tremendous act of moral courage is only now beginning to become widely known.Unlike Raoul Wallenberg, the Swedish diplomat whose government sent him to Hungary with the express purpose of saving Jews, and Oskar Schindler, the German industrialist who at least initially had a vested economic interest in protecting the lives of his Jews, Sugihara had no apparent reason to perform his acts of rescue. Indeed, he acted in direct violation of official Japanese policy, which directed all government and military personnel to cooperate with the murderous policies of their Nazi allies. Examining Sugihara's education and background -- a background shared with the colonial administrators and military men who committed the rape of Nanjing -- author Hillel Levine finds nothing that explains his extraordinary behavior.Levine's search has taken him from the old Japanese consul building in Kaunas (now Kovno), Lithuania, to the Australian outback; across Japan from the rice fields of Sugihara's native town to the boardrooms of conglomerates where his younger schoolmates still hold power. But the more Levine sought answers to Sugihara's puzzling behavior, the more he encountered questions. Remarkably, Chiune Sugihara was not the only Japanese official to save Jews. Yet none was ever punished for insubordination. Was there a secret Japanese plan to save Jews from Nazi genocide?Much Holocaust scholarship focuses on the perpetrators of evil, trying to illuminate what drove ordinary men and women to commit horrifying and murderous acts. But perhaps as difficult to understand is the phenomenon of rescue: what inspired courageous individuals to swim against the tide of cruelty and indifference. This sensitive and nuanced biography concludes that there is no link between a person's background and his moral inclinations. Mercy remains a divine mystery despite our human craving to reduce it to behavioristic formulas.This book does not attempt to explain man's humanity to man. Instead Levine has woven a fascinating narrative of one man's heroic efforts to save lives, in the midst of so many seeking to destroy them.

"What if an empire of Jewish warriors that really existed in the Middle Ages had never fallen--and was the only thing standing between Hitler and his conquest of Russia? Eastern Europe, August 1942. The Khazar kaganate, an isolated nation of Turkic warrior Jews, lies between the Pontus Euxinus (the Black Sea) and the Khazar Sea (the Caspian). It also happens to lie between a belligerent nation to the west that the Khazars call Germania--and a city the rest of the world calls Stalingrad. After years of Jewish refugees streaming across the border from Europa, fleeing the war, Germania launches its siege of Khazaria. Only Esther, the daughter of the nation's chief policy adviser, sees the ominous implications of Germania's disregard for Jewish lives. Only she realizes that this isn't just another war but an existential threat. After witnessing the enemy warplanes' first foray into sovereign Khazar territory, Esther knows she must fight for her country. But as the elder daughter in a traditional home, her urgent question is how. Before daybreak one fateful morning, she embarks on a perilous journey across the open steppe. She seeks a fabled village of Kabbalists who may hold the key to her destiny: their rumored ability to change her into a man so that she may convince her entire nation to join in the fight for its very existence against an enemy like none Khazaria has ever faced before. The Book of Esther is a profound saga of war, technology, mysticism, power, and faith. This novel--simultaneously a steampunk Joan of Arc and a genre-bending tale of a counterfactual Jewish state by a writer who invents worlds "out of Calvino or Borges" (The New Yorker)--is a stunning achievement. Reminiscent of Michael Chabon's The Yiddish Policemen's Union and Philip Roth's The Plot Against America, The Book of Esther reaffirms Barton's place as one of her generation's most gifted storytellers"--

Examines the Jewish concepts of God, law, and peoplehood, and reveals how these distinctive Jewish values have precipitated anti-Semitism.

"Immediately after World War II, there was little discussion of the Holocaust, but today the word has grown into a potent political and moral symbol, recognized by all. In Holocaust: An American Understanding, renowned historian Deborah E. Lipstadt explores this striking evolution in Holocaust consciousness, revealing how a broad array of Americans--from students in middle schools to presidents of the United States--tried to make sense of this inexplicable disaster, and how they came to use the Holocaust as a lens to interpret their own history. Lipstadt weaves a powerful narrative that touches on events as varied as the civil rights movement, Vietnam, Stonewall, and the women's movement, as well as controversies over Bitburg, the Rwandan genocide, and the bombing of Kosovo. Drawing upon extensive research on politics, popular culture, student protests, religious debates and various strains of Zionist ideologies, Lipstadt traces how the Holocaust became integral to the fabric of American life. Even popular culture, including such films as Dr. Strangelove and such books as John Hershey's The Wall, was influenced by and in turn influenced thinking about the Holocaust. Equally important, the book shows how Americans used the Holocaust to make sense of what was happening in the United States. Many Americans saw the civil rights movement in light of Nazi oppression, for example, while others feared that American soldiers in Vietnam were destroying a people identified by the government as the enemy. Lipstadt demonstrates that the Holocaust became not just a tragedy to be understood but also a tool for interpreting America and its place in the world. Ultimately Holocaust: An American Understanding tells us as much about America in the years since the end of World War II as it does about the Holocaust itself."--Publisher information

Today's antisemitism is difficult to recognize because it does not come dressed in a Nazi uniform and it does not openly proclaim its hatred or fear of Jews. This book looks at the kind of antisemitism which is tolerated or which goes unacknowledged in apparently democratic spaces: trade unions, churches, left-wing and liberal politics, social gatherings of the chattering classes and the seminars and journals of radical intellectuals. It analyses how criticism of Israel can mushroom into antisemitism and it looks at struggles over how antisemitism is defined. It focuses on ways in which those who raise the issue of antisemitism are often accused of doing so in bad faith in an attempt to silence or smear. Hostility to Israel has become a signifier of identity, connected to opposition to imperialism, neo-liberalism and global capitalism; the 'community of the good' takes on toxic ways of imagining most living Jewish people.

"From the bestselling master espionage writer, hailed by Vince Flynn as "the best in the business," comes a riveting novel about the French Resistance in Nazi-occupied Paris. Paris, 1941. The City of Light, occupied by the Nazis, is dark and silent at night. Streetlamps are painted blue and apartment windows draped or shuttered in the blackout ordered by the Germans. But when the clouds part, the silvery moonlight defies authority, and so does a leader of the French Resistance, known as Mathieu. In Paris and in the farmhouses, barns, and churches of the French countryside, small groups of ordinary men and women are determined to take down the occupying forces of Adolf Hitler. Mathieu leads one such Resistance cell, helping downed British airmen escape back to England. This suspenseful, fast-paced thriller by the author whom Vince Flynn calls "the most talented espionage novelist of our generation" captures this dangerous time as no one ever has before. Alan Furst brings Paris and occupied France to life, along with courageous citizens who outmaneuver collaborators, informers, blackmailers, and spies, risking everything to fulfill perilous clandestine missions. Aiding Mathieu as part of his covert network are Lisette, a seventeen-year-old student and courier; Max de Lyon, an arms dealer turned nightclub owner; Chantal, a woman of class and confidence; Daniel, a Jewish teacher fueled by revenge; Joëlle, who falls in love with Mathieu; and Annemarie, a willful aristocrat with deep roots in France, and a desire to act. As the German military police heighten surveillance, Mathieu and his team face a new threat, dispatched by the Reich to destroy them all. Shot through with the author's trademark fine writing, breathtaking suspense, and intense scenes of seduction and passion, Alan Furst's A Hero of France is at once one of the finest novels written about the French Resistance and the most gripping novel yet by the living master of the spy thriller. Praise for Alan Furst "Furst never stops astounding me."--Tom Hanks "Suspenseful and sophisticated. No espionage author, it seems, is better at summoning the shifting moods and emotional atmosphere of Europe before the start of World War II than Alan Furst."--The Wall Street Journal "Though set in a specific place and time, Furst's books are like Chopin's nocturnes: timeless, transcendent, universal. One does not so much read them as fall under their spell."--Los Angeles Times "[Furst] remains at the top of his game."--The New York Times "A grandmaster of the historical espionage genre."--The Boston Globe"--