"A story of secrets, loss, and the betrayals of memory: a lyrical novel of an aging woman confronting her romantic past under the mysterious skies of her island home Off the coast of Georgia, near Savannah, generations have been tempted by strange blue lights in the sky near an island called Lyra. At the height of WWII, impressionable young Elle Ranier comes to the island when her new husband, Simon, is dispatched by his industrialist father to find the source of the mysterious lights. There they will live for decades, raising a family while employing much of the island's population in a quixotic campaign to find and exploit the elusive minerals rumored to lurk offshore. Fifty years later, as Simon's business is shuttered in disarray, Elle looks back at her life on the mysterious island--and at a secret she herself has guarded for decades. As her memory recedes, her life seems a tangle of questions: How did the business survive so long without ever finding the legendary Lyra stones? How did her own life crumble under treatment for depression? And what became of the other man they brought to the island--handsome, raffish Gabriel, who risked everything to follow the light to its source? With echoes of We Are Not Ourselves and even Jean Rhys's Wide Sargasso Sea, The Stars Are Not Yet Bells is a darkly romantic story of the tantalizing, faithless relationship between ourselves and the lives and souls we leave behind"--

Reproduktion des Originals in Gro druckschrift.

In her critically acclaimed debut story collection, Elisa Albert boldly illuminates an original cross section of disaffected young Jews. With wit, compassion, and a decidedly iconoclastic twenty-first-century attitude, in prose that is by turns hilarious and harrowing, Albert has created characters searching for acceptance, a happier view of the past, and above all the possibility of a future. Holidays, family gatherings, and rites of passage provide the backdrop for these ten provocative stories. From the death of a friendship in "So Long" to a sexually frustrated young mother's regression to bat mitzvah -- aged antics in "Everything But," and culminating with the powerful and uproariously apropos finale of "Etta or Bessie or Dora or Rose," How This Night Is Different will excite, charm, and profoundly resonate with anyone who's ever felt ambivalent about his or her faith, culture, or place in the world.

1929. Edna Ferber, Pulitzer Prize-winning author of Show Boat and Giant, gives us a ripping good read with Cimarron, the story of wandering Yancey Cravat, a pioneer newspaper editor and lawyer. Cravat settles in Osage, a muddy town thrown together overnight when the Oklahoma territory opens in 1889. To this place he brings his wife Sabra, a woman both conventional and well-bred. Against all odds, Sabra develops a brilliant business sense. She makes a success of the newspaper, a success that ultimately leads her to Congress. Through Sabra's eyes we see the violent frontier collide with resentful Indians, the sodbusters tame the prairie, and the sudden fortune of a lucky few. See other titles by this author available from Kessinger Publishing.

These powerfully vivid stories from a great writer offer enormous pleasure, recognition and discovery. Ranging through the unreliable layers of family archaeology, they uncover earlier, vulnerable selves, moments of innocence or shame, and unfinished business, illumined by shocking flashes of unpredictable violence and pain, or glints of sly humour. In the brilliant cornerstone story the stuff of dreams is both real and imagined—rumoured fields of cannabis picked in secret by migrant workers, or a nightmare encounter on a dark city street. In “Night Training” a military recruit is scarred by his own complicity in a bizarre nightly ritual. From the image of a small boy entranced by his mother’s GI escort, yet still hoping for the return of a father missing in action, to “Sally’s Story” in which a comfort girl looks for comfort of her own, here are men and women in search of connection, or equally wary of it—whether with each other or with past selves. David Malouf evokes, like no other writer, dark shadows beneath the bright sun.

Finalist for the 2014 Scotiabank Giller Prize A disgraced Israeli politician comes face to face with the man who denounced him to the KGB and sent him to the Gulag These incandescent pages give us one momentous day in the life of Baruch Kotler, a disgraced Israeli politician. When he refuses to back down from a contrary but principled stand regarding the West Bank settlements, his political opponents expose his affair with a mistress decades his junior. He and the fierce young Leora flee the scandal for Yalta, where he comes face to face with the former friend who denounced him to the KGB almost forty years earlier. In a mere twenty-four hours, Kotler must face the ultimate reckoning, both with those who have betrayed him and with those whom he has betrayed, including a teenage daughter, a son facing his own ethical dilemmas in the Israeli army, and the wife who stood by his side through so much. In prose that is elegant, sly, precise and devastating, David Bezmozgis has rendered a story for the ages, an inquest into the nature of fate and consequence, love and forgiveness. WEB: BEZMOZGIS.COM TWITTER: @DBEZMOZGIS

In the long-awaited conclusion to the international bestselling Peaceful Warrior saga, Dan Millman takes us on an epic spiritual quest across the world as he searches for the link between everyday life and transcendent possibility. Picking up where his journey ended in Way of the Peaceful Warrior , Dan Millman moves from Honolulu to the Mojave Desert, and from a bustling Asian city to a secluded forest, until he uncovers the mystery of The Hidden School. While traversing continents, he uncovers lessons of life hidden in plain sight—insights pointing the way to an inspired life in the eternal present. Along the way, he encounters remarkable characters and brushes with mortality as he explores the nature of reality, the self, death, and finally, a secret as ancient as the roots of this world. Awaken to the hidden powers of paradox, humor, and change. Discover a vision that may forever change your perspectives about life’s promise and potential.

First published in 1925, Anzia Yezierska's "Bread Givers" is the tale of a young Jewish-American immigrant woman and her struggle to control her own destiny in Manhattan's Lower East Side at the turn of the century. The novel is based in large part on Yezierska's own life experiences immigrating from Poland as a child and growing up in New York City in an Orthodox Jewish family. "Bread Givers" centers on the story of its main character, Sara Smolinsky, who lives with her older sisters and parents in a poor tenement in the Lower East Side. The Smolinsky family is destitute and struggles to make ends meet as the father, Reb, refuses to work and spends all his time studying the Torah and clinging to the traditions of the country he left behind. He arranges unhappy marriages for his older daughters in the hope of becoming rich himself. Sara vows to avoid her sisters' fates and takes her life into her own hands, pursuing an education and refusing to marry just because it is expected of her. "Bread Givers" is both an engaging portrait of New York at the beginning of the twentieth-century and a timeless tale of a young woman's journey of self-discovery and determination. This edition is printed on premium acid-free paper.

Fictional biography of John Paul Jones.

Pippa Jones is a fortyish former literary sensation who fears she will be a one-hit wonder. After the follow-up book she was almost done writing, Podlusters, had to be tossed (it ended up sharing a plot and title with superstar author Ella Rankin's summer blockbuster!), she couldn't write a thing. Months of staring at a blank page made her confidence vanish like a one-night stand. When she finds out that she has only five days left to finish (or rather, start) or repay an advance she's already spent, Pippa has a brilliantly original idea. Okay, fine, her twelve-year-old son came up with it as a joke, but Pippa and her teenage daughter approved. -- Provided by publisher.

The Best American series has been the premier annual showcase for the country's finest short fiction and nonfiction since 1915. Each volume's series editor selects notable works from hundreds of periodicals. A special guest editor, a leading writer in the field, then chooses the very best twenty or so pieces to publish. This unique system has made the Best American series the most respected--and most popular--of its kind. The Best American Essays 2005 includes Roger Angell - Andrea Barrett - Jonathan Franzen - Ian Frazier - Edward Hoagland - Ted Kooser - Jonathan Lethem - Danielle Ofri - Oliver Sacks - Cathleen Schine - David Sedaris - Robert Stone - David Foster Wallace - and others Susan Orlean, guest editor, is the author of My Kind of Place, The Orchid Thief, The Bullfighter Checks Her Makeup, and Saturday Night. A staff writer for The New Yorker since 1982, she has also written for Outside, Esquire, Rolling Stone, and Vogue.

This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare's finesse to Oscar Wilde's wit, this unique collection brings together works as diverse and influential as The Pilgrim's Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.

You exist in this darkness. Rebels. Creeps. Outcasts. Loners. People who hate everybody' This is the story of Janey, who lived in a locked room, where she found a scrap of paper and began to write down her life. It's a story of lust, sex, pain, youth, punk, anarchy, gangs, the city, feminism, America, Jean Genet and the prisons we create for ourselves. A heady, surreal mash-up of coming-of-age tale, prose, poetry, plagiarism and illustration, Kathy Acker's breakthrough 1984 novel caused huge controversy and made her an avant-garde literary icon.

Arthur Pfefferkorn, is a middle-aged college professor with long dead literary aspirations. When his oldest friend, successful thriller writer William de Vallee, is lost at sea, Pfefferkorn is torn between envy and grief, for de Vallee not only outshone Pfefferkorn professionally, but married the woman Pfefferkorn loved. He struggles with his failed ambitions while reflecting on his late friend's successes and marriage. He decides to take the best-selling author's latest manuscript and publish it as his own. Although the novel brings him great success, his life soon spirals into a series of betrayals and double-crosses torn straight from the pages of his plagiarized work. His decision to reconnect with de Vallee's widow sets in motion a surreal chain of events, plunging him into a shadowy realm of intrigue, a world where no one can be trusted, and nothing can be taken seriously.

Harold Brodkey's haunting, lyrical portrait of his most beloved city. Venice is a separate country," Harold Brodkey wrote of the fabled city that became his literary muse. "It floats at anchor inside its own will, among its domes and campanili, independent and exotic at its heart."The author's love of Venice--its churches and vaporetti, its capacity to bewilder and seduce--brought him back time and again to the shores of the Adriatic in search of fresh inspiration. Brodkey's Venice is marked by powerful contrasts: pride beside humility, the sacred alongside the profane, solemn tradition coexisting with exuberant mercantile optimism. Illustrated with eleven stunning black-and-white portraits by the legary Italian photographer Giuseppe Bruno, My Venice combines passages from several of Brodkey's great works with previously unpublished notes and essays to create a text as rich, subtle, and beguiling as the city itself.

A bestseller in 1933, and subsequently adapted into two beloved and controversial films, Imitation of Life has played a vital role in ongoing conversations about race, femininity, and the American Dream. Bea Pullman, a white single mother, and her African American maid, Delilah Johnston, also a single mother, rear their daughters together and become business partners. Combining Bea’s business savvy with Delilah’s irresistible southern recipes, they build an Aunt Jemima-like waffle business and an international restaurant empire. Yet their public success brings them little happiness. Bea is torn between her responsibilities as a businesswoman and those of a mother; Delilah is devastated when her light-skinned daughter, Peola, moves away to pass as white. Imitation of Life struck a chord in the 1930s, and it continues to resonate powerfully today. The author of numerous bestselling novels, a masterful short story writer, and an outspoken social activist, Fannie Hurst was a major celebrity in the first half of the twentieth century. Daniel Itzkovitz’s introduction situates Imitation of Life in its literary, biographical, and cultural contexts, addressing such topics as the debates over the novel and films, the role of Hurst’s one-time secretary and great friend Zora Neale Hurston in the novel’s development, and the response to the novel by Hurst’s friend Langston Hughes, whose one-act satire, “Limitations of Life” (which reverses the races of Bea and Delilah), played to a raucous Harlem crowd in the late 1930s. This edition brings a classic of popular American literature back into print.

In Feed My Dear Dogs, Emma Richler returns to the life of the Weiss family, first introduced to readers in her debut–and much-celebrated–book, Sister Crazy, through a series of interconnected stories narrated by Jemima (Jem) Weiss. The Weisses are a tight unit of seven: father Yaakov, a gruff sportswriter whose love for his children is manifest in his stern instructions and impromptu boxing lessons; mother Frances, a wise and gentle beauty adored by her family, almost to the point of obsession by her husband; Ben, the most heroic of the siblings, by virtue of birth-order and also for knowing the answer to all questions; Jude, Jem’s almost-twin, who is only fifteen months older than she and the most serious of the children, careful to point out the anti-Semitic leanings of Jem’s literary heroes; Jem, the narrator, who would prefer to never leave the comforting confines of her family; delicate yet hilarious Harriet, Jem’s only sister, who can sound like a little old lady or a sultry vixen, depending on what movie she’s quoting; and Gus, the frail little boy who completes the circle at the beginning of the book with his birth and arrival home from the hospital. Feed My Dear Dogs beings with the family in London, where eight-year-old Jem and her sister attend a convent school to the consternation of most of the nuns, since not only are the Weiss children not Catholic, but, most perplexingly, they are half-Jewish. Not surprisingly, Jem prefers home to school. At home she is surrounded by the books she loves, (particularly Tintin and Le Morte d’Arthur) and the comforts only a big, happy family can provide. Soon, however, the family departs for Canada –“Dad’s country,” as the children see it–where together they begin a new life, shuttling between a Montreal townhouse and a country home, and adapting to their new land –even creating the “Weiss on Ice” hockey team. No matter where the family is, each member is fiercely loyal to home. From the use of short notes: “Out. Back soon. – Jude” to a simple “I’ll be up in my room!” yelled down the stairs, to Yaakov’s frantic bellowing of “Frances!” through the house, the family keeps close tabs on its members, which also allows Jem to subconsciously control it: “. . . my universe still the Universe, a place I wander with a slight swagger.” But the comfort and security of family can’t last forever, Jem learns in high school, as Jude plans an extensive travel itinerary for himself and Ben contemplates moving out on his own. Meanwhile, Jem’s burgeoning feminism pits her against her father and brothers while she battles with a burden of guilt over the near-drowning death of her youngest brother. Spiraling into a breakdown by the story’s tragically beautiful end, Jem discovers that families simply can not remain fixed, like the stars in the galaxies, unchanged forever. Intermingled through the story of the Weiss family are Jem’s (and her siblings’) encyclopedic knowledge of history, literature, film, religion and language. Richler also interweaves the almost mythic life story of Frances, the family’s matriarch, into the book, and provides glimpses into Jem’s troubled mind through a series of present-day conversations with her therapist, all of which serve to create a fully drawn portrait of Jem, her mother and the bond between them and the family as a whole.

WINNER OF THE AUSTRALIA-ASIA LITERARY AWARD SHORTLISTED FOR THE PRIME MINISTER'S LITERARY AWARD In these thirty-one stories David Malouf's imagination inhabits shocking violence, quick humour, appealing warmth and harsh cruelty with equal intensity. He shares tales of bookish boys, taciturn men and intimate stories of men and women looking for something they seem to have missed, or missed out on. A comprehensive compilation of David's shorter work, the stories are set in the stark and challenging Australian interior and the more lush and mysterious coastal enclaves; others are set in Australia's past. The youthful dreams, physical desires and mental despair of Malouf's richly varied characters as they explore their place in the world are always moving and universal. Readers won't want to skim a single page of the stories in this epic collection, a few of which are novella length. Together, they represent a quarter-century of a formidable craftsman's career. ______________________________________ 'Australia's finest writer' MIRIAM COSIC, THE AUSTRALIAN 'Malouf is a lyrical story-writer.' MALCOLM KNOX, THE SYDNEY MORNING HERALD 'A richly imagistic writer, philosophical and literary in the best sense.' WASHINGTON POST BOOK WORLD 'A first-rate writer-a sensitive historian of the spirit.' WALL STREET JOURNAL