How does a Jewish boy who spent the bulk of his childhood on the basketball courts of Brooklyn wind up teaching in one of the city's pioneering black studies departments? Naison's odyssey begins as Brooklyn public schools respond to a new wave of Black migrants and Caribbean immigrants, and established residents flee to virtually all-white parts of the city or suburbs. Already alienated by his parents' stance on race issues and their ambitions for him, he has started on a separate ideological path by the time he enters Columbia College. Once he embarks on a long-term interracial relationship, becomes a member of SDS, focuses his historical work on black activists, and organizes community groups in the Bronx, his immersion in the radical politics of the 1960s has emerged as the center of his life. Determined to keep his ties to the Black community, even when the New Left splits along racial lines, Naison joined the fledgling African American studies program at Fordham, remarkable then as now for its commitment to interracial education.This memoir offers more than a participant's account of the New Left's racial dynamics; it eloquently speaks to the ways in which political commitments emerge from and are infused with the personal choices we all make.

ABC-TV's Lynn Sherr writes a savvy, witty, and moving memoir about events that have shaped her life and her career as one of the first women to break through in broadcast television As a reporter for 40 years, most of them on television, Lynn Sherr has brought clarity and insight to many of the most compelling news events of our day—from politics to murder trials to the space program. Now this widely respected award-winning journalist lets us in on what she's seen "inside the box" as she steps outside for a reality check. She tells how television journalism has changed over the years, for better and for worse, and explores the critical state of TV news today. Her accounts of the political and cultural upheavals she covered also make this a social history of our time. When she first began in the industry, newspaper editors bluntly told her, "We don't hire girls," but Lynn persevered, both covering and experiencing the emergence of modern feminism. All that despite being fired from her first TV job! She also addresses the heartbreak of her husband's death followed by her own battle with colon cancer. Lynn Sherr opens up about those painful times with an honesty that will touch and inspire readers. Her personal accounts—growing up in Philadelphia, where her father was a pioneering professional basketball player; suddenly becoming a stepmom; slipping off to commune with giraffes—all underscore her insistence on always keeping one foot outside the box.

Jack Newfield has covered it all: he has documented he unfolding drama of the 1960s; followed the boxing careers of Ali and Tyson; taken on city hall; and kept his integrity intact in the rough world of tabloid politics. Somebody's Gotta Tell It is the clear-eyed memoir of a journalist whose love for his country, and passion for his profession, has never wavered.

This lively and irreverent memoir explores the settings where Yiddish - a language of song, rebellion, and eternal longing - has thrived: in the cabaret and cafe, the kitchen and classroom, the literary salon and mystical commune, the partisan brigade and on pilgrimage to Poland

Carolyn Goodmans life was punctuated by tragedy, including a brothers premature death, childhood molestation, a fathers suicide, and a sons infamous murder. But hers is foremost a tale of survival, of turning personal anguish into social conscience. When her twenty-year-old son, Andy, was one of three civil rights volunteers to disappear in Mississippi in the summer of 1964, the story galvanized the nation. A half century after the Mississippi murders, this is the first time that a victims family member has expounded about the experience and the myriad emotions--from guilt to resolve--that it spawned. More than simply a memoir, My Mantelpiece is the story of a centurys seminal progressive movements seen through the lens of a remarkable womans singular journey. **Along with a foreword by National Book Award-winner Maya Angelou, MY MANTELPIECE includes back-cover testimonials from Senator Elizabeth Warren, Congressman John Lewis, former New York City mayor Michael Bloomberg, and performer-activist Harry Belafonte.

Pp. xiii-xxxii contain a historical introduction by David Engel; pp. 267-279 contain an afterword by Phyllis Palgi.

"The funny and insightful first-person story of the trailblazing movie director of the 80s and 90s whose fearless punk drama, "Smithereens" became the first American indie film to compete at Cannes, and smash hit "Desperately Seeking Susan" led to a four-decade career in film. Starting out in the mid-70s, a time when few women were directing movies, Susan was determined to become a filmmaker. She longed to tell stories about the unrepresented characters she wanted to see on screen: unconventional women in unusual circumstances, needing to express themselves and maintain their autonomy. Her genre-blending films reflect a passion for classic Hollywood storytelling, mixed with a playful New Wave spirit, informed by her years living in downtown NYC. Seidelman continued to shape American pop culture well into the nineties, directing the pilot of the iconic TV series "Sex And The City," focusing her sharp lens on the changing place of women in American society and helping to fundamentally reshape our self-image in ways that are still felt today. Raised in the safe cocoon of 1960s suburbia, Susan Seidelman wasn't a misfit, an oddball, or an outlier. She was a "good-girl" with a little bit of "bad" hidden inside. A restless teenager, she dreamed of escape and reinvention, a theme that would play out in her films as well as in her own life. Because she loved stories, a high school guidance counselor suggested she become a librarian, but she had her sights set further afield. In 1973, she left the Philly suburbs, enrolled at NYU's burgeoning graduate film school and moved to NYC's Lower East Side. There, she found herself in the right place at the right time. New York City was falling apart, but out of that chaos came a burst of creative energy whose effects are still felt in American pop culture today. Downtown became a vibrant playground where film, music, performance and graffiti art cross-pollinated and where Seidelman chronicled the lives of the colorful misfits, oddballs, dreamers and schemers she met there. It's all in DESPERATELY SEEKING SOMETHING. Seidelman not only has a keen perspective on the times she's lived through -- from her Twiggy-obsessed girlhood, through the Women's Lib movement of the early 70s, the punk scene of the late 70s, Madonna-mania of the 80s, to the dot-com "greed is good" 90s, and beyond--she tells great stories"--

A personal account by the Harvard Medical School lecturer and political activist traces his explorations into the psychological sources and consequences of some of the past half-century's most disturbing events as experienced by its victims and perpetrators.

The marriage ended in divorce, but Mary thrived in her roles as mother and artist, until her world was turned upside down by the news from her ex-husband that he had AIDS. An HIV test revealed that Mary, too, was infected. Terrified, struggling against fear, depression, and anger, Mary ultimately found a new life mission in her positive status - she began to educate others on the battle against prejudice and AIDS.

"Marcia Freedman's lively first-person account of her fourteen years in Israel, the story of a modern Jewish woman's longing to be at home in the homeland of the Jews. Founder of the women's liberation movement, former member of the Knesset, she examines the contradictions between idealistic vision and flawed reality in her adopted country"--Jacket

"The compelling story of an acclaimed journalist and New York Times bestselling author's ongoing struggle with epilepsy--his torturous decision to keep his condition a secret to avoid discrimination, and his ensuing decades-long battle to not only survive, but to thrive. Written with brutal and affecting honesty, Kurt Eichenwald, who was diagnosed with epilepsy as a teenager, details the abuses he faced while incapacitated post-seizure, the discrimination he fought that almost cost him his education and employment, and the darkest moments when he contemplated suicide as the only solution to ending his physical and emotional pain. He recounts how medical incompetence would have killed him but for the heroic actions of a brilliant neurologist and the friendship of two young men who assumed part of the burden of his struggle. Ultimately, Eichenwald's is an inspirational tale, showing how a young man facing his own mortality on a daily basis could rise from the depths of despair to the heights of unimagined success"--

John Houseman describes with extraordinary self-knowledge and grace a life full of fantastic episodes that took him from a bizarre childhood to a seemingly hopeless and conventional business career to his brilliant debut in the world of the theater.

Joel Chasnoff is twenty-four years old, an American, and the graduate of an Ivy League university. But when his career as a stand-up comic fails to get off the ground, Chasnoff decides it's time for a serious change of pace. Leaving behind his amenity-laden Brooklyn apartment for a plane ticket to Israel, Joel trades in the comforts of being a stereotypical American Jewish male for an Uzi, dog tags (with his name misspelled), and serious mental and physical abuse at the hands of the Israeli Army.

Autobiographical essays by the star of "Transparent" and "Arrested Development" discusses such topics as his formative childhood years, his relationship with his depressive father, and his enduring creative process.

""What I wanted after college was a job and my own apartment, but what I needed was a good comeuppance, and that's what I got." " When Dave Itzkoff graduated from Princeton in 1998-the first member of his family to earn a college degree-he expected to be rewarded with a career, and a life, that mattered. Instead, he ended up convinced that he was selling the entire institution of manhood down the river. After a series of personal and professional experiences stripped him of any lingering sense of entitlement, Itzkoff found himself working as an editor at Maxim, the pugnacious frontrunner in a new breed of men's periodicals dubbed "lad magazines." There, he was initiated into a culture of heavily retouched girlie pictorials, dirty jokes, disingenuous sex advice, and shopping guides for expensive electronic gadgetry. And as Maxim continued its inexorable rise to become the most successful men's magazine in modern publishing history, Itzkoff was left wondering what his work-and his life-really meant. Lads is the hilarious, heartbreaking story of Dave Itzkoff's efforts to define himself as a man while working at a magazine that was purveying a vision of young manhood-a state of perpetual adolescence-that was seductive to all but viable for none. Lads takes us deep inside one young man's struggle with identity, responsibility, and sexuality, in an unsparingly candid account of how men really relate to one another, as fathers and sons, as employers and employees, as colleagues and friends. Lads is trenchant. Lads is perceptive. Lads is alarmingly funny. This is an unforgettable debut from a young writer of astounding talent. "From the Hardcover edition."

At age twenty-one, while she was working with the legendary Nadia Boulanger in France, concert pianist Carol Rosenberger was stricken with paralytic polio—a condition that knocked out the very muscles she needed in order to play. But Rosenberger refused to give up. Over the next ten years, against all medical advice, she struggled to rebuild her technique and regain her life as a musician—and went on to not only play again, but to receive critical acclaim for her performances and recordings. Beautifully written and deeply inspiring, To Play Again is Rosenberger’s chronicle of making possible the seemingly impossible: overcoming career-ending hardships to perform again.

In the 1960s, amid political upheaval and anti-war protests, a growing number of young Americans were creating their own visionary revolution by "tuning in, turning on, and dropping out." Cannabis was king, and the sacred mushrooms "psilocybin" and LSD were "tripping" the minds of thousands, led by psychologist/guru/pitchman Dr. Timothy Leary, the pied piper of the psychedelic drug scene.

Now available in paperback for the first time, with a new introduction, the poignant and insightful memoir from Yossi Klein Halevi, the award-winning journalist and author of the acclaimed Like Dreamers—a coming-of-age story about a traumatic family history, radical politics, and spiritual transformation that speaks to a new generation struggling to understand what it means to be Jewish in America. The child of a Holocaust survivor, Yossi Klein Halevi grew up in 1960s Brooklyn perceiving reality through the lens of his family’s brutal past. Increasingly identifying with their history of suffering, he regarded the non-Jewish world with fear and loathing. Determined to take action—and seek retribution—he became a disciple of the late rabbi Meir Kahane and a member of the radical fringe of the American Jewish community. In this wry and moving account, Halevi explores the deep-rooted anger of his adolescence and early adulthood that fueled his increasingly aggressive activism. He reveals how he started to question his beliefs—and his self-inflicted suffering as a hostage of history—and see the world from his own clear perspective. As a journalist and author, Halevi has dedicated himself to fostering interfaith reconciliation. Memoirs of a Jewish Extremist explains how such a transformation can happen—giving hope that peaceful coexistence between faiths is possible.

Offering a glimpse inside the high-stakes world of real estate development, from finding a property to securing financing to hiring an architect to constructing the building to seeing it profitably occupied, this is a history of New York in the 1970s and 1980s, from one of the people most responsible for its changing cityscape. In 1986, the New York Times called William Zeckendorf Jr. Manhattan's most active real-estate developer, a judgement borne out by Zeckendorf's fascinating memoir. The second generation of a legendary family of developers, Bill Zeckendorf was a developer with a social conscience, not only putting up buildings but opening neglected parts of the city and transforming whole communities. Among the projects Zeckendorf chronicles in detail - and with rich documentary illustrations - are the Columbia, which set off a building boom on the Upper West Side; the four-acre Worldwide Plaza, a landmark in West Midtown; Queens West, the first residential project on the waterfront in Queens; the enormous Ronald Reagan Office Building and International Trade Center in Washington, D.C.; and numerous projects in Santa Fe, his beloved second home.