"The legendary Akiva ben Yosef has fascinated Jews for centuries. One of and arguably the most important of the Tannaim, or early Jewish sages, he lived during a crucial era in the development of Judaism as we know it today, and his theology played a major part in the development of Rabbinic Judaism. Reuven Hammer details Akiva's life as it led to a martyr's death and delves into the rich legacy Akiva left us.That legacy played an extraordinarily important role in helping the Jewish people survive difficult challenges and forge a vibrant religious life anew and it continues to influence Jewish law, ethics, and theology even today. Akiva's contribution to the development of Oral Torah cannot be overestimated, and in this first book written in English about the sage since 1936, Hammer reassesses Akiva's role from the period before the destruction of the Temple in 70 CE until the Bar Kokhba Revolt in 135 CE. He also assesses new findings about the growth of early Judaism, the reasons why Akiva was so outspoken about "Christian Jews," the influence of Hellenism, the Septuagint, and the canonization of the Hebrew Bible. Ultimately, Hammer shows that Judaism without Akiva would be a very different religion"--

Norman Levine's Canada Made Me , first published in England in 1958, is a bitter, critical reassessment of the moral and cultural values of Canada. His account of his three-month journey from Halifax to Ucluelet, a fishing village on the west coast, is an unconventional portrait of Canada's underbelly. The book ends with the words: `I wondered why I felt so bitter about Canada. After all, it was all part of a dream, an experiment that could not come off. It was foolish to believe that you can take the throwouts, the rejects, the human kickabouts from Europe and tell them: Here you have a second chance. Here you can start a new life. But no one ever mentioned the price one had to pay; how much of oneself you had to betray.' Canada Made Me was regarded as so controversial that it did not appear in a Canadian edition until 1979. Critical opinion, however, has slowly swung around to the point the book was recently described in the Globe and Mail as a `laconic classic'. For this new edition Norman Levine has written an introduction which traces the book's publishing history and reputation.

"Here is a singular story of survival, an earthly miracle wrought by family devotion, gardens, horses, guts. A compelling read."—Carolyn Heilbrun In July 1998, when Maxine Kumin's horse bolted at a carriage-driving clinic, she was not expected to live. Yet, less than a year later, her progress pronounced a miracle by her doctors, she was at work on this journal of her astonishing recovery. She tells of her time "inside the halo," the near-medieval device that kept her head immobile during weeks of intensive care and rehabilitation, of the lasting "rehab" friendships, and of the loving family who always believed she would heal. "[S]he resonates wisdom while announcing a triumph of body and soul."—Anne Roiphe, New York Times Book Review "Maxine Kumin brings the sensitivity and imagination of a poet to her extraordinary ordeal."—Richard Selzer, author of Mortal Lessons: Notes on the Art of Surgery "From a singular experience she has created a lesson that is universal, which, it seems to me, is the essence of being a poet."—Abraham Verghese, author of The Tennis Partner

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Echoes of the Underground: A Foot Soldiers Tale is a unique collection of 'underground' writings by Lee Harris, the majority of which were originally published in the 'alternative press' of the 60 s and 70 s; International Times, Oz, Home Grown and 'Other Scenes'. Also included are rare interviews with beat poet Michael McClure, the director of the musical 'HAIR' Tom O'Horgan, the man who 'turned on' Timothy Leary, Michael Hollingshead, and Harry Shapiro, author of 'Waiting for the Man' and the Jimi Hendrix biography 'Electric Gypsy'. Some previously unpublished work is included in this insightful and personal collection of writing which covers some of the most exciting and revolutionary times in recent world history."

A tattoo is a bugle call, a summoning that lingers in the ear. Although Hortense Calisher's family eventually migrated north to New York City, the echoes of their days as a slave-owning family in the South still resonate with this acclaimed author, who uncovers a part of history never before so strongly and tenderly revealed. Calisher traces her family's years in the South and their transformative move up north, beautifully evoking the mood and texture of the early twentieth century. Her family was an eccentric combination of traditions and tragedies. Her Virginia-born father, a perfume manufacturer, was twenty-two years older than her German-born mother. Marked by longer-than-normal gaps between the generations and conflicts between the mercantile and the scholarly, the "American" and the emigre, her family is characterized by Calisher as "volcanic to meditative to fruitfully dull, and bound to produce someone interested in character, society, and time." "

Elias Canetti originally intended Party in the Blitz to capture an image of his time in post-war London. Well known throughout Europe, Canetti scorned British intellectuals who weren't familiar with his work. By force of will alone he accumulated English followers, but not before being christened "the godmonster of Hampstead." Canetti's memories of various people in his social circle are brief and scathing brimstone sketches. T.S. Eliot, Iris Murdoch, Wittgenstein, Herbert Read, Bertrand Russell-Canetti rakes them all over the coals. To Canetti, T.S. Eliot was nothing more than an American emigrant trying desperately to act British, and Canetti's portrayal of Iris Murdoch, with whom he had an affair, is nothing short of brutal. Michael Hofmann's translation pulls no punches, delivering the goods on Canetti's searing injection: "when you write down your life, every page should contain something no one has ever heard about."

Memoirs of a Jew who was born in 1927 in Borisław, Poland. Pp. 31-132 deal with the Holocaust period, based on information found in a diary she kept at the time. Wolanski survived in hiding, at first with a Christian family and then in a bunker in the forest, until the liberation.

'An exuberant, breathless sprint through London in the fifties, sixties and seventies... It's bright, boisterous and extremely funny' Tatler 'Clancy's scapegrace adventures are described with so much vitality and scabrous wit you feel as charmed as one of his serial conquests ... Marvellous' Spectator 'If you're searching for something to keep you on the edge of your sun lounger this summer, look no further' Daily Mail If Fielding's Tom Jones were alive in postwar England he might be Clancy Sigal, the American author of this restlessly curious memoir. Honest and devious, faithful and lustful, a mass of plucky contradictions, Clancy first arrived in London in 1957. He was broke, homeless and, according to his FBI file, a dangerous 'subversive'. Over the next three decades, Clancy was to wander the soot-stained streets of London, devouring as much as life could offer him. From the birth of the CND and his affair with Lessing, to therapy with R. D. Laing and wondering whether the entire world was on acid, Clancy details it all to illuminating effect. Underneath all of these encounters is the character of Clancy himself: funny, hapless, warm-hearted and a self-professed 'crazy American'. Call it luck, charm or sheer lack of good sense, he escaped with a cracking good story.

By any measure, Hans Mark was a warrior of the Cold War. Born in Mannheim, Germany, in 1929, he spent his early childhood in Vienna before escaping the Nazi Anschluss in 1938 and eventually emigrating to the United States, settling in New York. He graduated from high school in 1947, went west to attend the University of California, Berkeley, and later earned a PhD in physics from MIT. His work in nuclear engineering soon set him on a path that would be shaped by aeronautics, space exploration, and national defense. It was through advanced technology that Mark believed the United States could win the Cold War. In An Anxious Peace , Mark recounts in detail his life as a twentieth-century “rocket man.” Here is the inside story of one who—in a career spanning more than six decades—was on the technological front line, from long-range bombers to the space shuttle. Along the way, Mark reveals many never-before-told stories from life at NASA and more. Readers will revel in learning the background behind the decision to place a plaque on Pioneer 10 , a space probe that the NASA Ames Research Center designed to fly past the asteroid belt, Jupiter, and Saturn to collect data and images. Mark tells how he, Carl Sagan, and NASA insider John Naugle kept secret the addition of the now iconic 6x9-inch aluminum “message from humanity” until the probe had been launched. To this day Mark is pushing for a manned mission to Mars. One thing is sure: Hans Mark has left a major impact on academic and scientific communities that will be felt for decades to come.

In this vivid memoir, Silviu Brucan traces half a century of East European history, bringing to life the drama of a generation caught between the 1944 communist revolution and the 1989 anticommunist revolution. Brucan himself was at the heart of political power from World War II through the formation of a new government after the overthrow of Nicolae Ceausescu. After participating in the antifascist underground movement in World War II, he became acting editor of Romania's leading communist daily. He served as Romania's ambassador to the United States and then as its ambassador to the United Nations. He later grew disenchanted with the Ceausescu regime, becoming a prime mobilizer of popular support for reform and subsequently one of the leaders of the National Salvation Front. Brucan's insider position gave him a unique perspective on the inner workings of the Gheorghiu-Dej and Ceausescu regimes as well as of the political machinations of Soviet and other East European leaders. He reveals for the first time the details - available nowhere else - of secret meetings between communist leaders: the 1944 conspiracy with King Michael against the German occupation; the extraordinary 1945 meeting between Gheorghe Gheorghiu-Dej and Joseph Stalin when the Soviet dictator decided that Georghiu-Dej and not Ana Pauker should lead the Romanian Communist Party; the secret mission assigned to Gheorghiu-Dej by Nikita Khrushchev during the 1956 revolution to install Janos Kadar as leader of the communist party; the 1958 Khrushchev-Gheorghiu-Dej meeting after a bear hunt in the Carpathians, which appeared to be a chat between two canny old peasants but concluded with Khrushchev's decision to withdraw Soviet troops from Romania; and Ceausescu's astute maneuver to seize power while Gheorghiu-Dej was on his deathbed. Brucan then recounts the real story behind the 1989 revolution, which was rooted in earlier plots to overthrow Ceausescu. He traces his own memorable transformation from staunch communist to outspoken critic of the regime, weaving his own story within the larger framework of his country's transformation and hopes for the future.

Afeatured article in Die Zeit, the leading German weekly, begins with "Melvin, du hast gewonnen"--Mel, you have won! In his extraordinary account of the final days of the German Democratic Republic (DDR) we see the reckoning of a regime, and also the vindication of a life-long devotee of European democracy. It is unlikely that any comparable memoir will be written, since Lasky's career spanned the entire history of wartime and postwar Germany, especially in divided and Wall-torn Berlin.Voices in a Revolution, now in paperback, offers an in-depth portrayal of the Communist police state before the breakdown, followed by a blow-by-blow account of the drama of breakdown and regime transformation. Characters in the everyday cultural world of Germany come alive as harbingers and heralds of the end of the old and the necessity of the new.Lasky understands the role of accident as well as of necessity. The West Germans had all but abandoned the slogan of One People, One Nation when they were faced with the immense task of supervising just such a reintegration. The work ends with the awakening conscience at the very point that the Berlin Wall came tumbling down. This is a memorable work--one likely to sear the conscience of lovers of freedom and analysts of tyranny alike.

Among the brilliant writers and thinkers who emerged from the multicultural and multilingual world of the Austro-Hungarian Empire were Joseph Roth, Robert Musil, and Ludwig Wittgenstein. For them, the trauma of World War I included the sudden loss of the geographical entity into which they had been born: in 1918, the empire was dissolved overnight, leaving Austria a small, fragile republic that would last only twenty years before being annexed by Hitler{u2019}s Third Reich. In this major reconsideration of European modernism, Marjorie Perloff identifies and explores the aesthetic world that emerged from the rubble of Vienna and other former Habsburg territories{u2014}an 2Austro-Modernism3 that produced a major body of drama, fiction, poetry, and autobiography. Perloff explores works ranging from Karl Kraus{u2019}s drama The Last Days of Mankind and Elias Canetti{u2019}s memoir The Tongue Set Free to Ludwig Wittgenstein{u2019}s notebooks and Paul Celan{u2019}s lyric poetry. Throughout, she shows that Austro-Modernist literature is characterized less by the formal and technical inventions of a modernism familiar to us in the work of Joyce and Pound, Dada and Futurism, than by a radical irony beneath a seemingly conventional surface, an acute sense of exile, and a sensibility more erotic and quixotic than that of its German contemporaries. Skeptical and disillusioned, Austro-Modernism prefers to ask questions rather than formulate answers

A powerful portrait of Maceo, committed anti-imperialist and heroic independence fighter.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"If a paternity test were done on South Africa's widely admired Constitution, whose DNA would come up? Is the Constitution just a beautiful piece of paper? If Oliver Tambo were alive today, walking around South Africa, would he be pleased with what he saw? In this riveting, direct account of the genesis of South Africa's Constitution, former Justice Albie Sachs answers these crucial questions. In Oliver Tambo's Dream, Sachs writes about the years he spent working under Tambo's leadership in exile preparing for a post-apartheid constitutional order in South Africa and about the extreme crises that were overcome during the post-1990 constitution-making process to arrive at the document we have today. Tackling the burning issues that face our country today, he argues that the Constitution is a framework for struggle and decolonization that can be used to bring about land reform and true equality"--

A collection of essays and articles translated from the revised edition of "Les Juifs, la mémoire et le présent" (Paris: La Découverte, 1991), with some changes. The following deal with antisemitism or the Holocaust:

Clare's memoirs of Berlin and its inhabitants in the aftermath of World War II aims to be a kaleidoscopic portrait of the defeated Germans and the British, American and French occupiers.