Step into a world of pure enchantment with "The fairy flute," a cherished collection of poetry from the beloved author Rose Fyleman. This delightful volume gathers a treasury of whimsical verses, inviting readers to discover the magic that lies just beyond the everyday. Rose Fyleman, a master of English children's literature, crafts a spellbinding array of fairy poems that sparkle with imagination and charm. From mischievous sprites to moonlit dances, each poem offers a captivating glimpse into the ethereal realm of fairies, brought to life with her characteristic lightness of touch and evocative language. These enchanting verses celebrate the wonder of the natural world intertwined with the playful spirit of fairy lore. As a seminal work in English children's poetry, "The fairy flute" continues to captivate with its timeless appeal. This classic collection, meticulously prepared for print, offers an enduring journey into a world of wonder. It is a perfect addition for anyone who cherishes imaginative verse, the delicate beauty, and the enduring magic of fairies within classic literature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

One of the major twentieth-century European poets, Paul Celan wrote poetry of exceptional linguistic brilliance and intensity drawn from his experiences, particularly of the war years and the loss of his parents in the death camps. In his verse he sought to express 'not only what the experience felt like, but also a sense of living, with comprehension, inside the experience'. WINNER OF THE FIRST EUROPEAN TRANSLATION PRIZE

The definitive collection of poems from an American original, Neeli Cherkovski. Neeli Cherkovski's SELECTED POEMS: 1959-2022 is the definitive collection from an American original. With his earliest poem in this volume beginning at age fourteen, Cherkovski reveals a youthful wisdom which grows throughout his career. For more than sixty years, Neeli has lived his life for the poem, chewing on the reality and wonder of being here, and the endless question of, what shall we do? His answer is clear: we must rejoice in the endless dilemma! In his foreword to SELECTED POEMS: 1959-2022, Charles Bernstein writes, "In Neeli Cherkovski's poetry, beat rhetoric melts into wild riffs then returns to metaphor; bunts, dodges, bows head in respect to disrespect: onward, impulse as image, becomes phrases, becomes sublime moment of stutter, stagger, implosion; till waves of loss get tossed in a walk down a lazy street, as memory of a friend, the darkening night of the soiled--soaring--souring--soul, the benediction of artfulness and refusal of refusal." "In Neeli Cherkovski's poetry, beat rhetoric melts into wild riffs then returns to metaphor; bunts, dodges, bows head in respect to disrespect: onward, impulse as image, becomes phrases, becomes sublime moment of stutter, stagger, implosion; till waves of loss get tossed in a walk down a lazy street, as memory of a friend, the darkening night of the soiled--soaring--souring--soul, the benediction of artfulness and refusal of refusal."--Charles Bernstein Poetry.

A collection of poems, lyrics, rhymes, graffiti and sketches aimed at teenagers who have always condemned poetry as being boring and irrelevant. The author has received many awards, including the Signal Poetry Award in 1982 and the Other Award in 1983.

A ninth anthology of poetry by a winner of the National Book Award, Lenore Marshall Prize, and Poets' Prize celebrates the diverse passages of life, along with the community of friends, the courage of those living with terminal illness, and the mysteries of life and death. Reprint.

Hardcover Very Good. No Jacket Book. 7 3/4 By 7 3/4`` Poetry, Record of author reading three chapters included. Pocket holding 33 1/3 record has been torn with large piece missing. Slight signs of age to hardcover. No DJ.

Kadya Molodowsky (1894-1975) was among the most accomplished and prolific of modern Yiddish poets. Between 1927 and 1974, she published six major books of poetry, as well as fiction, plays, essays, and children's tales. Molodowsky participated in nearly every aspect of Yiddish literary culture that existed in her lifetime, first in Poland, where she lived until 1935, when she emigrated, and then in America. Before her emigration, Molodowsky taught young children in the Yiddish schools of Warsaw. In New York, she supported herself by writing for the Yiddish press and founded a literary journal, Svive (Surroundings), which she edited for nearly thirty years. Briefly during the early 1950s, Molodowsky wrote and edited Yiddish publications in the new state of Israel. She returned there in 1971 to receive the Itzik Manger Prize, the most prestigious award in Yiddish letters.

Edited with an introduction by Serge Gavronsky. Joyce Mansour (1928-1986) is widely considered to be one of the most important of the woman Surrealists. Her work has gained more recognition every year since her death. Following the release in France of a 700 page critically acclaimed anthology (in French), this is the first major anthology of her writings to be availble in English. The extensive poetry section is bilingual.

Internationally renowned author Jane Yolen has composed a sequence of tough, angry, and moving love poems that express grief and gratitude for her late husband David, as witness to his treatment for and passing from cancer, and the ongoing loss that is felt years after his death. In one poem, Yolen--a prize-winning poet, speaks of his "shallow bird breath/beating beneath the cage of his chest bones." In another: "Do not help me to forget./Help me to remember." And in a third: You have gone before me into winter, Into spring, into summer, somehow A consummate time traveler I can never catch up to, Always a season ahead. Jane Yolen , often called "the Hans Christian Andersen of America," is the author of over three hundred books, including Owl Moon , The Devil's Arithmetic , and How Do Dinosaurs Say Goodnight . The books range from rhymed picture books and baby board books through middle grade fiction, poetry collections, nonfiction, novels, and story collections for young adults and adults, and two books of adult poetry. Her books and stories have won two Nebula Awards, a World Fantasy Award, a Caldecott Medal, the Golden Kite Award, three Mythopoeic awards, two Christopher Medals, a nomination for the National Book Award, and the Jewish Book Award. She is also the winner (for body of work) of the Kerlan Award, the World Fantasy Association Lifetime Achievement Award, and the Catholic Library's Regina Medal.

Poetry. "If one reads enough Hal Sirowitz poems, the whole world seems to become material for poetry. That is part of the gift of his work.... Sirowitz's poetry is a celebration of ordinary life, and in its own way may signal the most radical democratization of poetry since the work of Whitman first appeared.... If much of contemporary poetry appears to celebrate an inflation of the self, Hal Sirowitz's poems are refreshing because they are so accepting of real-life moments of deflation.... These newest poems have a fresh delicacy and subtlety; in some ways they remind one of the later paintings of Cezanne, where his still-life fruits become almost transparent."--Liz Rosenberg

Before Guy Gavriel Kay became known for his groundbreaking works of speculative fiction, establishing himself as one of the world's most respected writers in that genre, he was an accomplished poet, his work appearing in major literary journals such as The Antigonish Review and Prism . Through the years, while writing his dramatic international bestsellers, Kay has continued to quietly explore the paths and boundaries of poetry as well. Now for the first time, Guy Gavriel Kay's poetry has been gathered and selected for publication. For those familiar with his fiction, the poems in Beyond This Dark House will resonate for their linguistic and emotional nuances and their mythological allusions, echoing and illuminating themes of his fiction. But readers of contemporary poetry will also be captivated by the exquisite craft and power of these poems. Some are ironic and austere, slyly tracing the interplay of writer and world, present and past; others are sensual, even erotic, charting the mercurial but abiding nature of passion-in love, in language, in history.

This Lamont Prize-winning book offers all the joy, sadness, humor, beauty, and song that typically characterizes the work of the well-respected but unfortunately lesser-known American poet Gerald Stern. Stern, who has been writing since the 1960s, made a name for himself in 1977 with the publication of Lucky Life, now his most renowned collection. In Lucky Life Stern takes the reader on a journey, pausing everywhere from the streets of New York to post-Holocaust Germany to the soil of a lobelia plant. In an intimate and mature voice, he shares with us the lineage of his ancestors; his personal relationships; and bits of art, music, history--even the neighbors he chats with on the beach. His style is Whitmanesque, urging us to "listen a little for the spongy world" after it has rained, and reminding us how to "understand the power of maples." Reading Stern's poetry is like listening to the words of a loving grandparent who has been through his or her share of painful experiences but has come to terms with them through wisdom gained from a long life. Stern offers several reasons for surviving in this often senseless world, but one of the most outstanding is found in the title poem: "Lucky you can be purified over and over again. / Lucky there is the same cleanliness for everyone."

During the early, struggling years of her storied literary career, Dorothy Parker wrote more than three hundred poems and verses for a variety of popular magazines and newspapers. Most of these have been collected in Parker's three volumes of poetry, Enough Rope, Sunset Gun, and Death and Taxes. It is the remaining poems, whose very existence was all but unknown for more than half a century, that make up this volume. Eclectic and exuberant, the 122 poems and verses gathered in Not Much Fun display all the raw talent and verbal acuity of America's most celebrated wit. Some are rare examples of Parker's experimentation with structured poetic form; others are more personal, evoking the spirit of the times or scrutinizing the perils of passion. But each is a brilliant showcase of the legendary humor, irony, and precision that continue to attract generations of readers to Parker's work. Editor Stuart Y. Silverstein provides an authoritative and immensely entertaining introduction that highlights some of Parker's most-loved acerbic quips, unearths a few long-forgotten scandals, and fully reveals her to be a pioneer of modern colloquial English. Not Much Fun is an essential addition to the Dorothy Parker library and an unexpected gift to her many admirers and devoted fans.

The Zen of La Llorona is a second collection of poetry by a Native American woman, and as such, it goes beyond initial concerns with personal racial identity. While still very much speaking from an indigenous point of view, The Zen of La Llorona complicates that indigenous identity with visceral explorations of gendered violence, sexual orientation and mothering in an unpredictable, chaotic world. Key to these poems are historical and current events: traumas as distant as the colonization of California’s indigenous peoples and as close as the destructive forces of 9/11 and the wars in Iraq and Afghanistan. How do we survive destruction without becoming destroyers ourselves? How can the elements of earth, love, community and work nurture creation, and manifest hope? Utilizing the figure of “La Llorona,” a mythical indigenous figure of the Americas who first murders and then mourns her children, the poems in this book seek to unravel the mysterious fascination we have with despair, and move us along with the poet to a more clarifying, centering focus on joy. Zen, the author notes, tells us “everyone loses everything,” leaving us with only a decision about our attitude toward loss itself. La Llorona, on the other hand, says, “Nonsense – there’s always something left to lose.” What that “something” is, and how we can preserve and honor it, is at the heart of this collection of poems.

A dual milestone in City Lights history, When I Was a Poet is number 60 of the famous Pocket Poets Series, as well as our first book of poems by legendary Beat author David Meltzer. The title piece is an ambitious late work by a master at the height of his powers, a spiritual assessment of the meaning of a lifetime spent writing poetry. Also included are portraits of key figures in the poet's life, including his parents, his late wife and musical partner Tina Meltzer, and Semina artist Wallace Berman, as well as "California Dreamin'," a reminiscence of Beat-era bohemian life. Meltzer's wide-ranging musical knowledge manifests itself in "A Slew of Blues" as well as poems devoted to the likes of Art Pepper and Nusrat Ali Khan, while his esoteric interests are embodied in a series of mystical "amulets." The book's final section contains two more major works, the eight-part serial poem "Night Reals" and "Dogma," a modernist counterpoint to the autobiographical title piece. With its profound meditations on love, loss, aging and death, When I Was a Poet is a substantial contribution to American poetry by one of its greatest living practitioners. As Lawrence Ferlinghetti writes, Meltzer is "one of the greats of post-WWII San Francisco poets and musicians."

A NEW RETROSPECTIVE OF ONE OF AMERICA'S MOST INNOVATIVE POETS All the Whiskey in Heaven brings together Charles Bernstein's best work from the past thirty years, an astonishing assortment of different types of poems. Yet despite the distinctive differences from poem to poem, Bernstein's characteristic explorations of how language both limits and liberates thought are present throughout. Modulating the comic and the dark structural invention with buoyant soundplay, these challenging works give way to poems of lyric excess and striking emotional range. This is poetry for poetry's sake, as formally radical as it is socially engaged, providing equal measures of aesthetic pleasure, hilarity, and philosophical reflection. Long considered one of America's most inventive and influential contemporary poets, Bernstein reveals himself to be both trickster and charmer.

Poems deal with loneliness, the past, animals, dreams, war, art, writers, letters, history, welfare, aging, workers, and the imagination

For the revised and enlarged edition of his collected poems - reissued to celebrate his 80th birthday - Stephen Spender has made considerable changes from the text of the original edition of 1955. He has included a number of recent and unpublished poems, discarded several others and recast and rewritten much of the work in the earlier collection.

Song of Thieves delves into issues of racial identity and politics, the immigrant experience, and the search for "home" and family histories. In this follow-up to her award-winning debut collection, The Water Between Us, Shara McCallum artfully draws from the language and imagery of her Caribbean background to play a haunting and soulful tune.

RO60006975. NEAR THE OCEAN. 1985. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur bon état. 55 pages. Premier plat llustré d'un dessin en noir et blanc.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon