"This book is a history of the Near East from the point of view of a single nation, covering not only what is known about the prophets themselves--including Elijah, Amos, Isaiah, Jeremiah, and Ezekiel--but also the stories of King David, King Saul, and how the ancient Israelites were affected by the great Near Eastern empires that surrounded them. Layered into this work of history is a piece of extraordinary literary criticism. Podhoretz's very close reading of the verse and imagery used by the biblical prophets restores them to the top reaches of the poetic pantheon, for these books contain some of the greatest poetry ever written. The historical chronicle and the literary criticism will transport readers to a time that is both exotic and familiar and will evoke a distinct and original world. But the third perspective of The prophets is that of moral philosophy, and it serves to bring the prophets' message into the twenty-first century. For to Norman Podhoretz, the real relevance of the prophets today is more than the excitement of their history or the beauty of their poetry: it is their message. Podhoretz sees, in the words of the biblical prophets, a war being waged, a war against the sin of revering anything made by the hands of man--in short, idolatry. In their relentless battle against idolatry, Podhoretz finds the prophets' most meaningful and enduring message: a stern warning against the all-consuming worship of self that is at least as relevant in the twenty-first century as it was three thousand years ago"--Jacket

Armchair Fiction features the best in classic classic science fiction short story collections. "Masters of Science Fiction, Vol. Three" features the works of Robert Sheckley. He was born in New York in 1931 and passed away in 2005. Most of his life was spent concocting brilliant pieces of imaginative mind fodder. What would the perfect woman look like? He pondered what, if anything, would a man be able to eat on a distant planet? Would the end-all to financial worry and violence bring man the utopia he has always searched for? Unlock the answers to these questions and many more with this unmatched collection of Robert Sheckley stories...just waiting to be devoured.

"Malcolm Pasley's translations, together with those in a forthcoming companion volume, The Transformation ('Metamorphosis') and Other Stories, are distinctive in that they illuminate Kafka's life as well as his art by presenting the works in the sequence in which they were written. Unlike other editions popularly available, this one has been prepared directly from the author's manuscripts. In its fidelity to the text it vastly alters our received versions of many of Kafka's greatest works, besides correcting numerous errors of detail. This volume contains the major short works left by Kafka, including Blumfeld, an Elderly Bachelor, The Great Wall of China and Investigations of a Dog, together with The Collected Aphorisms and He: Aphorisms from the 1920 Diary."--Publisher.

Passions and Other Stories

Winner of the Hugo and Nebula Awards for "Two Hearts" Winner of the Washington Science Fiction Small Press Award for "El Regalo" Nominee for the Mythopoeic Award The beloved author of The Last Unicorn returns with the signature elegance and originality that has earned him comparisons to J. R. R. Tolkien, Fritz Leiber, and Kurt Vonnegut. Readers seeking magic, wonder, and mystery need look no further. In these resonant new stories, some appearing for the first time, you will find bold adventure, sly humor, and resounding depth. In the thrilling and beautiful "Two Hearts," return to the extraordinary world of The Last Unicorn . Observe the World's Most Annoying Eight-Year-Old bend time, fate, and household chores to his sorcerous will. Learn how Soukyan met the Fox, and why a stolen dream might be more dangerous than an unstoppable assassin. Discover the price of a merman's treasure, match wits with the man who saw right through Sherlock Holmes, and redefine feline style with Gordon, the self-made cat. The Line Between is a captivating blend of traditional and contemporary fantasy, crafted by the field's most remarkable imagination. It is a collection you will return to again and again and treasure forever.

In these fourteen highly imaginative tales the master works his usual magic. This long awaited collection has a basic theme: escape from an outrageous situation either on an alien planet or on a satirically visualized future here on earth.

The authorative companion and follow-up to the acclaimed Science Fiction Hall of Fame acknowledges the importance of fantasy to modern literature, and enshrine the 30 favorite short stories of all time. Chosen by popular ballot among the 1000 professionals who make their livings creating America's bestselling dreams, these are the undisputed classics: The unforgettable stories that influenced and shaped the imagination at work in the field today. Here are the stories that shaped the shapers. Here are the stories that will live forever.

"The stories in this volume were written between July of 1990 and March of 1995-the second half of the fifth decade of my career as a science-fiction writer. I don't think I could have imagined, when I began that career in the early 1950s, that science-fiction publishing would evolve the way it did over the next forty years. Here, then, is the cream of the Silverberg output, 1990-95. I suppose I wrote more short stories in the first six months of 1957 than in that entire six-year period; but so be it. It's a different world today. I look back nostalgically on the small-town atmosphere of the era in which I began my career, and there are times when I'd be glad to 'call back yesterday, bid time return.' As Shakespeare pointed out, though, that can't be done. The one recourse is the one I have chosen, which is to soldier staunchly onward through the years, come what may, writing a story or two here and a book there, while the world changes out of all recognition around me. And so-to leap neatly from the Bard of Avon to F. Scott Fitzgerald-'so we beat on, boats against the current, borne back ceaselessly into the past.'" -Robert Silverberg, from the Introduction

"This is the first anthology of translated multilingual Jewish fiction in 25 years: a collection of 18 splendid stories, each translated into English from a different language: Albanian, Croatian, Czech, Danish, French, German, Greek, Hebrew, Hungarian, Italian, Ladino, Polish, Portuguese, Romanian, Russian, Spanish, Turkish, and Yiddish. These compelling, humorous, and moving stories, written by eminent authors that include Shmuel Yosef Agnon, Isaac Babel, and Lili Berger, reflect both the diversities and the commonalities within Jewish culture, and will make you laugh, cry, and think. This beautiful book is easily accessible and enjoyable not only for Jewish readers, but for story-lovers of all backgrounds"--

A companion volume to "The Great Wall of China and Other Short Works, " these new translations bring together the small proportion of Kafka's works that he thought worthy of publication. This volume contains his most famous story. "The Transformation, " more popularly known as "Metamorphosis." Other works include "Meditation, " a collection of his earlier studies; "The Judgement, " written in a single night of frenzied creativity; "The Stoker, " the first chapter of a novel set in America; and "A Fasting Artist, " a collection of stories written towards the end of Kafka's life. There is also a fascinating occasional piece, "The Aeroplanes at Brescia, " Kafka's eye-witness account of an air display in 1909. Taken together, these stories reveal the breadth of Kafka's literary vision and the extraordinary imaginative depth of his thought.

Best known as the author of "Psycho", Robert Bloch is world-renowned for his stories of horror, mystery, fantasy, and science fiction. Many of the 25 stories in this first volume of "The Complete Stories of Robert Bloch" have been unavailable for decades. The stories are in his classic style of gripping suspense, science fiction and fantasy. As Bloch writes, "These stories in this collection have a common theme; they deal with monsters. Some of the monsters are human, some are not-- but all of them embody, in one way or another, the fears common to us in our dreams. We call these monsters by many names-- ghosts, vampires, extraterrestrials, changelings. But we recognize them for what they are; manifestations of the secret dreads and desires which lurk beneath the surface of consciousness." "Bloch has become a virtual fixture on the popular culture landscape." --Publishers Weekly "If you're not familiar with Bloch's short fiction, find someone to borrow this from; if you already are familiar, you know that you want to own these volumes." --Locus

Through his distinctive fusion of modernist daring and traditional storytelling, Bernard Malamud became one of postwar America's most important writers, his work an inspiration for and lasting influence on novelists who have come after him, Cynthia Ozick and Philip Roth most notably among them. The second volume of the Library of America's Malamud edition brings together three novels of the 1960s: A New Life (1961), a satiric campus novel set in the Pacific Northwest (based on the author's experiences at Oregon State), in which native New Yorker Seymour Levin finds himself confronted not only with a new landscape but with erotic intrigue, university politics, and an appointment that isn't quite what he had expected it to be. The Fixer (1966) is the gripping saga of a Jew imprisoned in pre-Revolutionary Russia after being falsely accused of the ritual murder of a twelve-year-old boy. The novel-in-stories Pictures of Fidelman: An Exhibition (1969) follows the comic misadventures, sexual and otherwise, of a failed American painter in Italy. In the ten unforgettable stories concluding the collection, Malamud shows himself to be an heir to the tradition of Hawthorne, Chekhov, and Kafka, and at his best--"Idiots First," "The Jewbird," "The German Refugee"--their equal--

Raised in Brooklyn, the son of Jewish immigrants, and coming of age in Depression-era New York, Bernard Malamud (1914-1986) began his career writing stories of unsparing precision and power, plumbing the depths of an impoverished urban world. His early, naturalistic style evolved into an inventive, often surreal idiom that blurs reality and fantasy. His first novel, The Natural (1952), is a dazzling reimagining of the possibilities of sports fiction, and it remains one of the greatest and most beloved novels about baseball ever written. In The Assistant (1957), Malamud created a searing drama of guilt and redemption about a struggling grocer's family and the mysterious drifter who comes to rob, and then to work at, his store, transforming all of their lives in unforeseen ways. Joining these novels are twenty-six short stories, ranging from the early tale "Armistice," set in Brooklyn during the troubling weeks of the German invasion of France in 1940, to one of his deepest and most celebrated stories, "The Magic Barrel," a deep fable about a rabbinical student and the matchmaker who leads him to an utterly unexpected bride--

Twenty-two captivating stories where queer culture and fey folklore meet. The legends of Fairyland tell that one should never taste the food or sip the drink, or else risk being caught there forever. But the tempting morsels in So Fey are irresistible! Lambda Award-nominated editor Steve Berman brings together acclaimed fantasy writers with some of the brightest names in speculative and LGBT fiction to create tales that are moving and magical. These stories of romance and grief, adolescence and identity, struggle and hope will enchant readers who long for a fantastic escape--and a wonderful twist! One sample of this bewitching treat is sure to trap you in its pages! From the pains of loss in Holly Black's "The Coat of Stars" to dealing with issues of identity in Richard Bowes's "The Wand's Boy" to Melissa Scott's look at the dangers of love in "Mister Seeley" So Fey: Queer Fairy Fiction takes you into worlds that are at once amazing and familiar. With tales that tear and tug at the heart but never cease to enchant, this exciting and unique collection will long last in the minds of readers.

Although his name will be forever linked with his novel Psycho, Robert Bloch wrote over two dozen novels and hundreds of short stories, plus scripts for radio, television and the cinema. The Early Fears brings together for the first time all of the stories from his first two collections, both long out-of-print, plus three previously uncollected stories.

Collects twelve short stories of the talented South African writer, many originally published in such magazines as The New Yorker and Harper's and including the celebrated "Town and Country Lovers"

Collects the best of Peter S. Beagle's short stories, ranging across 45 years of his career from early stories to freshly minted tales that will surprise and amaze readers.

Memo to: Filmmakers, Dealmakers, Scribes, Stars, Suits, and Readers Who killed Hollywood? Who's responsible for studios hellbent on assembly-line "event" pictures? Why are production costs so high that no one can take artistic risks? Who decided that the studios should be a development arm of them parks? What happened to putting actual stories with characters onscreen? And while we're at it, what happened to taste? Where are the believable human characters buried? Are all the execs out of control? How does so much money get spent for so little? Who Killed Hollywood? is a passionate love/hate letter to the film industry. In it, Peter Bart pulls together his best columns form Variety and GQ. He groups them, juxtaposes them, and interprets them, outlining in detail the history and inner workings of Hollywood. This could only be done by someone powerful enough to phone an star or head of studio and have his calls taken on the first ring. In story after story, Bart shows how the major studios have diverted their energies away from production of the shrewdly crafted pictures that once made the industry powerful. There isn't, for example, much range or innovation in the movies. There is only a handful of salable subjects-natural disasters, aliens, dinosaurs, ghosts, monsters, or any combination thereof. All the subjects easily parlayed into theme-park environments, action figures, video games, and clothing lines. Similarly, since Jaws twenty years ago, there's been a very short list of acceptable settings. The 1998 Academy Award nominations for best picture all went to films set in Elizabethan times or during World War II. A few years ago it looked as though Pulp Fiction and other independent films were going to save showbiz. Now independent producers like Miramax and New Line have been acquired by conglomerates. Who and what will resurrect Hollywood? Peter Bart has the answers.