Though written more than a century ago, Elizabeth Barrett Browning's beautiful sonnet rings true today for three young couples who believe in the power of love. In "Night Vision," Brett finds a way to brighten a special girl's lonely existence. "Bobby's Girl" features Dana, who must choose between two brothers, both of whom she loves. "Laura's Heart," the third story, introduces 16-year-old Laura Carson, who is hospitalized on a regular basis because of her weak heart. But when tragedy strikes a loved one, she realizes her heart is stronger than she thought and that love lives on forever. "From the Hardcover edition."

An astonishing World War II military story of civil rights from New York Times bestselling author and Newbery Honor recipient Steve Sheinkin. A National Book Award Finalist A YALSA Award for Excellence in Nonfiction Finalist A School Library Journal Best Book of the Year On July 17, 1944, a massive explosion rocked the segregated Navy base at Port Chicago, California, killing more than 300 sailors who were at the docks, critically injuring off-duty men in their bunks, and shattering windows up to a mile away. On August 9th, 244 men refused to go back to work until unsafe and unfair conditions at the docks were addressed. When the dust settled, fifty were charged with mutiny, facing decades in jail and even execution. The Port Chicago 50 is a fascinating story of the prejudice and injustice that faced black men and women in America's armed forces during World War II, and a nuanced look at those who gave their lives in service of a country where they lacked the most basic rights. This thoroughly-researched and documented book can be worked into multiple aspects of the common core curriculum, including history and social studies. “Sheinkin delivers another meticulously researched WWII story, one he discovered while working on his Newbery Honor book, Bomb ...Archival photos appear throughout, and an extensive bibliography, source notes, and index conclude this gripping, even horrific account of a battle for civil rights predating Rosa Parks and Martin Luther King, Jr.” — Publishers Weekly (starred review) Also by Steve Sheinkin: Bomb: The Race to Build—and Steal—the World's Most Dangerous Weapon The Notorious Benedict Arnold: A True Story of Adventure, Heroism & Treachery Undefeated: Jim Thorpe and the Carlisle Indian School Football Team Most Dangerous: Daniel Ellsberg and the Secret History of the Vietnam War Which Way to the Wild West?: Everything Your Schoolbooks Didn't Tell You About Westward Expansion King George: What Was His Problem?: Everything Your Schoolbooks Didn't Tell You About the American Revolution Two Miserable Presidents: Everything Your Schoolbooks Didn't Tell You About the Civil War Born to Fly: The First Women's Air Race Across America

When he visited Israel in 1975, Saul Bellow kept an account of his experiences and impressions. It grew into an impassioned and thoughtful book. As he wryly notes, -If you want everyone to love you, don't discuss Israeli politics.- But discuss them is very much what he does. Through quick sketches and vignettes, Bellow evokes places, ideas, and people, reaching a sharp picture of contemporary Israel. The reader is offered a wonderful panorama of an ancient and modern world city. Like every other visitor to Israel, Bellow tumbles into -a gale of conversation.- He loves it and he makes the reader feel at home. Bellow delights in the liveliness, the gallantry of Israeli life: people on the edge of history, an inch from disaster, yet brimming with argument and words. He delights not in tourist delusions but with a tough critical spirit: his Israel is pocked with scars and creases, and all the more attractive for it. Simply as a travel book, the reader finds remarkable descriptions, such as one in which Bellow finds -the melting air- of Jerusalem pressing upon him -with an almost human weight- Something intelligible is communicated by the earthlike colors of this most beautiful of cities. The impression that Bellow offers is that living in Israel must be as exhausting as it is exciting: a murderous barrage on the nerves. Israel, he writes, -is both a garrison state and a cultivated society, both Spartan and Athenian. It tries to do everything, to make provisions for everything. All resources, all faculties are strained. Unremitting thought about the world situation parallels the defense effort.- Jerusalem's people are actively and individually involved in universal history. Bellow makes you share in the experience.

In Love Stories, Jonathan Ned Katz presents stories of men's intimacies with men during the nineteenth century--including those of Abraham Lincoln--drawing flesh-and-blood portraits of intimate friendships and the ways in which men struggled to name, define, and defend their sexual feelings for one another. In a world before "gay" and "straight" referred to sexuality, men like Walt Whitman and John Addington Symonds created new ways to name and conceive of their erotic relationships with other men. Katz, diving into history through diaries, letters, newspapers, and poems, offers us a clearer picture than ever before of how men navigated the uncharted territory of male-male desire.

Memoir of a Hungarian woman who was imprisoned for several years in the German concentration camp Auschwitz. This is the true, documented chronicle of a beautiful woman who survived the nightmare horror of the worst death camp of them all. Olga Lengyel tells, frankly and without compromise, one of the most horrifying stories of all time. This book is a necessary reminder of one of the ugliest chapters in the history of human civilization. ""You have done a real service by letting the ones who are now silent and most forgotten speak.""-Albert Einstein "This book is a horrifying, but necessary, reminder of one of the ugliest chapters in the history of human civilization."-New York Herald-Tribune "It is a picture of utter hell."-Saturday Review of Literature

'Great art has dreadful manners...' Simon Schama observes at the start of his epic exploration of the power, and whole point, of art. 'The hushed reverence of the gallery can fool you into believing masterpieces are polite things, visions that soothe, charm and beguile, but actually they are thugs. Merciless and wily, the greatest paintings grab you in a headlock, rough up your composure and then proceed in short order to re-arrange your sense of reality...' With the same disarming force, Power of Art jolts us far from the comfort zone of the hushed art gallery, as Schama closes in on intense make-or-break turning points in the lives of eight great artists who, under extreme stress, created something unprecedented, altering the course of art forever. The embattled heroes - Caravaggio, Bernini, Rembrandt, Turner, Van Gogh, Picasso and Rothko - faced crisis with steadfast defiance. The masterpieces they created challenged convention, shattered complacency, shifted awareness and changed the way we look at the world. With powerfully vivid story-telling, Schama explores the dynamic personalities of the artists and the spirit of the times they lived through, capturing the flamboyant theatre of bourgeouis life in Amsterdam, the passion and paranoia of Revolutionary Paris, and the carnage and pathos of civil-war Spain. Most compelling of all, Power of Art traces the extraordinary evolution of eight world-class works of art. Created in a bolt of illumination, such works 'tell us something about how the world is, how it is to be inside our skins, that no more prosaic source of wisdom can deliver. And when they do that they answer, irrefutably and majestically, the nagging question of every reluctant art-conscript... "OK, OK, but what's art really for ?"

"A dazzling biography of one of the twentieth century's most respected painters, Helen Frankenthaler, as she came of age as both an artist and a woman in the vibrant art world of 1950s New York"--

"Today's most urgent problems are fundamentally global. They require nothing less than concerted, planetwide action if we are to secure a long-term future. But humanity's story has always been on a global scale, and this history deeply informs the present. In this book, Jeffrey D. Sachs, renowned economist and expert on sustainable development, turns to world history to shed light on how we can meet the challenges and opportunities of the twenty-first century. Sachs takes readers through a series of six distinct waves of technological and ideological change, starting with the very beginnings of our species and ending with reflections on present-day globalization. Along the way, he considers how the interplay of geography, technology, and institutions influenced the Neolithic revolution; the spread of land-based empires; the opening of sea routes from Europe to Asia and the Americas; and the industrial age. The dynamics of these past waves, Sachs contends, give us new perspective on the ongoing processes taking place in our own time-and how we should work to guide the change we need. In light of this new understanding of globalization, Sachs emphasizes the need for new methods of international governance and cooperation to achieve economic, social, and environmental objectives aligned with sustainable development. The Ages of Globalization is a vital book for all readers aiming to make sense of our rapidly changing world"--

Ch. 17 (pp. 217-244), "The 'Final Solution' and the War in 1943, " deals with the persecution and extermination of the Jews in the context of the war. The main German focus in regard to the Jews in 1943 was to kill as many as possible of those still alive in the ghettos of Eastern Europe and those whose lives were protected by the reluctance of Germany's allies, satellites, and collaborator regimes to hand them over to the Germans. The collapse of Italy placed the Jews in Italian-controlled territories in the hands of the Nazis. The circle of the Nazis' victims broadened in 1943 - Gypsies were included, as well as persons of partial Jewish descent ("Mischlinge"). In the same year, the Nazis took the decision to occupy Hungary and annihilate its Jews. Concludes that there were limits on the genocidal program due to the turning tide of the war, but the Germans made massive efforts to kill as many Jews as they could. Notes that 1943 also saw significant attempts at organized Jewish resistance.

Speeches that Changed the World presents over 50 momentous and thought-provoking speeches from throughout history. Complete with a brief biography of each speaker, and telling the story of why each oration was significant and what happened as a result, this is a gripping history of the world told through its greatest and most impassioned speeches. Comprehensively updated with many new speeches including Earl Spencer's lament to "The extraordinary and irreplaceable Diana", Nikita Khrushchev's secret speech of 1956 signalling the beginning of the end of Stalinist Russia, Patrick Pearse's rousing funeral oration that fanned the flames of the Easter Rising, Kevin Rudd's historic apology to Australia's mistreated Aborigines and Barack Obama's momentous US election night victory speech. Alongside these are the finest war cries of Winston Churchill, Martin Luther King's prophetic "I have a dream" and "I've seen the promised land" speeches, the inspiring words of JFK and impassioned pleas from Nelson Mandela-the first at his trial in 1964 and the second on his election as president of South Africa in 1994. In addition are historic speeches from Elizabeth I, Charles I, Oliver Cromwell, George Washington, Napoleon Bonaparte, Abraham Lincoln, Emmeline Pankhurst, Mahatma Gandhi, Vladimir Lenin, Neville Chamberlain, Adolf Hitler, Joseph Stalin, Franklin D. Roosevelt, Charles de Gaulle, General George S. Patton, J Robert Oppenheimer, Mao Zedong, Malcolm X, Richard M. Nixon, Pope John Paul II, Vaclav Havel, Elie Wiesel, Mikhail Gorbachev and many other great historical figures.

The Dutch Golden Age, the age of Grotius, Spinoza, Rembrandt, Vermeer, and a host of other renowned artists and writers was also remarkable for its immense impact in the spheres of commerce, finance, shipping, and technology. It was in fact one of the most spectacularly creative episodes in the history of the world. Jonathan Israel gives the definitive account of the emergence of the United Provinces as a great power, and explains the subsequent decline in the eighteenth century. He places the thought, politics, religion, and social developments of the Golden Age in their broad context, and examines the changing relationship between the northern Netherlands and the south, which was to develop into modern Belgium.

Why are objectivity and reason characterized as male and subjectively and feeling as female? How does this characterization affect the goals and methods of scientific enquiry? This groundbreaking work explores the possibilities of a gender-free science and the conditions that could make such a possibility a reality. "Keller’s book opens up a whole new range of ideas for anyone who cares to think about the history of science, that is, the history of the modern world. . . Let us be glad to be in times when such a sparkling, innovative. . . book can be produced, a book to start all of us thinking in new directions.”--Ian Hacking, New Republic "A brilliant and sensitive undertaking that does credit not only to feminist scholarship but, in the end, to science as well.”--Barbara Ehrenreich, Mother Jones "This book represents the expression of a particular feminist perspective made all the more compelling by Keller’s evident commitment to and understanding of science. As a lively and important contribution to the scholarship of science, it will undoubtedly stimulate argument and controversy.”--Helen Longino, Texas Humanist "Provocative arguments, presented with authority.”-- Kirkus Reviews "Consistently thoughtful, provocative, and interconnected. . . A well-made book that will be useful in upper-level undergraduate and graduate women’s studies, philosophy, and history of science.”--E.C. Patterson, Choice "Written with grace and clarity, [this book] will stand as an important contribution to feminist theory, to the sociology of knowledge and to the continuing critique of the established scientific method.”--Lillian B. Rubin "A powerful book.”--Jessie Bernard

For Rembrandt as for Shakespeare, all the world was indeed a stage, and he knew in exhaustive detail the tactics of its performance; the strutting and mincing; the wardrobe and the face paint; the full repertoire of gesture and grimace; the flutter of hands and the roll of the eyes; the belly laugh and the half-stifled sob. He knew what it looked like to seduce, to intimidate, to wheedle, and to console; to strike a pose or preach a sermon; to shake a fist or uncover a breast; how to sin and how to atone; how to commit murder and how to commit suicide. No artist had ever been so fascinated by the fashioning of personae, beginning with his own. No painter ever looked with such unsparing intelligence or such bottomless compassion at our entrances and our exits and the whole rowdy show in between. More than three centuries after his death, Rembrandt remains the most deeply loved of all the great masters of painting, his face so familiar to us from the self-portraits painted at every stage in his life, yet still so mysterious. As with Shakespeare, the facts of his life are hard to come by; the Leiden miller's son who briefly found fame in Amsterdam, whose genius was fitfully recognized by his contemporaries, who fell into bankruptcy and died in poverty. So there is probably no other painter whose life has engendered more legends, nor to whom more unlikely pictures have been attributed (a process now undergoing rigorous reversal). "Rembrandt's Eyes," about which Simon Schama has been thinking for more than twenty years, shows that the true biography of Rembrandt is to be discovered in his pictures. Though a succession of superbly incisive descriptions and interpretations of Rembrandt'spaintings threaded into his narrative, he allows us to see Rembrandt's life clearly and to think about it afresh. But this book moves far beyond the bounds of conventional biography or art history. With extraordinary imaginative sympathy, Schama conjures up the world in which Rembrandt moved -- its sounds, smells and tastes as well as its politics; the influences on him of the wars of the Protestant United Provinces against Spain, of the extreme Calvinism of his native Leiden, of the demands of patrons and the ambitions of contemporaries; the importance of his beloved Saskia and, after her death (Rembrandt was later forced to sell her grave, so complete was his ruin), of his mistress Hendrickje Stoffels; and, above all, the profound effect on him of the great master of the immediately preceding generation, the Catholic painter from Antwerp, Peter Paul Rubens: "the prince of painters and the painter of princes" with whom Rembrandt was obsessed for the first part of his life, and whose career was the shaping force that drove Rembrandt to test the farthest reaches of his own originality. "Rembrandt's Eyes" shows us "why" Rembrandt is such a thrilling painter, so revolutionary in his art, so penetrating of the hearts of those who have looked for three hundred years at his pictures. Above all, Schama's understanding of Rembrandt's mind and the dynamic of his life allows him to re-create Rembrandt's life on the page. Through a combination of scholarship and literary skill, Schama allows us to actually see that life through Rembrandt's own eyes. In overcoming the paucity of conventional historical evidence, it is the most intelligently true biography of Rembrandt that has ever beenwritten, and the most dazzling achievement to date of the art historian whose work has been hailed as "marvelously rich and eloquent" ... "rare, imaginative" ... "provocative" ... "astoundingly learned with verve, humor, and an unflagging sense of delight" ... that of "a master storyteller ... and a master of history."* Quotes from the "New York Times Book Review, Time," the "New York Times, The Independent on Sunday," and "Nature," respectively. "From the Hardcover edition."

On February 17, 2008, Kosovo declared its independence, becoming the seventh state to emerge from the break-up of the former Yugoslavia. A tiny country of just two million people, 90% of whom are ethnic Albanians, Kosovo is central - geographically, historically, and politically - to the future of the Western Balkans and, in turn, its potential future within the European Union. But the fate of both Kosovo, condemned by Serbian leaders as a "fake state" and the region as a whole, remains uncertain. In Kosovo: What Everyone Needs to Know, Tim Judah provides a straight-forward guide to the complicated place that is Kosovo. Judah, who has spent years covering the region, offers succinct, penetrating answers to a wide range of questions: Why is Kosovo important? Who are the Albanians? Who are the Serbs? Why is Kosovo so important to Serbs? What role does Kosovo play in the region and in the world? Judah reveals how things stand now and presents the history and geopolitical dynamics that have led to it. The most important of these is the question of the right to self-determination, invoked by the Kosovo Albanians, as opposed to right of territorial integrity invoked by the Serbs. For many Serbs, Kosovo's declaration of independence and subsequent recognition has been traumatic, a savage blow to national pride. Albanians, on the other hand, believe their independence rights an historical wrong: the Serbian conquest (Serbs say "liberation") of Kosovo in 1912. For anyone wishing to understand both the history and possible future of Kosovo at this pivotal moment in its history, this book offers a wealth of insight and information in a uniquely accessible format.

THE HISTORY MAKERS is an epic exploration of who writes about the past and how the biases of certain storytellers - whether Julius Caesar, William Shakespeare or Simon Schama -continue to influence our ideas about history (and about who we are) today. There are many stories we can spin about years gone by, but which accounts come to be told, and by whom? A single author can deeply shape our understanding through the prism of his or her own beliefs. Richard Cohen reveals how professional historians and other equally significant witnesses (such as the writers of the Bible, major novelists, dramatists, journalists and political propagandists) influence what become the accepted records of human experience. Is there, he asks, even such a thing as "objective" history? And what is it to call someone a historian in the first place?The depth of Cohen's inquiry and the delight he takes in his subjects - even the practitioners of what he calls "Bad History," those thieves of history who twist reality to glorify themselves and conceal their or their country's behaviour - make this an unusually authoritative and supremely entertaining volume. Cohen investigates the published works and private utterances of our greatest historical thinkers to discover the agendas that informed their views of the world, and which in so many ways have informed ours. From the origins of history-writing, when such an idea seemed itself revolutionary, through to television and the digital age, THE HISTORY MAKERS abounds in captivating figures brought to vivid life, from Thucydides and Tacitus to Voltaire and Gibbon, from Winston Churchill to Mary Beard. Rich in character, complex truths and surprising anecdotes, the result is a unique exploration of both the aims and craft of history-making that will lead us to think anew about our past and ourselves.

The far right is on the rise across the world. From Modi's India to Bolsonaro's Brazil and Erdogan's Turkey, fascism is not a horror that we have left in the past; it is a recurring nightmare that is happening again - and we need to find a better way to fight it. In The Truth Is Not Enough, Paul Mason offers a radical, hopeful blueprint for resisting and defeating the new far right. The book is both a chilling portrait of contemporary fascism, and a compelling history of the fascist phenomenon: its psychological roots, political theories and genocidal logic. Fascism, Mason powerfully argues, is a symptom of capitalist failure, and it has haunted us throughout the twentieth century. History shows us the conditions that breed fascism, and how it can be successfully overcome. But it is up to us in the present to challenge it, and time is running out. From the ashes of Covid-19, we have an opportunity to create a fairer, more equal society. To do so, we must ask ourselves: what kind of world do we want to live in? And what are we going to do about it? --

Not Out of Africa has sparked widespread debate over the teaching of revisionist history in schools and colleges. Was Socrates black? Did Aristotle steal his ideas from the library in Alexandria? Do we owe the underlying tenets of our democratic civilizaiton to the Africans? Mary Lefkowitz explains why politically motivated histories of the ancient world are being written and shows how Afrocentrist claims blatantly contradict the historical evidence. Not Out of Africa is an important book that protects and argues for the necessity of historical truths and standards in cultural education.For this new paperback edition, Mary Lefkowitz has written an epilogue in which she responds to her critics and offers topics for further discussion. She has also added supplementary notes, a bibliography with suggestions for further reading, and a glossary of names. --

The exhortation to “Go West!” has always sparked the American imagination. But for gays, lesbians, and transgendered people, the City of Angels provided a special home and gave rise to one of the most influential gay cultures in the world. Drawing on rare archives and photographs as well as more than three hundred interviews, Lillian Faderman and Stuart Timmons chart L.A.'s unique gay history, from the first missionary encounters with Native American cross-gendered “two spirits” to cross-dressing frontier women in search of their fortunes; from the bohemian freedom of early Hollywood to the explosion of gay life during World War II to the underground radicalism set off by the 1950s blacklist; and from the 1960s gay liberation movement to the creation of gay marketing in the 1990s.

"Truth Has a Power of Its Own is an engrossing collection of never-before-published conversations with Howard Zinn, conducted by the distinguished broadcast journalist Ray Suarez in 2007, that covers the course of American history from Columbus to the War on Terror from the perspective of ordinary people--including slaves, workers, immigrants, women, and Native Americans. Viewed through the lens of Zinn's own life as a soldier, historian, and activist and using his paradigm-shifting People's History of the United States as a point of departure, these conversations explore the American Revolution, the Civil War, the labor battles of the nineteenth and twentieth centuries, U.S. imperialism from the Indian Wars to the War on Terrorism, World Wars I and II, the Cold War, and the fight for equality and immigrant rights, all from an unapologetically radical standpoint. Longtime admirers and a new generation of readers alike will be fascinated to learn about Zinn's thought processes, rationale, motivations, and approach to his now-iconic historical work."--Amazon.com.