About the Book Books about Civilization are concerned with the development of structured societies that grow to require urban planning, develop social and cultural elites, and forms of writing for record keeping, complex organization and transfer of ideas. Almost invariably, the process of civilization results in the growth of empires, and subjugation of less civilized peoples. Titles include: Ancient Man: The Beginning of Civilizations, Syllabus: Introduction to the History of European Civilization, Evolution and Culture, The Pivot of Civilization, The Western Hemisphere Idea: Its Rise and Decline, The decay of capitalist civilisation, and The fate of empires; being an inquiry into the stability of civilisation. About us Trieste Publishing's aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. Our titles are produced from scans of the original books and as a result may sometimes have imperfections. To ensure a high-quality product we have: thoroughly reviewed every page of all the books in the catalog repaired some of the text in some cases, and rejected titles that are not of the highest quality. You can look up "Trieste Publishing" in categories that interest you to find other titles in our large collection. Come home to the books that made a difference

""Vampires. Why do we care? In these pages you will find what is very simply, the most literate, imaginative, and just plain fascinating answer to that question ever written." Whitley StrieberIn a culture that does not do death particularly well, we are obsessed with mortality. Margot Adler writes, "Vampires let us play with death and the issue of mortality. They let us ponder what it would mean to be truly long lived. Would the long view allow us to see the world differently, imagine social structures differently? Would it increase or decrease our reverence for the planet? Vampires allow us to ask questions we usually bury."As Adler, a longtime NPR correspondent and question asker, sat vigil at her dying husband's bedside, she found herself newly drawn to vampire novels and their explorations of mortality. Over the next four years--by now she has read more than 270 vampire novels, from teen to adult, from gothic to modern, from detective to comic--she began to see just how each era creates the vampires it needs. Dracula, an Eastern European monster, was the perfect vehicle for 19th-century England's fear of outsiders and of disease seeping in through its large ports. In 1960s America, Dark Shadows gave us the morally conflicted vampire struggling against his own predatory nature, who still enthralls us today. Think Spike and Angel, Stefan and Damon, Bill and Eric, the Cullens. Vampires Are Us explores the issues of power, politics, morality, identity, and even the fate of the planet that show up in vampire novels today. Perhaps, Adler suggests, our blood is oil, perhaps our prey is the planet. Perhaps vampires are us"--

Thomas Jefferson was wild about numbers. He was constantly counting, measuring, and observing things that caught his interest. He loved sharing his discoveries and reading the discoveries of others. But when a famous Frenchman published a book about America, Jefferson was appalled: all the information in the book was wrong. The author insisted that America was a wretched, dismal place, where birds could not sing, dogs could not bark, and everything and everyone was puny and weak. Thomas Jefferson resolved to set the record straight - with numbers - and prove to the world that the new nation was worthy of investment.

Love Poems for the Very Married is a collection of touching and thought-provoking verses that interpret both the pains and pleasures of marriage.

Kathy Acker's Don Quixote is an indomitable woman on a formidable quest: to become a knight and defeat the evil enchanters of modern America by pursuing "the most insane idea that any woman can think of. Which is to love." In this visionary world, Don Quixote journeys through American history to the final days of the Nixon administration, passing on the way through a New York reminiscent of prerevolutionary St. Petersburg and a brutally defamiliarized contemporary London. Here transvestites who might play at being Nazis and beautiful she-males enact the rituals of courtly love. Presiding overt this late-twentieth-century Levithian is Thomas Hobbes--the Angel of Death. -- Back cover

"The 1963 Children's March in Birmingham, Alabama. Tiananmen Square, 1989. The 2016 Dakota Access Pipeline protests. March for Our Lives, and School Strike for Climate. What do all these social justice movements have in common? They were led by passionate, informed, engaged young people. Jamie Margolin has been organizing and protesting since she was fourteen years old. Now the co-leader of a global climate action movement, she knows better than most how powerful a young person can be. You don't have to be able to vote or hold positions of power to change the world. In Youth to Power, Jamie presents the essential guide to changemaking, with advice on writing and pitching op-eds, organizing successful events and peaceful protests, time management as a student activist, utilizing social media and traditional media to spread a message, and sustaining long-term action. She features interviews with prominent young activists including Tokata Iron Eyes of the #NoDAPL movement and Nupol Kiazolu of the #BlackLivesMatter movement, who give guidance on handling backlash, keeping your mental health a priority, and how to avoid getting taken advantage of. Jamie walks readers through every step of what effective, healthy, intersectional activism looks like. Young people have a lot to say. Youth to Power gives you the tools to raise your voice"--

A black man as the President of the United States? Written in 1964, The Man was burned in states of the southern U.S. And banned in others as it rose to the top of the New York Times bestseller list, selling more than two million copies. Today it is more relevant than ever, when the possibility of an Afro-American president no longer seems an impossible dream. A series of accidents places mild-mannered Douglas Dillman in the White House. A gentleman who shirks publicity, he is now at the mercy of spotlight: he is plotted against by the Ku Klux Klan and other right-wing terrorists; while his own son, a black militant, accuses him of being dangerously conservative. Dillman faces impeachment and threats. One would-be murderer nearly made it to his home before being arrested. Actor James Earl Jones- who starred in the movie version of The Man, called it "a prophetic novel." It is considered by many to be Wallace's greatest achievement. About The Author: Irving Wallace was born in Chicago. His best-selling award-winning novels have been translated into numerous languages and have sold some 250 million copies around the world. He is considered one of the five most widely read authors of modern times."

In this unforgettable collection, Malouf once again reaffirms himself as one of Australia's most celebrated and beloved poets. Demonstrating an intimate sense of place and language and evoking both the charm and power of the natural world, Earth Hour comes to rest at the perfect, still moment of 'silence, following talk'. Interweaving light and dark, levity and gravity, this timeless collection offers a vision of life on 'this patch/of earth and its green things', charting imagination and mortality, and the resilience of beauty amidst stubborn human grace.

Examines the events of the Holocaust within the context of World War II and Germany's economic and political history, while highlighting the main figures of the time.

Family Sayings is Natalia Ginzburg's masterpiece and a classic of contemporary Italian literature. Although it asks to be read as fiction, the author, one of Italy's finest twentieth-century writers, admits that it is highly autobiographical. The book spans the period from the rise of Fascism through World War II (in which her first husband perished at the hands of the Nazis) and its aftermath. Its subject is the other people in Ginzburg's family. Woven around the inconsequential, revealing remarks that are repeated in a family until they become its affectionate private code, rich in memory and association, this is one of the rare true evocations of a family in modern literature. Family Sayings is at the same time a living history that documents the life of the assimilated Jewish Ginzburg family and the culture to which they belonged. Winner of the Strega Prize-Italy's Pulitzer for literature-this intimate and candid portrait is no less relevant today than when it was first published in 1963. --

Making the rich narrative world of Talmud tales fully accessible to modern readers, renowned Talmud scholar Jeffrey L. Rubenstein turns his spotlight on both famous and little-known stories, analyzing the tales in their original contexts, exploring their cultural meanings and literary artistry, and illuminating their relevance. Delving into both rabbinic life (the academy, master-disciple relationships) and Jewish life under Roman and Persian rule (persecution, taxation, marketplaces), Rubenstein explains how storytellers used irony, wordplay, figurative language, and other art forms to communicate their intended messages. Each close reading demonstrates the story’s continuing relevance through the generations into modernity. For example, the story “Showdown in Court,” a confrontation between King Yannai and the Rabbinic judges, provides insights into controversial struggles in U.S. history to balance governmental power; the story of Honi’s seventy-year sleep becomes a window into the indignities of aging. Through the prism of Talmud tales, Rubenstein also offers timeless insights into suffering, beauty, disgust, heroism, humor, love, sex, truth, and falsehood. By connecting twenty-first-century readers to past generations, The Land of Truth helps to bridge the divide between modern Jews and the traditional narrative worlds of their ancestors.

Prison Memoirs of an Anarchist is Alexander Berkman's account of his experience in prison in Western Penitentiary of Pennsylvania, in Pittsburgh, from 1892 to 1906. First published in 1912 by Emma Goldman's Mother Earth press, it has become a classic in autobiographical literature. Odin's Library Classics is dedicated to bringing the world the best of humankind's literature from throughout the ages. Carefully selected, each work is unabridged from classic works of fiction, nonfiction, poetry, or drama.

Product Description Majipoor, an immense planet populated by a wide variety of exotic races, first appeared in Robert Silverberg's 1980 novel, Lord Valentine's Castle, a book that has since acquired the status of a modern classic. In subsequent decades, Silverberg has revisited Majipoor on numerous occasions, and it has become one of this gifted and prolific author's signature creations.The latest offering in the cycle, Tales of Majipoor, is both a superb literary accomplishment and a gift to Silverberg's legion of devoted fans. This generous volume contains seven long stories, each of which explores a different aspect of life on Majipoor. Together, they encompass several thousand years of colorful, dramatic history. The opening tale, 'The End of the Line,' tells the story of Lord Stiamot and his rise to the role of Coranol, a position second only to Pontifex in Majipoor's complex hierarchy. The final entry, 'The Seventh Shrine,' circles back to the very beginning of the series, giving us a murder mystery set during the reign of Lord Valentine. In between are stories that involve magic ('The Sorcerer s Apprentice'), religion ('The Way They Wove the Spells in Sippulgar'), and even poetry ('The Book of Changes'). Supplementing all this is a brief but crucial historical prologue and a series of detailed maps that add richness and depth to these singular--and endlessly absorbing--narratives. Beautifully written and thoroughly imagined on every level, Tales of Majipoor combines irresistible storytelling with the sort of meticulously detailed world building that only the finest imaginative literature can provide. It is a book that only Robert Silverberg, a true Grand Master, could have written. From the Inside Flap Majipoor, an immense planet populated by a wide variety of exotic races, first appeared in Robert Silverberg's 1980 novel, Lord Valentine's Castle, a book that has since acquired the status of a modern classic. In subsequent decades, Silverberg has revisited Majipoor on numerous occasions, and it has become one of this gifted and prolific author's signature creations.The latest offering in the cycle, Tales of Majipoor, is both a superb literary accomplishment and a gift to Silverberg's legion of devoted fans. This generous volume contains seven long stories, each of which explores a different aspect of life on Majipoor. Together, they encompass several thousand years of colorful, dramatic history. The opening tale, “The End of the Line,” tells the story of Lord Stiamot and his rise to the role of Coranol, a position second only to Pontifex in Majipoor's complex hierarchy. The final entry, “The Seventh Shrine,” circles back to the very beginning of the series, giving us a murder mystery set during the reign of Lord Valentine. In between are stories that involve magic (“The Sorcerer's Apprentice”), religion (“The Way They Wove the Spells in Sippulgar”), and even poetry (“The Book of Changes”). Supplementing all this is a brief but crucial historical prologue and a series of detailed maps that add richness and depth to these singular—and endlessly absorbing—narratives. Beautifully written and thoroughly imagined on every level, Tales of Majipoor combines irresistible storytelling with the sort of meticulously detailed world building that only the finest imaginative literature can provide. It is a book that only Robert Silverberg, a true Grand Master, could have written.

Seeing the Insane is a richly detailed cultural history of madness and art in the Western world, showing how the portrayal of stereotypes has both reflected and shaped the perception and treatment of the mentally disturbed. Covering the Middle Ages through the end of the nineteenth century, Sander L. Gilman explores the depictions of mental illness as seen in manuscripts, sculptures, lithographs, and photography. With artistic renderings and medical illustrations side-by-side, this volume includes over 250 visual displays of the mentally ill. These images capture society's reliance on visual motifs to assign concrete qualities to abstract ailments in an attempt to understand the marginalized. Gilman's collection of images demonstrates how society has relegated the mentally ill to a state of "otherness" and portrays how society's perceived realities concerning the insane have morphed and evolved over centuries. Sander L. Gilman, PhD, is a distinguished professor of the Liberal Arts and Sciences as well as Professor of Psychiatry at Emory University. A respected educator, he has served as Old Dominion Visiting Professor of English at Princeton; Northrop Frye Visiting Professor of Comparative Literature at the University of Toronto; Mellon Visiting Professor of Humanities at Tulane University; Goldwin Smith Professor of Humane Studies at Cornell University; and Professor of the History of Psychiatry at Cornell Medical College. He has written and edited several books including The Face of Madness and Sexuality: An Illustrated History . " Seeing the Insane is a visual history of the stereotypes that have shaped the perception of the mentally ill from medieval through modern times. The result is nearly as heartbreaking as a visual history of the Holocaust. In picture after picture, the book portrays centuries of intolerance for deviance, mindless cruelty, unthinking prejudice, and self-righteous abuse of the weak and ill." - American Journal of Psychiatry "As extraordinary in concept as it is in its execution. . . . This remarkable book helps laymen as well as specialists to see the insane, but it does far more. When we study the past, we understand the present. When we see the conventional stereotype images of insanity, we find they still color our concepts of madness. Through these pictures of the insane, we see all humanity. We look, not through a glass darkly, but through a multiplicity of media, brightly." - Antiquarian Bookman Readers interested in related titles from Sander L. Gilman will also want to see: Face of Madness: Hugh W. Diamond and the Origin of Psychiatric Photography (ISBN: 9781626549234), Sexuality: An Illustrated History (ISBN: 9781626549227).

The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Late Twentieth Century is the final installment of the set, covering the years from the end of World War II to the present. In these pages, Taruskin illuminates the great compositions of recent times, offering insightful analyses of works by Aaron Copland, John Cage, Milton Babbitt, Benjamin Britten, Steve Reich, and Philip Glass, among many others. He also looks at the impact of electronic music and computers, the rise of pop music and rock 'n' roll, the advent of postmodernism, and the contemporary music of Laurie Anderson, John Zorn, and John Adams. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.

Originally published in 1980, this now classic work of literary theory explores the wilderness of positions that grew out of the collision between Anglo-American practical criticism and Continental philosophic criticism. This second edition includes a new preface by the author as well as a foreword by Hayden White. ?A key text for understanding ?the fate of reading' in the Anglophone world over the last fifty years.”?Hayden White, from the Foreword ? Criticism in the Wilderness may be the best, most brilliant, most broadly useful book yet written by an American about the sudden swerve from the safety of established decorum toward bravely theoretical, mainly European forms of literary criticism.”?Terrence Des Pres, Nation ?A polemical survey that reaffirms the value of the Continental tradition of philosophical literary criticism.”?Notable Books of the Year, New York Times Book Review

Describes what the world was like when dinosaurs roamed the earth, and introduces many of the animals and plants in nature today that were also seen by the dinosaurs.

The Moment of Cubism is one of John Berger’s most important collections of art criticism. Whether considering Vermeer in his studio, Poussin’s poignant meditation on death, or the complexities of Rodin’s sculpture, Berger draws together the threads that bind individual artists to their social and political context. Here Berger argues that Cubism was a moment rather than a movement, one that came and went without the consent of its key figures – Picasso and Braque above all. He makes a case for Cubism’s revolutionary influence. As always, Berger helps us see the world in new ways

A collection of poems by such writers as Robert Graves, William Shakespeare, and Walter de la Mare and tales from around the world about fairies in all their forms.

"If there is one genre that has captured the imagination of people in all walks of life throughout the world, it is the fairy tale. Yet we still have great difficulty understanding how it originated, evolved, and spread--or why so many people cannot resist its appeal, no matter how it changes or what form it takes. In this book, renowned fairy-tale expert Jack Zipes presents a provocative new theory about why fairy tales were created and retold--and why they became such an indelible and infinitely adaptable part of cultures around the world. Drawing on cognitive science, evolutionary theory, anthropology, psychology, literary theory, and other fields, Zipes presents a nuanced argument about how fairy tales originated in ancient oral cultures, how they evolved through the rise of literary culture and print, and how, in our own time, they continue to change through their adaptation in an ever-growing variety of media. In making his case, Zipes considers a wide range of fascinating examples, including fairy tales told, collected, and written by women in the nineteenth century; Catherine Breillat's film adaptation of Perrault's "Bluebeard"; and contemporary fairy-tale drawings, paintings, sculptures, and photographs that critique canonical print versions. While we may never be able to fully explain fairy tales, The Irresistible Fairy Tale provides a powerful theory of how and why they evolved--and why we still use them to make meaning of our lives."--Jacket.