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On the democratic idea in America

Kristol, Irving
No markings. Binding is tight, covers and spine fully intact. Edges foxed and browned. Previous owner's inscription, lavish, in ink. Very clean, crisp, and tight copy. Covers show wear. Not Ex-Library. All books offered from DSB are stocked at our store in Fayetteville, AR. Save on shipping by ordering multiple titles. 149pp. Hardcover Very Good Condition Size: 5 1/2" x 8 1/2" English Text
Harper and Row 1972 149 pages

Drawings Irving Penn

Irving Penn
Little known to followers of his publications and exhibitions, Irving Penn made drawings throughout his illustrious photography career. Many of the drawings collected here have not been shown before, and were done privately and intermittently. Following his studies under Alexey Brodovitch at the Philadelphia Museum School of Industrial Art, Penn continued drawing even after his photography career began. He drew both as a way of exploring ideas for photographs and for making complete drawings on their own. Penn made use of photographic transfer techniques as the base for complex painted images. Using pencil, ink, watercolor, and platinum, the drawings have remarkably rich surfaces and varieties of texture. Elegantly published on fine paper, printed in stochastic color and bound in linen, Drawings adds a further dimension to Irving Penn's distinguished body of work.
Apparition 1999 128 pages

The Square Trap

Irving Shulman
The Square Trap . This is the story of an underage son of a Mexican immigrant worker who sought to settle his score in the boxing ring. Tomas Cantanios or just Tomas to his friends came from a loving family and enjoyed being as much of a kid as any poverty stricken child can in L.A. He was going to win the respect of his family and friends, his peers and his community as "Tommy Kansas", prize fighter, but these dreams were knocked into the world of reality as the starting bell rung and as fists began to fly at him with the fierce intent of survival. Irving Shulman puts you in a ringside seat as TOMMY KANSAS goes into action.
iUniverse 2000-12 388 pages

Ingmar Bergman, cinematic philosopher: reflections on his creativity

Singer, Irving
The development of themes, motifs, and techniques in Bergman's films, from the first intimations in the early work to the consummate resolutions in the final movies. Known for their repeating motifs and signature tropes, the films of Ingmar Bergman also contain extensive variation and development. In these reflections on Bergman's artistry and thought, Irving Singer discerns distinctive themes in Bergman's filmmaking, from first intimations in the early work to consummate resolutions in the later movies. Singer demonstrates that while Bergman's output is not philosophy on celluloid, it attains an expressive and purely aesthetic truthfulness that can be considered philosophical in a broader sense. Through analysis of both narrative and filmic effects, Singer probes Bergman's mythmaking and his reliance upon the magic inherent in his cinematic techniques. Singer traces throughout the evolution of Bergman's ideas about life and death, and about the possibility of happiness and interpersonal love. In the overtly self-referential films that he wrote or directed ( The Best Intentions , Fanny and Alexander , Sunday's Children ) as well as the less obviously autobiographical ones (including Wild Strawberries , The Seventh Seal , and the triad that begins with Through a Glass Darkly ) Bergman investigates problems in his existence and frequently reverts to childhood memories. In such movies as Smiles of a Summer Night, Scenes from a Marriage , and Saraband , Bergman draws upon his mature experience and depicts the troubled relationships between men who are often weak and women who are made to suffer by the damaged men with whom they live. In Persona , Cries and Whispers , and other works, his experiments with the camera are uniquely masterful. Inspecting the panorama of Bergman's art, Singer shows how the endless search for human contact motivates the content of his films and reflects Bergman's profound perspective on the world.
MIT Press 2007 240 pages

Ingmar Bergman, cinematic philosopher: reflections on his creativity

Singer, Irving
Known for their repeating motifs and signature tropes, the films of Ingmar Bergman also contain extensive variation and development. In these reflections on Bergman's artistry and thought, Irving Singer discerns distinctive themes in Bergman's filmmaking, from first intimations in the early work to consummate resolutions in the later movies. Singer demonstrates that while Bergman's output is not philosophy on celluloid, it attains an expressive and purely aesthetic truthfulness that can be considered philosophical in a broader sense. Through analysis of both narrative and filmic effects, Singer probes Bergman's mythmaking and his reliance upon the magic inherent in his cinematic techniques. Singer traces throughout the evolution of Bergman's ideas about life and death, and about the possibility of happiness and interpersonal love. In the overtly self-referential films that he wrote or directed (The Best Intentions, Fanny and Alexander, Sunday's Children) as well as the less obviously autobiographical ones (including Wild Strawberries, The Seventh Seal, and the triad that begins with Through a Glass Darkly) Bergman investigates problems in his existence and frequently reverts to childhood memories. In such movies as Smiles of a Summer Night, Scenes from a Marriage, and Saraband, Bergman draws upon his mature experience and depicts the troubled relationships between men who are often weak and women who are made to suffer by the damaged men with whom they live. In Persona, Cries and Whispers, and other works, his experiments with the camera are uniquely masterful. Inspecting the panorama of Bergman's art, Singer shows how the endless search for human contact motivates the content of his films and reflects Bergman's profound perspective on the world.
MIT Press 2007 240 pages

Two Weeks in Another Town

Irwin Shaw
A struggling actor's last chance becomes an unforgettable Roman holiday World War II derailed John Andrus's acting career. Marred by a facial scar and burdened by a new family, Andrus works for NATO in Paris. A producer from his past shows up with an attractive acting job--involving two weeks in Rome and a hefty salary. How can he pass it up? In Rome, Andrus quickly realizes that the job is not at all what he expected. Bounced between movie sets, directors, producers, and women, he grows more uncertain of his future with each passing day. This ebook features an illustrated biography of Irwin Shaw including rare images and never-before-seen documents from the author's estate.
Dell 1971 373 pages