(Applause Books). Jacob Adler, with his performances in the Yiddish King Lear , Uriel Acosta and Shylock in The Merchant of Venice , became first a megastar of the exploding Yiddish theatre, and then all of Broadway. His memoirs, originally written and published in Yiddish and now translated (by his granddaughter) into English provides not only a compelling portrait of one of America's greatest actors but a fascinating social history of his time.

When evil Dr. Glockenspiel threatens all the books in the world, only one person can stop him--a book-wielding, super-secret operative called Lyric McKerrigan.

Jacqueline Gold is the woman behind the success of the Ann Summers chain. This is a story of determination and suffering, of obstacles and inner-battles which will inspire women across the country. It tells about the secrets of her childhood, her struggle to find love, gain career success and respect, and to have children.

Offers profiles of ancient Greek writers, including Homer, Hesiod, Herodotus, Sophocles, Plato, Aristotle, and Plutarch, and traces the development of Greek literature.

The arrival of the Sophists in Athens in the middle of the fifth century B.C. was a major intellectual event, for they brought with them a new method of teaching founded on rhetoric and bold doctrines which broke away from tradition. In this book de Romilly investigates the reasons for the initial success of the Sophists and the reaction against them, in the context of the culture and civilization of classical Athens.

Covers the importance of time in Greek tragedy. Chapters on Aeschylus, Sophocles, Euripides, and more. Index. 180p.

One of the most controversial books to come out of the academy in the last fifteen years is Martin Bernal's Black Athena. It has been a true cause celebre. Afrocentrists have both praised the book and claimed that Bernal stole from the work of black scholars to create his study of the Afroasiastic roots of classical civilization. Classicists feel passionately about what they perceive as an attack from an outsider on the origins not only of ancient Greece but of their own discipline. It seems that everyone has something to say about the book; the question is how many really understand it. In Heresy in the University, Jacques Berlinerblau provides an exegesis of the contents of Black Athena, making it accessible to a wider audience. As he clarifies and restates Bernal's opus, Berlinerblau identifies Bernal's flaws in reasoning and gaps in evidence. He cuts to the heart of Bernal's prose, singling out the key points of Bernal's argument, explaining and arranging them in a cogent manner. Berlinerblau addresses the critics' really important objections, including his own, and links each of them to the appropriate substantive argument in Black Athena. He goes beyond simple summary and exposition to present the underlying --stated and unstated--agendas of Bernal and his critics. Ultimately, he exposes both sides and asks what the flawed reasoning from all concerned reveals about the stakes in this key academic dispute and what that, in turn, says about the modern academy. Jacques Berlinerblau is an assistant professor and director of Judaic studies at Hofstra University.

Berlinerblau argues that in order to procure reliable historical information about 'popular religious groups' (such as women, non-privileged economic strata, heterodox elements) we must search for what he calls 'implicit evidence': mundane details regarding the vow which the biblical writers tacitly assumed and hence unknowingly bequeathed to posterity. By piecing together these strands of implicit evidence the author attempts to reconstruct the basic norms of the Israelite votive system. In so doing, he explains why certain 'popular religious groups' were attracted to this particular practice.

xi 160p paperback, bright red and white cover, very good condition, minimal wear, spine sunned, binding tight, pages clean and bright like new, very good copy of uncommon title

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

Cette uvre (edition relie) fait partie de la serie TREDITION CLASSICS. La maison d'edition tredition, basee a Hambourg, a publie dans la serie TREDITION CLASSICS des ouvrages anciens de plus de deux millenaires. Ils etaient pour la plupart epuises ou uniquement disponible chez les bouquinistes. La serie est destinee a preserver la litterature et a promouvoir la culture. Avec sa serie TREDITION CLASSICS, tredition a comme but de mettre a disposition des milliers de classiques de la litterature mondiale dans differentes langues et de les diffuser dans le monde entier.

The Tales of Hoffmann by Jules Barbier is an opera in four acts with an original and novel first act and other important changes. The book explores themes of love, betrayal, and the power of art, with each act presenting a different aspect of Hoffmann's romantic experiences.

Dieses Werk ist Teil der Buchreihe TREDITION CLASSICS. Der Verlag tredition aus Hamburg veroffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Grossteil vergriffen oder nur noch antiquarisch erhaltlich. Mit der Buchreihe TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte Bucher zu verlegen - und das weltweit! Die Buchreihe dient zur Bewahrung der Literatur und Forderung der Kultur. Sie tragt so dazu bei, dass viele tausend Werke nicht in Vergessenheit geraten