Poland has played an enormous role in the development of mathematical logic. Leading Polish logicians, like Lesniewski, Lukasiewicz and Tarski, produced several works related to philosophical logic, a field covering different topics relevant to philosophical foundations of logic itself, as well as various individual sciences. This collection presents contemporary Polish work in philosophical logic which in many respects continue the Polish way of doing philosophical logic. This book will be of interest to logicians, mathematicians, philosophers, and linguists.

Juxtaposes black-and-white photographs of houses in Hatfield, Massachusetts taken between 1882 and 1907 with color photographs of the same houses taken in the late 1990s, and features text that offers comparisons of life in the different eras.

As a young Robert Louis Stevenson visits a Scottish lighthouse built by his great-grandfather, his father tells him a story of pirates and lighthouses. Includes bioliographic information on Robert Louis Stevenson.

Making provocative use of the term apartheid," Janet Abu-Lughod argues that French colonial policies in Moroccan cities effectively segregated Moroccans from Europeans. Focusing on Rabat and drawing upon unpublished data from the 1971 census of Morocco, she documents the results of this segregation.Originally published in 1981.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Early twentieth-century art and art practice in Britain and the United States were, Janet Wolff asserts, marginalized by critics and historians in very similar ways after the rise of post-Cubist modern art. In a masterly book on the sociology of modernism, Wolff explores work that was primarily realist and figurative and investigates the social, institutional, political, and aesthetic processes by which that art fell by the wayside in the postwar period. Throughout, she shows that questions of gender and ethnicity play an important role in critical, curatorial, and historical evaluations. For example, Wolff finds that the work of the artists central to the development of the Whitney Museum was relegated to a secondary status in the postwar period, when realism was labeled "feminine" in contrast to the aggressive masculinity of abstract expressionism. The three key periods considered in AngloModern are the early twentieth century, when modernist art and existing and new realist traditions coexisted in a certain tension; the postwar period, in which modernism claimed superiority over realism; and the late twentieth century, when a retrieval of the realist and figurative traditions seemed to occur. Wolff concludes by considering this re-emergence, as well as the limitations of earlier discussions of the struggles of realist and figurative art to endure the currents of modernism.

The tale of Lillth Zeremba, a young woman rebelling against her intellectually complex, feminist Jewish mother.

African American spiritual Publisher ID: B2479 Instrumentation: Violin, Piano

A film producer is attracted to a young writer's screenplay - about a false Messiah - as an opportunity to recharge his own idealism. The young writer herself ponders big revisions not just to her screenplay but also to her integrity. This is a bracing comedy about deal making and soul searching from the winner of the 1995 Governor General's Literary Award for Drama.

Britain's culinary Moses brings us the new foodie rules to live by, celebrating what and how we eat The Ten Commandments may have had a lot going for them, but they don't offer those of us located in the 21st Century much in the way of guidance when it comes to our relationship with our food. And Lord knows we need it. Enter our new culinary Moses, the legendary restaurant critic Jay Rayner, with a new set of hand-tooled commandments for this food-obsessed age. He deals once and for all with questions like whether it is ever okay to covet thy neighbour's oxen (it is), eating with your hands (very important indeed) and if you should cut off the fat (no). Combining reportage and anecdotes with recipes worthy of adoration, Jay Rayner brings us the new foodie rules to live by.