In European and Holocaust historiography, it is generally believed that neither the Zionist movement nor the Yishuv were mindful of the plight of European Jews in the face of the Nazi threat during the 1930s. Drawing on a wide variety of memoirs, letters, and institutional reports by people from all walks of life, this volume sheds new light on a troubled period in Jewish history. Jehuda Reinharz and Yaacov Shavit trace Jewish responses to developments in Eastern and Central Europe, as well as reactions to British policy on the question of a Jewish homeland, to show that Zionists in the Yishuv worked tirelessly on the international stage on behalf of their coreligionists in Europe. Nevertheless, their efforts were all too often shattered by the realities of their powerlessness and lack of resources. Piercing to the heart of conversations about how or whether to save Jews in an increasingly hostile Europe, this volume provides a nuanced assessment of what could and could not be achieved in the years just prior to World War II and Holocaust.

"This book covers basic maintenance skills that can save your community hundreds of dollars and berakhot levatalah. Ideally, you would learn this material in conjunction with a teacher; a real sofer's apprenticeship lasts several years. A sofer's apprenticeship takes years because there is so much halakha to learn. If you have not learned the halakha, you MUST work under the supervision of someone who has, or you WILL pasul your Torah. You can quite easily make a sefer pasul by doing the wrong thing. Adding to letters or erasing from letters in the wrong ways can look fine, but be absolutely pasul. This is bad. However, with this book you can learn to prevent some of the more avoidable problems, and help solve some of the easier problems. You'll also learn about avoiding more complex problems." --

The Sea of Light is a wise, beautiful, and very American story of three women and their desire to excel and win - and heal one another - in the highly charged world of athletic competition. Angelita is the hurricane that brings down a plane carrying a team of star-quality swimmers, groomed from childhood to compete at the international level. Babe Delgado is a young Cuban-American woman, presumed dead, who is rescued from the crash. Fifty-one hours in the Atlantic have left her scarred in body and spirit, afraid to compete again. Brenna Allen is a tough, driven swim coach at a small university, grieving for a lover lost to cancer. She finds solace in building her own winning team, driving her overworked captain, Ellie Marks, ever harder. Ellie is a child of holocaust survivors, struggling to own herself and her sexuality as hard as she's working to win. Brenna recruits Babe, promising to help her rebuild her damaged body, strength, and will. The Sea of Light is a story of wins, losses, and passions in a world where destiny and magic interfere with victory, where families are forced to reconcile with private hurts and false dreams, and where a redemptive, healing love between women - erotic and overwhelmingly intimate - stands in stark contrast to the expectations of the world. A sensitive, powerful tale of self-discovery, sexual identity, and violent emotions unleashed by sudden disaster, this novel is sure to command attention and acclaim.

At sixteen Bridget is pregnant--and her boyfriend has dumped her for another girl. She's trying to envision a future for her baby. But as she sifts through the many paths and the many people who want to parent her child, she can't help but feel that there is no right decision. Fifteen years later: Ivy knows that she is now the same age Bridget was when she placed Ivy for adoption. She knows that Bridget was the one who named her. When Ivy goes in search of Bridget--of her own history--will the risks outweigh the benefits of knowing where she comes from and why her birth mother chose to walk away?

An in-depth look at the exquisite metal sculpture of the Roman baroque Roman baroque sculpture is usually thought of in terms of large-scale statues in marble and bronze, tombs, or portrait busts. Smaller bronze statuettes are often overlooked, and the extensive production of sculptural silver—much of which is now lost but can be studied from drawings—is frequently omitted from the histories of art. In this book, Jennifer Montagu enriches our understanding of the sculpture of the period by investigating the bronzes that adorn the great tabernacles of Roman churches; gilded silver, both secular and ecclesiastical; elaborately embossed display dishes; and the production of medals. Concentrating on selected pieces by such master sculptors as Bernini and leading metal-workers such as Giovanni Giardini, Montagu examines the often tortuous relationship between patrons and artists and elucidates the relationship between those who provided the drawings or models and the craftsmen who executed the finished sculptures.

Draws on contemporary biographies and a wealth of hitherto unpublished archival material to illuminate the position and practice of the Baroque sculptor, to enable the reader to appreciate, understand and evaluate the sculptural monuments of the Roman Baroque.

Continuing her narration of the story of the Patriarchs in the Book of Genesis, After These Things recounts the relationship between Abraham’s tragic son Isaac and Isaac’s son Jacob. In following the psychological trail of the children of Abraham, the first properly constituted family, we discover all the complexities of love, power, and desire that make them so quintessentially human. Jenny Diski is the author of eight novels and two memoirs: Skating to Antarctica and Stranger on a Train.

Marie de Gournay was eighteen when she read, and was overwhelmed by, the essays of the French philosopher Montaigne. She had to be revived with hellebore. When she finally met Montaigne, she stabbed herself with a hairpin until the blood ran in order to show her devotion. He made her his adopted daughter for the two months they knew each other. He died four years later, after which, though scorned by intellectuals, she became his editor. Jenny Diski engages with this passionate and confused relationship between 'father and daughter', old writer/young acolyte, possible lovers, using both their voices. Much of their story is about absence of the people they love. In Jenny Diski's hands it becomes a fascinating tale.

Daphne Drummond - ex-novelist and trainee baglady - decides it's high time she took a lover. This comedy of lust and noble failure begins when Daphne sets her sights on her landlord, Liam, a drunk whose only pleasures are avoiding work and fantasizing about his young wife's infidelities.

Efter en hård tid får Charlotte FitzRoy et mentalt sammenbrud og hun havner på et sindssygehospital - men kun delvis, for en del af hende befinder sig i en slags alternativt vidunderland hvor hun møder personligheder som Marx, Darwin, Freud og orangutangen Jenny.

"The bestselling and award-winning German author Jenny Erpenbeck has gained international praise for her novels including Visitation, Kairos, and Go, Went, Gone. Things That Disappear is an exciting collection of interlinked miniature prose pieces that grapple with the phenomenon of disappearance on scales both large and small. The things that disappear in these pages range from everyday objects such as socks and cheese to close friends and the social norms of common courtesy, to sites and objects resonant with East German history, such as the Palace of the Republic or the lines of sight now blocked by new construction in Berlin. Erpenbeck asks: "Is there a perpetrator who makes things that I know and cherish disappear?" These things disap- pear, and yet do they really? Do they remain in our memories more fully than if they continued to exist? Translated beautifully by Kurt Beals, Things That Disappear follows on the heels of Erpenbeck's Booker Prize-winning novel Kairos and offers a window into a renowned writer's sense of the past, and of her own self as a writer"-- Provided by publisher.

Persephone loses her innocence in the Underworld, but finds herself. She is Everywoman coming through darkness, betrayal and disillusion to discover a new life, a new sense of herself. And she is many women in Jenny Joseph's extraordinary novel, which retells the Greek myth of spring and winter, of good and evil.Demeter the earth goddess is every worried mother struggling to understand her daughter. Hades is the reckless man, brutal, possessive, but mellowed by the girl he takes for himself, the woman who goes back to him.In Persephone, Jenny Joseph has created a new kind of novel, a story made up of many stories, our stories, using poetry, narrative, parody and many other kinds of writing. Like the myth itself, Persephone is unforgettable. The book won her the 1986 James Black Memorial Prize for Fiction.

Available in paperback for the first time, Jenny Strauss Clay's landmark study of the Odyssey argues that Athena's wrath is central to both the structure and the theme of the epic poem. Clay demonstrates that an appreciation of the thematic role of Athena's anger elucidates the poem's complex narrative organization and its conception of the hierarchical relations between gods and men. This edition includes a new introduction by the author.

"This new critical biography provides a complete picture of German novelist, playwright and poet Johann Wolfgang von Goethe. It offers fresh, thought-provoking interpretations of all the major works, including novels such as The Sorrows of Young Werther and The Elective Affinities, plays such as Egmont and Iphigenia in Tauris, and Goethe's greatest work, Faust. Alongside these works the incidents of his life are analysed, including his love affairs and his meetings with the great people of the age, such as Napoleon Bonaparte. Jeremy Adler shows how Goethe's encyclopedic interest in numerous fields influenced later thinkers such as Charles Darwin and Sigmund Freud, Émile Durkheim and Susan Sontag. Goethe has often been called the last Renaissance man. He was in fact the first of the moderns - a maker of modernity."--Page 4 of cover.

This book of essays in four parts, was written over a decade and full of surprises for the breadth and variety of its subject matter. The first part is about the foundations of the quantum theory which reflects the author's many conversations with the late John Bell who persuaded him that there is still no satisfactory interpretation of the theory. The second part deals with nuclear weapons. One of the essays concerns the creation of the modern gas centrifuge which was done by German prisoners of war in the Soviet Union. The proliferation of these centrifuges was one of the issues in the spread of nuclear weapons. The third section deals with financial engineering with a profile of Louis Bachelier, the French mathematician who created it at the beginning of the 20th century. The final section deals with the Higgs boson and how it is used for generating mass. It includes a detailed article of how this mechanism works.

When plutonium was first manufactured at Berkeley in the spring of 1941, there was so little of it that it was not visible to the naked eye. It took a year to accumulate enough so that one could actually see it. Now there is so much that we don’t know what to do to get rid of it. We have created a monster. The history of plutonium is as strange as the element itself. When scientists began looking for it, they did so simply in the spirit of inquiry, not certain whether there were still spots to fill on the periodic table. But the discovery of fission made it clear that this still-hypothetical element would be more than just a scientific curiosityâ€"it could be a powerful nuclear weapon. As it turned out, it is good for almost nothing else. Plutonium’s nuclear potential put it at the heart of the World War II arms raceâ€"the Russians found out about it through espionage, the Germans through independent research, and everybody wanted some. Now, nearly everyone has someâ€"the United States alone has about 47 metric tonsâ€"but it has almost no uses besides warmongering. How did the product of scientific curiosity become such a dangerous burden? In his new history of this complex and dangerous element, noted physicist Jeremy Bernstein describes the steps that were taken to transform plutonium from a laboratory novelty into the nuclear weapon that destroyed Nagasaki. This is the first book to weave together the many strands of plutonium’s story, explaining not only the science but the people involved.

The President of the Federation of American Scientists describes his work in the areas of disarmament and human rights, and recounts interactions with international leaders