Thirteen foremost scholars describe the views of death, life after death, resurrection, and the world-to-come set forth in the literary evidence for late antique Judaism. The volume covers the vie w of Scripture as a whole as against other Israelite writings; distinct parts of Scripture such as Psalms and the Wisdom literature; apocalyptic and the non-apocalyptic pseudepigraphic literature, Philo; Josephus; the Dead Sea Scrolls; earliest Christianity (the Gospels in particular); the Rabbinic sources; the Palestinian Targums to the Pentateuch; and, out of material culture, the inscriptional evidence. The result is both to highlight the range of available perspectives on this important issue and to illuminate a central problem in the study of Judaism in late antiquity, phrased neatly as "One Judaism or many?" Here we place on display indicative components of Judaism in their full diversity, leaving it for readers to determine whether the notion of a single, coherent religion falls under the weight of a mass of documentary contradictions or whether an inner harmony shines forth from a repertoire of largely shared and only superficially-diverse data.

THE LEGACY FROM THE PAST The aim of this little book is to present in brief outline some of the leading conceptions of the religion familiar since the Christian Era under the name Judaism. The word 'Judaism' occurs for the first time at about 100 B.C., in the Graeco-Jewish literature. In the second book of the Maccabees (ii. 21, viii. 1), 'Judaism' signifies the religion of the Jews as contrasted with Hellenism, the religion of the Greeks. In the New Testament (Gal. i. 13) the same word seems to denote the Pharisaic system as an antithesis to the Gentile Christianity. In Hebrew the corresponding noun never occurs in the Bible, and it is rare even in the Rabbinic books. When it does meet us, Jahaduth implies the monotheism of the Jews as opposed to the polytheism of the heathen.

Love’s memories, love recalling itself in letters lost and found over an interval of forty years: Cixous’s writer-narrator advances here far into a labyrinth of passions long ago delivered and yet still arriving through the mail, through letters and literature, in other words, the poetry of the post. As for the lovers’ returning scenes, they have their addresses in Paris (rue Olivier de Serres, Avenue de Choisy, street names that endlessly feed love’s unconscious language) and in New York, but also in a lost oasis of the Egyptian desert during the Napoleonic wars, in Athens and along the shores of a great lake centuries ago in the country of myth. The lovers are poets or soldiers, philosophers or students madly in love with poetry and poets. They are as well mermaids or panthers. Panthers? Yes, for it is the passion of the animal that drives all these lovers to bare themselves, and sometimes their claws, before the beloved. Misunderstandings are often, even inevitably the result. Seconded and witnessed by her passionate, truth-telling cats, Cixous’s narrator-writer returns unerringly to moments of errancy inflicted on address and language, those errors and faults when love, perhaps, is listening only to itself, without subject or object, lover or beloved, just love itself, l’amour même, l’amour m’aime, love loving me, in the letter box of memory.

This Modern Library collection presents seven novellas that brilliantly showcase the range and depth of the talent of Hortense Calisher, a writer hailed by the Saturday Review as "among the most literate practitioners of modern American fiction, a stylist wholly committed to the exploitation of language." Featured is "Women Men Don't Talk About," a new story, published here for the first time. The novellas are characterized by their unfailing intelligence and by the technical sure-handedness and acuity of the writing. Each has a strong sense of place--New York City, the Hudson Valley, Saratoga Springs--and an eclectic cast of characters who inhabit regions where our most acute hopes, fears, and anxieties coexist. The respectable lawyer of "Tale for the Mirror" attempts to oust an unconventional Hindu healer from his community, only to wonder whether the doctor's trickery is any different from his own. In "The Railway Police," a journey by train occasions a social worker's sudden break with past pretenses and her kafkaesque rebirth as a vagabond. And in "Saratoga, Hot," a sharply observed tale set amid the fabled world of horse racing, a man and woman discover new strength in a love touched by tragedy. Included as well are "Extreme Magic," "The Man Who Spat Silver," and "The Last Trolley Ride." "Calisher hits at her targets at a point more vital than the usual marksman knows to exist," wrote novelist and critic Angus Wilson. And The New York Times Book Review commented, "Seen through her eyes the real world is not prosaic. Placed in lyrical, poetic spaces, it is thick and rich with implication." The Novellas of Hortense Calisher, an edition exclusive to the Modern Library, is a major collection from one of America's finest literary voices. The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foun-dation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hard-bound editions of important works of liter-ature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inau-gurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.

The Time Axis by Henry Kuttner Called to the end of time by a being known as The Face of Ea, four adventurers face a power that not even the science of that era could meet -- the nekron, negative matter, negative force, ultimate desctruction for everything it touched! We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

""When Jews Face Christ"" is a book written by Henry Einspruch that explores the relationship between Judaism and Christianity. The book discusses the challenges that Jews face when they are presented with the idea of Jesus as the Messiah and how they can reconcile their beliefs with this concept. Einspruch examines the historical and theological differences between the two religions and offers insights into how Jews and Christians can find common ground. The book also includes personal stories from Jews who have converted to Christianity and how they have reconciled their beliefs. Overall, ""When Jews Face Christ"" is a thought-provoking and informative read for anyone interested in the intersection of Judaism and Christianity.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

First published in 1980, The Articulation of Modes of Production is primarily concerned with the concept of articulation of modes of production and with the analysis of a number of different social formations utilizing this concept. The emphasis is on the relationship between capitalist and other modes of production and on accounts of specific social formations which demonstrate the analytical power of the concept, but at the same time reveal a number of as yet unresolved problems. The introduction to the collection takes these problems at its starting point, and through a discussion of the theoretical literature, provides the basis for a more rigorous and complete analysis of social formations. This book will be of interest to students of economics, social policy, and history.

Among the first of Gerald Abraham's many books were studies of Tolstoy and Dostoevsky, and his knowledge of Russian literature and culture has provided the key to his extensive research into the history of Slavonic music. Studies in Russian Music brings together critical essays on the most important of Rimsky-Korsakov's operas, and others such as Borodin's Prince Igor , Dargomizhsky's Stone Guest , and also includes chapters on Glinka, Mussorgsky, Balakirev and Tchaikovsky, copiously illustrated by music examples. In his Preface the author 'Although this is a book of separate essays, it is, I hope, given a certain unity by the fact that each chapter deals with some product or aspect of the 'classical' period of Russian the music of Glinka and, more particularly, that written in the half-century following his death. I have almost ignored Mussorgsky and Tchaikovsky, preferring to concentrate on the less discussed members of the 'mighty handful,' above all on Rimsky-Korsakov who has hitherto been unaccountably neglected by non-Russian critics. But in these studies of some of Korsakov's operas I have concerned myself only with certain aspects of them ... in the attempt to investigate the working of the composer's musical mind.' Essential reading for all students and lovers of Russian music.

This translation of Carlo Michelstaedter’s Persuasion and Rhetoric brings the powerful and original work of a seminal cultural figure to English-language readers for the first time. Ostensibly a commentary on Plato’s and Aristotle’s relation to the pre-Socratic philosophers, Michelstaedter’s deeply personal book is an extraordinary rhetorical feat that reflects the author’s struggle to make sense of modern life. This edition includes an introduction discussing his life and work, an extensive bibliography, notes to introduce each chapter, and critical notes illuminating the text. Within hours of completing Persuasion and Rhetoric, his doctoral thesis, 23-year-old Michelstaedter shot himself to death. The text he left behind has proved to be one of the most trenchant and influential studies in modern rhetoric, a work that develops Nietzschean themes and anticipates the conclusions of, among others, Martin Heidegger. Publication of the book in English is an event of great magnitude for students of Italian philosophy, rhetoric, and literature as well as the culture of Mitteleuropa.

The Underground Stream is a remarkable work in the canon of proletarian literature. It holds special significance for trade unionists and communists, offering a vivid portrayal of workers’ struggles in the industrial heart of the United States and highlighting the pivotal role played by militants of the historic Communist Party USA in these struggles. Beyond its historical and political value, the novel tells a compelling tale of the profound sacrifices demanded of communists in the fight for a better future. What sets Albert Maltz’s work apart is his portrayal of proletarian heroes, protagonists driven by the ideals of a more humane and just world. They are communists—pioneers and workers who stand firmly against a society built on exploitation and the machinery of oppression. Maltz depicts them not as idealized figures but as real, living people, complete with virtues and flaws, whose daily actions and efforts, no matter how small, play a vital role in the collective struggle to transform society. The Underground Stream exposes the harsh realities of the class struggle, challenging working-class readers to recognize their responsibility in contributing to its organization and advancement.

Allen Ginsberg (1926–1997) was one of twentieth-century literature's most prolific letter-writers. This definitive volume showcases his correspondence with some of the most original and interesting artists of his time, including Jack Kerouac, William S. Burroughs, Gregory Corso, Neal Cassady, Lionel Trilling, Charles Olson, Lawrence Ferlinghetti, Philip Whalen, Peter Orlovsky, Philip Glass, Arthur Miller, Ken Kesey, and hundreds of others. Through his letter writing, Ginsberg coordinated the efforts of his literary circle and kept everyone informed about what everyone else was doing. He also preached the gospel of the Beat movement by addressing political and social issues in countless letters to publishers, editors, and the news media, devising an entirely new way to educate readers and disseminate information. Drawing from numerous sources, this collection is both a riveting life in letters and an intimate guide to understanding an entire creative generation.

Available in English for the first time, this is a collection of Adorno's essays on such writers as Mann, Bloch, Holderlin, Kare Kraust, Sigfried Kracauer, Goethe, Benjamin and Stefan George. Also included are Adorno's reflections on a variety of subjects: literary titles, the physical qualities of books, political commitment in literature, the light-hearted and the serious in art, and the use of foreign words in writing, to name a few.

Hamlet tells Horatio that there are more things in heaven and earth than are dreamt of in his philosophy. In Double Vision , philosopher and literary critic Tzachi Zamir argues that there are more things in Hamlet than are dreamt of--or at least conceded--by most philosophers. Making an original and persuasive case for the philosophical value of literature, Zamir suggests that certain important philosophical insights can be gained only through literature. But such insights cannot be reached if literature is deployed merely as an aesthetic sugaring of a conceptual pill. Philosophical knowledge is not opposed to, but is consonant with, the literariness of literature. By focusing on the experience of reading literature as literature and not philosophy, Zamir sets a theoretical framework for a philosophically oriented literary criticism that will appeal both to philosophers and literary critics. Double Vision is concerned with the philosophical understanding induced by the aesthetic experience of literature. Literary works can function as credible philosophical arguments--not ones in which claims are conclusively demonstrated, but in which claims are made plausible. Such claims, Zamir argues, are embedded within an experiential structure that is itself a crucial dimension of knowing. Developing an account of literature's relation to knowledge, morality, and rhetoric, and advancing philosophical-literary readings of Richard III, Macbeth, Romeo and Juliet, Othello, Antony and Cleopatra, Hamlet , and King Lear , Zamir shows how his approach can open up familiar texts in surprising and rewarding ways.

From the distinguished polymath George Steiner comes a profound and illuminating vision of the inseparability of Western philosophy and its living language. With his hallmark forceful discernment, George Steiner presents in The Poetry of Thought his magnum opus: an examination of more than two millennia of Western culture, staking out his claim for the essential oneness of great thought and great style. Sweeping yet precise, moving from essential detail to bracing illustration, Steiner spans the entire history of philosophy in the West as it entwines with literature, finding that, as Sartre stated, in all philosophy there is “a hidden literary prose.” “The poetic genius of abstract thought,” Steiner believes, “is lit, is made audible. Argument, even analytic, has its drumbeat. It is made ode. What voices the closing movements of Hegel’s Phenomenology better than Edith Piaf’s non de non, a twofold negation which Hegel would have prized? This essay is an attempt to listen more closely.”

For more than twenty years, Winona LaDuke has impressed people around the world with her oratory and debate skills and as an advocate for Native American rights, champion of women’s and children’s issues, protector of the environment, and as a leading voice of the Green Party. A charismatic and inspiring speaker and writer, LaDuke possesses a stirring passion that comes through in the 30 speeches, articles, and fiction excerpts compiled in The Winona LaDuke Reader. This is the first collection of the many political speeches and "think-pieces" that she has written for magazines such as Sierra, Smithsonian’s American Indian, and more.

Highlights in the history of the Winter Olympics from their inception in 1924 to today, including profiles of the Olympic athletes and information on the lesser-known winter sports. Also includes an Olympic almanac with information about each Olympiad.

Describes different kinds of families.