Compiling some of the best scholarship and theory in lesbian studies since the publication of Lesbian Studies in 1982, The New Lesbian Studies: Into the Twenty-First Century considers the history, present, and future of the field. By celebrating the differences among lesbian scholars and attending to the ways in which the field has been shaped by shifting policies and the emergence of queer studies, this collection challenges the limits of lesbian studies while affirming its value. With 40 essays arranged in six parts, The New Lesbian Studies explores the history of lesbian studies as well as its current impact on conceptions of identity and community, teaching, academic, disciplines, university practices, and the development of feminist and queer theories. This collection offers stirring personal testimony; muliticultural and international perspectives and established and new voices; strategies for integrating lesbian studies into the curriculum; and contributions from lesbians working in libraries, athletic departments, and student services. Throughout, the contributors address the ways in which lesbian studies has transformed and will continue to transform traditional disciplines, practices, and thought. With its mulitcultural, multidisciplinary breadth and its unique emphasis on theory, practice, and activism, The New Lesbian Studies speaks to a broad audience of students, activists, and scholars: -Kath Weston on being an "insider" doing gay fieldwork; -Yolanda Chavez Leyva on creating a Latina lesbian history; -Leila Rupp on uncovering same-sex love and sexuality in history; -Vivien Ng on reconstructing the lives of "lesbians" in Chinese history, despite the prevailing opinion that lesbianism is a Western category; -Evelyn Blackwood on the pitfalls-and importance-of cross-cultural studies; -Ellen Broidy on "cyberdykes" networking globally and publicly; -Susan Cahn on the deep-seated homophobia in women's collegiate sports; -Sharon P. Holland on Audre Lorde and Sappho, and on the essential contributions of black lesbians; -Judith Halberstam on the possibility of queer lesbian studies.

This immensely powerful novel follows four generations of the Bindel family as they fight for survival in a hostile world. From imperial Russia in 1825 they head towards Western Europe, returning finally to modern Russia, where the persecution of the Jews continues. The Bindel family are knit by unbreakable bonds of love and loyalty, bonds which survive conscription into the Tsarist army in the 1830s, the Odessa pogrom of 1871, emigration to the Welsh valleys and Germany, the Nazis, the concentration camps, and the Gulags.

A wry and beautifully observed memoir about coming of age in the era of conceptual art. Growing up in the suburbs—confused about his sexuality, about his consumer-oriented world, about the death of his older brother—Bernard Cooper falls in love with Pop art and sets off for the California Institute of the Arts, the center of the burgeoning field of conceptual art, in this beguiling memoir. The most famous, and infamous, artists of the time drift through the place, including Allan Kaprow and John Baldessari, not to mention the student who phones the Identi-Kit division of the Los Angeles Police Department and has them make a composite drawing of the Mona Lisa . My Avant-Garde Education is at once an artist's coming-of-age story and a personal chronicle of the era of conceptual art, from a writer "of uncommon subtlety and nuance" (David Ulin, Los Angeles Times ). It is a record of the wonders and follies of a certain era in art history, always aware that awakening to art is, for a young person, inseparable from awakening to the ever-shifting nature of the self.

A gay youth in California in the 1950s must learn to contend with the mysteries of love and death.

"There is a huge amount of academic 19th century literature relating to sacred sexuality. However, there are not many books which cover this subject matter for the general reader: this book is one of the few. Goldberg approaches the culturally sensitive issue of the intersection of religion and sex frankly and in some depth. That said, this work has a few problems which need to be kept in mind while reading it. There is not much in the way of apparatus aside from a bibliography: not even the Bible quotes are attributed. Goldberg also invents a number of descriptive passages, particularly in the second section. While these go a long way towards dimensionalizing this material, they include a number of purely speculative details which are not identified as such. Perhaps the best part of this book is the discussion of the evolution of the attitude towards sexuality in Christianity. Goldberg also describes a number of little-known curious cults such as the Russian Skopzi, the mediaeval flagellants, and others. Long out of print, but available used, this book serves as a useful introduction to the subject and sheds light on some little known corners of the subject of sacred sexuality." (Quote from sacred-texts.com) Table of Contents Publisher's Preface; The Erotic Motive In Primitive Religion; Far Away And Long Ago; Primitive Man In Love And Faith; In The Foundry Of The Gods; The Spirit Of Love In God And Man; Love's Hidden Ways; In The Temple Of The Gods; A Day With Baal; A Night With Aphrodite; At A Dionysian Mystery; Twilight With Moloch; The Dance Of The Saktas; In The House Of The Lord; Prologue; Love In The Synagogue; Romance In The Church; Marriage In The Mosque; Longing In The Dark; The Spirit Of Revolt In Religion; Rebels In The Faith; Love The Force Of Rebellion; The Revolt Against Religion; The Revolt Against God; The Revolt A

Thirteen new stories from Ben Marcus that reveal moments of redemption in the sometimes nightmarish modern world. In "The Grow-Light Blues," a hapless, corporate drone finds love after being disfigured testing his employer's newest nutrition supplement - the enhanced glow from his computer monitor. In "Cold Little Bird," a father finds himself alienated from his family when he starts to suspect that his son's precocity has turned sinister. "The Boys" follows a sister who descends into an affair with her recently widowed brother-in-law. In "Blueprints for St. Louis," two architects in a flailing marriage consider the ethics of adding a mist that artificially incites emotion in mourners to their latest assignment, a memorial to a terrorist attack.

Rabbi Ben Kamin has written a definitive personal expression about race, coming of age in the 1960s, a forbidden friendship, and his personal love for Dr. Martin Luther King Jr. This is a story that spans a four-decade search for a lost high school chum, a deep misunderstanding, and a coming to terms with an America painfully evolving from the blood of MLK to the promise of Barack Obama. The book is a remembrance of Kamin's life at Cincinnati's notorious Woodward High School, a microcosm of the 1960s and of America itself.

Drawing on the riches of the Western tradition, Anthony T. Kronman defends a humane conservativism for our enlightened age "Rigorous and philosophically demanding, Kronman's book invites principled argument from every side."-- Kirkus Reviews As the party of the left has grown more strident, its conservative critics have responded in kind. Each year conservatives do a poorer job of defending their position as a citadel of human values without lapsing into an angry assault on ideals that they and progressives share. It becomes harder to see the enduring appeal of a true conservatism that celebrates the worth of custom and inheritance; the splendor of what is excellent and rare; the expansive solidarity of our friendship with the dead; and the dignity, indeed necessity, of our longing for a connection to the eternal and divine--while affirming that these timeless human goods are compatible with the modern ideals of equality, toleration, and reasoned argument. In this bracing book, Anthony Kronman defends a conservative philosophy of life that respects our enlightened ideals but decries the damage their arrogant simplification causes in our moral, political, and spiritual lives. Drawing on the work of Aristotle, Cicero, Spinoza, Burke, Hume, Madison, Tocqueville, Lincoln, Arendt, Heidegger, and others, he argues that humanism is conservatism, today as in the past. He reminds us that our humbling parameters make possible every form of human greatness, every human glory, every human love worthy of the name.

Anthony Heilbut is a Grammy-winning record producer famous for his work with gospel music; he is also the author of The Gospel Sound, which celebrates the sound and contributors of the gospel scene. He is an agnostic with Jewish roots who adores gospel music. The Fan Who Knew Too Much, extends “…Heilbut’s fascination with outsiders, loners, and exiles in 20th-century American Culture (Ian Crouch).” The book is comprised of eight essays that range from art to obsession. Heilbut explores the roles of gays in the gospel church, profiles the life and work of Aretha Franklin, discusses the rise of the soap opera and Irna Phillips, its most influential figure, detours to an expose on male sopranos, and explores the roles of émigrés from Hitler’s Germany to America. On this broad journey through American culture, “Anthony Heilbut has been a guide and a mentor...I know of no one who has the love and depth of knowledge of this extraordinary author (Paul Simon).”

Nearly four years after leaving Vienna to escape the Nazis, Stephie Steiner, now sixteen, and her sister Nellie, eleven, are still living in Sweden, worrying about their parents and striving to succeed in school, and at odds with each other despite their mutual love.

"Poems of elegy in the aftermath of a great love from the internationally best-selling, award-winning novelist (Fugitive Pieces, The Winter Vault) and poet. In All We Saw, Anne Michaels returns with strikingly original poems to explore one of her essential concerns: "what love makes us capable of, and incapable of." Here are the ways in which passion must accept, must insist, that "death. give / not only take from us." This piercing short collection treats desire in a style that is chaste, spare, figuratively modulated, and almost classical in its precision. In lyrics that ponder what happens to the bodies of lovers--so vital when together, different when apart, death coming to one before the other--Michaels embraces both the intimacy and the vastness of the connection between two people. Love's sheltering understanding is a powerful presence in all the poems, with its particular imagery (the ringing fog, the white page of the bed), as is the shattering loss of its end. With Michaels, we enter a space that is "not inside / not outside: dusk's / doorway," where memory might be kept alive"--

From the bestselling author of The Red Tent and Good Harbor , a collection of intimate, autobiographical reflections on the milestones, revelations, and balancing acts of life as a wife, mother, friend, and member of a religious community. Before The Red Tent won her international literary acclaim, Anita Diamant was a columnist in Boston. Over the course of twenty years, she wrote essays that reflected the shape and evolution of her life, as well as the trends of her generation. In the end, her musings about love and marriage, birth and death, nature versus nurture, politics and religion—and everything from female friendships to quitting smoking—have created a public diary of the progress of her life that resonated deeply with her readers. Now, Pitching My Tent collects the finest columns of a writer who is a reporter by training and a storyteller by heart, all revised and enriched with new material. Personal, inspiring, and often funny, Pitching My Tent displays the warmth, humor, and wisdom that Diamant's legions of fans have come to cherish.

Kitty Maule, an innocent young Englishwoman, falls in love with a suave professor at the college where she teaches, and for once, is determined to try and win something she really wants

Sterling Thaxton is in love with Lizzie Harris - the beautiful new girl. Her hair is the colour of magic. Her nose is as sweet as music. Her arms are as slender as rainbows. Problem is, she's not interested. Luckily a small canary turns up with some excellent advice.

Amy Wallace's memoir of her complex relationship with Carlos Castaneda plunges readers deep into the reality of the Castaneda cult and the psychological terrors it perpetrated. With the skill of a master storyteller, Wallace recounts early meetings with Castaneda, shares previously unpublished material straight from the Nagual, and explores the aftermath of Castaneda's death and the long term effects of his legacy. Insightful and unwaveringly honest, Sorcerer's Apprentice is simultaneously a love story, a cautionary tale about the dangers of giving one's power to another, and a joyous account of healing and self-affirmation.

Will must run, or die. He's seen a murder, and the gang on his estate are after him. Hurt, hungry and afraid, he comes to an abandoned house in a different part of the city. Behind its high fences is a place of safety. Here, he can hide like a wounded beast. He can find food, and healing - and learn how to do more than survive. But when Will meets Padma, he must choose between his good side and his bad one. For the gang he left behind is still there. How can he live without becoming a killer? How can he love without being a thief? Exciting, fast-paced and different, this is a story that keeps you reading until the last line

"The year is 1895, Jaffa. Salah Rajani, a troubled Muslim boy living in a dilapidated mansion surrounded by orange groves, suffers from peculiar visions about a disaster which is set to befall his people. His life is changed by the arrival of a handsome young man, a dynamic Jewish settler, new to the city, by the name of Isaac Luminsky. Luminsky covets both the fertile lands of the Rajani estate and Salah's beautiful mother Afifa, and his friendship with the boy is destined to lead to violence and tragedy." "This rich and colourful novel is made up of the two opposing journals of Hilu's intriguing and extraordinary protagonists as they negotiate love, honour and betrayal in the changing world of nineteenth-century Palestine." --Book Jacket.

"In Alicia Jo Rabins' second collection, Fruit Geode, the terrifying power of maternal love coexists with sorrow for the loss of one’s younger self. In lyrical, unflinching poems, Rabins investigates the passages of pregnancy, birth, and early infancy through a constellation of ancient and modern experience: Sumerian storm demons, astronauts, herbal medicine, Neanderthal DNA, Jewish mysticism, climate change. In tracing the ritual mysteries of motherhood, Fruit Geode examines what it means to be transformed, to leave behind our certainties and walk into the unknown. "I regard my former life / With a distant affection, / As an astronaut / Looks through a porthole / At the small green planet / Where she used to live," writes Rabins. This is a book about what it means to live in a human body, how love changes us, and what we pass on from one generation to the next."--

'Enlightening ... Funny, smart, original and provocative ... It is hard to imagine the stalwarts of Mock the Week recognising the Druze militia leader Walid Jumblatt in a London cinema' NEW STATESMAN 'Few standups have come close to capturing a fraction of this creative energy in a book ... Alexei Sayle is an exception' GUARDIAN "What I brought to comedy was an authentic working-class voice plus a threat of genuine violence - nobody in Monty Python looked like a hard case who'd kick your head in." In 1971, comedians on the working men's club circuit imagined that they would be free to continue telling their tired, racist, misogynistic gags forever. But their nemesis, a nineteen-year-old Marxist art student, was slowly coming to meet them... Thatcher Stole My Trousers chronicles a time when comedy and politics united in electrifying ways. Recounting the founding of the Comedy Store, the Comic Strip and the Young Ones, and Alexei's friendships with the comedians who - like him - would soon become household names, this is a unique and beguiling blend of social history and memoir. Fascinating, funny, angry and entertaining, it is a story of class and comedy, politics and love, fast cars and why it's difficult to foul a dwarf in a game of football.

An artists falls in love with his young model.