25th ANNIVERSARY EDITION Nadine Pagan's dyke sister Jane wants to find her. Her lover Rose wants to marry her. And her mother Fay wants to forget her. All Nadine wants is to stop the buzzing in her head. Running Fiercely Toward a High Thin Sound follows Nadine's (née Morningstar) adventures as she escapes from her incendiary Jewish family into the lesbian town of New Chelm--and far beyond. This is the novel Isaac Bashevis Singer might have written if he'd been a lesbian with a keen eye for contemporary middle-class assimilation. It's Jewish magical lesbian realism, a good story, and a dynamic piece of writing. Includes an all new introduction by the author Judith Katz is the author of two published novels, The Escape Artist and Running Fiercely Toward a High Thin Sound , which won the 1992 Lambda Literary Award for Best Lesbian Fiction. She teaches cultural studies and literature courses for the University of Minnesota's Center for Jewish Studies.

Superb sex and stunning success...wealth and world-wide fame...alluring women and adventurous men. They're the stuff of the sizzling, internationally bestselling novels that turned Judith Krantz into a literary mega-star--and the very same stuff of Krantz's own life... In this candid autobiography, Judith Krantz becomes the heroine of her own memorable true story. Here is the virginal young Wellesley student who grew up in a complicated tangle of privilege and family drama. Here, too, is the stylish sophisticate who dined with Lawrence Olivier and Marlene Dietrich. And here is the overnight phenomenon who tantalized millions of readers with uninhibited tales of women who had it all. From Fifth Avenue to Rodeo Drive, from Chanel to Van Cleef and Arpels, from a chateau in France to back lots of Hollywood, this is Judith Krantz's revealing confessional of a nice Jewish girl who parleyed talent and determination into a dazzling life at the top.

Everyone in the world of fashion has been waiting for months, impatient to learn the names of the three American unknowns who will be picked to go to Paris to star in the debut spring collection of brilliant, bad-boy designer Marco Lombardi. No one is more anxious than Frankie Severino, twenty-seven years old and second-in-command at the modeling agency owned by her best friend, former model Justine Loring. The lucky models will be given an unprecedented chance at fame and fortune--one of them will win a $12 million contract to represent Lombardi's couture house. The agency that represents them will immediately become the hottest in town. When the three names are announced, Frankie is stunned--all are under contract to Justine Loring. This outrageous and inexplicable stroke of good luck forces Justine to admit to Frankie that it's no accident. Jacques Necker--the Swiss billionaire launching Lombardi--is her father, the man who deserted her mother before she was born. Justine has consistently refused to meet him, and the Lombardi contest has been his attempt to lure her to Paris. But Justine won't play his game. She sends Frankie in her place as chaperone for the three young women. Ambitious April Nyquist, with her deceptive ice-princess facade, is a classic blonde from Minnesota. Sophisticated, much-traveled Jordan Dancer is a magnificent African-American, the daughter of a regular army colonel. Tinker Osborn is a vulnerable, timid Cinderella from Tennessee. Frankie and her charges spend two intrigue-filled weeks in Paris as the adventure-bound girls get ready to face the challenge of a runway show where they will be surrounded by the top models in the world. Under themagical spell of Paris in winter, all of them, including Frankie, become restless, rebellious and wildly romantic. In New York, meanwhile, Justine undergoes a surprising, passionate personal transformation that finally leads her to confront her father.

In her award-winning book Harmful to Minors , Judith Levine radically upended our fixed ideas about childhood. Now, she tackles the other end of life in this poignant memoir of a daughter coming to terms with a difficult father who is sinking into dementia, presenting an insightful exploration of the ways we think about disability, aging, and the self as it resides in the body and the world. In prose that is unsentimental yet moving, serious yet darkly funny, complex in emotion and ideas yet spare in diction, Levine reassembles her father's personal and professional history even as he is losing track of it. She unpeels the layers of his complicated personality and uncovers information that surprises even her mother, to whom her father has been married for more than sixty years. As her father deteriorates, the family consensus about who he was and is and how best to care for him constantly threatens to collapse. Levine recounts the painful discussions, mad outbursts, and gingerly negotiations, and dissects the shifting alliances among family, friends, and a changing guard of hired caretakers. Spending more and more time with her father, she confronts a relationship that has long felt bereft of love. By caring for his needs, she learns to care about and, slowly, to love him. While Levine chronicles these developments, she looks outside her family for the sources of their perceptions and expectations, deftly weaving politics, science, history, and philosophy into their personal story. A memoir opens up to become a critique of our culture's attitudes toward the elderley. A claustrophobic account of Alzheimer's is transformed into a complex lesson about love, duty, and community. What creates a self and keeps it whole? Levine insists that only the collaboration of others can safeguard her father's self against the riddling of his brain. Embracing interdependence and vulnerability, not autonomy and productivity, as the seminal elements of our humanity, Levine challenges herself and her readers to find new meaning, even hope, in one man's mortality and our own.

As cofounder of the internationally-known, highly-controversial radical political troupe, The Living Theater, author Judith Malina is one of the leading female countercultural figures of the 50s, 60s, 70s and beyond. In Full moon stages: personal notes from 50 years of The Living Theatre, she creates an intimate memoir in a unique format with a collection of personal notes written on every full moon for 50 years from 1964 to 2014. These never-before-published entries reveal Malina's most private thoughts and inform the reader on what The Living Theatre was performing as they wound their way from New York City to Italy, France, Belgium, Germany and Brazil in a nomadic series of notable performances of such underground classics as The Brig, The Connection, and Paradise Now. Malina is relentless in her commitment to the full moon schedule, writing regardless of her current life circumstance. Notes issue forth from hotels, trains--even prison, offering a light on the consequences of holding true to her code of the theatrical expression of her pacifist-anarchist principles.

Paradise Now: Collective Creation of the Living Theatre. Written down by Judith Malina and Julian Beck. "The play is a voyage from the many to the one and from the one to the many. It is a spiritual voyage and a political voyage. It is a voyage for the actors and the spectators. It begins in the present and moves into the future and returns to the present. The plot of The Revolution. The voyage is a vertical ascent toward Permanent Revolution. The Revolution of which the play speaks is The Beautiful Non-Violent Anarchist Revolution."

'Theater legend Malina has written one of the most interesting studies of the avant-garde theatrical movement published in the last several years.' âe" CHOICE Judith Malina and The Living Theatre have been icons of political theatre for over six decades. What few realise is that she originally studied under one of the giants of twentieth century culture, Erwin Piscator, in his Dramatic Workshop at The New School in New York. Piscator founded the Workshop after emigrating to New York, having collaborated with Brecht to create "epic theatre" in Germany. The Piscator Notebook documents Malinaâe(tm)s intensive and idiosyncratic training at Piscatorâe(tm)s school. Part diary, part theatrical treatise, this unique and inspiring volume combines: complete transcriptions of Malinaâe(tm)s diaries from her time as a student at the Dramatic Workshop, as well as reproductions of various of Piscatorâe(tm)s syllabi and teaching materials; notes on Malinaâe(tm)s teachers, fellow students âe" including Marlon Brando and Tennessee Williams âe" and New School productions; studies of Piscatorâe(tm)s process and influence, along with a new essay on the relationship between his teaching, Malinaâe(tm)s work with the Living Theatre and "The Ongoing Epic"; an introduction by performance pioneer, Richard Schechner. The Piscator Notebook is a compelling record of the genealogy of political theatre practice in the early 20th Century, from Europe to the US. But it is also a stunningly personal reflection on the pleasures and challenges of learning about theatre, charged with essential insights for the student and teacher, actor and director. 'Piscator is the greatest theatre man of our time.' âe" Bertolt Brecht

Armed with wit, curls, and a Harvard education, Gilbert Fairchild arrives in Washington, and sets about seducing congressmen's wives, outmaneuvering political adversaries, and acquiring a White House office just down the hall from the president

Judith Merril was a pioneer of twentieth-century science fiction, a prolific author, and editor. She was also a passionate social and political activist. In fact, her life was a constant adventure within the alternative and experimental worlds of science fiction, left politics, and Canadian literature. Better to Have Loved is illustrated with original art works, covers from classic science fiction magazines, period illustrations, and striking photography.

For readers in-the-know it's Judith Merril's three-in-one. What possibly could be better than a new Judith Merril SF treat? The answer is easy - three dazzling new Merril novels in a single volume! "Project Nursemaid" "Daughters of Earth" "Homecalling" To the moon...to the planets...to the stars...Here is a trio that provides a rich feast for all who savor soaring imagination and jolting action. Here is the incomparable Judith Merril at her best. Here is the ultimate in science fiction adventure.

The colony on the red planet had no need for heroes. It wanted people who knew how to solve the problem of simple survival. More than anything else it wanted independence form a doomed Earth-and it was in deadly danger of succeeding. A gripping tale of adventure, survival, and defiance set on a future Mars.

Contents: Introduction, essay by Donald F. Theall; Prologue, essay by Judith Merril. Stories: Survival Ship; Wish Upon a Star; Exile from Space; Connection Completed; The Shrine of Temptation; Peeping Tom; The Lady Was a Tramp; Auction Pit; So Proudly We Hail; The Deep Down Dragon; Whoever You Are; Death Is the Penalty; The Lonely. Epilogue, essay by Judith Merril.

From rear "No one projects herself more penetratingly into the psyche of the women of future centuries than Judith Merril. With the probe of her imagination, as precise and powerful as a space shot, she envisions the problems they will face and how those problems will try their the mother whose newborn bears the effects of radiation; the girl in whose body a new race must begin; the women who must rule a generation-spanning search through space for new settling grounds; the woman who must be all women to the male crew of a space ship. No matter how mechanized our journeys into space become, inside the space suits we are human; and Judith Merril predicts we always will be."

Originally published in 1976, this book was written specifically to guide students of political theory who want to understand Hegel's political ideas as they appear in The Phenomenology of Mind. Professor Shklar's commentary uses plain language and English translations of references wherever possible. The core of Hegel's argument is that freedom is the identity of the personal goals of individual citizens and the public ends of the polity as a whole. This is a dynamic process, in which all laws are created by each and all, and in turn expressed and realised in the minds and actions of every member of society. The text emphasises Hegel's criticism of every type of subjectivity. The failure to recognise the cultural character of all experience is the core of Hegel's critical review of all past philosophy, and led him to develop his own theory of history and of knowledge as retrospective thinking.

Examines and criticizes Niebuhr's and Tillich's doctrines of sin and grace from the perspective of women's experience.

Genealogical Reseash/Reference Guide

This is a story that asks the question, "Can a two hundred and fifty pound woman, pregnant with twins, liberate herself from husband and Westchester home and find love, sex and joy on a Vermont commune?" Author of "Looking for Mr. Goodbar"

The final report in the investigation of NY Gov. David Paterson¿s intervention in a domestic violence case involving a former top aide. On Feb. 25, 2010, the Att. Gen. of NY (OAG) commenced an investigation into possible inappropriate involvement by the NY State Police and others in a domestic incident between David Johnson -- a close aide to Gov. Paterson -- and Johnson¿s girlfriend, and events arising therefrom. The investigation followed a NY Times article about the incident that reported that the State Police detail assigned to the Gov., and the Gov. himself, had contacted the victim of the incident, possibly to pressure her not to pursue a case against Johnson. The special counsel does not recommend any charges against the Gov.

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