A beguiling fable about a summer holiday in the Swedish countryside that transforms into a provocative parable about oppression and the evil awaiting Europe as the Nazis came to power. Kurt Tucholsky was a journalist, satirist, feuilletonist, polemicist, and poet, all in all one of the most versatile, provocative, and winning writers of the Weimar Republic; Castle Gripsholm , a short novel about an enchanted summer, which came out in 1931, is the best and most beloved of his works. The book begins with correspondence: Tucholsky's publisher wants a short novel, light, funny, otherwise about whatever Tucholsky wants; Tucholsky is perfectly happy to oblige, presuming the money is right. A deal is eventually struck and the story is off: about Peter, a writer, and his girlfriend Lydia (aka the Princess), and a summer vacation from the hurly-burly of Berlin. Peter and the Princess have three weeks at their disposal, and they have rented a small house attached to a historic castle in Sweden, with its long days and white nights, three weeks for swimming and walking and sex and talking and visits with Peter's buddy Karlchen and with Billy, who is the Princess's best friend. It is perfect, until they meet a weeping girl fleeing the cruel headmistress of a home for children. The vacationers decide they must free the girl and send her back to her mother in Switzerland, which brings about an encounter with authority that casts a worrying shadow over their radiant summer idyll. Soon they must go back to Germany. What kind of fairy tale are they living in?

Not since perhaps Eleanor and Franklin has there been so provocative a public pair: fiercely independent and yet codependent, they spent twenty-five years discovering a way they could live together after they figured out that they couldn't live apart. In 1932 they separated; in 1933 they divorced. They reunited in Paris in 1935 and then went to New York; in 1937 they remarried and together applied for American citizenship. Except for brief periods of separation, their relationship remained what it had always been, simultaneously tenacious and tumultuous. Yet Weill and Lenya required one another on a creative level that transcended ordinary emotional, erotic, and professional bonds. Although she was musically untrained, Lenya's canny theatrical sensitivity and innate intelligence enabled her to become Weill's most trusted critic as well as his most famous interpreter, especially as Jenny in The Threepenny Opera. As Weill rhapsodized, "When I feel this longing for you, I think most of all of the sound of your voice, which I love like a very force of nature." The letters are filled with artistic news, reactions to world events, reports on work-in-progress, and reflections on the creative process and the experience of exile. We get a backstage view of German music and theater, the American musical theater in the late thirties and forties, and the Hollywood studios. Together Kurt Weill and Lotte Lenya have come to symbolize what was most vibrant about the experiment of Weimar culture in the Golden Twenties and what was most vital among the contributions to American culture by Central European emigres.

Johnathan Cohen's book provides a lucid and penetrating treatment of the fundamental issues of contemporary analytical philosophy. This field now spans a greater variety of topics and divergence of opinion than fifty years ago, and Cohen's book addresses the presuppositions implicit to it and the patterns of reasoning on which it relies.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

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Innocence rounds the bend to experience in these beautifully shaped stories of Moscow and Brooklyn, which take up the worldview of the young and overlooked. The stunning Second World War story that opens the book is a masterpiece of ambivalence—about the simultaneous generosity and hypocrisy of Galina, a gentile Russian woman who offers safe harbor to a Jewish friend and her daughter during the German occupation. In “Love Lessons—Mondays, 9 A.M.,” a young math teacher is assigned to teach a girls’ sex education class, even though she herself is still awaiting her first kiss. And in “Mistress,” a boy newly arrived in this country bears witness to the intimate details of his grandparents’ new and diverging lives: his grandmother’s doctors’ appointments, where he is charged with translating her myriad complaints into English, and his grandfather’s clandestine courtship of another woman. Adept at both snapshots and long exposures, Lara Vapnyar, herself a recent immigrant, writes of life’s adventures and possibilities, its disappointments and unexpected turns, with delicate humor, brilliant timing, and striking emotional honesty. She is a writer to relish and to watch.

Boxing : Photographs by Larry Fink is a quiet masterpiece drawn from the blue-collar, workaday world of the sport. From reflective prefight meditations to ringside flurries of feints and jabs, from jocular pstfight camaraderie to a handler's sweet consolation of a swollen combatant, Fink registers the grace, beauty and paternal love that belie this brutal American pastime, capturing fighters and their managers in surprisingly candid repose.

Titles include: Prologue Angel City Four * Stone on Gurney * Stone's Office * Alaura's Theme No. 1 * Double Talk * Alaura's Exit * Double Talk (Buddy) * Double Talk (Stine) * Garden of Allah * What You Don't Know About Women * Stay with Me (Pre-Record) * You Gotta Look Out for Yourself * Look Out * Stone * The Buddy System * After Buddy * Flashback to Breath * With Every Breath I Take * After-With Ev'ry Breath * Sucker's Wobble * Donna a Baiser * Pay Phone * Alaura's Rubdown * Multiple Doors * The Tennis Song * Everybody's Gotta Be Somewhere * Lost and Found * Flash Pictures * Stone Surrenders * Morgue No. 2 * All You Have to Do Is Wait * You're Nothing Without Me * Stay with Me No. 2 * Stay with Me No. 3 * Jail Cell No. 1 * You Can Always Count on Me * Nondescript Noodle * More Nondescript, and many more.

Larry Kane, dean of Philadelphia news anchors, arrived in town to take a job as a radio broadcaster on September 12, 1966. Driving across the Walt Whitman Bridge he spotted several fires raging to the south. After paying his toll, he drove to a pay phone and called the fire emergency line. The dispatcher responded, "Whateryoutawkin about? Them there's oil refineries."Thirty-four years later, Larry knows all about the oil refineries. In fact, there's very little that goes on in Philadelphia that he hasn't reported on at one time or another. And it's all here in this easy-reading look at Philadelphia government and politics, and the trials of a journalist trying to cover them.For Larry Kane watchers, this book answers some nagging questions: Why did he leave for New York and why did he come back? What's the story behind the Bill Green lawsuit? Does he apply his own makeup? Larry is candid about his own mistakes, and about his successes. He talks about his insecurities and the strain of living life in the spotlight.But this is first and foremost a book about Philadelphia by a man who knows the city intimately. He has been close to more Philadelphia power figures than perhaps any other person. Here he talks personally about Ed Rendell, Arlen Specter, Vince Fumo, Lynne Abraham, John Cardinal Krol, Leon Sullivan, and, of course, the legendary Frank Rizzo. He has visited Jimmy Tayoun in jail, co-hosted a weekend radio marathon with John Lennon, and interviewed shirtless Lenny Dykstra, who insisted that the news team could just clip the microphone to his chest hair.Larry also has tales to tell about watching Martin Luther King Jr.'s killer being apprehended in Heathrow Airport, about barely escaping the riot at the 1968 Chicago Democratic Convention, about traveling to earthquake-stricken Italy and to dissent-torn Israel. He has even been to Alaska to see the Pope. (Yes, he's also met him more conventionally at the Vatican.)These are the reminiscences of a master-storyteller, a man whose job has been to see the city accurately and report on it informatively. Whether you're more familiar with Richardson Dilworth or Boyz II Men, you will laugh, groan, and be moved by Larry Kane's view of Philadelphia. Author note: Larry Kane is news anchor for Eyewitness News at 11 on KYW TV in Philadelphia.

A satirical play that suggests that much of the public indifference to AIDS is due to hypocrisy on the part of people in high places who are either unacknowledged homosexuals or heterosexuals with unconventional sexual pasts

Book by Wilde, Larry

Book by Wilde, Larry

Lars Gustafsson is one of Sweden's leading and most prolific men of letters; a poet, philosopher, and fiction writer with dozens of books to his credit since his literary debut, at the age of twenty, in 1956. Although known in the English-speaking world primarily for his novels, Gustafsson is nevertheless one of the most frequently translated of contemporary Swedish poets. Elegies and Other Poems is a companion volume to The Stillness of the World before Bach (New Directions, 1988). As in that earlier volume, editor Christopher Middleton has made his selection from several of the poet's books and included his own translations as well as those of others, Yvonne Sandstroem, Bill Brookshire, and Philip Martin. Readers of Gustafsson's fiction will recognize in his verse the elegant mix of intellect and sheer play, the ruminations of a mind that apprehends humanity in the riddles of the universe.