1997 marked the arrival of a new Arsenal manager in Frenchman, Arsene Wenger. In mid-December 1997, a 3-1 home defeat by Blackburn Rovers gave no indication of what lay ahead for the club. Even in early March 1998, with fewer than eight weeks of the season to go, the club trailed pacesetters Manchester United by 11 points. Then an unstoppable run carried them to the prestigious Double of Premiership and FA Cup - achieved by only four clubs (including Arsenal) this century. Long-time fan and TV scriptwriter Laurence Marks kept a diary of the amazing season, following the club's fortunes. From Wimbledon to Kiev, Liverpool to Athens, this is a journal of two years in football and showbusiness, by an insider of both.

House Crossing is a book of 32 poems about where we live or, more properly, dwell, with each poem entitled by a different attribute of domestic architecture as it is commonly known: Cupola, eaves, attic, beams, etc. Such might lend itself to description, but--reminiscent in part of Ronald Johnson's oeuvre ( The Foundations , The Spires and The Ramparts )--in the vision of poet and scholar Laurie Patton each component becomes alive to an actuality beyond physical construct: The poetics of how we hold our ground, even if it is in flux--or as she writes, "A river runs... below the house." The instigation for this poetic cycle is Gaston Bachelard's The Poetics of Space , with this collection a homage to that classic phenomenological analysis. As she writes in her introduction, House Crossing arose as "a straightforward observation about the endurance of Bachelard's work: if a poetics is good enough, and I believe Bachelard's is, then it does not only comment on poetry, but can give rise to poetry as well." What Patton gives rise to is in part an opportunity for us each to live more evocatively in our days and nights in each our own place, building a being, as "Noah's ark stands / at the end of our hallway."

Engagingly written by a local authority, this is a one-stop for residents and visitors alike to find producers and purveyors of tasty local specialties, as well as a rich array of other, indispensable food-related information.

"The ultimate guide to Seattle's food scene provides the inside scoop on the best places to find, enjoy, and celebrate local culinary offerings. Written for residents and visitors alike to find producers and purveyors of tasty local specialties, as well as a rich array of other, indispensable food-related information including: food festivals and culinary events; specialty food shops; farmers' markets and farm stands; trendy restaurants and time-tested iconic landmarks; and recipes using local ingredients and traditions"--

THERE IS NO LAND WITHOUT BLOOD, AND I WATER THIS LAND WITH THE BLOOD OF MY MEN. Ruth's family were in Budapest when the Nazis came. Now Ruth is in Palestine, amid the bare hills inland from Haifa, breaking the rocky soil of an unyielding land before it breaks her. With her comrades, her fellow kibbutzniks, she will build a better world. There will be green grass, orange trees and pomegranat[Bokinfo]

Two men, decades apart, are ensnared in the deadly search for a fabled treasure in the conclusion to Lavie Tidhar's epic and audacious Maror Trilogy. 1882, Jerusalem The foreigner. A man with no name, twin guns at his hips, a wide-brimmed hat on his head. A European exile in the backwaters of Ottoman Palestine, The foreigner is a bounty hunter in pursuit of a thief. 1948, Haifa Burton. A man with one name, a detective inspector in the crumpled khaki uniform of the Palestine Police Force's CID. With just seven days before the British Mandate ends, he must find a murderer and a missing aristocrat, as order collapses around him. Both men are outsiders in a land that is a palimpsest of ruins and loyalties, legacy of a history written in blood on a landscape that remembers everything. Both men will treat with bandits and mystics, dreamers and killers as they pursue their quarry; both will be ensnared in a lethal search for the fabled treasures of the Second Temple, long-lost amid the rise and fall of peoples, nations and empires. And both will be haunted by their dreams: burning red skies, a mountain of skulls, echoes of a vision from the dawn of humanity. Before Jerusalem, before Jericho, there has always been Golgotha.

THE CLASSIC COLLECTION OF JEWISH FANTASY! "Marks a milestone in the literature of the fantastic." - Paul Di Filippo, author of The Steampunk Trilogy In HebrewPunk , World Fantasy Award winning author Lavie Tidhar had reinvented pulp fantasy fiction in Jewish terms, creating a hidden world where fantasy, horror and history intertwine. Featuring the Rabbi, the Rat and the Tzaddik, their stories take us on a journey from an expedition to an alternate world in Kenya in 1904 to the drug-soaked streets of 1920s London and to Transylvania in the Second World War. "Imagine Hard-Boiled Kabbalah... If you like your otherworld fun noir, have I got a book for you!" - Kage Baker, author of In the Garden of Iden "Wondrous, adventurous, and thought-provoking." - Ellen Datlow, co-editor of The Year's Best Fantasy and Horror "Tidhar writes a sort of intensified supernatural action-surrealism that fair rattles along and is full of surprises--not only plot twists and thrills but a level of conceptual surprise, a reinvigoration of some of the more tired conventions of the fantasy-horror genre... not to be missed." - Adam Roberts, author of The Thing Itself

A masked terrorist has brought London to its knees ' there are bombs inside books, and nobody knows which ones. On the day of the launch of the first expedition to Mars, by giant cannon, he outdoes himself with an audacious attack.For young poet Orphan, trapped in the screaming audience, it seems his destiny is entwined with that of the shadowy terrorist, but how?Like a steam-powered take on V for Vendetta, rich with satire and slashed through with automatons, giant lizards, pirates, airships and wild adventure, The Bookman is the first of a series.File under: Steampunk [Serial killer | Alternate Victorian London | Exploding Books | Historical Crime]

"Lior Tirosh is a semi-successful author of pulp fiction, an inadvertent time traveler, and an ongoing source of disappointment to his father. Tirosh has returned to his homeland in East Africa. But Palestina--a Jewish state founded in the early 20th century--has grown dangerous. The government is building a vast border wall to keep out African refugees. Unrest in Ararat City is growing. And Tirosh's childhood friend, trying to deliver a warning, has turned up dead in his hotel room. A state security officer has now identified Tirosh as a suspect in a string of murders. A rogue agent is stalking Tirosh through transdimensional rifts--possible futures that can only be prevented by avoiding the mistakes of the past. From the bestselling author of Central Station comes an extraordinary new novel recalling China Miéville and Michael Chabon, entertaining and subversive in equal measures."--

The Complete text of each biblical book is given, with the commentary on the same or facing page. Review aids and discussion topics make the series practical and useful for individual or group Bible study.

Eight short stories, each featuring a child hero, present the dilemma of anti-Semitism through the ages. Each tale confronts Jewish identity in a different historical period. Each chapter is followed by modern commentary from Albert Vorspan.

Close to 100 figurative drawings in black and white, and in color, mostly nudes in love or strife, some "disastered by life," some with incisive or caustic words integrated in the images. This is a retrospective of Ferlinghetti's graphic work and play, ranging from his early drawings made in Paris ateliers, to yesterday's sessions sketching models in his San Francisco studio. Lawrence Ferlinghetti , poet and founder of City Lights Books, author of A Coney Island of the Mind and Pictures of the Gone World , among numerous other books, has been drawing from life since his student days in Paris where he frequented the Academie Julien and where he did his first oil painting.

A reissue of Ferlinghetti's very short experimental plays (1965) with three new plays added to the original thirteen. In this collection Ferlinghetti takes a revolutionary look at modern theater and explores the area between old-style drama and spontaneous improvisation by supplying a blueprint for dramatic actionan outline from which director and actors may create and interpret freely. In one called '"Our Little Trip" two men in conservative suits wind themselves in and out of a long bandage while a questioner circles them seeking Meaning. "Servants of the People" puts on political podium hogs in torrents of cliches. "Bearded Lady 'Dies'" features the Second Coming all decked out for newspaper coverage.

"Tyrannus Nix is a development of a very American and special genre which the author characterizes not as poetry but as 'political-satirical tirade' on the subject of President Nixon."

Is patriarchy necessary to ensure responsible fathering? Lawrence H. Fuchs, author of Family Matters, argues that the link between male dominance and fatherhood is no longer iron-clad. Analyzing the universality of patriarchy and its incentives for cultural fatherhood, Fuchs concedes that the importance of biological differences between the sexes was a possible, even plausible, basis for the evolution of patriarchy. But in this timely work he imagines a new paradigm of fatherhood for a post-patriarchal age, one inspired by the history of Jewish patriarchy. Two millennia ago the rabbis established the strategies to curb the extreme abuses of patriarchy found in all civilizations. They did so by according wives significant sexual and economic rights. In the last two centuries as Jews became more integrated into the societies in which they lived, their unique variation of patriarchy was disrupted. Fuchs argues that the Jewish story sets the precedent for fundamental change in the nature of patriarchy today, thus breaking what may have been the evolutionary connection between male dominance and incentives for fatherhood. It is Fuchs's startling conclusion that the Jewish precedent points to the next step in evolution: fathers without patriarchy.