[Buy this book now only at iUniverse.com bookstore. Order from bookstores everywhere in 4-6 weeks!] Much as Nancy Friday's My Mother My Self explored the mother-daughter bond, this book illuminates the emotional themes that surround the important relationship betyween fathers and sons in terms both practical and theoretical, both enlightening and moving. Drawing upon extensive case-history material, based on interviews with over 100 fathers and sons from a cross section of society, Yablonsky defines the various prototypes of each -- autocratic, egocentric, and distant fathers, compliant and rebellious sons; their interactions and interdependencies; their individual rights and duties and their obligations to each other ; the normal and pathological conflicts between them and how mothers and daughters can intervene constructively in such conflicts; the degree to which a father's status in the world can affect his son's aspirations -- and how a son's success or failure can affect his father; and other important dimensions of this complex relationship. Fathers and Sons is an important, definitive, highly useful guide for all men who want to improve their own such relationships and for the women who want to better understand the fathers and sons in their lives.

"Organised as an experiment testing the hypothesis, formulated in the Introduction, that behind the hottest political issues of the quarter-century after the Cold War lies globalisation of national consciousness, this collection of essays unites authors from the four corners of the world. They focus on democratisation and its failure in Russia, transformations of identity in Eastern and Western Europe, Africa, North and South America, and South-East Asia, the rise of militant and political Islam, and the eruption of China onto the world stage. Collectively, the volume makes the argument that globalisation we are witnessing is, for the most part, the globalisation of competitive and antagonistic nationalism, which spreads to areas where it was not known earlier and into the sphere of religion, ostensibly indifferent to it, proving that nationalism remains the organising principle of politics inside nations as well as at transnational and international levels."--Back cover

Why would American Jews-not just materially successful in this country but, perhaps for the first time in the entire 2000-year Jewish Diaspora, truly socially accepted and at home-choose to leave the material comforts, safety, and peace of the United States for the uncertainty and violence of Israel? In his search to understand the phenomenon of aliya, Leibovitz focuses on the stories of three sets of immigrants: Marlin and Betty Levin, who came to Palestine before Israel was even created, and were present through its violent birth; Mike Ginsberg, who was overcome with awe at the heroic Jews who fought for their country and was involved in much of Israel's tumultuous history, including the Yom Kippur War; and Danny and Sharon Kalker, who actually made aliya in 2001, during the most recent unsettled phase of Israel's existence. With a keen writer's eye and unfeigned passion for his subject, Leibovitz explores the fears, hopes, and dreams of the Israeli immigrants, and the journey they undertook, a journey that lies at the very heart of what it means to be a Jew. Book jacket.

First published in 1980. This collection of carefully selected extracts from primary texts seeks to show what the Romantics themselves held Romanticism to be. The movement is thus defined in terms of the writers' own views of their art both in general principle and in practical terms. This title will be of interest to students of literature.

First published in 1969, this work traces the evolution of Romanticism and in doing so, demonstrates its novelty as an imaginative and emotional perception of the world in contrast to the rationalistic approach which was dominant in the seventeenth century. It identifies the fundamental similarities between Romantic writing in England, France and Germany as well as their differences brought about by divergent literary and social backgrounds. The book is concluded by a review of the problems that arise from a simple definition of Romanticism.

To what extent are the concepts of fatherhood and family, as proposed by Sigmund Freud, still valid? Psychoanalysis, Fatherhood, and the Modern Family traces the development of Freud’s theory of the Oedipus complex and discusses his ideas in the context of recent psychoanalytic work, new sociological data, and theoretical explorations on gender and diversity. Contributors include representatives from many academic disciplines, as well as practicing psychoanalysts who reflect on their experience with patients. Their exciting essays break new ground in defining who a father is—and what a father may be.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1972.

Additional Contributors Are John Latouche And Dorothy Parker.

Harry's contribution to the rabbits' winter provisions in unusual but not unappreciated.

Fred Turtle's family must decide whether they want to live like the ritzy new family in the pond, or stick to the simpler things in life.

Origami and puppets. Now this book is out of print

This book was first published in 1942 for distribution to American soldiers during WWII. The title character, T.C. Mits is an acronym for The Celebrated Man In The Street. Like many Americans who fought in the war, everyman Mits has a limited education. The point of this book is to provide that everyman with a series of short lessons in mathematics. The presentation is unique, heavily illustrated with line drawings, and all text is presented as free verse.

Ross (Here but Not Here) has written profiles and Talk of the Town pieces for the New Yorker for more than 50 years and in that time has built up an arsenal of journalistic techniques, which she shares here in some detail. She discusses her feelings about journalism, praising her New Yorker colleagues (notably the late editor William Shawn) and offering her definition of journalism (factual reporting built of good writing and singular humor). The majority of the book is filled with Ross's deconstruction of some of her best-loved pieces, including 1949's Come In, Lassie! (about politics in the film business); 1950's How Do You Like It Now, Gentlemen? (a profile of Ernest Hemingway); and 1960's The Yellow Bus (concerning a group of tourists visiting New York City).

Relates stories about the biblical King David.