Fiction. Second volume of THE HEART BENEATH, a quartet of novels linking England and Germany in the mid–20th century.

The twelve contemporary fiction writers interviewed in Passion and Craft go beyond the merely autobiographical, revealing that, despite their differences, they share passionate devotion and discipline for their craft. Included are Richard Ford, winner in 1995 of both the Pulitzer Prize and the PEN/Faulkner Award; Gina Berriault, 1997 winner of the National Book Critics Circle Award; Bobbie Ann Mason; T. Coraghessan Boyle; Rick Bass; Leonard Michaels; Christopher Tilghman; Thom Jones; Julia Alvarez; Andre Dubus; Jayne Anne Phillips; and Tobias Wolff. Their comments will interest readers devoted to their novels and stories, other writers, and aspiring writers.

" The Best Ayelet Waldman Quotation Book ever Published. Special Edition This book of Ayelet Waldman quotes contains only the rarest and most valuable quotations ever recorded about Ayelet Waldman, authored by a team of experienced researchers. Hundreds of hours have been spent in sourcing, editing and verifying only the best quotations about Ayelet Waldman for your reading pleasure, saving you time and expensive referencing costs. This book contains over 31 pages of quotations which are immaculately presented and formatted for premium consumption. Be inspired by these Ayelet Waldman quotes; this book is a niche classic which will have you coming back to enjoy time and time again. What's Inside: Contains only the best quotations on Ayelet Waldman Over 31 pages of premium content Beautifully formatted and edited for maximum enjoyment Makes for the perfect niche gift for you or someone special Enjoy such quotes such as: A good mother remembers to serve fruit at breakfast, is always cheerful and never yells, manages not to project her own neuroses and inadequacies onto her children, is an active and beloved community volunteer. She remembers to make play dates, her children's clothes fit, she does art projects with them and enjoys all their games. Ayelet Waldman Aborting my baby is the most serious of the many maternal crimes I tally in my head when I am at my lowest, when the Bad Mother label seems to fit best. Rocketship was my baby. And I killed him. Ayelet Waldman Another parent's different approach raises the possibility that you've made a mistake with your child. We simply can't tolerate that because we fear that any mistake, no matter how minor, could have devastating consequences. So we proclaim the superiority of our own choices. We've lost sight of the fact that people have preferences. Ayelet Waldman As a novelist, I mined my history, my family and my memory, but in a very specific way. Writing fiction, I never made use of experiences immediately as they happened. I needed to let things fester in my memory, mature and transmogrify into something meaningful. ... And much more! Click Add to Cart and Enjoy! "

Using pagan prose fiction produced in Greek and Latin during the early Christian era, Bowersock investigates the complex relationship among perceived and presented 'historical' and 'fictional' truths. Bowersock's superb lecturing style is successfully transferred into writing with force and eloquence, as he weaves accounts from a wide range of sources into his text, illuminating social attitudes of the period and persuasively arguing that fiction of the period was influenced by the emerging Christian Gospel narratives. In the second half of the first century emerges a new kind of fiction including outlandish tales of travel, romance and comic novels. Bowersock concentrates on secular literature, illuminating not only its literary motifs, but also reconstructing the societal context as one engrossed in fabrications and all kinds of revisions or rewriting. Using these less familiar materials as his points of reference, he reads into familiar Christian material, making linkages and casting new light on familiar subjects, as well as providing some provocative interpretations of familiar Christian texts. Bowersock uses close historical and literary analyses of specific passages of works, and pays attention to larger and more general issues and questions around the relationship between fiction and history and how we read them. This book will be of basic intellectual concern to all raised in the environment of Christian belief.

Using pagan prose fiction produced in Greek and Latin during the early Christian era, Bowersock investigates the complex relationship among perceived and presented 'historical' and 'fictional' truths. Bowersock's superb lecturing style is successfully transferred into writing with force and eloquence, as he weaves accounts from a wide range of sources into his text, illuminating social attitudes of the period and persuasively arguing that fiction of the period was influenced by the emerging Christian Gospel narratives. In the second half of the first century emerges a new kind of fiction including outlandish tales of travel, romance and comic novels. Bowersock concentrates on secular literature, illuminating not only its literary motifs, but also reconstructing the societal context as one engrossed in fabrications and all kinds of revisions or rewriting. Using these less familiar materials as his points of reference, he reads into familiar Christian material, making linkages and casting new light on familiar subjects, as well as providing some provocative interpretations of familiar Christian texts. Bowersock uses close historical and literary analyses of specific passages of works, and pays attention to larger and more general issues and questions around the relationship between fiction and history and how we read them. This book will be of basic intellectual concern to all raised in the environment of Christian belief.

Aram Saroyan tells of the intimate sides of the life of his father, Pulitzer Prize-Winning playwright and novelist William Saroyan.

This selection of Antal Szerb's stories and novellas, set first in a quasi-mythical past and then in the London and Paris of the Thirties, provides an exhilarating guide to the writer's development, from precocious beginnings to a masterful maturity.

It’s the mid-1970s, a time of political and social turmoil. Watergate is on everybody’s mind, and the women’s movement is the subject of much contention. Lish Lasker, a young novelist, unexpectedly meets her heroine, Charlotte Burns, an older writer and the author of the groundbreaking feminist work Vanity Fare, at a New York cocktail party. Lish is married to a Barnard College professor and feels stuck in her lowly and unsung roles of faculty wife and housewife on Manhattan’s upper west side. To her surprise, immediately after their meeting, glamorous Charlotte befriends her. Lish is fascinated by Charlotte’s luxurious existence in the Hamptons and Park Avenue and her connections with literary high life. But then a series of dramatic revelations upset their lives.

In praise of his poetry, The New York Times calls Andrei Codrescu "one of our most prodigiously talented and magical writers." Part genius, part tongue-in-cheek provocateur, Codrescu is an audacious and passionate poet. The heart of this first new collection in nearly a decade is a beautiful conceit containing the "recently discovered" correspondence between a warrior and a courtesan in fourteenth-century China. These tender, timeless verses contrast nicely with tough, funny -poems about modern life and millennial malaise. Andrei Codrescu is a celebrated poet, novelist, essayist, screenwriter, and commentator on National Public -Radio. A World Heavyweight Champion Poet, his many awards include the Literature Prize of the Romanian Cultural Foundation and the Peabody Award for his film Road Scholar. Born in Romania, Andrei Codrescu lives in New Orleans.

This landmark collection is a life's work in poetry by the famous folklorist, novelist and mentor of at least two generations of Chicano scholars and writers. Comprised of a selection of Paredes' poems from the 1930s and 1940s, some of which were published in Texas newspapers, the poetry has both historical and literary merit.

Ammiel Alcalay's groundbreaking work, After Jews and Arabs, published in 1993, redrew the geographic, political, cultural, and emotional map of relations between Jews and Arabs in the Levantine/Mediterranean world over a thousand-year period. Based on over a decade of research and fieldwork in many disciplines-including history and historiography; anthropology, ethnography, and ethnomusicology; political economy and geography; linguistics; philosophy; and the history of science and technology-the book presented a radically different perspective than that presented by received opinion. Given the radical and iconoclastic nature of Alcalay's perspective, After Jews and Arabs met great resistance in attempts to publish it. Though completed and already circulating in 1989, it didn't appear until 1993. In addition, when the book was published, there wasn't enough space to include its original bibliography, a foundational part of the project. A Bibliography for After Jews and Arabs presents the original bibliography, as completed in 1992, without changes, as a glimpse into the historical record of a unique scholarly, political, poetic, and cultural journey. The bibliography itself had roots in research begun in the late 1970s and demonstrates a very wide arc. In addition to the bibliography, we include three accompanying texts here. In "Behind the Scenes: Before After Jews and Arabs, " Alcalay takes us behind the closed doors of the academic process, reprinting the original reader reports and his detailed rebuttals, and in "A Bibliography for After Jews and Arabs A Brief Introduction," Alcalay contextualizes his own path to the work he undertook, in methodological, historical, and political terms. Also included is "A Poetics of Bibliography." Poet, novelist, translator, critic, and scholar Ammiel Alcalay teaches at Queens College and The Graduate Center, CUNY. His books include After Jews and Arabs, Keys to the Garden, Memories of Our Future, Islanders, and neither wit nor gold: from then. A 10th-anniversary edition of from the warring factions, a book-length poem dedicated to Srebrenica, and a book of essays, a little history, came out in 2013. a little history also came out in a Portuguese translation with Editor Lumme, São Paolo in 2019. During the wars in ex-Yugoslavia, he was the primary translator of texts from Bosnia, and translations include Sarajevo Blues and Nine Alexandrias by poet Semezdin Mehmedinovic, as well as works by journalist Zlatko Dizdarevic, and many others. Alcalay is the General Editor of Lost & Found: The CUNY Poetics Document Initiative, a series of student and guest-edited archival texts emerging from New American Poetry, and he was the recipient of a 2017 Before Columbus Foundation American Book Award for this work.

"At a Hollywood party, a screenwriter rescues an aspiring actress from a drunken suicide attempt. He is married, disillusioned; she is young, seemingly wise to the world and its slights. They slide into a casual relationship together, but as they become ever more entangled, he realises that his actions may have more serious consequences than he could ever have suspected. Hayes' exquisite novella, written in his cool, inimitable style, holds a revealing light to the hollowness of the Hollywood dream and exposes the untruths we tell ourselves, even when we think we have left illusions behind."--Publisher's description

Towards the end of 1937, having just completed his South American Amazonas trilogy (The Land without Death), Doblin embarked on a new project much closer to home. As a military doctor in Alsace he had experienced firsthand the chaotic scenes in Haguenau and Strasbourg that followed the Kaiser's abdication and the Armistice. His skill at depicting historical events in vivid epic prose would now be applied to seminal events still within living memory, and still highly controversial. He and his family (now with three small children) left Alsace on 14 November 1918 with the hospital staff and patients, reaching Berlin several days later. In March 1919 he witnessed the savage repression of the uprising in Lichtenberg, the eastern Berlin district where he had settled; his sister Meta was killed by grenade shrapnel as she fetched milk for her children. His essay On Cannibalism reveals his anger at both the ineptitude of the insurgents and the callousness of the Social Democrat Minister of War, Noske. Citizens and Soldiers, the self-contained first volume of November 1918: A German Revolution, presents a vivid panorama of fictional and real individuals, scenes and events over a chaotic two weeks. It was published in Amsterdam and Stockholm in October 1939, shortly after Britain and France declared war on Germany. Unsurprisingly it had little chance to circulate. During his exile years in California (1940-45), Doblin completed the remaining parts of what became the longest of his nine epic novels. When in 1947 the question arose of publishing the entire work in Germany, the French Occupation Authority (in which Doblin was serving as Public Education Officer) vetoed Citizens & Soldiers because of sensitivities about the status of Alsace-Lorraine, main location of the novel's action. (This border region had been French territory since the 17th century; was annexed by Germany in 1871 after the Franco-Prussian War, and reverted to France at the end of the First World War. Apart from the war years 1940-45 it has since remained French.) November 1918 A German Revolution therefore appeared as three volumes successively in autumn 1948, spring 1949 and spring 1950. This truncated edition was the basis for an incomplete English translation in the 1980s. In Germany, a complete edition appeared only in 1978, two decades after Doblin's death, enabling for the first time a proper evaluation of what is now seen as one of Doblin's most impressive achievements. It is high time that English readers too should have access to the missing first volume: Citizens & Soldiers.

A young Canadian marches over the Pyrenees and enters into history by joining the International Brigades--men and women from around the world who volunteered to fight against fascism in the Spanish Civil War. This new edition of Ted Allan's novel, This Time a Better Earth, reintroduces readers to the electrifying milieu of the Spanish Civil War and Madrid, which for a short time in the 1930s became the epicentre of a global struggle between democracy and fascism. This Time a Better Earth, first published in 1939, tells the story of Canadian Bob Curtis from the time of his arrival in Spain and the idealism and trials of the international volunteers. Allan's novel achieves the distinction of being both a work of considerable literary and historical significance and a real page-turner. This is the first installment of a series of titles to be published in the Canadian Literature Collection under the Canada and the Spanish Civil War banner. This is a large-scale project devoted to the recovery and presentation of Canadian cultural production about the Spanish Civil War (spanishcivilwar.ca), directed by Bart Auteur and Emily Robins Sharpe. A young Canadian marches over the Pyrenees and enters into history by joining the International Brigades--men and women from around the world who volunteered to fight against fascism in the Spanish Civil War. Published in English.

"A wonderful dream and a horrific nightmare, a fuzzy consciousness of pain and family, Pockets is a novel of fragments--both literally and figuratively. In a series of prose-poem chapters, the nameless narrator, in a largely Jewish 1960s suburb in the northern reaches of Toronto, repeatedly enters the world, as if for the first time. His landscape is one of trilobite fossils, bicycles with banana seats, Red Skelton, and overwhelming loss. Among shadows that both comfort and threaten, a brother who drifts through the sky, he finds his narrative full of pockets of emptiness he can't help but try to fill. A heartbreakingly personal and profound work, Pockets redefines the novel, delivering infinite scope in something diminutive, pocket-sized. Every reading brings new revelations."--

"The Years is about the passage of time: from youth to middle age to the winter of life. Forty years after their intense but doomed college romance, Lawrence and Hermia meet again on a Mediterranean cruise. They fall in love even more deeply, but being in their sixties, with plenty of baggage, they wonder if marriage is the right move. When Lawrence visits Hermia's home on Cape Cod, she has one request: "Please stay." What happens when he does fills the rest of this wise and unforgettable novel. With enormous sympathy and keen insight, Nicholas Delbanco follows Hermia and Lawrence through their years together and apart, in Los Angeles and New York, Michigan and Massachusetts, in frailness and in health. Old scores are settled; old wounds healed. A stunning, wise book about first and final love, The Years addresses the irrevocable end of life, and what ultimately endures."--Page 4 of cover.

"Subversion and Sympathy : Gender, Law, and the British Novel brings new energy and perspective to the law-and-literature movement. Focusing on the position of women in British novels of the eighteenth and nineteenth centuries - a period during which literature played a creative role in legal reform - the book illustrates the many ways in which the investigation of legal matters sheds new light on major literary works. At the same time, it shows that attention to literary representations of legal issues illuminates developments in the law by bringing to life matters at stake in legal reforms. In fourteen essays, the volume spans a range of gender-related issues, including inheritance, money lending, illegitimacy, marriage, and rape. At the same time, it makes a methodological contribution, displaying (and discussing) a range of perspectives that exemplifies the breadth and range of this interdisciplinary area of scholarship, which links history, gender studies, philosophy, literary studies, and law. The volume seeks to reinvigorate the methodology of the law-and-literature movement by provoking a cross-disciplinary conversation among legal scholars, judges, literary scholars, and feminist philosophers. Participants include those already known for their work on law and literature but also, crucially, legal leading lights who have not previously written about literature. Subversion and Sympathy shows that the conversation between law and literature can enrich our understanding not just of the fields in question but also of the deeper human issues at the heart of a given period - and beyond"--Unedited summary from book jacket.

A staple in the literary scene for over forty years, Jonathan Baumbach's latest novel, Dreams of Molly , is a wonderful addition to his oeuvre. A love story as only Baumbach can write, it is filled with the longings and lingerings, the sex and deprivation, the humor and heartache, and the New York nuances that have driven Baumbach's fiction from the start. Jonathan Baumbach is the author of fourteen books of fiction, including You, or The Invention of Memory ; On The Way To My Father's Funeral: New and Selected Stories ; B, A Novel ; D-Tours ; Separate Hours ; Chez Charlotte and Emily ; The Life and Times of Major Fiction ; Reruns ; Babble ; and A Man to Conjure With . He has also published over ninety stories published in such places as Esquire , Open City , and Boulevard . Baumbach, co-founder of The Fiction Collective in 1973, the first fiction writers cooperative in America (it was reinvented as FC2 in 1988), has seen his work widely praised. His short stories have been anthologized in Best American Short Stories , The PEN / O.Henry Prize , and The Best of Tri Quarterly . The New York Times Book Review referred to him in 2004 as an underappreciated writer. He employs a masterfully dispassionate, fiercely intelligent narrative voice whose seeming objectivity is always a faltering front for secret passion and despair.

A mysterious web of solitude, love, illness, and loss is seamlessly woven into a captivating historical and personal narrative in this poignant yet concise novel. As three characters move through their increasingly haunting lives, they discover how to piece together their past and recreate connections.

There was something similar to the depraved beginning of Theodora, Empress of Byzantine, who had been a dancer, and the beginning of Miriam the woman from Magdala. And by a similar fate, they were both later considered saints... Here is the gripping, suspenseful story of Lili, a prostitute from nowadays Jaffa, as told by Adon, the unlikely passer-by who saved her life. It is a razor-sharp story of love and fateful struggles, set against the raw and vibrant human landscape of Jaffa. A stark and riveting account of the human experience in its many moving parts. Author Shlomo Kalo delivers another thought-provoking masterpiece that richly explores the zeniths of man's compassion, and the depths of his depravity. A master of craft, Kalo employs honesty in conveying the rich layers of human lives and the delicacy by which their various struggles paint the city of Jaffa in vibrant hues of struggle and hope. Scroll up and Grab your copy of LILI today