Women of Faith, renowned for their unique combination of personality and truth, offer fresh new messages in four new topical study guides in the popular Women of Faith Study Guide Series. Each study guide, teeming with insights and quotes from the conference speakers provides twelve weeks of Bible study and a leader's guide for small groups.

May the Joy of the Lord Fill Your Heart as You Color and Create! God wants our joy to be full! He reminds us of this again and again, and yet we constantly let the cares of the world steal it from us. In this beautifully designed coloring book, Margaret Feinberg shares powerful verses from God's Word that teach how to relinquish our past regrets, current troubles, and future worries. What could be better than coloring and meditating on these encouraging Scriptures? Coloring books are a great way to express creativity, and Margaret Feinberg is ready to introduce readers to what's next in the category. In addition to the book's beautiful, intricate artwork and thoughtful Scriptures, she's added a new feature readers have been asking for. The new perforated pages make it easy to remove and display artwork or share with a friend. Gather your markers or pencils, put aside your troubles, and let God fill your heart with peace and hope!

Following the popularity of "Simple Acts of Faith" comes the second gathering of Norman Rockwell's beloved art blended with Margaret Feinberg's inspirational tales. This ideal gift invites friends to enter Rockwell's charming Americana scenes and visit stories of friendship that illustrate how lives are enriched when hearts connect. Faith sparks a friendship between literary greats J.R.R. Tolkien and C.S. Lewis Childhood pen pals create a legacy of international friendship for generations Laura is coaxed by a friend to meet a young man who turns out to be her future husband and President of the United States-George Bush. This is sure to be a treasured collection among Rockwell fans and everyone who celebrates a kindred spirit.

A novel about being Jewish in the Soviet Union and the historical trauma of World War II--and it's a novel about the petty dramas and demons of one strikingly vain woman. Maya Abramovna Klotsvog has had quite a life, and she wants you to know all about it. Selfish, garrulous, and thoroughly entertaining, she tells us where she came from, who she didn't get along with, and what became of all her husbands and lovers... -- Back cover.

Now in paperback, a collection to treasure from one of our most popular poets: poems that range from the Detroit of her childhood to her current life on Cape Cod, from deep appreciations of the natural world to elegies for lost friends and fellow poets. In her trademark style combining the sublime with gritty reality, Marge Piercy describes the night she was born: "the sky burned red / over Detroit and sirens sharpened their knives. / The elms made tents of solace over grimy / streets and alley cats purred me to sleep." She writes in graphic, unflinching language about the poor, banished now by politicians, no longer "real people like corporations." There are elegies for her peer group of poets, gone now, whose work she cherishes but from whom she cannot help but want more. There are laments for the suicide of dolphins and for her beloved cats, as she remembers "exactly how I loved each." She continues to celebrate Jewish holidays in compellingly original ways, and sings the praises of her marriage and the small pleasures of life. A stunning collection in the best Piercy tradition.

A major new collection of poems about women's lives and the closing circle of nature, from a bestselling poet. These poems celebrate the beauties of nature and the eternal cycle of love, death and birth that is being interrupted by the assault on the environment.

"Stone, Paper, Knife centers on the loss of an old love and the beginning of a new love, a woman's politics and identity rooted in the land and expressed in poems of grieving, of loving,a nd of deep and fundamental connection with the sources of life and the survival of our species and our world."--on upper cover.

Marge Piercy's debut collection of short stories brings us glimpses into the lives of everyday women moving through and making sense of their daily internal and external worlds. Keeping to the engaging, accessible language of Piercy's novels, the collection spans decades of her writing along with a range of locations, ages, and emotional states of her protagonists.

Winner of the 2005 Sor Juana Inés de la Cruz Prize "What do I feel?" asks the narrator, Nora García, as she goes back to a Mexican village she has not visited in years to attend the funeral of her ex-husband, a famous pianist who has died of a massive heart attack. This deeply moving novel is the unspoken answer to Nora's self-questioning. "The heart has reasons that reason knows nothing of," Pascal said, and this aphorism of knowing and not knowing is at the core of the novel. Employing motifs of "the heart," modes of music from the tango to Bach, and allusions to poetry, the text is a rich amalgam that reveals a life lived deep within literary culture. Like her ex-husband, Nora is a musician, a cellist, and so it is fitting that her novel takes the form of a canon and fugue: phrases circle and repeat, variations are introduced, motifs come and go and intermingle, reflecting a paralysis of the grieving. The novel moves inexorably toward the burial and the revelation of Nora's complex, emotional reaction to Juan's death. Throughout the novel, Nora is moving in the "wake" of that death, being pulled along by the ceremonies of the funeral, the mass, the burial. A rich, nuanced evocation of states of mind and emotion, The Wake powerfully illuminates Nora's quiet grief and rage.

Contains index of shells and selected bibliography - The history of shells and how they have affected mankind through the ages

Because Mommy teaches Emma that God is present in everyone in the world, Emma learns not to be afraid and even asks God to help Peter.

Women have historically been prevented from living autonomously by systematic injustice, subordination, and oppression. The lingering effects of these practices have prompted many feminists to view autonomy with suspicion. Here, Marilyn Friedman defends the ideal of feminist autonomy. In her eyes, behavior is autonomous if it accords with the wants, cares, values, or commitments that the actor has reaffirmed and is able to sustain in the face of opposition. By her account, autonomy is socially grounded yet also individualizing and sometimes socially disruptive, qualities that can be ultimately advantageous for women. Friedman applies the concept of autonomy to domains of special interest to women. She defends the importance of autonomy in romantic love, considers how social institutions should respond to women who choose to remain in abusive relationships, and argues that liberal societies should tolerate minority cultural practices that violate women's rights so long as the women in question have chosen autonomously to live according to those practices.