This collection of poems by the National Book Award-winning poet includes three long poems about being a traveller, a woman, and a part of history, as well as a sonnet sequence illuminating individual moments

Marilyn Hacker's voice is unique in its intelligence, urbanity, its deployment of an elegiac humor, its weaving of literary sources into the fabric and vocabulary of ordinary life, its archaeology of memory. Desesperanto refines the themes of loss, exile, and return that have consistently informed her work. The title itself is a wordplay combining the Spanish word esperanto, signifying "hope," and the French desespoir , meaning "to lose heart." Des-esperanto , then, is a universal language of despair -despair of the possibility of a universal language. As always in Hacker's poetry, prosodic measure is a catalyst for profound feeling and accurate thought, and she employs it with a wit and brio that at once stem from and counteract despair. Guillaume Apollinaire, June Jordan, and Joseph Roth are among this book's tutelary spirits, to whom the poet pays homage as she confronts a new, dangerous century.

A new volume of fluidly feminist verse by the author of Presentation Piece who continues to display a command of poetic technique and structure as well as a richly ripening vision

In 1951, an ad hoc consortium of Jewish organizations received, together with the State of Israel, an invitation to negotiate with West Germany for "moral and material amends" for Nazi-era damages. The consortium became the Conference on Jewish Material Claims against Germany, known as the Claims Conference. Over a half-century, the Conference's vigorous pursuit of claims against Germany led to compensation for hundreds of thousands of victims of Nazism. The activities of the Conference expanded from support of individual victims to allocations to special goals, including support for Righteous Gentiles, commemoration of the Holocaust, study and research, etc. Dwells on problems faced by the Conference in dealing with the governments of East Germany and Austria, which before the 1990s did not recognize their countries as successors of the Nazi state, as well as with big companies in West Germany, which did not recognize their responsibility for their part in the Nazi program of "annihilation through work", and thus did not want to compensate their former workers.

Marina Budhos, whose parents came from two different immigrant streams, always listens for the story within the story. Here, in fourteen intimate conversations and many short interviews, teenagers from all over the world reveal their most personal struggles and triumphs. Remix features Muslim girls from traditional families and Guyanese boys who know every hot new club, Hmong athletes, Russians in Disneyland, Central Americans sustained by community and tempted by gangs, Koreans facing extreme pressures to succeed, and many others. Filled with insights about American teenage culture and moving stories about the special challenges immigrants face, Remix shows all the voices of the new America.

Presents profiles of fourteen teenagers from countries around the world, revealing their struggles to fit into American society and their personal triumphs.

Discusses the generous proposal of the Dominican government to the Jewish refugees from Germany and Austria to settle in Sosúa against the background of the reluctance of most American countries to take in Jewish refugees. Notes that the USA not only put up "paper walls" in the way of Jewish refugees eager to enter the country, but from April-May 1940 (when the war broke out in Europe) tried to impede Jewish immigration into the Dominican Republic.

Make a worm bigger . . . Make a puddle smaller . . . Make a ghost disappear! You can do all kinds of tricks with the mirror inside this book.

Based in the peasantry for the most part, Latin American women's art is profoundly tied to a complex fabric of cultural heritage. This glorious celebration of the unsung and virtually unseen women artists of Latin America presents a dazzling group of women who challenge common assumptions about the nature of artists and their art. Those profiled include painters, sculptors, photographers, textile artists, musicians, dancers, choreographers, and filmmakers. Photos.

No student or colleague of Marjorie Grene will miss her incisive presence in these papers on the study and nature of living nature, and we believe the new reader will quickly join the stimulating discussion and critique which Professor Grene steadily provokes. For years she has worked with equally sure knowledge in the classical domain of philosophy and in modern epistemological inquiry, equally philosopher of science and metaphysician. Moreover, she has the deeply sensible notion that she should be a critically intelligent learner as much as an imaginatively original thinker, and as a result she has brought insightful expository readings of other philosophers and scientists to her own work. We were most fortunate that Marjorie Grene was willing to spend a full semester of a recent leave here in Boston, and we have on other occasions sought her participation in our colloquia and elsewhere. Now we have the pleasure of including among the Boston Studies in the Philosophy of Science this generous selection from Grene's philosophical inquiries into the understanding of the natural world, and of the men and women in it. Boston University Center for the R. S. COHEN Philosophy and History of Science M. W. W ARTOFSKY April 1974 PREFACE This collection spans - spottily - years from 1946 ('On Some Distinctions between Men and Brutes') to 1974 ('On the Nature of Natural Necessity').

Drawing extensively upon the poet's unpublished manuscripts--poems, journals, essays, and letters--as well as all his published works, Marjorie Perloff presents Frank O'Hara as one of the central poets of the postwar period and an important critic of the visual arts. Perloff traces the poet's development through his early years at Harvard and his interest in French Dadaism and Surrealism to his later poems that fuse literary influence with elements from Abstract Expressionist painting, atonal music, and contemporary film. This edition contains a new Introduction addressing O'Hara's homosexuality, his attitudes toward racism, and changes in poetic climate cover the past few decades. "A groundbreaking study. [This book] is a genuine work of criticism. . . . Through Marjorie Perloff's book we see an O'Hara perhaps only his closer associates saw before: a poet fully aware of the traditions and techniques of his craft who, in a life tragically foreshortened, produced an adventurous if somewhat erratic body of American verse."--David Lenson, Chronicle of Higher Education "Perloff is a reliable, well-informed, discreet, sensitive . . . guide. . . . She is impressive in the way she deals with O'Hara's relationship to painters and paintings, and she does give first-rate readings of four major poems."--Jonathan Cott, New York Times Book Review

The Vienna Paradox is Marjorie Perloff's memoir of growing up in pre-World War II Vienna, her escape to America in 1938 with her upper-middle-class, highly cultured, and largely assimilated Jewish family, and her self-transformation from the German-speaking Gabriele Mintz to the English-speaking Marjorie--who also happened to be the granddaughter of Richard Schüller, the Austrian foreign minister under Chancellor Dollfuss and a special delegate to the League of Nations. Compelling as the story is, this is hardly a conventional memoir. Rather, it interweaves biographical anecdote and family history with speculations on the historical development of early 20th-century Vienna as it was experienced by her parents' generation, and how the loss of their "high" culture affected the lives of these cultivated refugees in a democratic United States that was, and remains, deeply suspicious of perceived "elitism." This is, in other words, an intellectual memoir, both elegant and heartfelt, by one of America's leading critics, a narrative in which literary and philosophical reference is as central as the personal.

The images of Zionist pioneers in the late nineteenth and early twentieth centuries--hard working, brawny, and living off the land--sprang from the ascendent socialist Zionist movement in Palestine known as "Labor Zionism." The building of the Yishuv, a new Jewish society in Palestine, was accompanied by the rapid growth of Zionism worldwide. How did Zionism take shape in the United States? How did Labor Zionism and the Yishuv influence American Jews? Zionism and Labor Zionism had a much more substantial impact on the American Jewish scene than has been recognized. Drawing on meticulous research, Mark A. Raider describes Labor Zionism's dramatic transformation in the American context from a marginal immigrant party into a significant political force. The Emergence of American Zionism challenges many of the prevailing assumptions of Jewish and Zionist history that have held sway for a full generation. It shows how and why American Labor Zionism--"the voice of Labor Palestine on American soil"--played such an important role in formulating the program and outlook of American Zionism. It also examines more generally the impact of Zionism on American Jews, making the case that Zionism's cultural vitality, intellectual diversity, and unparalleled ability to rally public opinion in times of crisis were central to the American Jewish experience.

This book defies categorization. It is an auto-biographical novel, a book about how to have fun, a cautionary tale for the sexually and socially inhibited. It is a political treatise on how to combat puritanism, a philosophical tract on the importance of humour to the human soul, a buyers' guide to outstanding porno tapes and a business book for the entertainment industry. It is the life of Mark Breslin. Beginning as the enfant terrible of Canadian comedy, Mark Breslin rose up and built an empire: the Yuk Yuk's chain of comedy clubs. He pulled Jim Carrey out of open-mic obscurity, gave dozens of other comics their big breaks and made an astounding contribution to the widely held belief that Canadians are the funniest people in the world. Along the way he learned how far some people will go for money, or for a dream; how truly puritanical North American society remains in this supposedly progressive age; how as you move closer to the top, the only thing you really get is a better view of the men pulling the strings. Written in the sort of irreverent, confessional prose style that will keep the Yuk Yuk's lawyers awake at night, Control Freaked takes us on a hilarious and shocking journey into the dark corners of the entertainment industry.

In the USA, social movements succeeded in stopping 59 proposals to build new conventional (dirty) coal-fired power stations. In the UK, there was an extended campaign to stop the expansion of Heathrow airport, primarily on the grounds of the greenhouse gas emissions from increased flights. Responding to this global epidemic, Climate Action is a ...

Profiles based on interviews with: Malegapuru William Makgoba; Charles van Onselen; Mamphela Ramphele; Barney Pityana; Olive Shisana; Mbongeni Ngema; Nkosazana Zuma; Thami Mazwai Sam Shilowa; Blade Nzimande; Sibongile Zungu; Welcome Msomi; Sipo Mzimela; Fatima Meer; Zwelake Sisulu; Jill Chisholm; Roelf Meyer; Desmond Tutu; Cyril Harris; Gill Marcus; Trevor Manuel; Geraldine Fraser-Moleketi; Tokyo Sexwale; Mathews Phosa; Manne Dipico; Raymond Mhlaba; Bantu Holomisa; Zola Skweyiya; Brigitte Mabandla; Hugh Masekela; Anant Singh; Brenda Fassie Mark Fish

By looking at England's cathedral towns, Regency spas and industrial cities, and at their market squares, docks, council chambers and assembly rooms, the author traces the development of English towns through the centuries.