A meditation on the mysteries of love, it is also a house of mirrors in which a single relationship is fractured into infinite possibilities and the corridors lead deep into a labyrinth of memory and desire. "You" offers a new way to look at ourselves, startling with uncanny reflections.

"At eighty-five, Teo, one of the world's most influential choreographers, is ready to withdraw from the bombast and romance surrounding his long and illustrious career. But then he meets Vivi, a waitress at a Tel Aviv café, and the slumbering passions of his youth are roused once more. Suddenly and unexpectedly, his desire for a woman's touch, his anguished memories of World War II, and his complex, soulful engagement with dance all come rushing back. Vivi's life will change, too, as Teo's affection forces her to confront her guilt over an illicit relationship during her days as a soldier. Soon their interactions with art, their very investment in living, will reawaken ghosts of their painful, suppressed pasts--from Warsaw to Copenhagen, from Berlin to Tel Aviv--that cry out for forgiveness and peace."--Page 4 of cover.

Sigmund Freud and Josef Breuer on hysteria, J.A. Symonds and Havelock Ellis on sexuality, a novel by Ford Madox Ford and Joseph Conrad, The Waste Land of T.S. Eliot (and Ezra Pound), even the Lyrical Ballads of Wordsworth and Coleridge: men making books together. Wayne Koestenbaum's startling interpretation of literary collaboration focuses on homosexual desire: men write together, he argues, in order either to express or to evade homosexual feelings. Their writing becomes a textual intercourse, the book at once a female body they can share and the child of their partnership. These man-made texts steal a generative power that women's bodies seem to represent. Seen as the site of a struggle between homosexual and homophobic energies, the texts Koestenbaum explores - works of psychoanalysis, sexology, fiction, and poetry - emerge as more complex, more revealing. They crystallize and refract the anxiety of male sexuality at the end of the last century, and open up a deeper understanding of connections today between the erotic and the literary. Drawing upon the work of feminist critics, Koestenbaum connects male collaboration and the exchange of women within patriarchy: he peers into both medical texts and imaginative literature, disturbing our ready acceptance of the co-authored work. This strong and unsettling book transforms our understanding of the creative process, providing a new sense of what both collaborative and solitary artistry mean.

Structuring Events presents a novel semantic theory of lexical aspect for anyone interested in the study of verb meanings. Provides an introduction to aspectual classes and aspectual distinctions. Utilizes case studies to present a novel semantic theory of lexical aspect and compare it with alternative theories. Useful for students and scholars in semantics and syntax as well as the neighboring fields of pragmatics and philosophy of language.

This is a book of strange tales about strange people and sometimes stranger places. It includes Weinbaum's novel The Dark Other, in which Nicholas Devine and his girlfriend Pat are deeply in love, but before they can fulfil their dreams they must exorcise a demonic presence that threatens both their future together and their lives. Also included is another love story that takes place in a tranquil world of beauty and innocence that can only be seen through the lenses of "Pygmalion's Spectacles", and several other surprising tales.

Loosely based on the Haitian slave insurrection of 1791, Babouk is a biting account of colonialism at its peak. By using the imagination of the novelist to fill in the gaps in the historical record, Endore is able to show us how slavery felt to the slaves who experienced it. His novel is rare for its depiction of the shared history of the slaves and its attention to the variety of the slave experience. It provides the reader with a vivid history of Haiti and a compelling account of slavery and rebellion.

Esther, seventeen years old, wild and rebellious, is sent from Israel to Cameroon to stay with her hardheaded uncle Sicourelle, who is charged with straightening her out. But Esther resists her uncle's plans for her future-which include marriage to a cousin-and in the privileged indolence of postcolonial Africa, she looks to the past instead. Using sepia portraits and scraps of letters, Esther pieces together the history of her family, a once-grand Egyptian-Jewish clan, and its displacement from Cairo in the 1950s to Israel, West Africa, and New York. As the worn photographs yield their secrets, Esther uncovers a rich tale of wives and ex-wives; revolving mistresses and crushing marriages; intrigues and disappointments; poignant contrats between the living past and the dead present. In sensuous, inventive prose, Matalon penetrates the mysteries of cultural exile and family life to produce a first novel that is mature, authentic, and deeply moving.

A powerful new novel about life and love by Rona Jaffe, the internationally bestselling author The New York Times Book Review hails as "a minor genius." For over five decades, Rona Jaffe has captivated readers with her "deft, irresistible storytelling" (Los Angeles Times). Now this masterful author, whose books have sold more than 23 million copies worldwide, takes us through a season of friendship, discovery, betrayal, and love to tell a story of four friends and the events that shaped their futures. Leigh, Cady, Vanessa, and Susan meet when they become roommates in a townhouse on Manhattan's Upper East Side. New York in 1963 is a place of magical enchantment and infinite possibilities, especially when you're young and eager for the adventure a big city offers. Even being crammed together in a single bedroom with a kitchen too small to accommodate a table and chairs can't diminish their high spirits. A casting assistant at a talent company, Leigh is the level-headed one, the calm at the center of the whirlwind that is their lives. Cady is a prep-school teacher, emotional, passionate, and ready for love. Vanessa, a stewardess, craves her independence above all else. Susan is the wild card. Mercurial and unconventional, she makes a decision that will have far-reaching consequences in her life-and in the lives, through the years, of the others. Sleeping and dreaming side by side, Leigh, Cady, Vanessa, and Susan could not know the decisions they made in 1963 would be challenged later, not only because they had been young when they made them, but because the world itself was going to change around them. And then, of course, there were the events in their young lives that no one could control...the events that changed everything.

"I was on my way to look for a life of my own." A brilliant, brutally honest autobiographical novel, long out of print, from one of the great artistic polymaths of the 20th century. This is a Sebaldian account of the narrator's attempt to break free of a repressive upper-middle-class upbringing and make his way as an artist and individual, written in a single incantatory paragraph. Leavetaking is the story of an upper-middle-class childhood and adolescence in Berlin between the wars. In the course of the book, Weiss plumbs the depths of family life: there is the early death of his beloved sister Margit, the difficult relationship with his parents, the fantasies of adolescence and youth, all set in the midst of an increasing anti-Semitism, which forces the Weiss family to move again and again, a peripatetic existence that only intensifies the narrator's growing restlessness. The young narrator is largely oblivious to world events and focused instead on becoming an artist, an ambition frustrated generally by his milieu and specifically by his mother, who, herself a former actress, destroys his paintings during one of the family's moves. In the end, he turns to an older mentor, Harry Haller, a fictionalized portrait of Hermann Hesse, who encouraged and supported Weiss, and with Haller's example before him, the narrator takes his first steps towards a truly independent life. Intensely lyrical, written with great imaginative power, Leavetaking is a vivid evocation of a world that has disappeared and of the narrator's developing consciousness. THE NEVERSINK LIBRARY champions books from around the world that have been overlooked, underappreciated, looked askance at, or foolishly ignored. They are issued in handsome, well-designed editions at reasonable prices in hopes of their passing from one reader to another—and further enriching our culture.

The hero of Paul Ableman's Vilp (1962) is Clive Witt, a novelist in search of a hero for his new novel. He advertises for suitable applicants, and from seventy-three replies he selects three: Professor Guthrie Pidge, a zoologist; Pad Dee Murphy, an Irish-Burmese peasant; and Harry Glebe, the inventor of the renowned earth-borer. Clive's novel, though, progresses slowly. His three heroes refuse to mix their very disparate elements into a harmonious whole. Eventually, Clive scraps it and harnesses his team of heroes to a new work, an exciting science fiction tale called The Silver Spores . In this, mankind meets the Vilp! The novel ends with the 5,000 strong Vilp Galactic Council communing in space at an incredibly high telepathic level. 'Excellent... vital, taut, brilliantly imaginative' Anthony Burgess

First published in 1962 As Near as I Can Get was Paul Ableman's follow up to his critically acclaimed debut I Hear Voices. Following Alan Peebles, a young man struggling to become a poet, As Near as I Can depicts a mid-twentieth century London of offices, pubs and lodgings. Fuelled by drink through these desperate years, the narrator charts his encounters with women and fellow artists, as he seeks to glimpse a wonder in life barely discernible beneath the routine of every day. The novel was reviewed by Anthony Burgess, a greatly admirer of Ableman's work for its inventive language, bawdy high spirits and originality of form.

Elspeth Baker - vibrant, gutsy, irrepressible, single and pregnant. Her lover suggests a back-alley abortion. Her girlfriends recommend mustard and castor oil. Her long-suffering parents rush her to an expensive doctor. But Elspeth sidesteps them all and flees to start a new life, have her baby and find true love. Always a staunch survivor, she sells hardware, pumps gas and encounter a colorful array of unabashed Bostonians from rabbis to shrink to hoods to a young couple who propel her toward the most crucial decision of her self-made life. The Love of Elspeth Baker is a rich, energetic and uplifting novel of a truly modern woman who knows what she wants and ultimately has the courage to find it.

The Flutter of an Eyelid, originally published in 1933, is a vicious, and often quite funny, satire of Southern California's bohemian community in the 1920s by Jewish-American novelist Myron Brinig (1896-1991). Illustrated by Lynd Ward (1905-1985). Some of the novel's characters are loosely based on prominent residents of the Los Angeles neighborhood of Echo Park, an early center of film-making on the West Coast. These include the rare book dealer Jake Zeitlin (1902-1987), whose shop became a gathering place for local writers and artists, and who introduced Brinig to his circle of friends; and the charismatic evangelist and media celebrity Aimee Semple McPherson (1890-1944). Zeitlin, who was caricatured as a self-loathing Jewish antique dealer in the novel, considered the book an "insulting betrayal" and, after seeing an early set of galleys, threatened to sue. He succeeded in having some of its more offensive anti-Semitic passages removed prior to its publication. Jewish himself, Brinig was no anti-Semite; he and Zeitlin simply did not get along. One source reports that shortly after the book was released, it was pulled from stores because of further legal threats from McPherson and some of the other individuals who were too "thinly disguised" in the novel.

Paperback edition of a novel first published in 1991, giving an account of one man's weekend encounter with insanity. The author has also written the award-winning autobiography TWhole Life', and several novels and short stories. His novel TFlying Home' was selected by the National Book Council as one of the 10 best Australian books of the decade.

Leo Axelrod, blocked painter, successful illustrator, lonely and alone in England, asks a girl to go with him to Greece. He doesn't know anything about her, he doesn't even know her name, but amazingly she says yes. By the author of Madness, a Novel.

This book is for all who have experienced love and yearning in their lives, who are able to smile through tears and conceal the sufferings of their souls behind that laughter. Yearning for Paradise follows the hero who finds his lost love and together they begin the path of return to the Garden of Paradise and at-one-ment with the once forsaken Lord. From medieval to modern times, from Mexico and Moscow to Mississippi, this magical mystery tour defies the boundaries of time and space. Mikhail Morgulis shows us how in our search to be reunited with the Father that love can conquer all. Yet it is we who must make that effort to do good and battle evil in this life. For the novel reminds us of the words of John F. Kennedy: "asking His blessing and His help, but knowing that here on earth, God's work must truly be our own."

"This book addresses maritime piracy by focusing on the unique and fascinating issues arising in the course of domestic piracy prosecutions, from the pursuit and apprehension of pirates to their trial and imprisonment. It examines novel matters not addressed in other published works, such as the challenges in preserving and presenting evidence in piracy trials, the rights of pirate defendants, and contending with alleged pirates who are juveniles. A more thorough understanding of modern piracy trials and the precedent they have established is critical to scholars, practitioners, and the broader community interested in counter-piracy efforts, as these prosecutions are likely to be the primary judicial mechanism to contend with pirate activity going forward"--