In this collection of essays, Michael Walzer discusses how obligations are incurred, sustained, and (sometimes) abandoned by citizens of the modern state and members of political parties and movements as they respond to and participate in the most crucial and controversial aspects of citizenship: resistance, dissent, civil disobedience, war, and revolution. Walzer approaches these issues with insight and historical perspective, exhibiting an extraordinary understanding for rebels, radicals, and rational revolutionaries. The reader will not always agree with Walzer but he cannot help being stimulated, excited, challenged, and moved to thoughtful analysis.

In essays spanning more than fifteen years, Walzer debunks the pieties of both the neoconservatives and the New Left, arguing for equality, and for the radical transformation of capitalist society

The demise of Communism has not only affected Eastern Europe but also the countries of the West where a far-reaching examination of political and economic systems has begun. This collection of essays by internationally renowned scholars of political theory from Europe and the United States explores both the concept and the reality of civil society and its institutions.

Thomas Mann meets Mordecai Richler in this outstanding novel of great intellect and humour that already reads like a classic. The Frumkiss family doesn't look much different from any of the others in Toronto's Bathurst Manor. Grandpa survived the Holocaust; Grandma the Second came from Poland at the age of five. Dad's a foot doctor; Mom is dead, and her mother -- Grandma Number One --died while giving birth to her in Kazakhstan. Her three kids -- the oldest is forty-two -- are as frustrated and directionless as most baby boomers with no real financial worries. One's in Toronto, there's one in the suburbs and the third lives in Israel. As far as the Frumkisses know, all that distinguishes them from anybody else is that Grandpa is a famous Yiddish writer who ended up working for the CBC. But Grandpa's death sets off a chain of events that force the Frumkisses to see how different their family is from all the others. The Frumkiss Family Business , Michael Wex's brilliant and hilarious new novel, is a family saga for the twenty-first century, a lovingly accurate portrait of middle-class Canadian life at the turn of the century and of the Toronto neighbourhood that has produced such famous Canadians as Howie Mandel and Wex himself. Imagine Thomas Mann's Buddenbrooks without the stodgy Germans or The Brothers Karamazov with only one brother. Finally, a novel that does for Toronto what Mordecai Richler's books did for Montreal.

On the Front Lines of the Women's Movement When Michele Landsberg's first column for the Toronto Star hit newsstands in May 1978 it was the first time a feminist interpretation of the news had made it into daily circulation in a Canadian newspaper. While not sure initially if she wanted to be the Star's "woman columnist," Michele tried to use her column as a voice for those who had none. The hundreds of letters that poured in - both those in support of what she was writing and those outraged by it - let her know that what she was doing not only mattered, it was badly needed. For twenty-five years, Michele Landsberg chronicled the lives of women, their struggles and their achievements. She became an activist in support of women's rights, childcare programs, education reform, rape crisis centres, women's work and health, and many more hotly debated issues. Her columns were a force for social and legal change - women turned to her because they knew that they could count on her to tell the real story. In Writing the Revolution Michele takes the best of those 3000 columns and uses them to reflect on the past, present, and future of women's lives in Canada. While recognizing the success of the women's movement, she knows the fight is not over. A feminist hero and an unflinching activist, Michele is an inspiration to the women who read her column, and to a passionate new generation of women who are fighting to see that the revolution continues.

Text: English (translation) Original Language: French

Amy Mouse and her friends prepare for their big ballet performance. Aspiring ballerinas can play with a pair of pull-out ballet slippers and dress, remove an actual letter and invitation from real envelopes, lift the tops of jewelry boxes, and more in this interactive pull-out and pop-up book. Full-color illustrations.

Practice makes not-quite-perfect Claudia Clarkson just cut the cord from her high school love-you-forever boyfriend. Sure, she misses Drew. But with so many eligibles on her new college campus, why study ancient history? Problem is, Claudia's lived in la-la-loveland for so long that she's completely forgotten how to meet boys -- and how to flirt. Then her roommate proposes a solution: Meet one new guy every day for thirty days. Consider it "target practice" for when Mr. Perfect comes along. Claudia's game, but she definetely hasn't got game. In fact, Flirting 101 could be her toughest course to pass...

In the "Critique of Hegel's Philosophy of Right,” the young Marx elliptically alludes to a "true democracy" whose advent would go hand in hand with the disappearance of the state. Miguel Abensour’s rigorous interpretation of this seminal text reveals an “unknown Marx” who undermines the identification of democracy with the state and defends a historically occluded form of politics. True democracy does not entail the political and economic power of the state, but it does not dream of a post-political society either. On the contrary, the battle of democracy is waged by a demos that invents a public sphere of permanent struggles, a politics that counters political bureaucracy and representation. Democracy is "won" by a people forewarned that any dissolution of the political realm in its independence, any subordination to the state, is tantamount to annihilating the site for gaining and regaining a genuinely human existence. In this explicitly heterodox reading of Marx, Miguel Abensour proposes a theory of "insurgent" democracy that makes political liberty synonymous with a living critique of domination.

"New religions emerge as distinct entities in the religious landscape when innovations are introduced by a charismatic leader or a schismatic group leaves its parent organization. New religious movements (NRMs) often present novel doctrines and advocate unfamiliar modes of behavior, and have therefore often been perceived as controversial. NRMs have, however, in recent years come to be treated in the same way as established religions, that is, as complex cultural phenomena involving myths, rituals and canonical texts. This Companion discusses key features of NRMs from a systematic, comparative perspective, summarizing results of forty years of research. The volume addresses NRMs that have caught media attention, including movements such as Scientology, New Age, the Neopagans, the Sai Baba movement and Jihadist movements active in a post-9/11 context. An essential resource for students of religious studies, the history of religion, sociology, anthropology and the psychology of religion"--

It begins with a child's hunger for love and acceptance and continues through years of withering criticism, perverse expectations, and unfounded competition from a narcissistic father who couldn't tolerate his son's happiness and libertine spirit. In the end, the author unravels a relationship that could never be fixed -- but perhaps didn't need to be.

This is an eloquent and deeply felt memoir exploring the author's complex relationship with his Jewish identity. "If I Am Not Myself" is a passionate, thought-provoking exploration of what it means to be Jewish in the twenty-first century. It traces the author's upbringing in 1960s Jewish-American suburbia, his anti-war and pro-Palestinian activism on the British Left, and life as a Jew among Muslims in Pakistan, Morocco, and Britain. Interwoven with this are the experiences of his grandfather's life in Jewish New York of the 1930s and '40s, his struggles with anti-Semitism and the twists and turns that led him from anti-Fascism to Militant Zionism. In the course of this deeply personal story, Marqusee refutes the claims of Israel and Zionism on Jewish loyalty and laments their impact on the Jewish Diaspora. Rather, he argues for a richer, more multi-dimensional understanding of Jewish history and identity, and reclaims vital political and personal space for those castigated as self-haters by the Jewish establishment.

"In his famous classification of the sciences, Francis Bacon not only catalogued those branches of knowledge that already existed in his time, but also anticipated the new disciplines he believed would emerge in the future: the "desirable sciences." Mikhail Epstein echoes, in part, Bacon's vision and outlines the "desirable" disciplines and methodologies that may emerge in the humanities in response to the new realities of the twenty-first century. Are the humanities a purely scholarly field, or should they have some active, constructive supplement? We know that technology serves as the practical extension of the natural sciences, and politics as the extension of the social sciences. Both technology and politics are designed to transform what their respective disciplines study objectively. The Transformative Humanities: A Manifesto addresses the question: Is there any activity in the humanities that would correspond to the transformative status of technology and politics? It argues that we need a practical branch of the humanities which functions similarly to technology and politics, but is specific to the cultural domain."--Publisher's website.

"Since the advent of Yang-Mills theories and supersymmetry in the 1970s, quantum field theory - the basis of the modern description of physical phenomena at the fundamental level - has undergone revolutionary developments. This is the first systematic and comprehensive text devoted specifically to modern field theory, bringing readers to the cutting edge of current research. The book emphasizes nonperturbative phenomena and supersymmetry. It includes a thorough discussion of various phases of gauge theories, extended objects and their quantization, and global supersymmetry from a modern perspective. Featuring extensive cross-referencing from traditional topics to recent breakthroughs in the field, it prepares students for independent research. The side boxes summarizing the main results and over 70 exercises make this an indispensable book for graduate students and researchers in theoretical physics"--

The Universal Jew analyzes literary images of the Jewish nation and the Jewish national subject at Zionism’s formative moment. In a series of original readings of late nineteenth-century texts—from George Eliot’s Daniel Deronda to Theodor Herzl’s Altneuland to the bildungsromane of Russian Hebrew and Yiddish writers—Mikhal Dekel demonstrates the aesthetic and political function of literary works in the making of early Zionist consciousness. More than half a century before the foundation of the State of Israel and prior to the establishment of the Zionist political movement, Zionism emerges as an imaginary concept in literary texts that create, facilitate, and naturalize the transition from Jewish-minority to Jewish-majority culture. The transition occurs, Dekel argues, mainly through the invention of male literary characters and narrators who come to represent "exemplary" persons or "man in general" for the emergent, still unformed national community. Such prototypical characters transform the symbol of the Jew from a racially or religiously defined minority subject to a "post-Jewish," particularuniversal, and fundamentally liberal majority subject. The Universal Jew situates the "Zionist moment" horizontally, within the various intellectual currents that make up the turn of the twentieth century: the discourse on modernity, the crisis in liberalism, Nietzsche’s critique of the Enlightenment, psychoanalysis, early feminism, and fin de siècle interrogation of sexual identities. The book examines the symbolic roles that Jews are assigned within these discourses and traces the ways in which Jewish literary citizens are shaped, both out of and in response to them. Beginning with an analysis of George Eliot’s construction of the character Deronda and its reception in Zionist circles, the Universal Jew ends with the self-fashioning of male citizens in fin de siècle and post-statehood Hebrew works, through the aesthetics oftragedy. Throughout her readings, Dekel analyzes the political meaning of these nascent images of citizens, uncovering in particular the gendered arrangements out of which they are born.

Like all classical composers, the young Rozsa faced the problem of how to make a living writing serious music. At the suggestion of famed French composer Arthur Honegger, he turned to film music, and thus began a "double life." Well-known for his movie scores, including Spellbound , The Lost Weekend , The Thief of Baghdad and Ben-Hur , Rozsa has also written numerous classical works that have been performed by major orchestras the world over. In this serviceable, straightforward autobiography he chronicles his rise to success, from his childhood in a small Hungarian town to the film studios of Hollywood. He tells an uncomplicated tale of a life of accomplishment, filled with reminiscences of his friendships with the rich and famous. Now in his 80s, Rozsa looks back with justifiable satisfaction on a career in which he has composed in two styles without compromising either