This book analyzes seven important works in the field of Modern Hebrew fiction that were translated to English and adapted into films. The author presents a brief history of Modern Hebrew literature, and a brief survey of Israeli cinema and of the adaptation of Israeli prose fiction into films. The chapters include a presentation of the literary world of the author whose work is studied and an itemization of his literary works in English translations. At the end of each chapter there is a discussion of the cinematic adaptation of the literary work studied in that chapter followed by a bibliography.

This volume commemorates the twenty-fifth anniversary of the Jewish Publication Society of America, celebrated in Philadelphia on April 5th and 6th, 1913. It offers a glimpse into the society's early history and its role in promoting Jewish culture and literature in America. Founded in 1888, the Jewish Publication Society aimed to disseminate religious, historical, and scientific works in the English language. This anniversary publication provides insights into the organization's activities, including its publications, membership, and contributions to Jewish intellectual life in the United States. "The Jewish Publication Society Of America Twenty-fifth Anniversary" serves as a valuable historical record for scholars and anyone interested in the development of Jewish institutions in America. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book presents an ethnographic history of the Old Yishuv. It describes and analyzes a significant community that reflected more than any other the various strands of Jewish life and the constraints and processes acting upon the Jewish world of the nineteenth and early twentieth centuries. .

Warsaw. The Jewish Metropolis offers analyses of the cultural, religious, political and intellectual history of Warsaw Jewry, once the leading Jewish metropolis in Europe and the world.

Warsaw was once home to the largest and most diverse Jewish community in the world. It was a center of rich varieties of Orthodox Judaism, Jewish Socialism, Diaspora Nationalism, Zionism, and Polonization. This volume is the first to reflect on the entire history of the Warsaw Jewish community, from its inception in the late 18th century to its emergence as a Jewish metropolis within a few generations, to its destruction during the German occupation and tentative re-emergence in the postwar period. The highly original contributions collected here investigate Warsaw Jewry's religious and cultural life, press and publications, political life, and relations with the surrounding Polish society. This monumental volume is dedicated to Professor Antony Polonsky, chief historian of the new Warsaw Museum for the History of Polish Jews, on the occasion of his 75th birthday. This book is also available in hardcover.

SPANNING SIX GENERATIONS and three continents, My Name, a Living Memory is a fictionalized saga of author Giorgio van Straten’s family from the Napoleonic era through World War II. The story begins in Rotterdam in 1811, when Hartog son of Alexander — father, cucumber salesman, and Dutch Jew — is forced by Napoleonic edict to choose a last name. He chooses Straaten, the Dutch word for “street.” The name presages a journey through history that flings Hartog’s descendants as far afield as San Francisco, London, Odessa, Sao Paolo, and Tbilisi. They witness the Gold Rush, the Russian Revolution, the Stalinist purges, and, finally, the Holocaust. Some are uprooted by business interests, including the author’s grandfather, who lost one of the A’s in his surname en route. As the political climate grows increasingly perilous for Jews throughout Europe, several are forced to flee for their lives, and many fail to return from Auschwitz, Sobibor, and Bergen-Belsen. Historical fiction of a very personal sort, van Straten weaves his relatives’ stories together, much as an art restorer reconstructs the missing portions of a fresco, guided by the evidence that remains. A gold watch, a few photographs, crumpled documents and letters, family lore; these are the artifacts from which lives are re-created. In the end, the story of van Straten’s family can be read as a testament to the rich and varied history and culture of Jews in Europe and the Americas.

Delve into the fascinating world of ancient Jewish texts with this groundbreaking study from renowned scholar Elkan Nathan Adler. Drawing on his extensive knowledge of Hebrew language and culture, Adler offers insightful commentary on the significance and history of these rare and valuable documents. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

'Bill Freund, the late social historian and leading analyst of African history, passed away in 2020 soon after finishing his autobiography. Often described as the academy's 'outsider insider', he was an eminent South African historian who published prodigiously in the areas of labour, capital and economic history. What influenced this American-educated academic to become such an astute and trusted observer of the political economy in Africa? We follow Bill's intellectual journey from a modest Jewish home in Chicago in the 1950s to the Universities of Chicago, Yale, Ahmadu Bello University in Nigeria and Dar-es-Salaam, Tanzania, and finally to a permanent teaching position at the University of KwaZulu-Natal in Durban, South Africa. Peppered in between the commentaries on academic life are stories of his travels, poems he wrote for loved ones, and endearing anecdotes of friendships that shaped his life. As an 'outsider', both in the United States and abroad, he is able to offer rich insights into the world of Africanists and their scholarship on different continents. His thoughtful and balanced observations on late- and post-apartheid South Africa are especially interesting and refreshing. This posthumously published autobiography will give deeper insight into this unusual man and the world that shaped him - and which he in turn influenced through a deep commitment to rigorous scholarship. It includes a select bibliography of Bill Freund's many publications as well as a foreword by Robert Morrell on the making of this autobiography."--Amazon description.

Few questions have agitated thoughtful Jews as much as the one touching on identity. The problem arose originally from the situation of the Jews as a diaspora community. From the time of Philo and probably before, great energies have been expended by Jews in seeking to understand the meaning of the Jewish dispersion. In recent times the problem has been transformed from a largely academic and relig ious issue into a political one, to wit the furious debates in modern Israel over the citizenship quandary. For more than twenty years now the Jewish State has been rocked by violent and often acrimonious discussion over the who is a Jew controversy. The consequences of these exchanges have had reverberations all over the Jewish world since a final determination of this issue could not but have important bearing on present-day diaspora communities. For reasons that are natural and understandable Israeli historians such as Baer, Dinur and Kauffman have written extensively and brilliantly about the diaspora dimensionin Jewishhistory. Theirfocus, however, has been influenced strongly by the re-birth of Israel as a political entity in this century. This has predisposed them not unex pectedly to view the vast historical sweep of diaspora history aspart of a spectrum which reflects the return to Israel as a dominant shading in the analysis.

This book is the product of a unique collaboration between Israeli artist and philosopher Aïm Deüelle Lüski and visual culture theorist Ariella Azoulay. In their longstanding working relationship, they research how to theorize the structure of the contemporary scopic regime and open a space for its civil transformation. On this occasion, Azoulay interprets a particular series of cameras built by Deüelle Lüski, along with photographs taken by these cameras. Unlike conventional cameras and their vertical photography, Deüelle Lüski's cameras seek to generate new sets of relations between the camera and the world. Azoulay's text unfolds four different 'short histories' of problems in photography, each of which deconstructs what otherwise might appear as a coherent photographic regime, yet which is shown to be based solely on principles of sovereignty and possession. Through and with Deüelle Lüski's project Azoulay seeks to 'potentialize' the history of photography, that is, to recover long forgotten, un-materialized possibilities

"This book stands as a testimony to Bauman's belief in the enduring relevance of sociology. But it is also a call to us all to start questioning the world in which we live and to transform ourselves from being the victims of circumstance into the makers of our own history. For that, at the end of the day, is the use of sociology."--pub. desc.

This volume brings together thirty-four essays and ar- ticles by Werner J. Cahnman representing four decades (1940-1980) of work by an extraordinary, multidisciplinary scholar. Cahnman's work encompasses the experiences of a German Jewish refugee, an economist turned sociologist, and a scholar of Judaism. Part 1 contains personal and autobiographical writings and includes analyses of the cultural ambiguities of Jewish assimilation in Germany and Austria. Part 2 is devoted to sociological essays ranging from a critical assessment of Gunnar Myrdal's landmark study of the problems of race and democracy, An American Dilemma , to a probing look at the stigma of obesity, based on empirical research, a subject very much in the news today and that shows Cahnman ahead of his time. Part 3 offers some of Cahnman's most perceptive essays dealing with geopolitical themes. Included are theoretically based writings that help to clarify the methods and concepts of geopolitics, marking the intellectual beginnings of the global approach to world affairs. Here Cahnman broached the possibility of a united Europe (1944), realized sixty years later in the formation of the European Union. The twelve essays of Part 4 return to Cahnman's ever-present concern with Jews and Judaism. They present a wide-ranging historical-sociological view, from the Jews of Vienna in the 1930s to the American scene in the 1960s, to the still-unresolved problematics of Arab-Israeli relations, with Cahnman arguing for coexistence and a two-state solution for Jews and Arabs. The volume, carefully selected and assembled by the editors, presents for the first time essays representing the full range of Werner Cahnman's scholarship and thought. It will be of interest to students of sociology, history, political science, and Judaic studies.

"Poised between hope and despair for a humanity facing an urgent communication crisis, this work by Vilém Flusser forecasts either the first truly human, infinitely creative society in history or a society of unbearable, oppressive sameness, locked in a pattern it cannot change. First published in German in 1985 and now available in English for the first time, Into the Universe of Technical Images outlines the history of communication technology as a process of increasing abstraction. Flusser charts how communication evolved from direct interaction with the world to mediation through various technologies. The invention of writing marked one significant shift; the invention of photography marked another, heralding the current age of the technical image. The automation of the processing of technical images carries both promise and threat: the promise of freeing humans to play and invent and the threat for networks of automation to proceed independently of humans."--Publisher

Dating from the sixteenth century, there were hundreds of shtetls—Jewish settlements—in Eastern Europe that were home to a large and compact population that differed from their gentile, mostly peasant neighbors in religion, occupation, language, and culture. The shtetls were different in important respects from previous types of Jewish settlements in the Diaspora in that Jews had rarely formed a majority in the towns in which they lived. This was not true of the shtetl, where Jews sometimes comprised 80% or more of the population. While the shtetl began to decline during the course of the nineteenth century, it was the Holocaust which finally destroyed it. During the last thirty years the shtetl has attracted a growing amount of scholarly attention, though gross generalizations and romanticized nostalgia continue to affect how the topic is treated. This volume takes a new look at this most important facet of East European Jewish life. It helps to correct the notion that the shtetl was an entirely Jewish world and shows the ways in which the Jews of the shtetl interacted both with their co-religionists and with their gentile neighbors. The volume includes chapters on the history of the shtetl, its myths and realities, politics, gender dynamics, how the shtetl has been (mis)represented in literature, and the changes brought about by World War I and the Holocaust, among others. Contributors: Samuel Kassow, Gershon David Hundert, Immanuel Etkes, Nehemia Polen, Henry Abramson, Konrad Zielinski, Jeremy Dauber, Israel Bartel, Naomi Seidman, Mikhail Krutikov, Arnold J. Band, Katarzyna Wieclawska, Yehunda Bauer, and Elie Wiesel. This is the first book published in the Elie Wiesel Center for Judaic Studies Series .

In 1975, at the age of forty, Richard Raskind, a renowned eye surgeon and highly ranked amateur tennis player, "died," and Renée Richards was "born," in what was to become the most public and highly scrutinized sex reassignment to date. It was not until Renée Richards was discovered playing in an amateur tennis tournament that the world took notice. Extensive media coverage and criticism thrust Renée reluctantly into the spotlight, sparking an intense public debate over her private life. Now, at seventy-two, Richards looks back and speaks frankly about all aspects of her complicated and often notorious life in this eye-opening, thought-provoking memoir. Richards' honest and compelling narrative explores the dichotomy between the successful life she lived as Dr. Richard Raskind, who seemed to have everything (devoted friends, a beautiful wife and son, a stellar record of academic and professional achievement, and outstanding athletic ability), and a secret life of struggle with a drive that could not be suppressed, even by years of psychotherapy and the force of a considerable will. Richards takes readers through her difficult decision to undergo surgery and the complex mixture of relief and continued frustration that came with the realization of her new identity. Discussing life after her transformation, Richards candidly relates the details, trials, and pleasures of her romantic life as well as fascinating stories about her tennis career, including her experiences as Martina Navratilova's coach. She also provides an intimate account of her difficult but rewarding relationship with her rebellious son: runaway teenager, high-stakes Vegas gambler, karate champion, and entrepreneur. She describes the deterioration of a once-loving marriage and the challenges of reclaiming her place at the forefront of her demanding medical specialty. Having lived as a woman almost as long as she lived as a man, Richards draws on a personal history that illuminates thirty years of remarkable change in society's attitude toward gender issues. Her absorbing and inspiring story, at once heartbreaking and uplifting, is a testimony to how far we have progressed in our ability to discuss and accept sexuality in all its iterations, as well as a reminder of how far we still must travel.

In Light of My Eye, Paula Jacques, born in Egypt, recreates the vanished world of cosmopolitan Cairo with remembered affection and amusing dialogue. Her novel depicts the turbulent waning days of its once thriving Jewish community, during the strange and ominous time between the collapse of the Egyptian monarchy and Nasser's rise to power. At its center are the pre-adolescent Mona Castro and her family, whose lives and destinies the author evokes in a series of scenes that veer between poignancy and wit. Mona's coming of age is marked by her youthful rebellion against her domineering mother, Becky; the illness of the beloved family patriarch, Joucky; and her half-innocent dalliance with an older man, a refugee from eastern Europe. The surrounding ensemble of relatives, whose family gatherings attempt to cope with a history that will overwhelm them, shifts the focus from Mona' s tale to a chronicle of a proud, doomed family.

A miscellany of sorts, preeminent author and critic Nicholas Delbanco's Curiouser and Curiouser attests to a lifelong interest in music and the visual arts as well as both "mere" and "sheer" literature. With essays ranging from the restoration of his father-in-law's famed Stradivarius cello--known throughout the world as "The Countess of Stanlein"--to a reimagining of H. A. and Margaret Rey's lives and the creation of their most beloved character, Curious George , Delbanco examines what it means to live and love with the arts. Whether exploring the history of personal viewing in the business of museum-going, musing on the process of rewriting one's earliest published work, or looking back on the twists and turns of a life that spans the greater part of the twentieth century and into the twenty-first, Delbanco's Curiouser and Curiouser invites adventurous readers to follow him down the rabbit hole as he reflects on life as a student, an observer, a writer, a lover, a father, a teacher, and most importantly, a participant in the everyday experiences of human life.

This candidly written autobiography of Sir Michael Kerr chronicles the life of one of Britains most prominent judges of the 70s and 80s from his Continental childhood up to his career in the Court of Appeal and beyond. In the first part of his memoir,the author traces his family history and Germanic roots. His father, Alfred Kerr, was a well-known dramatic critic and essayist, whose writings were widely known throughout Germany from the turn of the century and have recently seen a resurrection, 50 years after his death, as related in the last chapter of the book. But because of the fame of his anti-Nazi writings and broadcasts, the Kerrs were forced to flee from Berlin as early as 3 March 1933, when Hitler came to power. The author and his sister Judith, later to become a famous author of childrens books, had a relatively happy cosmopolitan childhood in Zurich, Paris, Nice and ultimately England. But their parents lives remained on the edge of poverty and sometimes despair and there was never again a family home. The memoirs then tell of his years at Aldenham School and the beginnings of Cambridge, and of his assimilation into the English way of life. They relate the story of his internment as an enemy alien in 1940 and of his subsequent release and service as a pilot in the Royal Air Force until the end of World War II. The author then returned to Cambridge to finish his law degree and was urged to go the Bar. The later chapters of this autobiography are mainly devoted to the law. They recount the authors career as a leading commercial Junior and then a Silk, his initial hesitations about the Bench, but ultimately culminating in his appointment as a Lord Justice of Appeal. He describes the Bar of the post-war decades and is frank about the frustrations and disappointments of his career. He also provides insights into the oddities of the English legal system, but maintaining throughout his firm belief in the importance of an independent Bar.

Encountering Edward Said on Yom Kippur: Reflections on the Late-Style Jewish Prophetic is a fascinating and controversial collection of journals and meditations on the plight and possibility of the prophetic witness in the modern world. In these pages, the Jewish theologian, Marc H. Ellis, explores the prophetic through his encounters with the late Palestinian intellectual, Edward Said, as a way of thinking through the stakes of contemporary Jewish history. His unexpected encounter with Said on Yom Kippur provides a fascinating window to explore the dangers and possibilities of present-day Jewish life and its future. Ellis applies Said's idea of late-style to the Jewish prophetic - what Ellis names the Late-Style Jewish Prophetic - to mean the reappearance and coming home of the Jewish prophetic as it undergoes its own deconstruction and re-emergence. At turns deeply personal and creatively theoretical, Ellis doesn't shy away from the forbidden terrains of self questioning and progressive posturing, even with people and movements he identifies with. The result is a sensitive and provocative exploration filled with questions and responses rather than definitive answers.

This collection of essays and reviews represents the most significant and comprehensive writing on Shakespeare's A Comedy of Errors. Miola's edited work also features a comprehensive critical history, coupled with a full bibliography and photographs of major productions of the play from around the world. In the collection, there are five previously unpublished essays. The topics covered in these new essays are women in the play, the play's debt to contemporary theater, its critical and performance histories in Germany and Japan, the metrical variety of the play, and the distinctly modern perspective on the play as containing dark and disturbing elements. To compliment these new essays, the collection features significant scholarship and commentary on The Comedy of Errors that is published in obscure and difficulty accessible journals, newspapers, and other sources. This collection brings together these essays for the first time.