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Farb, an ordinary, honest man, hates Fridays, but this Friday is the worst of all: his ex-wife demands her property settlement; his father announces his intention to remarry; his least favourite clients propose an unethical deal; and he becomes involved in a robbery. A humourous look at the power and greed of Toronto's financial world. Strong language.

Longlisted - Australian Book Industry Awards 2018 Shortlisted - Speech Pathology Australia Book of the Year Awards 2018 Shortlisted - WAYBRA Children's Choice Awards 2019 Shortlisted - REAL Children's Choice Awards 2019 'Haunting... dangerous and desperate, but also full of courage and hope.' The Guardian 1946. Europe is in ruins. Millions of people dream of finding happiness somewhere else. Fourteen-year-old Felix is one of them. When he's offered a journey to somewhere far away, he seizes the opportunity. So does someone very dear to him, even though she wasn't actually invited. They have high hopes for their new land, and their dramatic arrival there makes them want to stay. But before Felix and Anya can embrace the love and friendship of their new world, they must confront the murderous urge for revenge still alive in the old. Felix knows he hasn't faced anything like this before. He may not survive, but he's hoping he will. Maybe. Blending humour and heart, Maybe is a coming-of-age story about identity, family, and the search for truth and explores the devastating and long-lasting impact of loss and trauma. 'Morris Gleitzman has discovered the difficult trick of changing reality so that poignancy and laughter are never far apart.' The Australian 'Painfully truthful.' The Sunday Times 'Funny and shocking at the same time.' Jewish Chronicle Other books in the series- Once Then Now After Soon Maybe Always

'I need to see the Queen about my sick brother.' Colin Mudford is on a quest. His brother Luke has cancer and the doctors in Australia don't seem to be able to cure him. Sent to London to stay with relatives, Colin is desperate to do something to help Luke. He wants to find the best the doctor in the world. Where better to start than by going to the top? Colin is determined to ask the Queen for her advice. In Morris Gleitzman's trademark style, this very moving story illuminates deeply serious issues about illness and loss with bright moments of humour.

1959, probably a First Edition but not stated, no other date present, stated First Printing, red cloth hardcover with black lettering on the spine, 482 pages with Index, illustrated with diagrams, measures about 8 7/8 inches X 6 1/8 inches.

This book indicts liberal arts undergraduate education. In view of rather oft-cited failings and shortcomings of education at all levels, why focus on undergraduate education? The liberal arts colleges are the heart of our entire educational system. Why is undergraduate education poor? The prime culprit is the overemphasis on research. This book discusses this problem in depth, with a focus on mathematics.

American architect Morris Lapidus is best known as the designer of glamorous postwar resort hotels in Florida, such as the Fontainebleau (1954) and the Eden Roc (1955) in Miami Beach, and the Americana in Bal Harbour (1956). Yet in a remarkable sixty-year career that began in 1926, he designed more than 500 retail stores, hotels, apartment complexes, and stage sets that captured the popular spirit and changing face of Main Street America in the twentieth century. Lapidus created fantasy environments in which America's middle class, flush with expanding postwar incomes and optimism, could fulfill its desire for glamor, relaxed luxury, and leisure. His signature forms - chevrons, "beanpoles," "woggles," or amoeba shapes, and curving walls and ceilings punctuated by "cheese holes," or cutouts - have become treasured icons of American postwar vernacular architecture. Born in Russia in 1902, Lapidus was brought to New York by his parents a year later, and the family first settled on the Lower East Side. He completed his architecture degree at Columbia University and first earned a reputation by designing stage sets and retail stores in which he developed new theories in store design and essentially created the modern storefront as we now know it. For his famed resort hotels of the 1950s Lapidus designed not only the vast structures but a melange of quasi-French provincial and Italian Renaissance decorative elements that critics would dub "Miami Beach French," including everything from the tableware to his famous "stairways to nowhere." He was one of the first architects to acknowledge the cinema as an overriding influence on American taste.

A comic lineup of stories, essays, cartoons, and more, from Lardner and Runyon to Philip Roth, Charles Addams to Charles Schulz, plus dozens of other funny fans. "The best baseball book of the season." -- Los Angeles Times Book Review . B & W photographs and illustrations throughout.

Continuing his exploration of the substance of a basic education, Mortimer J. Adler examines the inherent values of various art forms and considers their significance within a well-rounded curriculum. He maintains that imaginative literature and works of science, philosophy, theology, and history act upon our intellects and stimulate the discussion of ideas. The non-verbal arts, which act directly and powerfully on our emotions and sentiments without the intermediation of thought, are to be valued for their beauty, their workmanship, and the pleasure they give rather than their contributions to a body of ideas. Elucidating his ideas through the discussion of specific works, Adler concludes that an appreciation of all the human arts is essential to the development of a fully cultivated and well-educated person.

Essays discuss Abraham Lincoln, Judge Bork, the decline of Communism, human nature, and the future of democracy

How do meaningless marks and sounds become the meaningful words of a natural language? To what do words having referential significance refer? What is the meaning of the words that do not have referential significance? Can ordinary language really do what it appears to do, or is this an illusion? Dr. Adler maintains that these fundamental questions are not satisfactorily treated in the two main philosophies of language that have dominated twentieth-century thinking on the subject - the syntactical and 'ordinary language' approaches. Drawing upon the tradition of Aristotle, Aquinas, Poinsot, and Husserl, Dr. Adler's own discussion exemplifies the third approach, which he describes as "semantic and lexical." In this now -classic work, the fruit of more than 50 years' concern with the philosophy of language, Dr. Adler advances a powerful theory of meaning and applies it to some outstanding philosophical problems. In unpretentious and uncluttered prose, he provides a limpid introduction to a number of knotty philosophical issues and at the same time issues a challenge to some of the most tenacious doctrines of the modern world.

In Greek and Roman antiquity, philosophy was supreme in the domain of learning. Philosophy was the name for the pursuit of truth about the most fundamental things to be known or understood. It was the most desirable of all the goods of the mind. But today we live in an age dominated by science and technology - an age that has witnessed not only the rise of positivism, but the retreat of academic philosophy to an analysis of language. Professorial philosophy has become as specialized a subject as logic and mathematics. If anyone asks why we should be concerned with the intellectual respectability of philosophy, this book provides the answer.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

(Study Score). 1995 Pulitzer Prize in Music winner. Parts available on rental.