What can reading for the gender of signature tell us about the act of reading as a poetics and politics? In Subject to Change Miller demonstrates the textual effects of female authorship in the production, reception, and circulation of women's writing. In the wake of Roland Barthes's famously Dead Author, Miller argues for the cultural vitality of feminist writing subjects.

After studying at the Art Institute of Chicago and the Fine Arts Academy of Paris, Nancy Spero distinguished herself as one of the most significant protagonists on the New York art scene, where she has lived and worked since 1964. Among the most prominent andinfluential figures in American art today, she has always been involved in feminist and peace movements, and has elaborated a language of painting that is intimately tied to social and anthropological realities. This volume focuses on the artist's social commitments, as documented in photographs and an interview, and also includes recent works recording her path through art and politics. Thanks to important solo shows in public museums and at important venues such as the 2007 Venice Biennale curated by Robert Storr, which featured her work " Take No Prisoners," and solo exhibitions in Spain, over the past few years Spero has conquered the European art scene.Nancy Spero is an American-Jewish artist who works in many media, both traditional and experimental. Spero was born in Cleveland, Ohio in 1926. After attending the University of Colorado at Boulder from 1944-1945, she received her BA from the Art Institute of Chicago in 1949. Her first solo exhibit was in Paris in 1962.

Book by Harbeson, John W., Rothchild, Donald

"We're not exactly scene-stealers, so you don't hear much from us shy folk-and that's usually how we like it." -Elizabeth Zotova, "My Dear X" The pages of this anthology are filled with personal essays and poems of thoughtful musings, raw memories, and humorous self-examinations by authors and poets who have been labelled by the world-teachers, parents, and peers-as shy. Here, they proudly own up to their shyness, and their message is clear: they don't need to be "cured"! Why should they, when nearly half of North Americans consider themselves shy? Editors Naomi K. Lewis and Rona Altrows have enlisted writers from across the continent and have created a moving anthology that will appeal to all, either because we are shy or because we know someone who is. Contributors: Rona Altrows, Debbie Bateman, Wade Bell, Alex Boyd, Janis Butler Holm, Brian Campbell, Weyman Chan, Lorna Crozier, Mike Duggan, Ben Gelinas, Elizabeth Greene, Vivian Hansen, Elizabeth Haynes, Steven Heighton, Jennifer Houle, I.B. Iskov, Eve S. Krakow, Shawna Lemay, Naomi K. Lewis, Shirley Limbert, Carol L. MacKay, Micheline Maylor, Don McKay, Stuart Ian McKay, Bruce Meyer, Jeff Miller, Dhana Musil, Lori D. Roadhouse, Kerry Ryan, Sydney Sharpe, Natalie Simpson, Sylvia Stopforth, David Van Buren, Aritha van Herk, Russell Wangersky, Cassy Welburn, Madelaine Wong, Elaine Woo, and Elizabeth Zotova.

By assessing Luce Irigaray's contribution to the fields of philosophy, literary theory and feminism, this collection of essays reconsiders Irigaray's position in Western thought and explores her relationship to other philosophers.

Aims to bring clarity to the essentialism/anti-essentialism debate at the center of feminist theory and feminist cultural studies. This book deals with origins and contexts of the debate; relationships between essentialism, anti-essentialism, and the power of language; and the reasons for the demonization of essentialism within the academy.

Weisstein was a brilliant, zesty original — hilarious, irrepressibly bold, a daring, joyful mischief-maker. In both her scientific work and her political essays she questioned all the sacred pieties, accepting no orthodoxy without challenge. This volume of her non-scientific articles restores to prominence her rightful place as one of the Left’s most audacious figures. “For years, I’ve been trying to explain that Naomi Weisstein was great at everything, from science and music to writing and friendship. If she hadn’t existed, no one could have invented her. Now, Martin Duberman has collected her essays, so you, too, can discover her.” — Gloria Steinem “Naomi was a force of nature … May the next generation carry on her spirit!”—Heather Booth, founder of JANE “Naomi Weisstein fearlessly challenged bigotry and ignorance … Fortunately for us, her longtime close friend and comrade, esteemed historian Martin Duberman, has assembled and annotated her scattered essays. Weisstein, a multifaceted woman, upended the status quo and paved the way.” — Marcia Gallo, author, Different Daughters “Naomi Weisstein’s ideas suffused the women’s liberation movement of the 1960s and 70s with a revolutionary vision … Eloquent, funny and relentlessly honest … she contributed a brilliant critique of hierarchical power relations and the ideologies that justified them.” — Amy Kesselman, Professor Emerita, Women’s Studies, SUNY, New Paltz “Powerful argument coupled with mischievous wit …Viva Naomi!" — Alix Kates Shulman, author, Memoirs of an Ex-Prom Queen

Naomi Zack pioneers a new theory of justice starting from a correction of current injustices. While the present justice paradigm in political philosophy and related fields begins from John Rawls’s 1970 Theory of Justice, Zack insists that what people in reality care about is not justice as an ideal, but injustice as a correctable ill. For a way to describe real injustice and the society in which it occurs, Zack resurrect Arthur Bentley’s key insight that government and law (or political life) is a constant process of contending interest groups throughout society. Bentley’s main idea allows for a resolution of the contradiction between formal legal equality for U.S. minorities and post-civil rights practical inequality. Just law and unjust practice co-exist as a fact of political life. The correction of injustice in reality requires applicative justice, in a comparison between those who are treated unjustly with those who are treated justly, and the design of effective measures to equalize such treatment. Zack's theory of applicative justice offers a revolutionary reorientation of society's pursuit of justice, seeking to undo injustice in a practical and fully achievable way.

First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

"Continuing her visionary work in social-political philosophy, Zack critiques identity politics as perpetuating damaging essentialist perspectives and policies. The antidote to identity group egoism is anonymity based on relevant shared interests and a meritocracy led by experts chosen without preference for group affiliation or political charisma"--

Summary: Noah Gree, a hard-edged, middle-aged, Jewish cop, and his laconic black partner, Sam McKibbon, are called to the scene of a grisly knife murder. Their investigation leads them to confront an assortment of pimps, professors, musicians, bartenders, and a very nasty dog named Merle Haggard.

Dust jacket design by James and Ruth McCrea. His first novel after many non-fiction books about jazz.

Here is Nat Hentoff's deeply felt exploration of jazz, blues, country, and gospel -- and the musicians who bring the music to life. Hentoff has not only loved music all his life -- he has lived it by being friends with many of the musicians he writes about in this collection. Hentoff poignantly describes the early days of Roy Eldridge and the last years of Billie Holiday and Bird. He tells amazing stories of the Count, Duke, and Dizzy. "Full of insightful behind-the-scenes encounters" (San Francisco Chronicle), Listen to the Stories covers new recordings and old legends, remarkable lives and unforgettable music. Copyright © Libri GmbH. All rights reserved.

From the Bill of Rights, freedom of speech, and civil rights to jazz, blues and country music, Nat Hentoff has written about American life for decades, in the Atlantic Monthly , the New Yorker , the Village Voice , the Wall Street Journal , and JazzTimes, among countless other publications. The New York Times has hailed Hentoff's work as "an invigorating and entertaining reminder of why freedom of expression matters." The Washington Post Book World has called Hentoff "an old-fashioned music lover who likes, as Charlie Parker once put it, 'to listen to the stories' that good music tells." Nat Hentoff is a legend.And now, for the first time, here are his most important writings of the past twenty years—the quintessential Hentoff on everything from Cardinal John O'Connor to Merle Haggard, racism and political correctness in the classroom to Lester Young, Dizzy Gillespie to the censorship of Huckleberry Finn. Controversial? You bet. Whatever the topic, The Nat Hentoff Reader shows a man of passion and insight, of streetwise wit and polished eloquence-a true American original.

La solitudine dell'infanzia e lo stupore della vecchiaia, i film visti e i libri letti, il lavoro, la musica lirica (il titolo è tratto dal libretto del Lohengrin), la politica, il credere o il non credere in Dio: i brevi saggi qui raccolti somigliano alle pagine di quel diario che l'autrice dichiarava di non essere mai riuscita a tenere. Di certo sono vicini, per affinità tematica e sapienza di racconto, a "Lessico famigliare" e, come altrove nell'opera di Natalia Ginzburg, sono inseparabili dalla vocazione del narrare di sé. Nella loro casualità, nel loro placido disordine quotidiano, affrontano questioni che appartengono a ciascuno di noi. Singolare autoritratto di donna, "Mai devi domandarmi" diventa cosi un'esperienza familiare, un oggetto destinato a farci compagnia giorno dopo giorno. L'edizione è corredata da un saggio di Domenico Scarpa e da un apparato comprendente le notizie sul testo, un'antologia della critica, una bibliografia e una cronologia della vita e delle opere. Introduzione di Cesare Garboli.

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The story of a wealthy Jewish family living in Cracow whose idyllic life is shattered in the midst of invasion by the Nazi army in Poland. Experiencing, on one hand, immense adversities, denunciations and arrest, and, on the other, miraculous rescues, incredible escapes and the occasional example of human kindness, the family survived until the end of the war, but just when liberation was in sight the uprising of Warsaw in August 1944 brought fresh troubles.