Neither Anne nor Emily remembered choosing the book at the library, but when as they read it, the boundary between their world and the one described in the book disappears. Suddenly they are in Sherwood Forest, where they join Robin Hood's band. The further adventures that await Anne, Emily, and their brother, Will, are the kind they had always dreamed about. They had yearned for magic as strong as the spell cast by the stories they loved best. But then an uninvited guest turns up at their parents' garden party. The sinister man snatches the book with the intention of using its powers for evil, and the siblings find themselves engaged in a battle to regain possession of the book. Richly detailed black-and-white drawings enliven this intriguing literary fantasy, which pays homage to some of the heroes of the author's childhood, among them E. Nesbit, Edward Eager, and Leo Tolstoy.

A fully illustrated, stylish look back at the story behind a Canadian design icon. For a decade, in the 1960s, the Clairtone Sound Corporation captured the spirit of the times: sophisticated, cosmopolitan, liberated. From its modern oiled-walnut and teak consoles to its minimalist logo and cheeky marketing materials, Clairtone produced a body of design work that is still today contemporary. Founded in 1958 by two Canadian upstarts, Peter Munk and David Gilmour, the fledgling manufacturer of hi-fi and TV consoles quickly became known for its iconic designs and masterful advertising campaigns. Its Project G stereo, winner of the silver medal at the 1964 Milan Triennale, with its space-age styling, and costing as much as a small car, was the epitome of bachelor pad cool. Famously, Hugh Hefner owned a Project G. So did Frank Sinatra. In 1967, suggesting how deeply it had come to be identified with popular culture, a Project G appeared in The Graduate alongside Dustin Hoffman and Anne Bancroft. Richly illustrated with more than two hundred images, The Art of Clairtone is a candid and intimate look at the company's skyrocketing success and sensational collapse. Through the personal and private recollections of those who knew Clairtone best, from its founders to its designers, engineers, and salesmen, and with comments from Karim Rashid, Douglas Coupland, Tyler Brule, and Bruce Mau, this elegant book captures the influence and spirit of an iconoclastic company that seemed to represent all the promise of Canada.

Few luminaries in Jewish history, particularly in modern times, have made such a lasting and profound contribution to our spiritual heritage as Rabbi Schneur Zalman of Liadi (1745-1812). His works embrace the entire spectrum of Jewish thought - mysticism, philosophy, psychology, ethics and law - and represent an expression of unparalled creative genius.This richly detailed biography traces Rabbi Schneur Zalman's life from his childhood and formative years to his trials and triumph as a leader who revolutionized Jewish life. It reveals many hitherto unknown facts, and offers the reader considerable insight into his extraordinary strength of character. Vilified by many of his contemporaries and arrested by the Czar, Rabbi Schneur Zalman emerged victorious; today his teachings continue to inspire and vitalize Jewish life all over the world.

"For more than four decades, socially disadvantaged Israeli Mizrahim--descendants of Middle Eastern Jews--have continuously supported right-wing political parties. Sociologists, NGOs, and left-wing politicians tend to view Mizrahim as acting against their own interests, but Nissim Mizrachi locates the problem within the limitations of the liberal grammar with which their behavior is read. In Beyond Suspicion, Mizrachi turns the direction of inquiry upon itself, contrasting liberal grammar--which values autonomy, equality, and universal reason and morality--with the grammar of Mizrahi rootedness, in which the self is experienced through a web of relational commitments, temporal ties, and codes of collective identity. Recognizing rootedness as a fundamental need for belonging is necessary to understand both scholarly and political rifts in Israel and throughout the world"--

Looks at the role of the United States in Iraq's reconstruction after the war, covering such topics as Iraqi elections and decomcracy in Iraq.

What do we owe Iraq? America is up to its neck in nation building--but the public debate, focused on getting the troops home, devotes little attention to why we are building a new Iraqi nation, what success would look like, or what principles should guide us. What We Owe Iraq sets out to shift the terms of the debate, acknowledging that we are nation building to protect ourselves while demanding that we put the interests of the people being governed--whether in Iraq, Afghanistan, Kosovo, or elsewhere--ahead of our own when we exercise power over them. Noah Feldman argues that to prevent nation building from turning into a paternalistic, colonialist charade, we urgently need a new, humbler approach. Nation builders should focus on providing security, without arrogantly claiming any special expertise in how successful nation-states should be made. Drawing on his personal experiences in Iraq as a constitutional adviser, Feldman offers enduring insights into the power dynamics between the American occupiers and the Iraqis, and tackles issues such as Iraqi elections, the prospect of successful democratization, and the way home. Elections do not end the occupier's responsibility. Unless asked to leave, we must resist the temptation of a military pullout before a legitimately elected government can maintain order and govern effectively. But elections that create a legitimate democracy are also the only way a nation builder can put itself out of business and--eventually--send its troops home. Feldman's new afterword brings the Iraq story up-to-date since the book's original publication in 2004, and asks whether the United States has acted ethically in pushing the political process in Iraq while failing to control the security situation; it also revisits the question of when, and how, to withdraw. -- "Choice"

Winner of the 2007 B.C. Award for Canadian Non-fiction A Globe and Mail Best 100 Book (2006) National Post Best Books (2006) A bold cultural portrait of contemporary Canada through the work of its most celebrated novelists, short story writers, and storytellers. Stories are the surest way to know a place, and at a time when the fabric of the country seems daily more uncertain, Noah Richler looks to our authors for evidence of the true nature of Canada. He argues why fiction matters and seeks to discover — in the extra-ordinary diversity of communities these writers represent — what stories, if any, bind us as a nation. Over two years, Richler has criss-crossed the country and interviewed close to one hundred authors — a who’s who of Canadian literature, including Wayne Johnston, Michael Crummey, Alistair MacLeod, Gil Courtemanche, Jane Urquhart, Joseph Boyden, Miriam Toews, Yann Martel, Fred Stenson, Douglas Coupland, and Rohinton Mistry — about the places and ideas that are most meaningful to their work. The result is a journey through the reality of Canada and its imagination at a critical point in the country’s evolution. Within thematic chapters he exposes our “Myths of Disappointment” and considers the stories of our native peoples, the rise of the city, and how our history as a colony shapes our society and politics even today. This Is My Country, What's Yours? is an impassioned literary travelogue and a vivid portrayal of our society, the work of Canadian authors, and the idea of writing itself. This Is My Country, What's Yours? is based on Noah Richler’s ten-part documentary of the same name originally broadcast on CBC Radio’s flagship Ideas program in spring 2005.

This is Volume 3 in the "Collected Works of Norbert Elias", translated by Edmund Jephcott. Recognised as one of the most important works of sociology in the last century, "On the Process of Civilisation" has been influential and widely discussed across the whole range of the humanities and social sciences. This sumptuous new edition, completely revised with many corrections and clarifications, includes colour plates of all the 13 drawings from "Das Mittelaterliche Hausbuch" to which Elias refers in his famous discussion of 'Scenes from the life of a knight'. Beginning with his celebrated study of the changing standards of behaviour of the secular upper classes in Western Europe since the Middle Ages, Elias demonstrates how 'psychological' changes in habitus and emotion management were linked to wider transformations in power relations, especially the monopolisation of violence and taxation by more increasingly effective state apparatuses.

How authoritarian and racist discourse functions A classic book that analyzes and defines media appeals specific to American pro-fascist and anti-Semite agitators of the 1940s, such as the application of psychosocial manipulation for political ends. The book details psychological deceits that idealogues or authoritarians commonly used. The techniques are grouped under the headings "Discontent", "The Opponent", "The Movement" and "The Leader". The authors demonstrate repetitive patterns commonly utilized, such as turning unfocused social discontent towards a targeted enemy. The agitator positions himself as a unifying presence: he is the ideal, the only leader capable of freeing his audience from the perceived enemy. Yet, as the authors demonstrate, he is a shallow person who creates social or racial disharmony, thereby reinforcing that his leadership is needed. The authors believed fascist tendencies in America were at an early stage in the 1940s, but warned a time might come when Americans could and would be "susceptible to ... [the] psychological manipulation" of a rabble rouser. A book once again relevant in the Trump era, as made clear by Alberto Toscano's new introduction.

2013 Reprint of 1949 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. This is the second book by Norbert Wiener on time series and communication engineering. While the first one, "Cybernetics", treated the subject from a general standpoint and was more philosophical than mathematical, the present volume is more technical than theoretical, and forms a kind of companion piece to the first. It is intended as a tool for engineers working in the field of electrical communication and related subjects. The book consists of an introduction, five chapters, and three appendices. After explaining the general outline of the problem in the introduction, the author gives in Chapter I a review of generalized harmonic analysis which is necessary for the understanding of the following chapters. Chapters II and III are devoted to the problems of prediction and filtering respectively. In Chapter IV there is given a brief account of the theory of multiple prediction, that is, the theory of prediction when we deal with more than one time series at the same time. Finally, in Chapter V there is given a short discussion on the application of similar methods to a problem of approximate differentiation.

Adapted by Norman Corwin Dramatic Comedy Characters: 2 male, 1 female Simple Set Carl Sandburg's works, adapted by Norman Corwin, as first performed by Bette Davis and Lief Erickson, and a host of others in New York and on tour. The best of the Pulitzer Prize-winner's verse, including some previously unpublished; and prose, including the biography of Lincoln; and interspersed with optional American folk songs from his songbag. "Playful and serious, childlike and wise, com

A week at the Gethsemani Abbey left Zen priest and poet Norman Fischer inspired by the soaring beauty of the Psalms chanted each day, but shocked by their violence, passion, and bitterness. Thus he began a journey through Eastern and Western spirituality and his own Jewish roots toward these moving and intimate translations.

Consists of two essays which refute the arguments used by Goldhagen in "Hitler's Willing Executioners." Finkelstein's "Daniel Jonah Goldhagen's 'Crazy' Thesis: A Critique of 'Hitler's Willing Executioners'" (pp. 1-100) contends that Goldhagen's book is neither novel nor a scholarly work. It is based mainly on misinterpreted secondary sources. Goldhagen exaggerates the significance of German "eliminationist antisemitism, " while he disparages the crucial factor of Nazi totalitarianism, with its propaganda and repressive system. He exaggerates the uniqueness of German antisemitism, racism, and wartime sadism. Goldhagen's book is a continuation of the pro-Zionist historical discourse which considers antisemitism to be eternal and the only cause of the Holocaust. Birn's "Revising the Holocaust" (pp. 101-148) is a slightly revised version of a review published in "The Historical Journal" 40 (1997). (States here that this essay was written in collaboration with Volker Riess.) Criticizes Goldhagen's discursive technique, non-academic style, and biased use of sources. Goldhagen exaggerates the number of Germans involved in the Holocaust, as well as their "ordinariness, " and he ignores the participation of non-Germans in the Holocaust.

This book tells the story of the emergence of the concept of crimes against humanity. It examines its origins, the ethical assumptions underpinning it, its legal and philosophical boundaries, and some of the controversies connected with it. A brief historical introduction is followed by an exploration of the various meanings of the term "crimes against humanity" that have been suggested; a definition is proposed linking it to the idea of basic human rights. The book looks at some problems with the boundaries of the concept, the threshold for its proper application and the related issue of humanitarian intervention. It concludes with a discussion of the prospects for the further development of crimes-against-humanity law. The work serves as a clear and compact introduction for students of politics, philosophy and law, as well as for the general reading public.

This JPS Guide chronicles the extraordinary history of American Jewry. Finkelstein tells the dramatic 350-year story of the people and events that shaped the lives of today's American Jews. Divided into six time periods, American Jewish History describes Jewish life from the time of the early settlers, to the period of massive immigration that flooded the cities, to the incredible growth of Jews in positions of influence in business, politics, and the arts. This is a story of a people who affected not only the lives of Jews in the U.S. today, but also the course of American history itself. There are over 70 black and white photographs, maps, and charts and more than 120 feature boxes and biographies throughout, as well as timelines, notes, a bibliography, and index. Finkelstein has made the saga of American Jewry much more than a compilation of historical facts. This is wonderfully stimulating journey--a worthwhile adventure for readers of all ages.

Tells the story of how wealthy businessman Julius Rosenwald came to financially support the building of 5,300 schools in rural African-American communities that desperately needed them over the course of twenty years.