This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Poems and Poèmes: Autres Alliances To chase them from republics were as vain As to disturb the hurdy gurdy man. Let him go grinding music as he likes You see him turn his wheel, but need not hear The tune he's playing in the noisy street?. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Myron Brinig's debut novel, Singermann, originally published in 1929, tells the story of a Jewish family, the Singermanns who immigrate to the mining city of (Silver Bow) Butte, Montana during the early heydays of the west. Follow Moses, his wife Rebecca, and their six children as they navigate the complexities of their rapidly changing world. From the eldest son's unexpected journey into Christian Science to the youngest's fascination with writing, each member of the Singermann clan embarks on a unique path that challenges the family's tightly held beliefs. Themes of the immigrant experience, religion, labor unrest, childhood, and homosexuality, are all told in an honest and captivating voice (the book is largely based on the author's own life). Singermann is groundbreaking and compelling and worthy of being available again!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

"This book studies written treatment of science and technology from ancient myths to current works. Works studied include the Bible, Greek mythology, tales from the Middle Ages, Gulliver's Travels, Frankenstein, Dr. Jekyll and Mr. Hyde, and works by Jules Verne, H.G. Wells, George Orwell, Bertrand Russell, and Aldous Huxley, among others"--Provided by publisher.

"More than forty years of scribble, scribble, scribble, and I have been sued only once..." But this collection of essays is no less a pleasure to read for all that. Mordecai Richler is an exuberant essayist, with a combative wit and sharp eye, regularly offending some, endearing himself mightily to others, and always hugely entertaining. Like all great satirists, he is passionate about the world in which we live; it's that appetite for life and friendship, his love of sanity and common sense as much as his hatred for sacred cows, that lies at the heart of this irresistible book.

Molly Picon began as a child actor in the Yiddish Theatre at age six. Picon went on to appear in many films, beginning with silent movies. In 1934, Picon had her own musical comedy radio show, Picon went on to appear in many TV shows and her final role was as Roger Moore's mother in cameo appearances in the comedies Cannonball Run and its sequel Cannonball Run II. In "So Laugh a Little" the famous Yiddish actress, has written a funny and poignant book describing her life journey all the while paying homage to the many life lessons learned from her grandmother. Molly's grandmother came to Philadelphia from Russia and helped raise Molly and encourage her in her career in show business. Part autobiography, part common-sense wisdom, this book will engage and entertain you through every chapter. Starting with Molly's early start in Yiddish to her later success in her own stage show and on to many TV and film roles, Molly shares life advice that is just as important to hear today as it was when the book was originally published in 1962.

"Celebrated stage actress Mona Zahid wakes up on Thanksgiving morning to the clamor of guests packed into her Manhattan apartment and to a wave of dread: her in-laws are lurking on the other side of the bedroom door; she's still fighting with her husband; and in just a few weeks she will begin rehearsals as Shakespeare's Cleopatra, the hardest role in theater. In an impulsive burst, Mona bounds out the door with the family dog in tow ("I forgot the parsley!" is her lame excuse) to find her estranged mentor, Milton Katz, who was recently forced out of the legendary theater company he founded amid accusations of sexual misconduct. Mona's escape turns into an overnight adventure that brings her face-to-face with her past, with her creative power and its limitations, and ultimately, with all the people she has ever loved. Beguilingly approachable and intricately constructed, at once funny and sad and wise, Mona Acts Out is a novel about acting and telling the truth, about how we play roles to get through our days, and how the great roles teach us how to live."--Amazon

Traces the history and significance of the Jewish fall festival which commemorates the wandering of the Israelites in the wilderness and the festival with which they celebrated their arrival in the Promised Land.

In this extensively revised and updated edition of her classic work, Look Back in Gender, Michelene Wandor confirms the symbiotic relationship between drama and gender in a provocative look at key, representative British plays from the last fifty years. Repositioning the text at the heart of hteatre studies, Wandor surveys plays by Ayckbourn, Beckett, Churchill, Daniels, Friel, Hare, Kane, Osborne, Pinter, Ravenhill, Wertenbaker, Wesker and others. Her nuanced argument, central to any analysis of contemporary drama, discusses: *the imperative of gender in the playwright's imagination *the function of gender as a major determinant of the text's structural and narrative drives *the impact of socialism and feminism on post-war British drama, and the relevance of feminist dynamics in drama *differences in the representation of the fmaily, sexuality and the mother, before and after 1968 *the impact of the slogan that the 'personal is political' on contemporary form and content.

"Haggadah means "the telling." The escape from Egypt is the defining legend, the central drama of the Jews. Every nation coalesces around such an epic; its people project themselves into the story, aspire to the virtues of its heroes, and through periodic retelling or dramatization, transmit their values to the next generation. The traditional Haggadah offers a set of instructions for conducting the Passover service, interspersed with readings from the Bible, rabbinical commentaries, legends, prayers, hymns and children's songs. Written by men and addressing men, the traditional text has not historically offered much space for women to see themselves as fully involved in or spoken to by the powerful drama of human freedom articulated by the Haggadah. In Haggadah: A Celebration of Freedom, Martha Shelley brings a new vision to the traditional text."--Jacket.

"Night People conjures the undeniable magic of the city's bygone nightlife-a time when clubs were diverse, glamorous, and a little lawless, and each night brought a heady mix of music, ambition, danger, delight, and possibility. It's about the beauty of what you can create with just two Technics and a mixer, in a golden era before Giuliani, camera phones, and bottle service upended everything. It's also about a teenager finding his way-stalking DJ Stretch Armstrong and biting his mixes, crate-digging in every corner of New York, grinding gig after gig through a decade of incredible music-and finding a community of people who, in their own strange, cracked ways, lived for the night. Organized around the venues that defined his experience of the downtown scene, Ronson evokes the specific rush of that decade and those spaces-where fashion folks and rappers on the rise danced alongside club kids and 9-to-5'ers-and invites us into the tribe of creatives and partiers who came alive when the sun went down. A heartfelt coming-of-age tale, Night People is the definitive account of '90s New York nightlife and the making of a musical mastermind"--

In this fiendishly original new novel, Mark Leyner is a leather-blazer-wearing, Piranha 793-driving, narcotic-guzzling monster who has potential rivals eliminated by his bionically enhanced bodyguards, has his internal organs tattooed, and eavesdrops on the erotic fantasies of Victoria's Secret models -- which naturally revolve around him. Leyner's jet-propelled roller derby through the cultures of celebrity, cyberpunk, and rabid egotism is exhilaratingly bizarre, exhaustingly funny -- and you'd better hope it's just fiction. From the Trade Paperback edition.

"Does a neglected masterpiece by Jane Austen enshrine her first love affair? Who was Vita Sackville West's real grandfather? What clues are there to the identity of 'Walter', doyen of Victorian pornographers? When and why did P.G. Wodehouse mutate from hack to genius? Was Oscar Wilde really down and out in Paris? Was Brideshead really Madresfield? These and other excursions into literary or social history have developed out of Mark Girouard's spare time enthusiasms, as diversions from his main occupation as an architectural historian. In nine essays he calls attention to points that have not been noticed before, corrects fallacies that have got into general circulation, suggests, identifies, redates, refutes, or pours a little cold water on unjustified romanticisms. Three further essays sample another enthusiasm, his own family background, and introduce characters such as the dwarf who had to stand on a bench to address the South African Parliament, the colonial governor who fell in love with his niece, and the dowager duchess with whom he spent his childhood on the edge of the park at Chatsworth." --Publisher description.

How the negotiation between poetic and media discourses takes place is the subject of Marjorie Perloff's groundbreaking study. Radical Artifice considers what happens when the "natural speech" model inherited from the great Modernist poets comes up against the "natural speech" of the Donahue "talk show," or again, how visual poetics and verse forms are responding to the languages of billboards and sound bytes. Among the many poets whose works are discussed are John Ashbery, George Oppen, Susan Howe, Clark Coolidge, Lyn Hejinian, Leslie Scalapino, Charles Bernstein, Johanna Drucker, and Steve McCaffery. But the strongest presence in Perloff's book is John Cage, a "poet" better known as a composer, a philosopher, a printmaker, and one who understood, almost half a century ago, that from now on no word, musical note, painted surface, or theoretical statement could ever again escape "contamination" from the media landscape in which we live. It is under his sign that Radical Artifice was composed.