If you're looking for the most wide-ranging and comprehensive choice in a English/Hebrew dictionary, this is it! Compiled by Reuben Alcalay, it comprises three volumes of English to Hebrew translations.

Practical Chess Openings is a basic openings book covering all the major openings, in alphabetical order. At the beginning of each section is a general description of the opening and its history, including the names of famous players who played it. The opening lines are in Descriptive Notation and are arranged in columns from the most popular to the least popular. Nowadays chess grandmasters do not study opening books. Instead they work with computer databases with millions of games in them, and then run them through chess analysis programs like Fritz, Houdini and Rybka, searching for new ideas and for flaws in their rival grandmaster's analysis. Amateur chess players cannot compete against this. We must just play for the enjoyment of the game without any hope of ever making grandmaster status. Having a book with the latest most up to date lines is of no added value. A serviceable, shorter and highly readable book like Fine's “Practical Chess Openings” is just as good and perhaps even better than a new book crammed with all the latest stuff.

Most mathematicians, when asked about the nature and meaning of mathematics, vacillate between the two unrealistic poles of Platonism and formalism. By looking carefully at what mathematicians really do when they are doing mathematics, Reuben Hersh offers an escape from this trap. This book of selected articles and essays provides an honest, coherent, and clearly understandable account of mathematicians' proof as it really is, and of the existence and reality of mathematical entities. It follows in the footsteps of Poincare, Hadamard, and Polya. The pragmatism of John Dewey is a better fit for mathematical practice than the dominant ""analytic philosophy''. Dialogue, satire, and fantasy enliven the philosophical and methodological analysis. Reuben Hersh has written extensively on mathematics, often from the point of view of a philosopher of science. His book with Philip Davis, The Mathematical Experience, won the National Book Award in science.

This engaging and informative book provides an introduction to the liturgy of the Siddur--the Jewish prayerbook. More than a "how-to" guide, this resource deals with basic issues for the modern worshiper, the historial compilation of the Siddur, and much more.

After thwarting bad guys to win the Yazoo 200 race, with the help of his trusty racecar and his eccentric Aunts FiFi and FooFoo, Otto Pillip receives a note from his long-lost parents inviting him to join the secret family business. Includes words spelled backwards, anagrams, and palindromes.

International lawyers and distinguished scholars consider the Is it legally justifiable to treat the Vietnam War as a civil war or as a peculiar modern species of international law?Originally published in 1968.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A genre-spanning collection of short stories dealing with naked unicorns, digital watches with minds of their own, and dreadful events on the planet Venus

Adventure. Fiction.

So, just how was Tarzan created? Eager to know the inside story about the legendary John Carter and the amazing cities and peoples of Barsoom? Perhaps your taste is more suited to David Innes and the fantastic lost world at the Earth?s core? Or maybe wrong-way Napier and the bizarre civilizations of cloud-enshrouded Venus are more to your liking? These pages contain all that you will ever want to know about the wondrous worlds and unforgettable characters penned by the master storyteller Edgar Rice Burroughs. ø Richard A. Lupoff, the respected critic and writer who helped spark a Burroughs revival in the 1960s, reveals fascinating details about the stories written by the creator of Tarzan. Featured here are outlines of all of Burroughs?s major novels, with descriptions of how they were each written and their respective sources of inspiration. This Bison Books edition includes a new foreword by fantasy writer Michael Moorcock, a new introduction by the author, a final chapter by Phillip R. Burger, as well as corrected text and an updated bibliography.

This book was prepared mainly for specialists on the assumption that it would provide the background to an important neglected field of discussion in public finance. Since it was first published in 1958, the theory of public goods and its implications for public policy have become incorporated in the main body of the economic analysis of public finance in the literature. A glance at the footnotes of some of the standard textbooks on public finance indicates that this assembly of articles has not been in vain. Probably the most influential part of this collection has been the papers concerned with the theory of public expenditure, which contains two closely related elements. The first is as a part of welfare economics: under what conditions can Pareto optimality be achieved in an economic system in which some goods supplied are indivisible? The other strand of thought is concerned with the positive theory of the public sector: how can economic analysis be used in order to explain how the size and composition of the budget is actually determined?

We all perform. It's what we do for each other all the time, deliberately or unintentionally. It's a way of telling about ourselves in the hope of being recognized as what we'd like to be. --Richard Avedon, 1974 The preeminent stars and artists of the performing arts from the second half of the 20th century offered their greatest gifts--and, sometimes, their inner lives--to Richard Avedon. More than 200 are portrayed in Performance, many in photographs that have been rarely or never seen before. Of course, the great stars light the way: Hepburn and Chaplin, Monroe and Garland, Brando and Sinatra. But here too are the actors and comedians, pop stars and divas, musicians and dancers, artists in all mediums with public lives that were essentially performances, who stand at the pinnacle of our cultural achievement. The celebrated author and critic John Lahr offers an elegant assessment of Avedon's achievement. Four supremely talented artists from the performing arts--Mike Nichols, André Gregory, Mitsuko Uchida, and Twyla Tharp--contribute lively and moving memoirs about their collaborations with Avedon.

Additional Contributors Include George Dangerfield, Bray Hamilton, Bruce Catton And Many Others. Tells The Story Of Twelve Great Crises In American Statecraft And How Our Leaders Met, Or Failed To Meet, Their Challenge.

"Al Jolson, born Asa Yoelson, immigrated from his shtetl in Lithuania to the United States in 1894 after his father secured a job as a rabbi in Washington, D.C. A poor, Yiddish-speaking newcomer navigating a racially segregated and antisemitic America, young Jolson dreamed of becoming a star, and he did. Thanks to his immense talent and his knack for assimilating into new environments, by the time he reached his twenties he was the most famous and highly paid entertainer in America, making almost $5,000 a week at a time when the average American made $800 a year. Jolson's public adoration and widespread acceptance as a star marked the beginning of an enriching cultural transformation, a moment when the American mind opened up to ethnic and racial differences, widening the gap of acceptability. And yet Jolson himself, despite being ferociously ambitious and gigantically talented, was crippled by insecurity, often nervous to the point of collapse, prisoner to his many vices. Through Jolson, Bernstein simultaneously breaks open the history and legacy of the cultural sensation The Jazz Singer. Not only was The Jazz Singer the first feature length film with synchronized music and dialogue, but it was also taboo smashing in its content: The Jazz Singer is all about Jews, Orthodox and otherwise. Bernstein expounds on the making of The Jazz Singer, what the film meant then and now, introducing the many individuals involved in its production, including Samson Raphaelson, a young Jewish writer whose short story was the basis for the movie; the four Warner brothers who made a fortune off it; and George Jessel, Jolson's rival and the star of Raphaelson's stage adaptation of his short story. In the background emerges a picture of old Hollywood in the Roaring Twenties: cutthroat and greedy yet visionary and progressive. And while The Jazz Singer represented the future in many ways, it also dredged up the worst of the past, including Jolson's use of blackface, common at the time. At once a tale of the Judaizing of American culture and an acknowledgment of the challenges to come, Only in America is a glistening examination of a man at the center of a watershed moment in the arts"--

A decent, hardworking senator, whose job keeps him away from his wife and family, carries on an affair with a civil rights activist.