The author of Diagnostic Tests for Women and Diagnostic Tests for Men nowoffers an easy-to-understand reference on today's health care systems.

As various forms of social welfare were dismantled though the last decade of the twentieth century, many thinkers argued that human well-being was best served by a focus on potential, not need. Richard Sennett thinks differently. In this dazzling blend of personal memoir and reflective scholarship, he addresses need and social responsibility across the gulf of inequality. In the uncertain world of "flexible" social relationships, all are troubled by issues of respect: whether it is an employee stuck with insensitive management, a social worker trying to aid a resentful client, or a virtuoso artist and an accompanist aiming for a perfect duet. Opening with a memoir of growing up in Chicago's infamous Cabrini Green housing project, Richard Sennett looks at three factors that undermine mutual respect: unequal ability, adult dependency, and degrading forms of compassion. In contrast to current welfare "reforms," Sennett proposes a welfare system based on respect for those in need. He explores how self-worth can be nurtured in an unequal society (for example, through dedication to craft); how self-esteem must be balanced with feeling for others; and how mutual respect can forge bonds across the divide of inequality. Where erasing inequality was once the goal of social radicals, Sennett seeks a more humane meritocracy: a society that, while accepting inequalities of talent, seeks to nurture the best in all its members and to connect them strongly to one another.

The most important new literary journal to emerge since Granta, Open City has published some of the best work by major writers and artists such as Mary Gaitskill, Denis Johnson, Jeff Koons, David Foster Wallace, Irvine Welsh, Terry Southern, Patrick McCabe, Sam Lipsyte, and David Berman. Edited by the writers Thomas Beller and Daniel Pinchbeck and originally published by the late Robert Bingham, writing from Open City has been included in many prestigious anthologies, including Best American Short Stories and The Pushcart Prize. Known for launching the careers of today's best new writers, the editors are also committed to printing important unpublished work by writers from past eras, such as Richard Yates, Delmore Schwartz, Jim Thompson, Cyril Connolly, Edvard Munch, and Gregor von Rezzori. With its innovative and daring mix of the old and the new, Open City combines undiscovered writing by classic authors with a fascinating portrait of a literary generation in the making.

"The term ars erotica refers to the styles and techniques of lovemaking with the honorific title of art. But in what sense are these practices artistic and how do they contribute to the aesthetics and ethics of self-cultivation in the art of living? In this book, Richard Shusterman offers a critical, comparative analysis of the erotic theories proposed by the most influential premodern cultural traditions that shaped our contemporary world. Beginning with ancient Greece, whose god of desiring love gave eroticism its name, Shusterman examines the Judaeo-Christian biblical tradition and the classical erotic theories of Chinese, Indian, Islamic, and Japanese cultures, before concluding with medieval and Renaissance Europe. His exploration of their errors and insights shows how we could improve the quality of life and love today. By using the engine of eros to cultivate qualities of sensitivity, grace, skill, and self-mastery, we can reimagine a richer, more positive vision of sex education"--

"The term ars erotica refers to the styles and techniques of lovemaking with the honorific title of art. But in what sense are these practices artistic and how do they contribute to the aesthetics and ethics of self-cultivation in the art of living? In this book, Richard Shusterman offers a critical, comparative analysis of the erotic theories proposed by the most influential premodern cultural traditions that shaped our contemporary world. Beginning with ancient Greece, whose god of desiring love gave eroticism its name, Shusterman examines the Judaeo-Christian biblical tradition and the classical erotic theories of Chinese, Indian, Islamic, and Japanese cultures, before concluding with medieval and Renaissance Europe. His exploration of their errors and insights shows how we could improve the quality of life and love today. By using the engine of eros to cultivate qualities of sensitivity, grace, skill, and self-mastery, we can reimagine a richer, more positive vision of sex education"--

This retrospective on the career of Academy Award-winning production designer Richard Sylbert takes readers behind the scenes of some of the most influential films of the past fifty years. The Manchurian Candidate, Who's Afraid of Virginia Woolf, The Graduate, Rosemary's Baby, Chinatown, Dick Tracy . The common factor behind these diverse, visually ground-breaking cinematic masterpieces is the work of legendary production designer Richard Sylbert. Basing the book in part on the late designer's Hollywood memoirs, writer Sylvia Townsend, with the participation of Sylbert's widow, screenwriter Sharmagne Sylbert, has enhanced the production designer's original manuscript with candid interviews from some of his most famous collaborators, including Warren Beatty, Roman Polanski, and Francis Ford Coppola. The result is a book that takes readers behind the scenes of some of the most influential and highly acclaimed films of the past fifty years. This is a portrait of a highly driven, sometimes tempestuous visionary who wasn't afraid to fight for the artistic integrity of the worlds he created on screen. Movie lovers will find in-depth discussions of the making of such modern classics as Reds, Carnal Knowledge, Shampoo , and The Cotton Club . More than thirty illustrations capture Sylbert's creative process from early sketches to completed sets and locations.

Incorporating both new and now-classic essays, this book sets the vocal works of Modest Musorgsky in a fully detailed cultural, political, and historical context. From this perspective Richard Taruskin revises fundamentally the composer's historical and artistic image, in particular debunking the century-old dogmas of Vladimir Stasov, Musorgsky's first biographer. Here the author offers a complete explanation of the revision of the opera Boris Godunov, compares it to contemporaneous operas by Tchaikovsky and Rimsky-Korsakov, advances a revisionary characterization of Khovanshchina as an aristocratic tragedy informed by a pessimistic view of history, discusses Musorgsky's use of folklore, and, focusing on Sorochintsi Fair, brings to a climax his refutation of Musorgsky as a protorevolutionary populist. The epilogue is a survey of revisionary productions of Musorgsky's works at home during the Gorbachev era.--From publisher's description.

Escape From Film School tells the sprightly tale of a young man who makes it in Hollywood without ever leaving film school. When Stuart arrives in California in the Sixties, he is fleeing the draft and he quite literally stumbles into USC's film school. Within a few weeks he is living out of his car and making student films with stolen equipment. Within a few years he is rubbing elbows with a young Mike Ovitz and other characters pulled straight from the pages of Variety. Blessed with a biting wit and a jaundiced eye, Stuart is a keen observer of the machinations, power plays, and absurdities of the movie biz. His account of his own circuitous progress -- and that of his beautiful and ambitious wife, Veronica; his beautiful and ambitious girlfriend, Ginger; and his loyal daughter, Rainbeaux -- also offers an incisive and satirical look at this bizarre, yet fascinating world. Like The Player , it is a dead-on, often hilarious and occasionally poignant tale about survival and redemption in Hollywood.

Very good condition

Featuring an international constellation of notable authors, this anthology explores and celebrates childhood with tales touching on abuse and rejection, loneliness and love, the joys of friendship and discovery, and the first confused inklings of adolescent love. Participants in the project include acclaimed and award-winning authors such as David Almond, Margaret Atwood, Andre Brink, Melvin Burgess, Junot Diaz, Nadine Gordimer, Eva Hoffman, Alberto Manguel, Meg Rosoff, Nicholas Shakespeare, Ali Smith and Richard Zimler. Some of the 26 stories are new, while others are difficult to find in print-yet each offers a moving, disturbing, surprising, or mysterious glimpse into the fragile and precious lives of children around the world.

An epic Canadian story about a rebellion, whose reverberations helped build the very Canada we know today. At its core, this is a play about farmers who distrust the government of the day, and rise up to take them down. Fighting against a class of entitled would-be aristocrats, the farmers in the play are frontier people, eager to break the bonds of tyranny, and forge their own country, free of British rule.

Hops back and forth between topics as diverse as Free Trade and Vanna White. Chronicles the ever-changing interests of the country's most outspoken left-wing thinker, through the 1980s, a decade dominated by conservatives and characterized by greed. Whether he's writing about politics, or television, or business, his opinions are always funny and thoughful, and compelling reasons to keep up the good fight.

Award-winning novelist, journalist, and playwright Rick Salutin takes us into the world of his protagonist, Max -- economist, leftist, and reluctant but incorrigible womanizer. Max’s amorous adventures begin at the age of eight when the young Casanova finds himself running from the scene of his first crime, a surreptitious kiss on the couch with the neighbour’s daughter. For the next few decades women become participants in Max’s awkward and often hilarious journey to self-discovery -- some willing, some reluctant, some unwitting. We follow Max from the 50s to the 90s, through shifting sexual codes and practices, from Toronto to London and Paris, and, most importantly, from one woman to another. He is doomed to repeat this history until he learns from it. Resonant with authority, experience, and self-deprecating insight, The Womanizer explores the riddles of growing up and the discovery that we understand ourselves only through others and that our most intimate moments are clues to our true selves.

Experience the excitement, beauty and mystery of a journey to Syria and Palestine in 1843 as vividly documented in the notes of Ridley H. Herschell in 'A Visit to My Father-Land.' This fascinating travelogue charts his journey through the Holy Land, describing its landscapes, people, and history, and providing a fascinating insight into the cultures and customs of the region. This book is essential reading for anyone interested in travel, history, and the Middle East. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Experience the excitement, beauty and mystery of a journey to Syria and Palestine in 1843 as vividly documented in the notes of Ridley H. Herschell in 'A Visit to My Father-Land.' This fascinating travelogue charts his journey through the Holy Land, describing its landscapes, people, and history, and providing a fascinating insight into the cultures and customs of the region. This book is essential reading for anyone interested in travel, history, and the Middle East. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.