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Balletomane at An Autobiography

Narrated in the tradition of Tolstoy's confessional trilogy and Nabokov's autobiog­raphy, Leaving Russia: A Jewish Story is a searing account of growing up a Jewish refusenik, of a young poet's rebellion against totalitarian culture, and of Soviet fantasies of the West during the Cold War. Shrayer's remembrances ore set against a rich backdrop of politics, travel, and ethnic conflict on the brink of the Soviet empire's collapse. His moving story offers generous doses of humor and tenderness, counterbalanced with longing and violence.

From leading political figure and bestselling Hebrew author Yair Lapid comes a mesmerizing portrait of the author's father, one of modern Israel's leading figures. Memories After My Death is the astonishing true story of Tommy Lapid, a well-loved and controversial Israeli figure who saw the development of the country from all angles over its first sixty years. From seeing his father taken away to a concentration camp to arriving in Tel Aviv at the birth of Israel, Tommy Lapid lived every major incident of Jewish life since the 1930s first-hand. This sweeping narrative will captivate anyone with an interest in how Israel became what it is today. Tommy Lapid's uniquely unorthodox opinions - he belonged to neither left nor right, was Jewish, but vehemently secular - expose the many contradictions inherent in Israeli life today.

Personal narratives of a British officer on the Western front during World War I.

Young women in the 21st century have choices. They can marry or not; the doors of educational institutions and industry are wide open to them. They can do and be whatever they choose. But to keep moving forward, it is important to understand from where we have come. And Norma Yaeger's story helps put it is perspective. Like most young women in the 1950's, Norma Yaeger married young, had children, and depended on her husband to support their families. Unlike most women of the times, when things went awry and her husband failed to provide, Norma took it upon herself to make a better life for her and her kids. The stock market enthralled her. Never mind that she knew of no other women in the industry. Norma set out to get her NY Stock Exchange license. When she acquired it in 1962, it was not to break a barrier, it was to support her family. Norma had already conquered her deepest fears, broke and alone with three children in an isolated house in the Catskills. And she knew what thrilled her- staring at stock prices through a big window of brokerages. Wall Street was not ready for her. Women were not allowed to step foot on the floor of the New York Stock Exchange. The phrase "glass ceiling" wasn't even invented yet. And equal pay for equal work was a term yet to be uttered. But Norma was unstoppable. She acquired the license, walked the floor of the Exchange, and fought for and got equal pay. As one of the pioneering women on Wall Street, Norma had a fascinating career, accomplished much, and paved the way for other women. But the glass ceiling is still only cracked, not yet broken, and she hopes that her story can be an inspiration to the women still pushing against it in all walks of life.

The German Opposition to Hitler: An Appraisal by Hans Rothfels is a comprehensive analysis of the various groups and individuals who opposed Adolf Hitler and the Nazi regime during the Third Reich. The book explores the motivations, strategies, and actions of these opposition forces, including the conservative and liberal elites, the socialist and communist parties, and the military resistance. Rothfels also examines the challenges and limitations faced by these groups, such as the lack of unity, the fear of repression, and the difficulty of coordinating their efforts. The book provides a nuanced and critical assessment of the German resistance, highlighting both their achievements and their failures in the face of Nazi tyranny. It is a valuable resource for anyone interested in the history of World War II, the Holocaust, and the struggle against fascism.The Humanist Library.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Four Weeks in the Trenches is a classic World War One biography by the great violinist, Fritz Kreisler. The first war book actually written by a man who has served at the front in WW1 was written by a famous violinist. The material is presented with vigor and simplicity. One of the phenomena of war--the sudden transformation of the highly emotional, neurotic man of literary or artistic pursuits, accustomed to an atmosphere of refinement, culture, and luxury, into a primeval savage in the space of a few days--interests the author.

Alexandra "Al" Silber seems to have everything a teenager could want: brilliance, beauty, and talent in spades. But when her beloved father dies after a decade-long battle with cancer when she is just a teenager, it feels like the end of everything. Lost in grief, Al and her mother hardly know where to begin with the rest of their lives. Into this grieving house burst Al's three friends from theater camp, determined to help out as only drama students know how--and they're moving in for the duration. Over the course of that winter, the now five-strong household will do battle with everything Death can throw at them--meddling relatives, merciless bureaucracy, soul-sapping sadness, the endless Tupperware. They will learn (almost) everything about love and will eventually return to the world, altered in different ways by their time in a home by a river. Told with raw passion, candor, and wit, White Hot Grief Parade is an ode to the restorative power of family and friendship--and the unbreakable bond, even in death, between father and daughter.

In his book "Ramses II and His Time", Immanuel Velikovsky continues his reconstruction of ancient history. This volume covers the best-known of old Egypt's pharaohs, Ramses II. Velikovsky points out how little we know about this famous ruler. His revised chronology places Ramses II firmly into the 7th century B.C. and not, as we have been led to believe, hundreds of years earlier in the 13th century B.C.. Ramses II's adversary was thus none other than Nebuchadnezzar. We are made privy to fascinating personal details about this great Chaldean ruler, whose autobiography Velikovsky was able to locate. As in the first part of the series "Ages in Chaos", this volume unearths a string of erroneous theories and dismisses as pure fantasy several other aspects of the traditional written history concerning the ancient world. We learn, for example, that the so-called Hittite Empire is an historical invention and, in another critical paragraph, Velikovsky leads us the to the proper understanding of the Bronze- and Iron Ages. In the extensive supplement, Velikovsky deals with the age-calculating method of radiocarbon dating and its surprising connections to his own theories.

A combination of autobiography and religious thought.

Theodor Herzl, Architect of a Nation , is the compelling account of a complex individual who sacrificed his health and family in pursuit of an ideal: the establishment of a homeland where Jews throughout the world could go to escape anti-Semitism. "If you will it, it is no dream," he said. This book sheds valuable light on a man whose short, eventful life helped create and shape the modern State of Israel. Norman H. Finkelstein focuses on the ideas that Herzl gave to the Zionist movement and on the grand diplomacy and political maneuvering to which he devoted his life.

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The Public Is Never Wrong: The Autobiography of Adolph Zukor is a memoir written by Adolph Zukor, one of the most influential figures in the early days of Hollywood. In this book, Zukor recounts his life story, from his humble beginnings as an immigrant in New York City to his rise to fame as the founder of Paramount Pictures.Zukor's narrative takes readers on a journey through the early days of the film industry, as he describes his experiences working as a nickelodeon operator and film distributor before ultimately founding his own studio. He also discusses his relationships with some of the biggest names in Hollywood, including Charlie Chaplin, Mary Pickford, and Douglas Fairbanks.Throughout the book, Zukor emphasizes the importance of listening to the audience and giving them what they want. He argues that the public is never wrong and that the key to success in the film industry is to understand and cater to their tastes. He also provides insights into the business side of the industry, discussing topics such as financing, marketing, and distribution.Overall, The Public Is Never Wrong offers a fascinating glimpse into the life and career of one of the most important figures in the history of Hollywood. It is a must-read for anyone interested in the early days of the film industry and the art of storytelling on the big screen.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

WHY CRIME DOES NOT PAY BY SOPHIE LYONS WITH BEAUTIFUL CLASSIC COVER. PERFECTLY FOR EVERYONE WHO LOVES CLASSIC AUTOBIOGRAPHY BOOKS OR AS A GIFT FOR YOU LOVED ONE. GET YOURS TODAY! Specifications: Cover Finish: GLOSSY Dimensions: 5,25" x 8" (13,34 x 20,32 cm) Interior: White Paper Pages: 155

"I have been a Jew during Fascism, a bourgeois under Communism, a rebel defeated in an uprising, a refugee among the free, and a have-not amid plenty. This book contains over 60 stories that range from my youth in Hungary, the ordeal of a death march and concentration camps, the oppression of the Communist dictatorship, the promise and defeat of the Hungarian Revolution and, finally, my American years"--Preminary pages

This first full-length study of Susan Howe illuminates the historical, autobiographical, and theoretical influences that underlie the work of this enigmatic and important contemporary American poet. In Led by Language , poet and scholar Rachel Tzvia Back offers a close and detailed reading of Susan Howe's provocative and powerful poetry. Howe's work is dense, often difficult, but always distinctive, and Back's volume explains a number of features crucial to understanding her poems. In this complete survey of Howe's major work, from 1978's Secret History of the Dividing Line to 1999's Pierce-Arrow , Back highlights the key strategies underlying Howe's work: linguistic experimentation, historical motifs, autobiographical references, and visual experimentation with types, fonts, and images. One of the book's most compelling arguments is Back's case for reading Howe's work autobiographically. An obsession with history characterizes Howe's poetry--historical figures from Mary Magdalene to Melville haunt her work--and Back deftly demonstrates the intensely personal nature of much of the historical terrain Howe traverses. This study debunks the myth of Howe's impenetrability, making her work accessible to a wide range of readers. Back has created a thorough guide to reading and understanding this important poet, and her book will be welcomed by students and scholars of contemporary poetry, American literature, literary theory, and cultural studies.

From February 1942 to July 1944, Oskar Rosenfeld served in the statistics department of the Lodz ghetto. A playwright and journalist, he kept his own notes on life and conditions in the ghetto for a fictionalized account he hoped to write one day. Though Rosenfeld eventually perished at Auschwitz, In the Beginning Was the Ghetto projects his voice at last to the wider world.

Norman Levine's Canada Made Me , first published in England in 1958, is a bitter, critical reassessment of the moral and cultural values of Canada. His account of his three-month journey from Halifax to Ucluelet, a fishing village on the west coast, is an unconventional portrait of Canada's underbelly. The book ends with the words: `I wondered why I felt so bitter about Canada. After all, it was all part of a dream, an experiment that could not come off. It was foolish to believe that you can take the throwouts, the rejects, the human kickabouts from Europe and tell them: Here you have a second chance. Here you can start a new life. But no one ever mentioned the price one had to pay; how much of oneself you had to betray.' Canada Made Me was regarded as so controversial that it did not appear in a Canadian edition until 1979. Critical opinion, however, has slowly swung around to the point the book was recently described in the Globe and Mail as a `laconic classic'. For this new edition Norman Levine has written an introduction which traces the book's publishing history and reputation.

This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!