#1 NEW YORK TIMES BESTSELLER • A loving mother and successful fashion designer struggles to keep her family together and her business afloat in this gripping novel by #1 New York Times bestselling author Danielle Steel. After working as head designer for Oscar de la Renta, Eugenia Ward started her own company when she turned forty, fourteen years ago. She is now a major name in evening gowns and wedding gowns, ready-to-wear and haute couture. But with the fashion business in major downturn, she has recently suffered heavy losses, and Eugenia desperately needs new investors—and new ideas. At the same time, she is the matriarch and guiding light for her five adult children, a single mother for more than a decade, since her divorce from the spendthrift Italian prince she’d married young. As the family gathers for a summer vacation at a beach house, wedding plans for her daughter Gloria are ballooning in expense even as the loutish behavior of Gloria’s fiancé causes Eugenia to question her daughter’s judgment. Meanwhile, Gloria’s sister Daphne is due to deliver twins right around the wedding date . . . which is also very close make or break New York Fashion Week. The silver lining in it all may be meeting Patrick Hughes, a successful real estate developer who’s also going through a rough patch. A brilliant and creative businessman, Patrick gives her valuable advice about her business challenges. Eugenia finds friendship with Patrick sailing on his yacht and starts to imagine a new beginning, independent of her roles as mother and entrepreneur. But as the family gathers for the big wedding, tensions are running high, money may be running out, and a hurricane is looming on the horizon. Danielle Steel’s glamorous and gripping novel offers an inspiring portrait of a strong and determined woman who rises to meet life’s challenges with fortitude, creativity, and love.

An injured woman stumbles into an inner-city hospital with a horrifying story- she has just been car-jacked by a man who was apparently unaware that her son was asleep on the back seat. As a search ensues, a shrewd detective and an ambitious young reporter smell a hoax and begin to suspect that the woman is holding back a terrible truth- could she have murdered her own child?

A decade ago, kidnappers grabbed two boys from wealthy families and demanded ransom, then went silent. No trace of the boys ever surfaced. For ten years their families have been left with nothing but painful memories and a quiet desperation for the day that has finally, miraculously arrived: Myron Bolitar and his friend Win believe they have located one of the boys, now a teenager. Where has he been for ten years, and what does he know about the day, more than half a life ago, when he was taken? And most critically: what can he tell Myron and Win about the fate of his missing friend? Drawing on his singular talent, Harlan Coben delivers an explosive and deeply moving thriller about friendship, family, and the meaning of home.

Visually and emotionally rich, MetaMaus is as groundbreaking as the masterpiece whose creation it reveals. In the pages of MetaMaus, Art Spiegelman re-enters the Pulitzer prize-winning Maus, the modern classic that has altered how we see literature, comics, and the Holocaust ever since it was first published twenty-five years ago. He probes the questions that Maus most often evokes -- Why the Holocaust? Why mice? Why comics? -- and gives us a new and essential work about the creative process. MetaMaus includes a bonus DVD-R that provides a digitized reference copy of The Complete Maus linked to a deep archive of audio interviews with his survivor father, historical documents, and a wealth of Spiegelman's private notebooks and sketches. Compelling and intimate, MetaMaus is poised to become a classic in its own right. - Publisher.

In his most monumental bestseller, Master of the Game , the immortal Sidney Sheldon introduced the glamorous, scheming Blackwell family and its unforgettable matriarch, Kate Blackwell. Now a generation has passed, and as the world has changed, so too has America’s royal family. The intervening years have not lessened the Blackwells’ talent for manipulation, domination, and passion. The children of Kate’s granddaughters are determined to control Kruger-Brent, Ltd., the multibillion-dollar international corporation with holdings in diverse industries around the globe. But only one can reign supreme. In a family rife with secrets—murder, hidden identities, perversions—and a depraved sense of honor, the player who wins the game may be the only one who can survive.

INSTANT NEW YORK TIMES BESTSELLER “Thank you to Sheila Nevins for putting all this down for posterity. Women need this kind of honest excavation of the process of living.” —Meryl Streep An astonishingly frank, funny, poignant book for any woman who wishes they had someone who would say to them, “This happened to me, learn from my mistakes and my successes. Because you don’t get smarter as you get older, you get braver.” Sheila Nevins is the best friend you never knew you had. She is your discreet confidante you can tell any secret to, your sage mentor at work who helps you navigate the often uneven playing field, your wise sister who has “been there, done that,” your hysterical girlfriend whose stories about men will make laugh until you cry. Sheila Nevins is the one person who always tells it like it is. In You Don’t Look Your Age , the famed documentary producer (as President of HBO Documentary Films for over 30 years, Nevins has rightfully been credited with creating the documentary rebirth) finally steps out from behind the camera and takes her place front and center. In these pages you will read about the real life challenges of being a woman in a man's world, what it means to be a working mother, what it’s like to be an older woman in a youth-obsessed culture, the sometimes changing, often sweet truth about marriages, what being a feminist really means, and that you are in good company if your adult children don’t return your phone calls. So come, sit down, make yourself comfortable, (and for some of you, don’t forget the damn reading glasses). You’re in for a treat.

In 1998 Andrew Wakefield published a paper containing a shocking allegation- the measles-mumps-rubella vaccine might cause autism. Wakefield based his findings on a study of just a dozen children, and his methods and conclusions immediately came under fire. The media, however, seized on the story - and so helped launch one of the most devastating health scares of modern times. Within months, vaccination rates across the West had started to fall, resulting in deaths from diseases previously thought to be disappearing. Wakefield eventually lost his medical licence, yet the myth that vaccines cause developmental disorders lives on. In The Panic Virus Seth Mnookin examines how the anti-immunisation panic spread and looks at a controversial Australian case that exposed the claims and tactics of the movement to new scrutiny. Sorting fact from rumour, he confronts fundamental questions- with more facts at our fingertips than ever, why is our trust in science so fragile? Has the internet made us better informed, or simply enabled panic to spread more quickly? And how might we balance fact and intuition when it comes to decisions about children's health? The Panic Virus is a riveting and sometimes heartbreaking medical detective story, a gripping work of investigative journalism and a cautionary tale for our times.

Three young children experience the joys and challenges of being raised by two mothers.

The 2000 Year Old Man was actually born in 1950, when Carl Reiner bought a $138 Revere tape recorder, plugged in the microphone, and instead of saying, "Testing, testing," turned to Mel Brooks and asked, "Is it true that you were at the scene of the Crucifixion some 2000 years ago?" As Brooks' imagination took flight, the old man uttered his first remembrance of things past with a moan of "Oooooooohboy." And then: "I knew Christ, Christ was a thin lad, always wore sandals. Hung around with 12 other guys. They came in the store, no one ever bought anything. Once they asked for water." Carl Reiner and Mel Brooks ad-libbed their first interviews between the miraculous ancient sage and the reporter covering his history-making arrival in the United States. The 2000 Year Old Man knew everyone from Jesus to Shakespeare, Cleopatra to Paul Revere. He was there when men discovered women, and he dated Joan of Arc. The feisty raconteur had been married several hundred times. He had 42,000 children -- "and not one comes to visit me." The Jewish Methuselah had something to say about everyone and everything -- from religion to soul kissing, from taxes to nectarines: "Half a peach, half a plum. It's a hell of a fruit!" Brooks never knew what Reiner was going to ask, and Reiner only knew that he would never get the same answer twice. Reiner calls it "writing with the mouth." Most of the targets Reiner and Brooks skewered between 1961 and 1974 on record albums are still with us, including food, cigarettes, the power of advertising, selling America to Japan, neglected children, fear of homosexuals in the military, inadequate health care, fad diets, violent films and pretentious filmmakers. In this millenial update of the cult comedy classic, the 2000 Year Old Man offers his unique wit and wisdom on everything from the Mars landing to shopping malls; homeopathy to the invention of the infomercial; his own dietary secrets, from eating a swirl to his time-tested Seven-Day Diet; and pet peeves, from rap music to "If you know the extension, press one..." The humor of The 2000 Year Old Man in the Year 2000 is a hilarious antidote to the millenial literature of the '90s.

The Wise Passerby helps two children establish a happy relationship with their new rambunctious puppy.

Karla Kuskin's first book for children is as fresh and funny toady as it was in 1956, when it was first published. This fanciful blending of words and pictures portrays a variety of animals and the noises they make.

A lively and provocative look at the modern culture of motherhood and at the social, economic, and political forces that shaped current ideas about parenting What is wrong with this picture? That's the question Judith Warner asks in this national bestseller after taking a good, hard look at the world of modern parenting--at anxious women at work and at home and in bed with unhappy husbands. When Warner had her first child, she was living in Paris, where parents routinely left their children home, with state-subsidized nannies, to join friends in the evening for dinner or to go on dates with their husbands. When she returned to the States, she was stunned by the cultural differences she found toward how people think about effective parenting--in particular, assumptions about motherhood. None of the mothers she met seemed happy; instead, they worried about the possibility of not having the perfect child, panicking as each developmental benchmark approached. Combining close readings of mainstream magazines, TV shows, and pop culture with a thorough command of dominant ideas in recent psychological, social, and economic theory, Perfect Madness addresses our cultural assumptions, and examines the forces that have shaped them. Working in the tradition of classics like Betty Friedan's The Feminine Mystique and Christopher Lasch's The Culture of Narcissism, and with an awareness of a readership that turned recent hits like The Bitch in the House and Allison Pearson's I Don't Know How She Does It into bestsellers, Warner offers a context in which to understand parenting culture and the way we live, as well as ways of imagining alternatives--actual concrete changes--that might better our lives.

The New York Times bestselling author of Falling and Sister Stardust presents a charming transatlantic take on trading places... Being director of Poise! magazine affords Vicky Townsley a glamorous London life. She has everything she wants—except marriage, children, and a house in the country. Amber Winslow has a stone mansion in Connecticut, two kids, and a nanny. She loves her husband and her children, but that doesn't mean she can’t fantasize about a taste of something a little more...exciting. When a single Londoner and a Connecticut mother get the chance to walk in each other’s shoes for a month things are bound to get interesting. But as they quickly learn, wanting something and actually getting it are two entirely different things...

In this novel, a marriage is revealed in all its joys and agonies. A mother, a father, and their two children, living in a small village in New England, move, in their own minds, between the present, the past, and the future, constrained by the world, the characters despairing in their domestic situations. But their minds wander, trying to make linear sense of what is, in fact, nonlinear. This is a piercing examination of the manifold ways in which the passing of time operates on the human consciousness

“Zinn writes with an enthusiasm rarely encountered in the leaden prose of academic history. . .” – New York Times Book Review A Power Governments Cannot Suppress is Howard Zinn’s major new collection of essays on American history, class, immigration, justice, and ordinary citizens who have made a difference. Howard Zinn unlocks America’s current political/ ethical crisis and challenges us to confront power for the common good. Bringing a profoundly human perspective to the diverse subjects he writes about – the Founding Fathers, government dishonesty, winning the war on terrorism, respecting the holocaust, defending the rights of immigrants – Zinn approaches history from an active, engaged point of view. He writes, “America’s future is linked to how we understand our past. For this reason, writing about history, for me, is never a neutral act.” Zinn opens the book with an essay titled “If History is to be Creative,” a reflection on the role and responsibility of the engaged historian. “To think that history-writing must aim simply to recapitulate the failures that dominate the past,” writes Zinn, “is to make historians collaborators in an endless cycle of defeat.” “If history is to be creative, to anticipate a possible future without denying the past, it should, I believe, emphasize new possibilities by disclosing those hidden episodes of the past when, even if in brief flashes, people showed their ability to resist, to join together, and occasionally win. I am supposing, or perhaps only hoping, that our future may be found in the past’s fugitive moments of compassion rather than in its solid centuries of warfare.” Buzzing with ideas, stories, and anecdotes spanning from the Revolutionary War and the War with Mexico through to World War II, Vietnam, 9/11, and the U.S. occupation of Iraq, Zinn’s view of American history is not a praise of famous leaders, but those who rebelled against them in the name of social justice. While writing extensively on current events and the consequences of U.S. policy in Afghanistan and Iraq, Zinn also dedicates entire chapters to troublemakers like Henry David Thoreau, Eugene Debs, Philip Berrigan, Italian immigrants Sacco & Vanzetti, and heralds not the soldiers who fought for George Washington, but those who deserted the Revolutionary Army because of intolerable mistreatment from elitist commanding officers. For Zinn, the voices and stories of ordinary working Americans, immigrants, working people, and soldiers comprise the real storyline of our history. Featuring essays penned over an eight-year period, A Power Governments Cannot Suppress is Howard Zinn’s first writerly work in several years, an invaluable post-9/11-era addition to the themes that run through his bestselling classic, A People’s History Of the United States. "Thank you, Howard Zinn. Thank you for telling us what none of our leaders are willing to: The truth. And you tell it with such brilliance, such humanity. It is a personal honor to be able to say I am a better citizen because of you." —Michael Moore “This brilliant new book – like Howard Zinn’s presence, and his whole life, is the best possible antidote to political despair. Read it, and rejoin the struggle for a human world and a foreign policy that’s good for children.” – Daniel Ellsberg

Essential reading for our times, as women are pulling together to demand their rights— A landmark portrait of women, men, and power in a transformed world. “Anchored by data and aromatized by anecdotes, [Rosin] concludes that women are gaining the upper hand." – The Washington Post Men have been the dominant sex since, well, the dawn of mankind. But Hanna Rosin was the first to notice that this long-held truth is, astonishingly, no longer true. Today, by almost every measure, women are no longer gaining on men: They have pulled decisively ahead. And “the end of men”—the title of Rosin’s Atlantic cover story on the subject—has entered the lexicon as dramatically as Betty Friedan’s “feminine mystique,” Simone de Beauvoir’s “second sex,” Susan Faludi’s “backlash,” and Naomi Wolf’s “beauty myth” once did. In this landmark book, Rosin reveals how our current state of affairs is radically shifting the power dynamics between men and women at every level of society, with profound implications for marriage, sex, children, work, and more. With wide-ranging curiosity and insight unhampered by assumptions or ideology, Rosin shows how the radically different ways men and women today earn, learn, spend, couple up—even kill—has turned the big picture upside down. And in The End of Men she helps us see how, regardless of gender, we can adapt to the new reality and channel it for a better future.

"With extraordinary candor intended to set the record straight, one of music's most popular performers tells of his sojourn amid the decadence and destructive trappings of fame - the bucks, the booze, the cocaine, the women - and of the religious awakening and unconditionally loving marriage that literally saved his life." "Glen Campbell's boy-next-door persona belied his hedonistic, near-fatal lifestyle. It all started like a dream - the rise from ruthless poverty as one of twelve children in a small Arkansas town and the against-all struggle for stardom, first as a brilliant studio musician (behind artists such as Sinatra, Elvis, Ray Charles, and Nat King Cole), then as a solo performer who in the sixties and seventies sold some 45 million records (including the timeless classics "Wichita Lineman," "Gentle on My Mind," "By the Time I Get to Phoenix," and, of course, "Rhinestone Cowboy") and hosted his own top-rated TV show. Too quickly, though, the dream became a nightmare of mad spending, multiple marriages, and abusive and all-too-public affairs, as well as wildly escalating alcohol and cocaine dependencies that threatened not only his career but his very existence. Now a Christian and in recovery, he has stepped back into the spotlight a whole man at last." "With the help of bestselling author Tom Carter, Glen Campbell has given us a book that is both a star-studded show-biz memoir and a spiritual testimony that radiates great faith and emotion. Rhinestone Cowboy is his personal gift of thanks to the millions who have supported him through decades of good times and bad - and to the vast new audience who have grown to know him through his frequent appearances on cable television's 700 Club and other Christian TV shows." ""A lot of people are going to be surprised by my story, and I hope that a lot are going to be inspired," Campbell declares. "All I know for sure is that it's time to tell it. And as honestly as I can, that's just what I've gone and done.""--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The scene is Treblinka; the character is Franz Stangl. The theme is the mass extermination of men, women and children. As commandant of Treblinka, Stangl was imprisoned for life. Gitta Sereny covered the trial on behalf of a London newspaper. Fascinated by the prisoner, she decided to make an effort to get to know him better, to delineate him more deeply... For seventy hours he answered questions. A conscientious journalist, Sereny checked his answers and statements by extending the scope of her enquiry: she interrogated dozens of men and women from all over who had had the slightest contact with the man who had been monarch of the kingdom of the dead. She interviewed his wife, his children, his friends, his judges, his accomplices, his victims - that is, the rare victims who had survived. The result is a report - a portrait? - that from the first pages opens out onto an abyss in which one cannot breath, or move. It is not the murder in Stangl that terrifies us - it is the human being. For that matter 'terrify' many not be the right word. Most often one is sick to one's soul. Yes, that is the word needed, a word from Sartre - one os gripped by a profound existential nausea" - Elie Wiesel

A brilliant collection of acerbic, wisecracking and hilarious essays from New York icon Fran Lebowitz, star of Martin Scorsese's hit Netflix series, Pretend It's a City. Fran Lebowitz is a New York legend. Arriving in the city over fifty years ago, she made her name as a columnist on Andy Warhol's Interview magazine, before publishing two bestselling collections of essays. She's one of America's most insightful social commentators, a sought-after public speaker, a style icon, wit and flaneur. In these essays, Lebowitz turns her trademark caustic wit to everything from children ('rarely in the position to lend one a truly interesting sum of money'), to novelty ice cubes ('flowers belong in one's lapel, not in one's bourbon') and landlords ('it is the solemn duty of every landlord to maintain an adequate supply of roaches'). And her attitude to work is the perfect antidote to our exhausting culture of self-betterment ('3.40pm. I consider getting out of bed. I reject the notion as being unduly vigorous. I read and smoke a bit more'). 'Great people talk about ideas, average people talk about things and small people talk about wine' 'Think before you speak. Read before you think' 'All God's children are not beautiful. Most of God's children are, in fact, barely presentable.' 'If your sexual fantasies were truly of interest to others, they would no longer be fantasies.' Note: contains a different selection of essays to earlier editions.

It was the most radical human-breeding experiment in American history, and no one knew how it turned out. The Repository for Germinal Choice–nicknamed the Nobel Prize sperm bank–opened to notorious fanfare in 1980, and for two decades, women flocked to it from all over the country to choose a sperm donor from its roster of Nobel-laureate scientists, mathematical prodigies, successful businessmen, and star athletes. But the bank quietly closed its doors in 1999–its founder dead, its confidential records sealed, and the fate of its children and donors unknown. In early 2001, award-winning columnist David Plotz set out to solve the mystery of the Nobel Prize sperm bank. Plotz wrote an article for Slate inviting readers to contact him–confidentially–if they knew anything about the bank. The next morning, he received an email response, then another, and another–each person desperate to talk about something they had kept hidden for years. Now, in The Genius Factory, Plotz unfolds the full and astonishing story of the Nobel Prize sperm bank and its founder’s radical scheme to change our world. Believing America was facing genetic catastrophe, Robert Graham, an eccentric millionaire, decided he could reverse the decline by artificially inseminating women with the sperm of geniuses. In February 1980, Graham opened the Repository for Germinal Choice and stocked it with the seed of gifted scientists, inventors, and thinkers. Over the next nineteen years, Graham’s “genius factory” produced more than two hundred children. What happened to them? Were they the brilliant offspring that Graham expected? Did any of the “superman” fathers care about the unknown sons and daughters who bore their genes? What were the mothers like? Crisscrossing the country and logging countless hours online, Plotz succeeded in tracking down previously unknown family members–teenage half-brothers who ended up following vastly different paths, mothers who had wondered for years about the identities of the donors they had selected on the basis of code names and brief character profiles, fathers who were proud or ashamed or simply curious about the children who had been created from their sperm samples. The children of the “genius factory” are messengers from the future–a future that is bearing down on us fast. What will families be like when parents routinely “shop” for their kids’ genes? What will children be like when they’re programmed for greatness? In this stunning, eye-opening book, one of our finest young journalists previews America’s coming age of genetic expectations.