A New York Times Book Review Editors' Choice and a Paris Review Staff Pick A January Pick by Salon , Town and Country, Southern Living, and LA Magazine New Orleans, 1918. The birth of jazz, the Spanish flu, an ax murderer on the loose. The lives of a traumatized cop, a conflicted Mafia matriarch, and a brilliant trumpeter converge—and the Crescent City gets the rich, dark, sweeping novel it so deserves. From one of the most inventive writers of his generation, King Zeno is a historical crime novel and a searching inquiry into man’s dreams of immortality. New Orleans, a century ago: a city determined to reshape its destiny and, with it, the nation’s. Downtown, a new American music is born. In Storyville, prostitution is outlawed and the police retake the streets with maximum violence. In the Ninth Ward, laborers break ground on a gigantic canal that will split the city, a work of staggering human ingenuity intended to restore New Orleans’s faded mercantile glory. The war is ending and a prosperous new age dawns. But everything is thrown into chaos by a series of murders committed by an ax-wielding maniac with a peculiar taste in music. The ax murders scramble the fates of three people from different corners of town. Detective William Bastrop is an army veteran haunted by an act of wartime cowardice, recklessly bent on redemption. Isadore Zeno is a jazz cornetist with a dangerous side hustle. Beatrice Vizzini is the widow of a crime boss who yearns to take the family business straight. Each nurtures private dreams of worldly glory and eternal life, their ambitions carrying them into dark territories of obsession, paranoia, and madness. In New Orleans, a city built on swamp, nothing stays buried long.

During the 1948 War of Independence--a time when pigeons are still used to deliver battlefield messages--a gifted young pigeon handler is mortally wounded. In the moments before his death, he dispatches one last pigeon, carrying his extraordinary gift to the girl he has loved since adolescence. Intertwined with this story is the contemporary tale of Yair Mendelsohn, who has his own legacy from the 1948 war. Yair is a tour guide specializing in bird-watching trips who, in middle age, falls in love again with a childhood girlfriend.

In 1938, before the Munich pact, Gellhorn visited Prague and witnessed its transformation from a proud democracy preparing to battle Hitler to a country occupied by the German army. Born out of this experience, her novel follows a journalist who returns to Prague after its annexation and finds her efforts to obtain help for the refugees and to convey the shocking state of the country both frustrating and futile. A convincing account of a people under the brutal oppression of the Gestapo, and Gellhorn's most powerful work of fiction

Saint Francis Xavier's life is, in itself, a dramatic story. With humility and deep religious conviction, the famous Catholic novelist Louis de Wohl takes us into the mind and heart of this great missionary and saint who went by order of St. Ignatius of Loyola to "set all afire" in the Orient. Louis de Wohl captivates the reader as he follows Xavier's life from student days in Paris, through his meeting with Ignatius, his rather reluctant conversion, and his travels as one of the first Jesuits. The story takes the reader from Europe to Goa, India, Malaysia, Japan, and finally, to an island off the coast of China, where the exiled Xavier dies virtually alone. The book captures the dramatic struggles and inspiring zeal of this remarkable saint, giving at the same time an enthralling picture of the age in which he lived.

Everyone thinks they know the story of King Arthur and his knights of the Round Table. The fact is they don't know sh*t. Arthur? An over-promoted gangster. Merlin? An eldritch parasite. Excalibur? A shady deal with a watery arms dealer. Britain? A clogged sewer that Rome abandoned just as soon as it could.

It is the winter of 1945, the last dark days of World War II in occupied Holland. A Nazi collaborator, infamous for his cruelty, is assassinated as he rides home on his bicycle. The Germans retaliate by burning down the home of an innocent family; only twelve-year-old Anton survives. Based on actual events, The Assault traces the complex repercussions of this horrific incident on Anton's life. Determined to forget, he opts for a carefully normal existence: a prudent marriage, a successful career, and colorless passivity. But the past keeps breaking through, in relentless memories and in chance encounters with others who were involved in the assassination and its aftermath, until Anton finally learns what really happened that night in 1945—and why.

First in a trilogy which tells the story of a mid-19th century war that never happened. Prince Albert dies of typhoid before he can rewrite an intemperately-worded dispatch by Britain's Prime Minister, Lord John Russell, to Abraham Lincoln. Emotions in Washington and London escalate.

This dramatic and chilling novel about one girl's escape from Hitler's Germany was inspired by the experiences of the author's mother, one of 1,200 children rescued by Americans as part of the One Thousand Children project.

In 1815, after immigrating from Scotland to Canada, thirteen-year-old Isobel chronicles her family's experiences as they adjust to their new home in Rupert's Land, Manitoba, with the help of their Cree Indian neighbors and, especially, White Loon, their father's new wife.

"Oliver Twist is one of the most well-known stories ever told, about a young orphan who has to survive the mean streets of London before ultimately being rescued by a kindly benefactor. But it is his friend, the Artful Dodger, who has the far more intriguing tale, filled with more adventure and excitement than anything boring Oliver could possibly get up to. Throw in some vampires and a plot to overthrow the British monarchy, and what you have is the thrilling account that Charles Dickens was too scared to share with the world."-- Publisher description.

"For many serious readers," Robert Alter writes in his preface, "the novel still matters, and I have tried here to suggest some reasons why that should be so." In his wide-ranging discussion, Alter examines the imitation of reality in fiction to find out why mimesis has become problematic yet continues to engage us deeply as readers. Alter explores very different sorts of novels, from the self-conscious artifices of Sterne and Nabokov to what seem to be more realistic texts, such as those of Dickens, Flaubert, John Fowles, and the early Norman Mailer. Attention is also given to such individual critics as Edmund Wilson and Alfred Kazin and to current critical schools. In Alter's essays, a particular book or movement or juxtaposition of writers provides the occasion for the exploration of a general intellectual issue. The scrutiny of well-chosen passages, the joining of images or themes or ideas, the associative and intuitive processes that lead to the right phrase and the right loop of syntax for the matter at hand-all these come together unexpectedly to illuminate both the text in question and the general issue. Recent discussions of mimesis in fiction generally proceed from a single thesis. By contrast, Motives for Fiction offers an empirical approach, attempting to define mimesis in its various guises by careful critical readings of a heterogeneous sampling of literary texts. Intelligent and good-humored, the book is also old-fashioned enough to wonder whether mimesis might not be a task or responsibility to which much contemporary fiction has not proved entirely adequate.

In order to prevent the present from never happening, CrimSec Quellen must stop a growing number of time travelers from fleeing the overcrowded world of 2490, creating a more tranquil existence in the past, and perhaps changing the course of history

May 4th, 1970. A week earlier President Nixon has ordered American ground forces into Cambodia to pursue the Vietcong. By the end of the day four students will be shot dead by the National Guards in the grounds of Kent State University. On the other side of the Atlantic, it's a brilliant sunny morning after an April of heavy rain, and at the "Concept House" therapeutic community he has set up in the London suburb of Willesden, maverick psychiatrist Dr Zack Busner has been tricked into joining a decidedly ill advised LSD trip with several of its disturbed residents. Five years later, sitting in a nearby cinema watching Steven Spielberg's Jaws , Busner realizes the true nature of the events that transpired on that dread-soaked day, when a survivor of the worst disaster in the US Navy's history - the sinking of the USS Indianapolis - came face-to-face with the British Royal Air Force observer on the Enola Gay's mission to bomb Hiroshima. Set a year before the action of his Booker-shortlisted Umbrella , Will Self's new novel Shark continues its exploration of the complex relationship between human psychopathology and human technological progress.

A New York Times Notable Book of the Year, Grey Area demonstrates Will Self's razor-sharp wit in nine new stories that delve into the modern psyche with unsettling and darkly satiric results. "Inclusion(R)" tells the story of a doctor who is illegally testing a new antidepressant made from bee excrement. "A Short History of the English Novel" brings us face to face with a pompous publisher who is greeted at every turn by countless rejected authors. In "The End of the Relationship" a woman who has been left by her boyfriend provokes -- "like some emotional Typhoid Mary" -- that same reaction among all the couples she goes to for comfort. The narrator of "Between the Conceits" declares without hesitation that London is controlled by only eight individuals, and, thankfully, he is one of them.

A convention-defying novel by bestselling writer Walter Mosley, John Woman recounts the transformation of an unassuming boy named Cornelius Jones into John Woman, an unconventional history professor--while the legacy of a hideous crime lurks in the shadows. At twelve years old, Cornelius, the son of an Italian-American woman and an older black man from Mississippi named Herman, secretly takes over his father's job at a silent film theater in New York's East Village. Five years later, as Herman lives out his last days, he shares his wisdom with his son, explaining that the person who controls the narrative of history controls their own fate. After his father dies and his mother disappears, Cornelius sets about reinventing himself--as Professor John Woman, a man who will spread Herman's teachings into the classrooms of his unorthodox southwestern university and beyond. But there are other individuals who are attempting to influence the narrative of John Woman, and who might know something about the facts of his hidden past. Engaging with some of the most provocative ideas of recent intellectual history, John Woman is a compulsively readable, deliciously unexpected novel about the way we tell stories, and whether the stories we tell have the power to change the world.

A young man named Henry sits down with his grandmother, a genial lady still called Baby by everyone, in her Manhattan townhouse where he has lived all his life, to record the history of a spiritual movement that has woven itself into the fabric of their family's lives for four generations. What unfolds is a mesmerizing family saga: the imperious great-grandmother Elsa and her husband, an Indian poet, whose marriage is as unconventional as the movement they help to found; Baby, their cheerfully pragmatic daughter, married to the aloof English diplomat Graeme; bemused and brooding Renata, Baby and Graeme's daughter, married to an idle dreamer; and finally Henry, Renata's son, who in many ways bears the legacy of all that has gone before. Their lives--and that of the movement's elusive yet ineluctable founder, known only as the Master--intertwine, diverge, and collide with each other in a masterfully orchestrated story spanning the twentieth century and several continents. By turns brilliantly satiric, insightful, and profoundly moving, Shards Of Memory is a beautifully wrought tale of love and devotion, of family and faith, and of the complex nature of memory itself--a literary tour de force from one of the most distinguished novelists of our time.

By general consensus, Pablo Picasso is the most brilliant and influential artist of this century. Despite this supreme position in the history of art, he has nonetheless eluded and frustrated critics. Getting an intimate sense of the character of Picasso appears almost impossible; his macho posture and his incomparable range of styles seem designed to keep everyone who is interested in him at a distance. Who better than another legendary artist, Norman Mailer, to enter inside so enigmatic and protean a mind? In Portrait of Picasso as a Young Man, Mailer sets out to capture the meaning of Picasso's life and art and explores in bold fashion the originality of his ambition. Commenting upon much of the critical work on Picasso that has appeared over the years, Mailer's biography brings us closer to the young artist than we have ever been before. Much at the heart of Mailer's interpretation in Picasso's first great love, Fernande Olivier, with whom the artist lived for seven years--a period that included Picasso's most revolutionary works, from the explosive innovations of Les Demoiselles d'Avignon to the mysteries of Cubism itself. To understand Picasso in these years, Mailer argues, it is necessary to follow his relationship with the extraordinary Fernande, who is here given her own voice by way of excerpts from her candid memoirs, hitherto unpublished in English. Since this period also includes Picasso's friendships with Apollinaire and Gertrude Stein, the book evokes the charm and special character of bohemian life in Paris in the early 1900s.

Never before has Gordimer, awarded the Nobel Prize for Literature in 1991, published such a comprehensive collection of her nonfiction. Telling Tales represents the full span of her works in that field-from the twilight of white rule in South Africa to the fight to overthrow the apartheid regime, and most recently, her role over the past seven years in confronting the contemporary phenomena of violence and the dangers of HIV. The range of this book is staggering, and the work in totality celebrates the lively perseverance of the life-loving individual in the face of political tumult, then the onslaught of a globalized world. The abiding passionate spirit that informs "A South African Childhood," a youthful autobiographical piece published in The New Yorker in 1954, can be found in each of the book's ninety-one pieces that span a period of fifty-five years. Returning to a lifetime of nonfiction work has become an extraordinary experience for Gordimer. She takes from one of her revered great writers, Albert Camus, the conviction that the writer is a "responsible human being" attuned not alone to dedication to the creation of fiction but to the political vortex that inevitably encompasses twentieth- and twenty-first-century life. Born in 1923, Gordimer, who as a child was ambitious to become a ballet dancer, was recognized at fifteen as a writing prodigy. Her sensibility was as much shaped by wide reading as it was to eye-opening sight, passing on her way to school the grim labor compounds where black gold miners lived. These twin decisives-literature and politics-infuse the book, which includes historic accounts of the political atmosphere, firsthand, after the Sharpeville Massacre of 1960 and the Soweto uprising of 1976, as well as incisive close-up portraits of Nelson Mandela and Desmond Tutu, among others. Gordimer revisits the eternally relevant legacies of Tolstoy, Proust, and Flaubert, and engages vigorously with contemporaries like Susan Sontag, Octavio Paz, and Edward Said. But some of her most sensuous writing comes in her travelogues, where the politics of Africa blend seamlessly with its awe-inspiring nature-including spectacular recollections of childhood holidays beside South Africa's coast of the Indian Ocean and a riveting account of her journey the length of the Congo River in the wake of Conrad. Gordimer's body of work is an extraordinary vision of the world that harks back to the sensibilities-political, moral, and social-of Dickens and Tolstoy, but with a decidedly vivid contemporary consciousness. Telling Times becomes both a literary exploration and extraordinary document of social and political history in our times.

With her characteristic brilliance, Nobel Prize winner Nadine Gordimer follows the inner lives of characters confronted by unforeseen circumstances. An earthquake offers tragedy and opportunity in the title story, exposing both an ocean bed strewn with treasure and the avarice of the town's survivors. ?Mission Statement? is the story of a bureaucrat's idealism, the ghosts of colonial history, and a love affair with a government minister that ends astoundingly. And in ?Karma, ? Gordimer's inventiveness knows no bounds: in five returns to earthly life, a disembodied narrator, taking on different ages and genders, testifies to unfinished business and questions the nature of existence. Revelatory and powerful, these are stories that challenge our deepest convictions even as they dazzle us with their artful lyricism.