Living in Palestine as the wife of the British Attorney-General, Helen Bentwich was immersed in the politics and society of the early years of the British Mandate. Despite her connections she remained in some ways an outsider - a critical observer, writing candid weekly letters to her mother that give insight into the cauldron of races and traditions, the intolerance and the idealism, that lie behind the history of 20th-century Palestine and the foundation of the state of Israel. The selection of her letters in this book mixes political comment with details of personal life and gossip. The gossip reveals a society that has gone, but the political and religious problems are familiar today. Her family were well aware of the situation in Palestine, and she wanted to amuse rather than alarm them, but the frustrations and worries break through the letters' superficial cheerfulness to provide a picture of the period.

Ely Devons (1913-67) was a British economist and statistician who made notable contributions to a variety of areas. Originally published in 1950, this book contains a study of the way in which the Ministry of Aircraft Production planned production during the Second World War. Based upon Devons' firsthand experience within the planning division of the Ministry, the text forms a highly personal record of the ways in which production was planned, incorporating criticisms and judgements where necessary. A linear historical perspective is avoided, in favour of a systematic approach focusing on various aspects of the production process in turn. This book will be of value to anyone with an interest in British aircraft production and military history.

Originally published in 1983 and now reissued, a portrayal of middle-class Englishwomen in the interwar period which draws on the work of such novelists as May Sinclair, Rosamond Lehmann and Rebecca West.

The Burke that emerges from Professor Kramnick's sensitive reinterpretation--the troubled ambivalent bourgeois--is vastly more interesting and truly significant than the mythic defender of the old order that generations have worshipped and misunderstood.

Clare's memoirs of Berlin and its inhabitants in the aftermath of World War II aims to be a kaleidoscopic portrait of the defeated Germans and the British, American and French occupiers.

First published in 1970, The Pendulum Years argues that many of the striking features of the preceding decade stemmed from an underlying tension between the pull of the past and the pull of the future. Coruscating and often hilarious, it is an unparalled examination of epochal times.

He left us the legacy of heroes: the memory of his great name and the inspiration of his great example.'

"In 1982, rising actor and recent Royal Shakespeare Company arrival Antony Sher played the Fool to Michael Gambon's King in the RSC's production of King Lear. Shortly after, he came back to Stratford to play Richard III - a breakthrough performance that would transform his career, winning him the Laurence Olivier, Evening Standard and Critics' Circle Theatre Awards for Best Actor. Sher's record of the making of this historic theatrical event, Year of the King, has become a classic of theatre writing, a unique insight into the creation of a landmark Shakespearean performance. More than thirty years later, Antony Sher returned to Lear, this time in the title role, for the 2016 RSC production directed by Gregory Doran. Sher's performance was acclaimed by the Telegraph as 'a crowning achievement in a major career', and the show transferred from Stratford to London's Barbican. Once again, he kept a diary, capturing every step of his personal and creative journey to opening night. This book, Year of the Mad King: The Lear Diaries, is Sher's account of researching, rehearsing and performing one of Shakespeare's greatest roles. His honest, illuminating and witty commentary provides an intimate, first-hand look at the development of his Lear and the production as a whole. Also included are a selection of his paintings and sketches, many reproduced in full colour. Like his Year of the King and Year of the Fat Knight: The Falstaff Diaries before it, Year of the Mad King offers a fascinating perspective on the process of one of the greatest Shakespearean actors of his generation."--Provided by publisher.

Book by Halevy, Elie

This first in the six volume series covers the early 20s - the wave of post-war militancy, the negotiations between Marxist groups which led to the formation of the Communist Party, the Party's early organisation and political policies, and the coming into office and the fall of the First Labour Government.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

First Published in 1992. Perhaps two-thirds of present-day British Jewry can trace their origin to lands which now form part of the Soviet Union and which, 80 years ago, belonged to the Empire of the Tsars. Little research has been done to set the Jewish immigration into the context of Anglo-Russian relations and to assess the political and diplomatic implications of the domestic Jewish factor.] It is hoped that the present book will go some way to filling that gap. The work is offered as a contribution not only to Jewish history, but also to the history of Anglo-Soviet relations. Its appearance is timely, coinciding with radical changes taking place within Russia and the Soviet Union today which may well mark a turning point in their political history.

A revisionist interpretation of Anglo-Saxon England. Nicholas Howe proposes that the Anglo-Saxons fashioned a myth out of the 5th-century migration of their Germanic ancestors to Britain. Through the retelling of this story, the Anglo-Saxons ordered their complex history and identified their destiny as a people. Howe traces the migration myth throughout the literature of the Anglo-Saxon period, in poems, sermons, letters and histories from the sixth to the eleventh centuries.

From the 1850s to the 1950s, photography was one of the most open avenues for Jews in Britain to make a living, as well as to contribute to mainstream culture. If one’s picture was snapped for a price in Britain, the person behind the lens was more than likely born a Jew. Through the 1970s, Jews were prime movers behind nearly all things photographic in Britain, including photojournalism, portrait studios, collecting, applications of photography to the fine arts, and the emergence of photography criticism and history as distinct fields. Yet despite Jews having played such remarkable roles, far out of proportion to their number and in all facets of photography, little attention has been paid to ethnic-religious difference in studies of British photography.Richly illustrated with both color and black-and-white images, Jews and Photography in Britain is the first-ever historical investigation of this topic, ranging from the mid-nineteenth century to Queen Elizabeth’s controversial photo shoot with Annie Leibovitz in 2007. Michael Berkowitz explores subjects such as the attempts of H. W. Barnett to unsettle portrait conventions, the spectacular photo editing of Stefan Lorant, the influence of Erich Salomon on Fleet Street, the inception of the “Gernsheim Corpus” (a seminal resource for art historical research) conceived by Walter and Gertrud Gernsheim, the innovative photography practices at London’s Warburg Institute under Fritz Saxl, and the pioneering efforts at collecting and publishing about photography as history and art by Helmut and Alison Gernsheim.

With the abolition of the slave trade in 1807 and the Emancipation Act of 1833, Britain seemed to wash its hands of slavery. Not so, according to Marika Sherwood, who sets the record straight in this provocative new book. In fact, Sherwood demonstrates that Britain continued to contribute to the slave trade well after 1807, even into the twentieth century. Drawing on government documents and contemporary reports as well as published sources, she describes how slavery remained very much a part of British investment, commerce and empire, especially in funding and supplying goods for the trade in slaves and in the use of slave-grown produce. The nancial world of the City in London also depended on slavery, which - directly and indirectly - provided employment for millions of people. "After Abolition" also examines some of the causes and repercussions of continued British involvement in slavery and describes many of the apparently respectable villains, as well as the heroes, connected with the trade - at all levels of society. It contains important revelations about a darker side of British history, previously unexplored, which will provoke real questions about Britain's perceptions of its past