This volume presents two works by acclaimed Polish journalist Hanna Krall: The Subtenant, a semi-autobiographical novel, and To Outwit God, a remarkable interview with Marek Edelman, the last surviving leader of the Warsaw Ghetto uprising. The Subtenant explores the troubled and ever-shifting relationships between Poles and Jews, beginning with the author's concealment as a child during the Nazi years and ending in 1981 when martial law was declared in Poland. In To Outwit God, Edelman's words assault conventional assumptions about heroes and heroism, taking in his time not only in the Warsaw Ghetto but his careers as a physician and a Solidarity activist. Taken together, the two works form a powerful memoir of Jewish survival, a meditation on Polish-Jewish relations, and a commentary on the forces that have produced modern Polish opposition movements.

Text: English (translation) Original Language: Polish

Who was Herod the Great? How did he come to govern one of the most politically tumultuous regions in the world? Was he the heartless baby-killer of Matthew's Gospel, or does this popular tale do Herod a great disservice? Geza Vermes, whose work on the Historical Jesus and the Dead Sea Scrolls has made him one of the most recognisable names in Biblical and Jewish studies, provides a new portrait of Herod. Vermes examines Herod's legacy as a political leader, and a potentate, a man of culture, and an all-round smooth operator. Vermes opens up the fascinating character of Herod, from his sizable and fragile ego to his devastation at the execution of his beloved wife, an execution that Herod ordered himself. Beginning with the key historical sources (notably Josephus) Vermes moves on to consider Herod's greatest legacy and testament - his extensive building works, which include the Temple in Jerusalem, Masada and Herodium. Colour images, combined with Vermes' lively prose make this new picture of Herod an enticing and informative guide to one of ancient history's most misunderstood figures.

In Ferrara, Italy, an adolescent Jewish boy is led into misconduct and guilty knowledge by a cynical classmate, in the 1930's.

"Who Are the Jews ...? tackles perhaps the most urgent question facing the Jewish people today: Given unprecedented denominational tribalism, how can we Jews speak of ourselves in collective terms?"--

Contradictory stereotypes about Jewish sexuality pervade modern culture, from Lenny Bruce's hip eroticism to Woody Allen's little man with the big libido (and even bigger sexual neurosis). Does Judaism in fact liberate or repress sexual desire? David Biale does much more than answer that question as he traces Judaism's evolving position on sexuality, from the Bible and Talmud to Zionism up through American attitudes today. What he finds is a persistent conflict between asceticism and gratification, between procreation and pleasure. From the period of the Talmud onward, Biale says, Jewish culture continually struggled with sexual abstinence, attempting to incorporate the virtues of celibacy, as it absorbed them from Greco-Roman and Christian cultures, within a theology of procreation. He explores both the canonical writings of male authorities and the alternative voices of women, drawing from a fascinating range of sources that includes the Book of Ruth, Yiddish literature, the memoirs of the founders of Zionism, and the films of Woody Allen. Biale's historical reconstruction of Jewish sexuality sees the present through the past and the past through the present. He discovers an erotic tradition that is not dogmatic, but a record of real people struggling with questions that have challenged every human culture, and that have relevance for the dilemmas of both Jews and non-Jews today.

Over 500 illustrations document the Jewish contribution to American politics, commerce, industry, finance, labor, and the arts and highlight this survey of daily life and great Jewish personalities

Raoul Wallenberg, the Swedish diplomat who saved thousands of Budapest Jews in 1944-45, was arrested by the Soviets and taken to Moscow where he disappeared. Now, more than 70 years after these events, many mysteries about Wallenberg's life and fate persist. As both a literary detective story and historical investigation Alan Lelchuk uses a fictional investigation to explore what really happened.

Examines the effect of the Holocaust on traditional attempts to explain the Jewish people's sufferings while retaining the concept of covenant with God. also examines its influence on the self-image of American Jewry. Analyzes the works of Elie Wiesel, Isaac Bashevis Singer, Saul Bellow, and Cynthia Ozick, among others, and suggests that awareness of a covenantal concept of Judaism is a criterion for authentic Holocaust literature. Adopts the definition of the Holocaust as a unique event - the plan to exterminate an entire nation, and describes various approaches to theological problems raised by the Holocaust.

The world of ten-year-old Jacob and his younger brother Solly falls apart when they are orphaned and pitched into a Sydney children's home, where other refugee Jewish children are gathering as Hitler rises to power in Europe.

Sent by his father to observe and evaluate his uncle's South Carolina rice plantation, New York Jew Nathaniel Pereira is horrified by his first brush with the brutal realities of slavery, especially the irony of how a people who themselves lived in bondage for so long could now own slaves. His moral dilemma becomes even more complex after he becomes captivated by Liza, a beautiful slave who harbors a shattering secret.

Exile, Statelessness, and Migration explores the intertwined lives, careers, and writings of a group of prominent Jewish intellectuals during the mid-twentieth century―in particular, Theodor Adorno, Hannah Arendt, Walter Benjamin, Isaiah Berlin, Albert Hirschman, and Judith Shklar, as well as Hans Kelsen, Emmanuel Levinas, Gershom Scholem, and Leo Strauss. Informed by their Jewish identity and experiences of being outsiders, these thinkers produced one of the most brilliant and effervescent intellectual movements of modernity. Political philosopher Seyla Benhabib's starting point is that these thinkers faced migration, statelessness, and exile because of their Jewish origins, even if they did not take positions on specifically Jewish issues personally. The sense of belonging and not belonging, of being ?eternally half-other,? led them to confront essential questions: What does it mean for the individual to be an equal citizen and to wish to retain one's ethnic, cultural, and religious differences, or perhaps even to rid oneself of these differences altogether in modernity? Benhabib isolates four themes in their works: dilemmas of belonging and difference; exile, political voice, and loyalty; legality and legitimacy; and pluralism and the problem of judgment. Surveying the work of influential intellectuals, Exile, Statelessness, and Migration recovers the valuable plurality of their Jewish voices and develops their universal insights in the face of the crises of this new century.

In drama and in musical comedy, in popular song and in symphonic music, in movies and in literature, Jews have contributed to American culture in the 20th century to a degree out of all proportion to their numbers. But does this vast creative output coalesce into something identifiable as an American Jewish culture? Stephen J. Whitfield answers this question with a resounding "yes!" Whitfield focuses on areas where the specifically Jewish contribution has been little explored. He surveys such fields as popular music, musical theater, and drama, focusing on key figures from Jerome Kern and the Gershwins to Stephen Sondheim and Jerome Robbins; Leonard Bernstein and Aaron Copland to Irving Berlin and Bob Dylan; Arthur Miller and Lillian Hellman to David Mamet and Wendy Wasserstein. At the same time, Whitfield tackles the complex issue of race and American Jewish culture, tracing the extensive interpenetrations of Jewish and African American music. He also offers a stunning examination of Jewish American representations of the Holocaust, focusing on stage and film adaptations of Anne Frank's Diary and on Steven Spielberg's Schindler's List. In a poignant, final chapter, Whitfield ponders the future of American Jewish culture after a century of assimilationist pressure and mainstream success. The distinctive culture that he has traced through the 20th century, Whitfield concludes, may finally become submerged and lost. Only a renewed emphasis on Judaism itself, he believes, offers the hope for American Jews to maintain the dual cultural identities that they have so long succeeded in nurturing --

"'Emotions in Jewish Music' is an insider's view of music's impact on Jewish devotion and identity. Written by cantors who have devoted themselves to the study and execution of Jewish music, the book's six chapters explore a wide range of musical contexts and encounters. Topics include the spiritual influence of secular Israeli tunes, the use and meaning of traditional synagogue modes, and the changing nature of Jewish worship. The approaches are both personal and scholarly, describing the experiential side of Jewish music in both practical and philosophical terms. 'Emotions in Jewish Music' reveals much about the emotional aspects of Jewish musical expression"--Page 4 of cover.

Call It English identifies the distinctive voice of Jewish American literature by recovering the multilingual Jewish culture that Jews brought to the United States in their creative encounter with English. In transnational readings of works from the late-nineteenth century to the present by both immigrant and postimmigrant generations, Hana Wirth-Nesher traces the evolution of Yiddish and Hebrew in modern Jewish American prose writing through dialect and accent, cross-cultural translations, and bilingual wordplay. Call It English tells a story of preoccupation with pronunciation, diction, translation, the figurality of Hebrew letters, and the linguistic dimension of home and exile in a culture constituted of sacred, secular, familial, and ancestral languages. Through readings of works by Abraham Cahan, Mary Antin, Henry Roth, Delmore Schwartz, Bernard Malamud, Saul Bellow, Cynthia Ozick, Grace Paley, Philip Roth, Aryeh Lev Stollman, and other writers, it demonstrates how inventive literary strategies are sites of loss and gain, evasion and invention. The first part of the book examines immigrant writing that enacts the drama of acquiring and relinquishing language in an America marked by language debates, local color writing, and nativism. The second part addresses multilingual writing by native-born authors in response to Jewish America's postwar social transformation and to the Holocaust. A profound and eloquently written exploration of bilingual aesthetics and cross-cultural translation, Call It English resounds also with pertinence to other minority and ethnic literatures in the United States.

Deepens and enriches our understanding of the Jewish literary tradition and the implications of the Shoah. Challenging the notion that Jewish American and Holocaust literature have exhausted their limits, this volume reexamines these closely linked traditions in light of recent postmodern theory. Composed against the tumultuous background of great cultural transition and unprecedented state-sponsored systematic murder, Jewish American and Holocaust literature both address the concerns of postmodern human existence in extremis. In addition to exploring how various mythic and literary themes are deconstructed in the lurid light of Auschwitz, this book provides critical reassessments of Saul Bellow, Bernard Malamud, and Philip Roth, as well as contemporary Jewish American writers who are extending this vibrant tradition into the new millennium. These essays deepen and enrich our understanding of the Jewish literary tradition and the implications of the Shoah.

Now available in paperback for the first time, with a new introduction, the poignant and insightful memoir from Yossi Klein Halevi, the award-winning journalist and author of the acclaimed Like Dreamers—a coming-of-age story about a traumatic family history, radical politics, and spiritual transformation that speaks to a new generation struggling to understand what it means to be Jewish in America. The child of a Holocaust survivor, Yossi Klein Halevi grew up in 1960s Brooklyn perceiving reality through the lens of his family’s brutal past. Increasingly identifying with their history of suffering, he regarded the non-Jewish world with fear and loathing. Determined to take action—and seek retribution—he became a disciple of the late rabbi Meir Kahane and a member of the radical fringe of the American Jewish community. In this wry and moving account, Halevi explores the deep-rooted anger of his adolescence and early adulthood that fueled his increasingly aggressive activism. He reveals how he started to question his beliefs—and his self-inflicted suffering as a hostage of history—and see the world from his own clear perspective. As a journalist and author, Halevi has dedicated himself to fostering interfaith reconciliation. Memoirs of a Jewish Extremist explains how such a transformation can happen—giving hope that peaceful coexistence between faiths is possible.

It has taken me a long time to piece all this together. Memories come not like heavy rain but the drops falling from leaves after it. There were elements missing. At last I knew I would not be whole until I found them... June Cohen was born on Human Street in 1929. Her street ran through the centre of Krugersdorp, a mining town near Johannesburg where June's father, Laurie, a doctor, and his wife of Lithuanian Jewish heritage, had decided to establish themselves thirty years on from the family's crossing to South Africa. June was named after the month she was born in. In the wake of his mother's death, New York Times columnist Roger Cohen embarks on a compassionate and sensitive portrait of the journeys made by both his maternal and paternal family, exploring the stories that have filtered through to him since childhood. Told through personal letters and collective memories, Cohen follows his family from Lithuania to South Africa, England, the United States and Israel. He illuminates the uneasy resonance of the racism his relatives witnessed living in apartheid-era South Africa and explores the pervasive sense of 'otherness' that originated from his Jewish heritage of persecution and from the repeated loss that accompanied his forebears' multiple migrations. And through this, he begins to understand better the manic depression that has permeated his family and that plagued his mother until her last moments. A sweeping family story spanning continents, families and great swathes of history, Roger Cohen's deeply personal examination of Jewish identity is a tale of displacement and remembrance, an account of suicide and resilience, a meditation on identity and belonging, a classic for our times.

"The emergence of the state of Israel has fundamentally changed the conditions of Jewish existence. The issues now facing Jews everywhere are totally different to those that confronted them only fifty years ago.This book provides the only thoroughly worldwide modern history of the Jews of the Diaspora. Robert Wistrich has drawn together an outstanding collection of authors from the United States, Europe and Israel in order to analyse the immense changes that have taken place since 1945 in a comprehensive, yet original, manner.Cultural, religious, domestic, political, economic and occupational transformations in Jewry are addressed in up-to-date studies.Terms of Survival reframes the nature of the debate by highlighting continuity and change in the position of the Jews throughout the world." --